Retro Television Review: St. Elsewhere 4.10 “Loss of Power”

Posted on September 11, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Daily Motion.

This week, the lights go out.

Episode 4.10 “Loss of Power”

(Dir by Mark Tinker, originally aired on December 11th, 1985)

Due to a blizzard, the power has gone down in Boston. At St. Eligius, the backup generator comes to a sputtering and unreliable life. Over the course of the night shift, many things happen in the dark.

Dr. Craig successfully performs lifesaving surgery without being able to use any of the tools that surgeons have come to take for granted. After the grueling operation is completed, he leaves the ER without thanking anyone else. Dr. Wade chases after him and tells him that he should have at least told everyone that they did a good job. Dr. Craig replies that everyone did their job like they were supposed to. Just the fact that he allows them into his operating room should be thanks enough.

Pru Dowler (Amanda Wyss), the developmentally challenged teenager who was caught having sex in her hospital room a few episodes ago, returns with her mother (Terrence O’Connor). Pru has been having stomach pains and morning sickness. After Dr. Morrison confirms that Pru is pregnant, her mother says that Pru will be having an abortion. Morrison tries to talk her out of it, to no avail.

Working at the nurses’ station, Helen Rosenthal gets a summons to appear in court. Lucy is suing over the incident in which Helen slapped her.

Fiscus and Mona have sex in the hospital and, when Fiscus proposes, Mona accepts.

Elliott treats a patient who claims that he’s going to turn into either a vampire or a werewolf at midnight. Elliott thinks that the man belongs in the psych ward, but then he discovers that the man is actually suffering from a real condition that makes it difficult for him to go out during the day. The man spent so much time being made fun of for his nocturnal lifestyle that he eventually decided that he really was a vampire.

And finally, Dr. Westphall is stuck in an elevator with a claustrophobic man (Michael Des Barres) who is also named Donald. Stuck in an elevator with a stranger, Westphall does what he always does. He uses the situation as an excuse to start talking about the volunteer work he did in Ethiopia and how disappointed he is that everyone doesn’t share his attitude when it comes to community outreach. The other Donald responds by talking about the time he was thrown in jail for marijuana possession. Eventually, the other Donald dislocates his shoulder when he throws himself against the elevator doors.

Seriously, can you think of anything worse than being stuck in an elevator with Donald Westphall? Westphall is already one of the most depressing people on the planet. Now imagine being trapped in a confined space with him. Once again, this episode proves that Westphall can take any situation and turn it into a lesson about how he’s right and everyone else is wrong.

That said, I liked this episode. It reminded me of the season-one episode that featured a small group of doctors working the night shift. It was interesting to see how everyone adjusted to the darkness. This was a workplace episode in which we watched as everyone did their best under less than ideal conditions. In the end, it was obvious that Dr. Craig was correct.

His people are the best.

It would just be nice if he would let them know that once in a while.

Retro Television Review: St. Elsewhere 4.9 “Sanctuary”

Posted on September 4, 2026 by Lisa Marie Bowman

This week, Westphall finds something else to feel depressed about.

Episode 4.9 “Sanctuary”

(Dir by Eric Laneuville, originally aired on December 4th, 1985)

Dr. Ehrlich has been demoted to gynecology, the department he most fears. He even begs Dr. Caldwell to allow him to return to plastic surgery, but Caldwell has no sympathy for him. Caldwell tells Ehrlich that he’s a loser and that he’ll always be a loser.

Well, Ehrlich may be a loser, but he also helps deliver a baby in this episode and learns that he can actually get through the day without offending someone. Bobby Caldwell, on the other hand, makes a joke about Lucy’s breasts in front of a patient and ends up getting reported for sexual harassment. When Lucy points out to Auschlander that Caldwell’s statement was both demeaning and uttered in front of a patient, Caldwell argues that Lucy is taking things too personally and that he was just joking. (Ugh. Every woman has had a Bobby Caldwell in her life.) Auschlander asks Lucy to leave the room and then tells Bobby that if he ever makes another joke like that, he’ll be fired. While it’s good that Auschlander makes it clear that Bobby’s conduct was unprofessional, sending Lucy out of the room beforehand only leaves her feeling more isolated. Auschlander is willing to reprimand Caldwell, but only in private, a consideration that Bobby wasn’t willing to show Lucy.

Lucy is angry, and it doesn’t help that Nurse Rosenthal essentially says that Lucy only has herself to blame for being too flirtatious with the doctors in the past. Oh God, this episode was not easy for me to watch. I used to work as an administrative assistant. My boss was a good guy who always treated me with respect. (It undoubtedly helped that he was a good friend of my mom’s and we had more of a father/daughter relationship than a standard boss/employee relationship.) However, I lost track of the number of other men who would tell me that they appreciated it whenever I wore a skirt or who would hang out at my desk and watch whenever I had to lean forward for any particular reason. I would smile and say something silly in response because that just seemed like the easiest way to deal with things. The other women who worked in the building always told me that I should “dress down,” but I didn’t want to do that. I just wanted to be myself.

Meanwhile, Dr. Fiscus loses a patient, a homeless man (Mark Casella) who once helped Fiscus move. Before the man dies, he sees an Egyptian sarcophagus being X-rayed and comments on how people still remember the rulers of ancient Egypt but no one is going to remember him. After he dies, Fiscus and his girlfriend, X-ray technician Mona Polita (Leah Ayres), wrap the man’s body and put him in an empty sarcophagus.

Finally, Westphall’s new housekeeper, Morena (Edith Diaz), is rushed to the ER with back pain. With the help of Dr. Morrison (who speaks fluent Spanish as a result of attending a South American medical school), Westphall learns that Morena was tortured in her native El Salvador. As usual, Dr. Westphall makes Morena’s tragedy all about himself by using her as an example of why the hospital needs to adopt Westphall’s plans to reach out to the community.

The next day, Westphall snaps at the residents about their lack of community spirit. Fiscus finally snaps that he’s sick of being lectured by Westphall and leaves the room. Good for Fiscus! Seriously, Westphall’s self-righteousness has been unbearable this season. Just because Westphall can’t figure out how to communicate with his autistic son, he’s been making everyone else’s life miserable.

This was another rather sad episode of St. Elsewhere. There’s not much happiness to be found in St. Eligius. That said, Lucy’s storyline was touching and also a reminder that, in some ways, 2026 is not that different from 1985. And I was glad that the poor homeless man was given a burial fit for a king. If nothing else, Fiscus will never forget him.

Retro Television Review: St. Elsewhere 4.8 “Watch The Skies”

Posted on August 28, 2026 by Lisa Marie Bowman

This week, the hospital becomes a very sad place.

Episode 4.8 “Watch the Skies”

(Dir by Bethany Rooney, originally aired on November 27, 1985)

Mr. Zapata (Frank Ramirez) comes to the ER complaining of stomach pains. He tells Dr. Fiscus that he doesn’t have time for an examination. He just needs something for the pain so he can go back to his job on the loading docks. Fiscus calls in Dr. Westphall, the most depressing man on the planet, for a consult. When Zapata faints, Westphall diagnoses him as suffering from malnutrition. Zapata is an immigrant from El Salvador, and all of his money goes to paying for food for his kids and younger siblings. When he’s given food at the hospital, he insists that his sister, Morena (Edith Diaz), be allowed to take it home for the family.

It’s a sad story. Of course, Westphall makes it all about himself and his struggle to get the Hospital Board to approve his social outreach programs. For the thousandth time this season, he tells Auschlander that he thought people would automatically agree to all of his ideas. Westphall is the only character I know who can meet a man who is starving and turn it into a pity party for himself.

Speaking of sad stories, Colonel Cochrane (David Ackroyd) is informed that, even if he does regain the ability to walk, he will probably never be allowed to ride in another space shuttle. NASA feels that Cochrane’s religious fervor would make people nervous. (Really?) Cochrane’s wife gets frustrated with him always talking about God and leaves him. Cochrane has yet another vision of himself floating in space. He falls out of his hospital bed and nearly breaks his neck. Dr. Morrison tells Cochrane that God would not want him to destroy himself.

Poor Dr. Morrison. He spends this entire episode getting physically ill because he’s so worried about taking his third remedial exam. It’s actually kind of amazing that Morrison is being allowed to treat high-profile patients (like the astronaut) when he really shouldn’t even be allowed to practice medicine in the first place. (Last season, in case you forgot, Morrison confessed to getting his medical degree from a fly-by-night medical school in South America.)

When Dr. Turner’s ex-husband (Charles Weldon) comes to the hospital and asks her to consider returning to her hometown in Mississippi and serving as the town’s doctor, Chandler gets jealous. Turner informs Chandler that he’ll never be a good doctor unless he learns how to care about other people. Then she dumps him.

At the insistence of Bobby Caldwell, Ehrlich is kicked out of his plastic surgery rotation and assigned to gynecology. Meanwhile, Bobby continues to be a sleaze who hits on every woman in the hospital while obsessing over his new facial scar.

Nurse Rosenthal gets into an argument with abrasive Nurse Lucy Papandrao (Jennifer Savidge). Rosenthal accuses Lucy of being “autocratic.” Lucy accuses Rosenthal of being a suck-up who brings all of her personal problems into the hospital and whose “bratty kids are calling up here all the time.” Rosenthal slaps Lucy. Somehow, Rosenthal does not lose her job, which kind of supports Lucy’s claim that Rosenthal gets special treatment.

Seriously, is no one happy at St. Eligius?

Well, there is one happy couple, and their identity might surprise you. When Dr. Craig comes into work, he finds Gene Galecki (Ramon Bieri) waiting for him with Dr. Craig’s infant granddaughter, Barbara. Gene explains that Yvonne seems to be reacting well but that she still has a long way to go in her recovery. Gene says that he and his wife are going to have to devote all of their time to taking care of Yvonne. He asks Dr. Craig to look after Barbara. Dr. Craig agrees. When he calls Ellen and gives her the news, she’s overjoyed. For that matter, so is Dr. Craig.

So Mark and Ellen Craig end this episode happy. Who would have guessed? Personally, I’m happy for them. Watching this show, it’s easy to get used to the idea of Dr. Craig as always being sarcastic and prickly. This episode reminds us that Dr. Craig is just as compelling when he’s in a good mood.

In the end, there’s a lot of sadness in this episode. Fortunately, there’s some happiness too. That’s a lesson for us all.

Retro Television Review: St. Elsewhere 4.7 “Close Encounters”

Posted on August 21, 2026 by Lisa Marie Bowman

This week, John Doe No. 6 returns.

Episode 4.7 “Close Encounters”

(Dir by Eric Laneuville, originally aired on November 20th, 1985)

This episode begins with a jolt. Dr. Victor Ehrlich is actually choosing to be ethical as opposed to just kissing up. Ehrlich is currently doing a rotation in plastic surgery, where he’s working with Bobby Caldwell. Caldwell already disliked Ehrlich before Ehrlich even joined the department. Caldwell’s opinion is not improved when he discovers that Ehrlich has talked a patient out of getting an eye tuck that Caldwell recommended. When Caldwell confronts him, Ehrlich argues that the surgery wasn’t necessary and that Caldwell manipulated the man into agreeing because Caldwell’s department is currently on the chopping block. When Ehrlich threatens to go to Dr. Craig, Caldwell sneers. Dr. Craig is the one who personally recruited Caldwell to come to St. Eligius. Ehrlich, on the other hand, is just “the hospital clown.”

Yikes. When Bobby Caldwell was introduced two seasons ago, he was mild-mannered and likable and clearly on the show because Mark Harmon looked good without a shirt on. This season, Caldwell has been arrogant and self-destructive. The fresh scar on his face has become a symbol for the scar on his soul. Personally, I think Bobby is a much more interesting character now. Every soap opera needs a villain and, by the time the fourth season started, St. Elsewhere had definitely become a soap opera.

As for Dr. Craig, he’s not there to talk to Ehrlich because he’s accompanied his daughter-in-law to her hometown in Clinton, New York. Yvonne (Suzanne Lederer) has been in a coma ever since Stephen Craig flipped their car. In this episode, she finally opens her eyes but she still isn’t speaking or mobile. Along with helping to transfer Yvonne to a new hospital, Craig has another reason for going to New York. He’s promised Ellen that he will return with their granddaughter, Barbara. However, when Dr. Craig spends the night there, he discovers that Yvonne’s parents aren’t the backward monsters that he assumed they were. He sees that they love Barbara and that they are taking care of her. Though he doesn’t say it, one gets the feeling that Dr. Craig realizes that Ellen mostly just wants custody of Barbara so she can have a part of Stephen. In New York, Dr. Craig finally starts to understand why Stephen and Yvonne designated Yvonne’s parents as Barbara’s legal guardians. Dr. Craig returns to Boston without Barbara. “I hate you for this, Mark,” Ellen says.

Meanwhile, astronaut Col. Chuck Cochrane (David Ackroyd) has decided that his seizure and subsequent dream were all signs from God telling him not to return to space. NASA, concerned that Cochrane is going to give the program a bad name, sends Captain Gloria Neal (Betty White) to the hospital. (Gloria mentions that she was sent by Major Healey, which is undoubtedly a reference to Roger Healey from I Dream of Jeannie.) Because Gloria went to medical school with Dr. Westphall, NASA thinks that she’ll be able to influence him to discharge Cochrane from the hospital so that he can be taken back to Walter Reed and forced to rejoin the space program. Westphall, however, decides to support Dr. Morrison’s decision not to discharge Cochrane. Westphall goes on to tell Gloria that she’s not much of a doctor anymore. She’s just a PR agent for the government. “So, I guess we won’t be sleeping together,” Gloria replies.

Ugh, Westphall. I know that I spent a lot of time complaining about Dr. Westphall, but this episode really epitomized everything that I dislike about the character. When he’s not depressed, he’s self-righteous. Whenever anyone disagrees with him, he starts talking about his experiences volunteering at a clinic in Ethiopia, as if that experience automatically makes his opinion superior to anyone else’s. In this episode, he decides that it’s his place to judge Gloria’s life decisions. Seriously, Westphall is the worst!

Finally, John Doe No. 6 (Oliver Clark) is back. He’s recovered from the surgery that initially left him comatose. He can speak and move again but he still has amnesia. He’s back in the psych ward. While watching television, he suddenly realizes who he is. He’s Mary Richards from The Mary Tyler Moore Show! He decides that a fellow patient, Mr. Carlin (Jack Riley), is Mary’s friend Rhoda. Dr. Auschlander is Mary’s co-worker, Murray. He tries to throw a party in the psych ward and it’s awful because Mary’s parties are always awful! When he sees Gloria Neal walking down the hospital hallway, he thinks that she’s Sue Ann Nivens, the happy homemaker! “Excuse me?” Gloria asks, confused.

Of course, Betty White did play Sue Ann Nivens on The Mary Tyler Moore Show. (St. Elsewhere itself was produced by Mary Tyler Moore’s production company.) Even more interesting, however, is that Jack Riley previously played Mr. Carlin on The Bob Newhart Show. Oliver Clark also appeared on The Bob Newhart Show, playing Mr. Herd, who was a member of the same therapy group as Mr. Carlin. As such, viewers who had previously seen The Bob Newhart Show (whether during its original run or, if you’re like me, via reruns) would have known that John Doe No. 6 was actually Mr. Herd. The episode’s biggest mystery is easily solved by those with a knowledge of television history. At the same time, it’s also interesting to note that Mr. Carlin presumably recognizes John Doe No. 6 but has yet to let anyone know.

It makes for a bizarre but enjoyable episode. Bobby is turning into a monster. The Craigs are headed for divorce. Dr. Westphall just insulted Betty White. But even with all that, it’s hard not to get caught up in John Doe No. 6’s joy. He’s going to make it after all!

Retro Television Review: St. Elsewhere 4.6 “Lost and Found In Space”

Posted on August 14, 2026 by Lisa Marie Bowman

This week, it’s not just the patients who need to be stitched up.

Episode 4.6 “Lost and Found In Space”

(Dir by Robert Becker, originally aired on November 13th, 1985)

Bobby Caldwell lives!

Things were looking pretty bad for Bobby last week. As you may remember, he picked up a waitress, took her to his Cape Cod home, and then ended up getting slashed across the face when she pulled a razor blade out from under her tongue. This week, Bobby is wandering around the hospital with a huge bandage on his face and telling everyone that he had an “accident.” It’s only to Dr. Turner that he confesses that he was attacked by the waitress. Bobby claims that he responded by punching her and that he then called the police.

Bobby spends this episode in a truly foul mood. Not only does he have a bandage on his face but he’s also been told that the Hospital Review Board doesn’t feel that he’s performing enough surgeries for the residents to really get the training that they need. (“We’re a teaching hospital,” Dr. Craig explains.) Bobby pressures an old man into getting a face lift that he really doesn’t need. Even Victor thinks that the surgery is unethical. I mean, when you’ve lost Victor Ehrlich….

Meanwhile, Dr. Westphall is finally released from the hospital after fainting due to the Malaria that he brought back from working abroad. Westphall is depressed about the whole thing. Westphall is always depressed. Even when his daughter comes home to help out, Westphall is depressed to see her. Cheer up, Westphall!

After weeks of trying to lose weight, Elliot discovers that he’s actually gained three pounds. What’s worse is that his girlfriend, Marcy (Jeannie Elias), lost weight at the same time that Elliot was gaining weight and, when she sees that he’s just as heavy as ever, she dumps him.

Amongst the patients, Pru Dowler (Amanda Wyss) and Buddy Askew (Mark Baker) are two developmentally challenged teenagers who end up “procreating” (as Luther puts it) in Pru’s hospital room. Dr. Craig takes it upon himself to discuss what happened when Pru and it’s just as awkward as you might expect.

Col. Chuck Cochrane (David Ackroyd) is an astronaut who collapses while giving a speech. In the hospital, he has nightmares about being trapped in space. The whole storyline brought to mind The Ninth Configuration, a film that perhaps not coincidentally starred the future Donald Westphall himself, Ed Flanders.

The highlight of this episode was undoubtedly William Daniels’s performance as Dr. Craig. With Dr. Westphall recovering his illness, the day-to-day tasks of running the hospital fell on Dr. Craig and he was not at all happy about it. On this show, William Daniels is always at his best when Dr. Craig is in a bad mood. Before going on rounds, Dr. Craig predicted that Dr. Morrison would show up late and have some overly complicated excuse. Morrison did just that and it was hard not to smile at Craig’s exasperation. At the same time, it is made clear that the main reason that Craig is upset is because his granddaughter has been taken away from him. It was hard not to feel bad for him, even when he was biting everyone’s heads off.

This was not a happy episode. No one in the hospital seems to be doing well. Bobby is bitter. Dr. Craig is angry. Elliott is feeling defeated. And Westphall …. well, he’s just Westphall. Fortunately, the strong cast and the smart writing made up for the fact that St. Eligius isn’t a happy place right now.

Seriously, I could watch William Daniels yell at people all day.

Retro Television Review: St. Elsewhere 4.5 “Slice O’Life”

Posted on August 7, 2026 by Lisa Marie Bowman

This week, it’s a busy few days in Boston.

Episode 4.5 “Slice O’Life”

(Dir by Eric Laneuville, originally aired on November 6th, 1985)

Oh, the drama!

Elliot is still struggling to lose weight.

Fiscus is having an early midlife crisis, especially when a cancer patient (Todd Susman) philosophically accepts that the treatment is going to leave him impotent. The patient has lived a life with meaning. What has Fiscus done?

Dr. Craig finally admits to Ellen that he knows he was too hard on their now dead son. They are both preparing to raise their granddaughter, Barbara, in their home. However, Yvonne’s parents (Ramon Bieri and K Callan) arrive in Boston for a visit. They are so blue collar and, in Dr. Craig’s eyes, unsophisticated that they almost seems like caricatures of what the rich think the poor are like. They reveal that Stephen and Yvonne asked them to serve as Barbara’s legal guardians in case anything happened. At first, Ellen refuses to let them take Barbara. “Get your wife in check,” Yvonne’s father says. “I’ll see you in court,” Dr. Craig replies.

After complaining about feeling like he has a cold and then getting upset about the Hospital Board not immediately approving all of his projects, Dr. Westphall collapses in the St. Eligius stairwell. It turns out that he has Malaria. Apparently, a self-righteous attitude and a bunch of impractical ideas were not the only things Westphall brought home from Ethiopia.

Finally, Bobby spends another weekend up at Cape Cod. He picks up a local woman. They have what Bobby is probably expecting to be just another one night stand. The woman, however, has a razor blade that she’s hidden under her tongue (yikes!) and proceeds to slice Bobby across his face.

AGCK!

Up until that ending, this was a fairly typical episode of St. Elsewhere. It looked like the big drama was going to be the Craigs temporarily losing Barbara. Instead, the drama is that Bobby might be dead!

Oh, poor Mark Harmon. When he first started playing the role on this show, Bobby was portrayed as being a nice guy who was a little boring. The show really had no idea what to do with him, other than have him occasionally take his shirt off. For the fourth season, the show’s writers turned him into an arrogant hedonist. On the one hand, I’m sure there are a lot of doctors like Bobby Caldwell. On the other hand, the change really does seem to have come out of nowhere. And now, he might be dead. I guess the lesson here is to stay away from Cape Cod!

The attack on Bobby ultimately overshadows everything else that happened in this episode. I will say that, before Bobby got attacked, I was enjoying Dr. Craig’s rather snobbish reaction to Yvonne’s parents. As for Dr. Westphall …. eh. Westphall’s kind of become a one trick pony. He’s depressed and he wants the world to know it. I know quite a few people like Dr. Westphall in real life, which is probably why I get so annoyed with his character on the show.

Seriously, Westphall, cheer up!

Retro Television Review: St. Elsewhere 4.4 “The Naked and the Dead”

Posted on July 31, 2026 by Lisa Marie Bowman

Life is getting dark in Boston!

Episode 4.4 “The Naked and the Dead”

(Dir by Leo Penn, originally aired on October 30th, 1985)

This episode opens with Dr. Craig in an even worse mood than usual. There’s two newspapers in Boston and they each have a totally different weather forecast. One says that the day is going to be warm and sunny. The other says to expect rain. How is Dr. Craig supposed to know whether or not take an umbrella to the hospital!? Ellen, meanwhile, is preparing for Stephen’s funeral, which is going to be held later in the day.

Yes, Dr. Craig does go to the hospital on the day of his son’s funeral. He says that he has no choice because his patients need him but it’s obvious that the hospital is his way of avoiding the grief and guilt that he feels over the death of his son. Ellen worries about whether or not Stephen will be buried in a comfortable suit. Dr. Craig yells at a post-op patient for smoking and eating too much. They’re both dealing with their sadness.

Dr. Westphall, meanwhile, deals with his nonstop depression by coming up with new (and impractical) community projects for the hospital. In this episode, he leaves Tommy with a babysitter so that he can try to persuade the Board of Directors to fund his latest project, a clinic devoted to battling malnutrition. The Board turns him down. Westphall returns home a depressed. That’s nothing new. Westphall is always depressed. That said, this was the first episode in which I really felt as if I understood Westphall’s depression. Westphall feels guilty because, for all of his medical training, he still doesn’t understand his son’s autism. So, instead of dealing with Tommy, Westphall throws himself into the hospital. He’s really not that much different from Dr. Craig.

While that’s going on, Bobby hooks up with a physical therapist at the hospital. Nurse Lucy (Jennifer Savidge) steals his scrubs and we get the sight of a half-naked Mark Harmon running through the hospital. Meanwhile, an aspiring teenage photographer (Robert Romanus — DAMONE FROM FAST TIMES AT RIDGEMONT HIGH!) is beaten up when he sells some bad drugs to the other inhabitants of the group home where he lives. The photographer is dead by the end of the episode. It’s just that type of day.

This episode ends with Dr. Craig and his wife going to the funeral. It’s raining, of course.

Wow, what a depressing episode! Fortunately, the strong ensemble cast kept things bearable, even though there wasn’t much happiness to be found over the course of the hour. Still, I worry about Dr. Craig. He really does seem like he’s just a few days away from snapping. Hopefully, he’ll express his grief at some point. It’s not good to hold all that in. We know there’s a bar near the hospital and Dr. Craig seems like he’s on the verge of becoming a regular.

Are things going to continue to get dark or is Boston going to see happier day? We’ll find out next week!

Retro Television Review: St. Elsewhere 4.2 “Fathers and Sons”

Posted on July 10, 2026 by Lisa Marie Bowman

This week, Dr. Craig’s son returns home.

Episode 4.2 “Fathers and Sons”

(Dir by Mark Tinker, originally aired on September 25th, 1985)

In this episode, we discover what Dr. Westphall did after he left St. Eligius. After checking Tommy into a special school for autistic children, Westphall went to Africa and volunteered his time at a clinic. Now that he’s returned to Boston, he wants St. Eligius and its residents to follow his example. In fact, he’s requiring it. He wants to set up a free clinic. He wants to set up a charity. He tells the residents that they will now be required to volunteer in the community. He’s planning on shaking things up. Auschlander tells Westphall that not all of his plans are practical. Westphall says that he doesn’t care.

Westphall also proceeds to move back into his old house and he retrieves Tommy from the school. (Tommy responds by hitting Westphall.) It’s actually pretty easy to see what’s happening here. At the end of the previous season, Westphall was determined to move on with his life. He was going to leave his depressing house. He was going to admit that he couldn’t raise Tommy by himself. However, now that he’s returned to Boston, Westphall is returning to his old life while expecting St. Eligius to change. Westphall is channeling his personal frustrations into the hospital. I don’t think this is going to go well.

Speaking of change, Luther is training to become a paramedic. In this episode, he rides around in an ambulance with two bickering paramedics who are also a couple (played by Adam Arkin and Melanie Chartoff). This storyline allowed the action to move beyond the confines at the hospital and, at times, it almost played like a parody of a more traditional medical show. Luther becomes a stand-in for the viewer, watching as the domestic drama unfolds in between medical emergencies.

The majority of the episode revolves around Dr. Craig, who is not happy that his son, Stephen (Scott Paulin), is visiting with his very pregnant wife, Yvonne (Suzanne Lederer). When we last saw Stephen, he was a hotshot Ivy League medical student with a bright future ahead of him. Then he got busted for drug possession and Dr. Craig stopped speaking about him. In this episode, we learn that Stephen is now a student at Ohio State. Stephen claims that he’s no longer on drugs but it’s obvious that Dr. Craig is never going to be able to forgive Stephen for letting him down. That said, Dr. Craig does soften a bit when he talks to Yvonne and she lets him feel the baby kicking.

At the end of the episode, Stephen is driving down a street in Boston. He’s just had dinner with his parents. Yvonne is in the passenger’s seat. A quick shot of Stephen’s eyes reveal that he’s high on something. Yvonne screams as Stephen crashes the car. Yikes! That’s a frightening way to end things!

This was a good episode. It appears that, with the start of season four, the showrunners finally figured out that Dr. Craig was the most interesting character on the show. William Daniels and Bonnie Bartlett are both excellent in this episode.

I just hope the baby will be okay.

Icarus File No. 29: 1776 (dir by Peter R. Hunt)

Posted on July 1, 2026 by Lisa Marie Bowman

The year is 1776. The British have landed in Canada and are now marching towards New York with the intention of putting down a revolultion that has sprung up over issues like unfair taxation. In Philadelphia, John Adams (William Daniels) is frustrated by the refusal the second Continental Congress to take up debate on whether or not the 13 North American colonies should announce their official independence from Britian. Every day, Adams steps into the chamber and demands that the Congress take some action. And, every day, his fellow deletates sing, “Sit down, John!”

Yes, you read that correctly. They sing it.

Based on a 1969 Broadway musical, 1776 features a lot of singing, a lot talking, and not much else. This is a film about the debate surrounding the writing of the Declaraiton of Independence that sometimes feels as if it’s telling its story in real time. It’s no shock when Benjaming Franklin (Howard Da Silva) continually falls asleep at his desk or when Thomas Jefferson (Ken Howard) sings that he’d rather be home. This is a nearly 3-hour film that feels like 3 months. Some films about the Revolutionary War emphasize the brilliance of the Founding Fathers. Some films emphazie the struggle to be free. Other films emphasize the daily violence of serving in the army. 1776 captures the monotony of being trapped in a room full of cranky middle-aged men who will not stop talking. The film dutifully captures every debate and controversy. When John Adams shouts at everyone to get on with it, it’s hard not to sympathize until you realize that Adams himself is a huge reason why nothing ever seems to get done. There’s only so many hours in the day that can be devoted to singing songs.

Perhaps the most shocking thing about 1776 is that it was realsed in 1972. Nothing about 1776 suggests that it’s a product of the same era in which Bob Fosse was redefining the musical with Caberet and Francis Ford Coppola was refefining the historial epic with The Godfather and John Boorman was risking the lives of Burt Reynolds and Jon Voight to capture a weekend rafting trip. There’s nothing about Peter R. Hunt’s direction to suggest that this film was made in the same era that saw Robert Altman playfully reinventing genres ranging from the service comedy to the detective film to the ensemble musical. At a time when American directors were rebelling against convention and experimenting with new ways to tell stories, 1776 is a lengthy, dramatically inert and stagebound Broadway adaptation. In style and look, it feels like a cinematic product of the 1950s or the early 60s, a film that was made when Hollywood’s only competition was from television. Even Thomas Jefferson’s longing for his wife (Blythe Danner) is played discreetly. When she finally does show up in Philadelphia, Jefferson closes the shudders. When John Adams and Benjamin Franklin notice that the shudders are still closed hours later, it’s treated as a moment for everyone in the audience to turn red as they try not to giggle. They’re having sex, the audience is meant to think, Good thing they’re married! It’s a moment that feels as natural and human as Sandra Dee looking over her shoulder and winking as she goes off with Troy Donahue.

The key to understanding 1776 is to be found in the opening credits. “Produced by Jack Warner.” By the time 1776 went into production, Warner had been a Hollywood mogul for 54 years. He started his career in the silent era and he built Warner Brothers into one of Hollywood’s most successful studios. When he was younger, he was the one breaking the rules, making gangster movies and turning actor like James Cagney, Humphrey Bogart, and Edward G. Robinson into stars. However, by the time he made 1776, Warner was the last of a dying breed. Despite having greenlit Bonnie and Clyde, one of the seminal “Now Hollywood” productions, the older Jack Warner had little use for the Hollywood counterculture. 1776 was reportedly a pet project for Jack Warner, a film that he took a strong hand in producting and which he expected would sweep the box office and the Oscars. Warner recruited the majority of the show’s Broadway cast to appear in the film. Warner personally ordered the remove of a musical number that seemed to discreetly critcize the Vietnam War. Warner even went on TV to promote the film. During an interview on the Merv Griffin Show, Warner launched into a triade about “pinko commies.” I imagine Warner had a point about the communists but it still was probably not the right way to promote the film in the 1970s. While other films invited the counterculture into Hollywood, 1776 was essentially Jack Warner shouting, “Stay off my lawn!” with the voice of William Daniels.

1776 was a last attempt to hold onto the old way of making movies. It was a film about a revolution that was desgined to thwart another revolution. The Continental Congress was menaced by the British. Jack Warner was menaced by the shadows of Coppola, Scorsese, and Friedkin. It would be Jack Warner’s final film as a producer. He died in 1974, still one of the towering figures in the history of Hollywood. Of the old time moguls, only Adolph Zuker and Darryl F. Zanuck outlasted Jack Warner.

When Hamilon first came out in 2025, it was often described as being the antidote to 1776. Hamilton was entertaining where 1776 was stodgy. Well, maybe. 1776 may lack great songs but it doesn’t really have any truly bad ones either. Instead, it’s just a very middle-of-the-road show, inoffensive and designed to keep the tourits happy. Hamilton was viewed as being revolutionary when it was released but now it feels a bit gimmicky, with both the show and the almost religious initial enthusiasm for it feeling like somewhat embarassing artifacts from a different era. (From the coverage during the Hamilton’s heyday, you would think no one but Lin-Manuel Miranda had ever written about Alexander Hamilton or Aaron Burr before.) There is a great film to be made about the Continental Congress but it probably doesn’t invovle any singing.

As for 1776, William Daniels is amusing when he gets frusrated and Blythe Danner is far prettier than the real Martha Jefferson and the film itself is a forgettable tribute to the great men who foudned a great country.

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Retro Television Review: St. Elsewhere 4.1 “Remembrance Of Things Past”

Posted on June 26, 2026 by Lisa Marie Bowman

This week, we begin season 4 of St. Elsewhere!

Episode 4.1 “Remembrance of Things Past”

(Dir by Bruce Paltrow, originally aired on September 18th, 1985)

This week, we start a new season of St. Elsewhere!

Dr. Cavenero is no longer listed in the opening credits. She’s not even mentioned in this episode, leaving her absence as a mystery. The last time we saw her during the third season, she was suffering from a cold so maybe she died. From what I’ve read, the real reason that she’s gone is because Cynthia Sikes, the actress who played her, objected to a season three storyline that would have featured her coming out as a lesbian.

From the start of this epiosde, St. Eligius seems like a happier place. A lot of that is because Dr. Westphall is gone. (That said, he’s still listed in the opening credits so we know, from the start, that will return.) Doctors Craig and Aushlander are a bit overworked having to cover Westphall’s duties but still, the residents seem to be a bit more hopeful than usual in this episode. Westphall’s perpetual glumness is no longer there to drag everyone down.

Morrison and Chandler have a conflict over a Vietnamese patient. Morrison wants to give the patient the best care possible. Chandler is upset because his older brother died in Vietnam and he feels like the patient doesn’t appreciate the sacrifice that Americans made during the Vietnam War. Morrison, of course, was an anti-war teenager. (There’s a reason why Helen Hunt calls him “boomer.”)

The whole Morrison/Chandler storyline felt a bit too heavy-handed to be effective. While I can believe that Chandler would have his own strongly-held opinions about the war, I have a hard time believing he would be as unprofessional as he was in this episode. Still, all of this does lead to a great scene where Morrison goes to Craig for the type of advice that he would usually get from Westphall and Craig responds by telling Morrison to get over it and concentrate on his job.

Seriously, I’ve been waiting for three seasons for someone to tell Morrison that.

Alfre Woodward joins the cast as Dr. Roxanne Turner, an OB-GYN. In this episode, she counsels an infertile couple. Dr. Turner wasn’t in much of the episode (and Alfre Woodard is not included in the opening credits) but I get the feeling that both she and the couple she was counseling are going to be around for a while.

The episode’s main storyline featured an amnesiac known as Joe Doe No. 6 (Oliver Clark). After John Doe escapes from the psychiatric ward and steals a suit, he’s mistaken for Dr. Jonas Wisner, who has beent sent to St. Eligius to evaluate its teaching program. John Doe No. 6 has a great time pretending to be Dr. Wisner and the doctors enjoy spending time with him. Unfortunately, the real Dr. Wisner (Joseph Ruskin) shows up and the fun ends.

Oh, how I loved watching John Doe No. 6 interact with the staff. Not only did it allow me to see the show’s characters through someone else’s eyes but it was also just an enjoyable storyline. It was a reminder that the hospital can be an entertaining place when Westpall isn’t wandering around the hallways.

However, towards the end of this episode, Westphall showed up at the hospital. Craig and Auschlander were happy to see him. Westphall asked if he could have his old job back. Of course, he can! Really? Didn’t Westphall walk off the job? But apparently, he can just wander back into the hospital while wearing his hobo cap and all is forgiven.

The episode ends with Chandler taking an impromptu trip to Washington D.C. and visiting the Vietnam War Memorial. As I watched this, it occuured to me that the memorial was still fairly new when this episoe aired. Once I realized that, I understood why the show included the Morrison/Chandler storyline. It pays to know history.

Season 4 is off to a good start! I just hope Dr. Westphall doesn’t drag everyone back down.