Late Night Retro Television Review: Sledge Hammer! 1.5 “Dori Day Afternoon”

Posted on September 11, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing SLEDGE HAMMER!, a cop comedy which ran on ABC from 1986 to 1988. The entire series can be found on Prime!

This week, Dori and Sledge get caught up in a hostage situation.

Episode 1.5 “Dori Day Afternoon”

(Dir by James Sheldon, originally aired on October 24th, 1986)

While driving to the bank, Dori and Sledge Hammer see a man on the ledge of a building. The man is threatening to jump. Dori says she’s going to grab a bullhorn out of the trunk so she can talk the guy down. Sledge says that won’t be necessary. He draws his gun and fires five shots at the man, barely missing him, until the terrified man goes back inside.

At the bank, Sledge is shocked when the ATM tells him that his account is overdrawn. He and Dori go inside to talk to the manager. While Sledge is trying to get some answers as to what happened to his account, two men draw guns. Cliff (Frank Doubleday) and Lou (Britt Leach) announce that they are robbing the bank and that everyone inside is going to be a hostage. Sledge has his gun with him but, after dealing with the jumper, he only has one bullet left. While Cliff negotiates with Captain Trunk, Sledge continually waits for Cliff and Lou to stand close enough together that they can both be taken out by one bullet. Unfortunately, the other hostages keep getting in the way.

This episode was okay without being particularly memorable. When you consider how silly the first three episodes of Sledge Hammer! were, it’s a bit ironic that this one suffers because it takes itself a bit too seriously. Instead of the enjoyably surreal humor of the first episode, “Dori Day Afternoon” features too many scenes of Cliff and Lou making their demands and threatening people. The episode does pick up a bit at the end, when Trunk tries to trick Cliff and Lou by giving them a plane but not a pilot. It turns out Cliff is an expert pilot. After Sledge manages to beat Cliff up, it turns out that Sledge has no idea how to fly a plane. Luckily, Dori does.

The funniest moments are the ones where Sledge struggles with his natural instinct, which is to shoot first and worry about the consequences later. David Rasche, as always, does a good job of showing just how much Sledge struggles when he’s in a situation that can’t be solved through gunplay. The funniest moment is when Trunk calls the bank and asks Sledge if the hostages have hurt anyone.

“No,” Sledge replies.

“Have you hurt anyone?”

“Not yet.”

Late Night Retro Television Review: Sledge Hammer 1.4 “They Shoot Hammers, Don’t They?”

Posted on September 4, 2026 by Lisa Marie Bowman

This week, Hammer’s former partner break out of prison!

Episode 1.4 “They Shoot Hammers, Don’t They?”

(Dir by David Wechter, originally aired on October 17th, 1986)

At the annual police quick-draw contest, Hammer is once again named the department champion. His secret is to shoot every target, whether it represents a criminal or a civilian. He also attaches a “loudener” to the barrel of his gun, which not only makes a lot of noise but also causes a lot of damage.

Hammer is going to need all of his abilities, because his childhood friend and former partner on the force, John Kogan (Jack Thibeau), has broken out of jail and hijacked a bus. He announces that he’s going to drive the bus across the country and cause a lot of trouble unless Hammer meets him for a duel. Kogan, a corrupt cop, blames Hammer for sending him to prison. Captain Trunk refuses to allow Hammer to meet with Kogan. As Trunk puts it, Kogan is one man with a bus. How much damage can he do?

After a montage of buildings exploding and people running in fear, Hammer finally confronts Kogan. As Dori Doreau watches, Kogan and Hammer attempt to outdraw each other. Kogan turns out to be faster than Hammer. He shoots the gun out of Hammer’s hand, then keeps shooting the gun.

“Stop shooting my gun!” Hammer yells.

This was a funny episode, even if it didn’t quite reach the comedic heights of the previous three. While those episodes were often intentionally absurd and even surreal, this one tells a relatively straightforward story. That said, David Rasche continues to be gleefully unhinged as Hammer, and Anne-Marie Martin and Harrison Page provide good support as the two people tasked with keeping him under control.

The funniest scene involves Hammer using a pay phone to talk to an informant who is himself using another pay phone only about five feet away. When the informant demands $25,000 for his information, Hammer has to use another pay phone to call the station and get Trunk’s permission. Trunk has left for lunch, so Hammer then has to use yet another pay phone to call Trunk’s home. It’s a wonderfully chaotic visual gag, and it gives David Rasche a chance to show off some impressive physical comedy.

In the end, the city is saved. Trust Sledge Hammer. He knows what he’s doing.

Late Night Retro Television Review: Sledge Hammer! 1.3 “Witless”

Posted on August 28, 2026 by Lisa Marie Bowman

This week, Sledge meets the Maninotes.

Episode 1.3 “Witless”

(Dir by Jackie Cooper, originally aired on October 3rd, 1986)

Upset that crime has fallen in the city due to the insanity of just one cop, Don Phillip Souza (Al Ruscio) announces that he will pay a million dollars to anyone who can bring him Sledge Hammer in a box. When his accountant (Basil Hoffman) points out that a million dollars is a lot of money, Souza explains that he’s running a weekly special.

Fortunately for Sledge, it turns out that the city’s assassins are even dumber than he is. On his way to work, he has several close calls that he fails to notice. A knife is tossed at him but is blocked by his newspaper (which is extra thick because of the addition of several new Zodiac signs). Two hitmen accidentally shoot each other when he leans forward. Sledge spills his poisoned coffee before he can drink it. It’s not until he arrives at work and ends up juggling a lit stick of dynamite in Captain Trunk’s office that he realizes someone is after him.

Captain Trunk orders Hammer to hide out in the country. Unfortunately, the cop driving him explains that he has 12 kids and needs the money both to pay for their school and for a vasectomy. A struggle ends with Hammer getting tossed out of the car. He lands in a field, where he is discovered by farmer Jacob (Lewis Arquette) and his daughter, Isadora (Ann Ryerson).

Jacob and Isadora may ride in a buggy and eschew modern technology, but they’re not Amish. They’re not Mennonites either. Instead, they are Maninotes. Isadora insists that Hammer stay in their farmhouse until he recovers. Jacob insists that he do chores. Sledge milks a cow. Sledge tosses hay. Sledge tries and fails to build a barn.

As you probably already guessed, “Witless” is a parody of the 1985 film Witness. It’s definitely an affectionate parody. It doesn’t make fun of the movie so much as it imagines what would have happened if Harrison Ford’s sensitive and intelligent detective had been replaced by a trigger-happy lunatic. Sledge may be attracted to Isadora, but in the end his true love remains his gun. And when the assassins (led by the Don’s accountant) arrive at the farm, Jacob and Isadora appear with machine guns. When Hammer points out that Maninotes are supposed to be against violence, Jacob shrugs. “It’s the ’80s,” he says.

Eventually, Sledge gets in a box and has himself delivered to the Don so that he can collect the money. When Officer Doreau tells Sledge that he can’t take the money because it’s evidence, Sledge laughs and says that he won’t be pressing charges. Instead, he takes the money and gives it to Jacob and Isadora. Jacob says that he’s going to repair the barn and then buy a Porsche.

This is a hilarious episode, from the sight gags at the start to Sledge’s efforts to help out around the farm. The humor is cheerfully absurd. (At one point, when the accountant is slowly creeping up on Sledge, one of the other assassins walks up and takes his place so the accountant can take a break.) David Rasche plays Sledge with just the right amount of clueless enthusiasm. I laughed throughout. Sledge Hammer may be witless, but he’s also very funny.

Late Night Retro Television Review: Sledge Hammer 1.2 “Hammer Gets Nailed”

Posted on August 21, 2026 by Lisa Marie Bowman

This week, the liberal media comes after Sledge Hammer!

Episode 1.2 “Hammer Gets Nailed”

(Dir by Charles Braverman, originally aired on September 26th, 1986)

“HAMMER!” shouts Lt. Trunk as the episode begins.

Trunk is concerned because nosy news reporter Phil Gumm (Ronnie Schell) wants to do a ride along with Sledge Hammer. The Mayor is thinking about laying off a large percentage of the force. (I guess he’s not that grateful to the police for finding his daughter.) If Hammer screws up on camera, that’ll give the Mayor the excuse that he needs. Doreau is assigned to keep Hammer out of trouble.

So, of course, Hammer screws everything up. After forcing a convenience store thief to eat all of the store’s expired food, Hammer gets into a high-speed chase and crashes his car. Phil Gumm ends up with broken arms and a bad attitude. The Mayor promptly starts laying people off …. including Sledge Hammer!

Hammer gets a job as a crossing guard. (He even continues to wear his suit.) However, when a group of terrorists call in a bomb threat, Hammer is the one who heads down to the clock store to try to disarm it. The bomb is ticking. Unfortunately, so is every clock in the store.

“Go Hammer go!” the people watching chant.

“Go bomb go,” Trunk mutters in his office.

Fortunately, Hammer is able to find and disarm the bomb. The store is saved and so is Hammer’s job.

Yay!

This episode wasn’t quite as funny as last week but it still had plenty of laughs. David Rasche delivers his berserk lines with so much earnestness that they actually start to make a strange sort of sense. When Hammer stepped into the store and saw every clock ticking back and forth, I laughed harder than I’ve laughed in a while.

The important thing is that Hammer outsmarted the media.

Late Night Retro Television Review: Sledge Hammer! 1.1 “Under the Gun”

Posted on August 14, 2026 by Lisa Marie Bowman

My friend Pat McCurry introduced me to Sledge Hammer earlier this year. Starring David Rasche as Detective Sledge Hammer, this show was a parody of Dirty Harry and Hunter. Since I’m currently reviewing Hunter on Thursday night, it seems only appropriate to review Sledge Hammer on Friday night!

Episode 1.1 “Under the Gun

(Dir by Martha Coolidge, originally aired on September 23rd, 1986)

“HAMMER!” shouts police Captain Trunk (Harrison Page), “YOU COULDN’T RESIST BLOWING UP A BUILDING ON YOUR WAY TO WORK THIS MORNING, COULD YOU!?”

Captain Trunk yells a lot but that’s just because he’s been put in charge of managing Detective Sledge Hammer (David Rasche), a San Francisco cop who talks to his gun and who is currently on suspension for shooting a robber at a grocery store before then buying some eggs and “those little cocktail weenies.” When asked by a reporter if his response was too violent, Hammer replied that he really needed his groceries.

For the record, Trunk is correct. Hammer did blow up a building on his way to work. There was a sniper on the roof so Hammer pulled a rocket launcher out of the back of his car and took care of the problem.

Despite all of that, the mayor (John Vernon, who previously played San Francisco’s mayor in Dirty Harry) orders that Sledge Hammer be taken off suspension. The Mayor’s daughter, Francie (Judie Aronson), has disappeared. (“She was either kidnapped or she is just very good at hiding.”) The police think that she was taken by the Allied Violent Offence Network (AVON), a terrorist group led by Weird Willy Luxley (D.W. Brown). Weird Willy is so evil that his own parents gave him up for adoption three years before he was born. The Mayor thinks that Sledge Hammer’s unapologetic embrace of violence is the way to go.

Hammer is assigned a partner, Dori Doreau (Anne-Marie Martin), an expert in negotiation and criminal psychology. At first, Hammer is uneasy about working with a woman. But, when he sees her beat up a man with a shotgun, he’s impressed. “That was excessively violent and totally unnecessary. I loved it.” Doreau mentions she was at the top of her class in hand-to-hand combat. “I’d like to fight you sometimes, Doreau,” Hammer replies.

Hammer promises to bring back “the mayor’s daughter, dead or alive.” Reasoning that it’s usually a member of the family who is to blame in cases like this, Hammer arrests and interrogates the Mayor’s wife. That gets Hammer suspended again but it turns out that Hammer was half-right. It wasn’t the Mayor’s wife. Instead, in true Patty Hearst manner, it turns out that Francie Flambo is a member of AVON and she arranged her own kidnapping!

It all leads to a shootout in a warehouse, as these things often do. When AVON makes their ransom demand, Doreau is sent to deliver the money. (She’s actually given a suitcase full of shredded paper.) Sledge Hammer crashes through a skylight and lands on a box, grinning.

“Why are you smiling!?” Weird Willie Luxley demands.

“I’m trigger happy, that’s why!” Hammer replies.

Soon, all of the members of AVON have been subdued and Francie has been arrested. The Mayor offers Doreau a promotion but Doreau refuses to accept it because she feels that Hammer is not being given the recognition that he deserves.

This seems like the start of a beautiful friendship.

The first episode of Sledge Hammer may be 40 years old but it’s still feels relevant and the laughs still feel earned. As played by David Rasche, Sledge Hammer is the perfect parody of every unapologetically violent action hero. Though there are hints of attraction between him and Doreau, the episode makes it pretty clear that Hammer’s true love is for his gun. At the same time, there’s something rather refreshing about Hammer’s total and complete lack of angst. As I watched this episode, it occurred to me that Hammer would probably get as annoyed with Daniel Craig’s self-pitying version of James Bond as I do.

This pilot was enjoyable and funny 26 minutes of pure entertainment. I look forward to reviewing the rest of the series!

Runaway (1984, directed by Michael Crichton)

Posted on June 20, 2026 by Jedadiah Leland

The year is 1991 and humans are using robots for everyday tasks. Because the budget is low and Michael Crichton had already done Westworld, none of the robots are humanoid or capable of original thought. The majority of them are boxy and they look harmless until they malfunction. All police departments now have a division of cops trained to deal with robots. Being a part of the “runaway squad” is not prestigious but it’s perfect for Sgt. Jack Ramsey (Tom Selleck), a good cop who suffers from a crippling fear of heights.

Ramsey and his new partner, Karen Thompson (Cynthia Rhodes), investigate a murder that was apparently committed by a robot. Their investigation leads them to Jackie Rogers (Kirstie Alley) and her boyfriend, renegade scientist Charles Luther (Gene Simmons). Luther has not only programmed robots to kill but he’s also designed smart bullets that can lock onto a target’s unique body heat.

It’s hard to resist Runaway. Stalwart Tom Selleck vs an overacting Gene Simmons? Kirstie Alley as a neurotic femme fatale? Robots spiders that inject acid into their victims? Remote control smart bombs that chase cars down the highway? Countless point-of-view shots of the smart bullets tracking their victims? It’s an entertaining B-movie, no matter what you may think of the plot or some of the acting. I don’t know what logic led to Michael Crichton casting Gene Simmons as a crazed computer scientist but I’m glad that he did. Watching a movie like this, you can see why Tom Selleck remains a television star. He doesn’t have the bigger-than-life persona of a movie star. But Selleck’s mild persona works perfectly when matched up with Gene Simmons acting like the phantom of the park. And then there’s Kirstie Alley, playing a dangerous secretary with the right mix of sexiness and humor. Cynthia Rhodes may have been the female lead but Kristie Alley is the one who stole the movie.

When Runaway was first released in 1984, it was expected to be a hit but it was instead overshadowed by another film about killer future robots, The Terminator. Needless to say, the simple heroics of Runaway can’t compete with intense action of The Terminator and even Gene Simmons at his most unhinged can’t beat Arnold Schwarzenegger saying, “I’ll be back,” but Michael Crichton’s vision of a future full of killer roombas still feels prescient today.

October True Crime: Killer’s Delight (dir by Jeremy Hoenack)

Posted on October 14, 2024 by Lisa Marie Bowman

The 1978 film, Killer’s Delight, opens with the usual beautiful shots of San Francisco in the 70s. It’s a lovely city, full of attractive people with their entire lives ahead of them. The camera lingers on the Golden Gate Bridge. If your movie doesn’t feature the Golden Gate Bridge, is it really set in San Francisco?

A van drives through the city and into the countryside. My first instinct was to think, “Oh, that’s definitely a rape van,” and yes, it is. (Seriously, don’t ever accept a ride from someone with a van. Actually, you shouldn’t be hitchhiking to begin with! Shame on you!) The owner of the van, Danny (John Karlen), pulls over to the side of the road and tosses a naked woman’s body over the side of a cliff.

AGCK!

Now, I have to admit that Killer’s Delight (which is known by about a dozen other titles, including The Dark Ride) is a film that I’ve tried to watch several times but I’ve always struggled to make it all the way through. That’s not because of the subject matter, though as a woman who once thought of herself as being invincible, I could certainly relate to many of the women who appeared in this film and made the fatal mistake of getting in that van. No, the reason why I’ve always struggled with Killer’s Delight is because it’s a slow movie. It’s not necessarily a bad film but it’s not one to watch if your eyelids are already starting to feel heavy.

This is an early serial killer film, made before it was decided that every killer should be portrayed as being an erudite and witty anti-hero. Instead, the film’s killer is a loser named Danny (John Karlen) who has never gotten over his childhood and who, when he’s not killing, is busy sobbing. It’s certainly a more realistic portrayal of a serial killer than anything that one might find in any of the films or books about Hannibal Lecter. Danny has two skills. He’s good at disguising himself and he’s fairly good at getting rid of bodies whenever there’s no one else around to see him. Otherwise, he’s a total loser. This realistic portrayal actually makes Danny into a very scary character. You’re never going to meet Hannibal Lecter in real life. That’s one reason why it’s so easy for some people to accept his crimes. However, there are hundreds of people just like Danny out there. There’s probably at least a few in your city right now.

The majority of the film is taken up with Sgt. Vince De Carlo (James Luisi) and his attempts to prove that Danny is the killer. Vince is married and very protective of his daughters. He’s also having an affair with a psychiatrist (Susan Sullivan) who runs the potential of becoming one of Danny’s victims. Vince becomes obsessed with Danny but, much like Charles Bronson in Ten To Midnight, he knows that the justice system does not know what to do with a monster like Danny.

As I said, it’s a slow film but it is well-acted and, if you stick with it, it does cast an ever-growing atmosphere of doom. It’s the type of film that will make you double-check the locks before you go to bed.

As for why this is a true crime film, it’s loosely based on the crimes of Edmund Kemper and Ted Bundy. At the time the film was made, Bundy was still at large. Killer’s Delight was the first film to be based on Bundy’s crimes, though Danny ultimately has more in common with Kemper than with Bundy.

Late Night Retro Television Review: Highway to Heaven 2.15 “Change of Life”

Posted on September 5, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Freevee and several other services!

This week, things get freaky, as in Friday.

Episode 2.15 “Change of Life”

(Dir by Michael Landon, originally aired on January 29th, 1986)

Once again, Jonathan and Mark find themselves in Hollywood. It’s interesting just how many of Jonathan’s heavenly assignments involved helping a film or television star feel better about life. Given that Michael Landon was heavily involved in the show as a producer, director, writer, and star, I’ve usually assumed that the Hollywood episodes were his way of dealing with his own possibly conflicted feelings about being a part of the entertainment industry.

(Interestingly, the Hollywood episodes always seem to take place in a sort of old-fashioned fantasy of Hollywood, where anyone can become a star and where westerns and historical epics were still being shot on studio backlots.)

This time, Jonathan and Mark find themselves assigned to work with actress Linda Blackwell (Anne-Marie Martin). Jonathan is her new bodyguard and Mark is her hairdresser. Mark totally freaks out when he discovers that he’s not only going to have to cut hair but that God has lied and provided him with a fake beauty school diploma. Everyone, including Linda and head of studio security Sam Quigley (Greg Mullavey), assumes that Mark and Jonathan are a couple. Jonathan is amused by it but Mark freaks out.

(Seriously, though, Mark and Jonathan are two single, middle-aged men who drive around the country and regularly rent apartments together. What does Mark think everyone’s been assuming for the last years and a half?)

Anyway, Mark thinks that being a woman is easy. Linda thinks that men spend all of their time being pigs. No sooner can you say “Freaky Friday” then the lights have switched on-and-off and Mark and Linda have switched bodies. Mark discovers what it’s like to be objectified and Linda discovers that Sam isn’t a jerk but instead, he’s a sensitive guy who wants to marry her.

It’s a pretty simple episode, even by the standards of Highway to Heaven. There’s a bit too much gay panic humor, with Mark overreacting to such an extent that it’s hard not to wonder if maybe there’s some truth to what everyone is assuming. But, on the plus side, both Victor French and Anne-Marie Martin do a good job portraying Mark and Linda, both before and after they switch bodies. There’s nothing at all subtle about Victor French’s performance here but, considering that his usual role on Highway to Heaven was to be kind of gruff and stoic, it’s a nice change-of-pace to see him not only doing physical comedy but also showing himself to be fairly adept at it.

The episode ends with both Mark and Linda back in their original bodies. Linda marries Sam. As for Mark, he mentions that cows never have to worry about any of the stuff that humans do. Uh-oh, Mark, don’t give God any ideas….

TOO LATE!

The episode ends with Mark, who is driving, mooing while a cow chases after Mark and Jonathan’s car. God apparently enjoys playing little tricks on Mark. Hopefully, the car didn’t end up crashing.

Horror on the Lens: Dr. Strange (dir by Philip DeGuere, Jr.)

Posted on October 24, 2015 by Lisa Marie Bowman

I knew that we’re all looking forward to seeing Benedict Cumberbatch play the title character in the 2016 MCU film, Doctor Strange. However, did you know that the Cumberbatch film will not be the first time that a movie has centered around the character of Dr. Stephen Strange?

It’s true! In 1978, there was a made-for-TV movie that featured the sorcerer Dr. Strange (played here by Peter Hooten) battling none other than Morgan Le Fay (Jessica Walter)! I watched it a few months ago with my friends in the Late Night Movie Gang and it was actually a lot of fun. I should admit that I have absolutely no idea whether or not it was true to the original comic book but still, it was enjoyable in a trippy 70s sort of way.

And you can watch it below!