Dr. Strange (1978, directed by Philip DeGuere)

Posted on October 5, 2026 by Jedadiah Leland

Dr. Stephen Strange (Peter Hooten) is a compassionate psychiatrist at a big-city hospital. He’s a man of science who lost his parents when he was eighteen and who has no idea that some of the items he inherited from his father have the ability to cast magic spells. Strange is treating a young woman named Clea Lake (Anne-Marie Martin). Clea has been having strange nightmares because she has been possessed by the sorceress Morgan Le Fay (Jessica Walter). Morgan Le Fay hopes to use Clea to kill Earth’s Sorcerer Supreme (John Mills) before he can appoint Dr. Strange as his successor.

Before there was Benedict Cumberbatch, there was Peter Hooten. A journeyman actor with a long list of TV credits, Hooten was cast to play Strange in this TV movie, which was obviously meant to serve as a pilot for a television series. Unfortunately, beyond having a mustache, this Dr. Strange doesn’t have much in common with his comic book counterpart. He’s not a former surgeon who injured his hands and is now looking for redemption for his former arrogance. Instead, he’s a mild-mannered psychiatrist who takes a “golly gee” approach to discovering that he has the power to travel between dimensions and cast spells.

CBS aired Doctor Strange opposite Roots, which was such a cultural landmark and a ratings phenomenon that a movie about a not widely known comic book hero didn’t stand much of a chance against it. It’s actually not that bad of a film. Jessica Walter is a sexy Morgan Le Fay, and Clyde Kusatsu is perfectly cast as Wong, who is more of a potential mentor here than he was in the later adaptations of Doctor Strange. The scenes where Strange travels from dimension to dimension are done well enough to suggest that, if the movie had led to a series, it could have captured the feel of the comic book. The only real problem is that Peter Hooten is a little bit bland in the title role. Hooten’s Strange would not have been a dynamic hero or an enigmatic figure. He would have just been a typical television lead.

Dr. Strange did not lead to a series, which means viewers were cheated out of a potential Nicholas Hammond/Bill Bixby/Reb Brown/Peter Hooten crossover event. After the failure of the film, it would be 38 years before Stephen Strange again showed up on screens across the world.

Late Night Retro Television Review: Sledge Hammer 1.8 “Over My Dead Bodyguard”

Posted on October 2, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing SLEDGE HAMMER!, a cop comedy which ran on ABC from 1986 to 1988. The entire series can be found on Prime!

This week, Captain Trunk’s life is in Sledge Hammer’s hands!

Episode 1.8 “Over My Dead Bodyguard”

(Dir by Charles S. Dubin, originally aired on November 14th, 1986)

Captain Trunk is scheduled to testify against a racketeer, and as a result the mob is determined to stop him. The police commissioner orders Sledge Hammer to serve as Trunk’s bodyguard. Trunk isn’t happy to hear that. He’s trying to get back together with his ex-wife (Tracy Reed). The last thing he needs or wants is Hammer around.

Hammer, however, takes his job seriously. When Trunk and his ex have dinner, Sledge is there to keep an eye on him and beat up an assassin. When it becomes obvious that Trunk is not safe at his own home, Hammer takes him to his apartment. When an assassin still manages to shoot Trunk, Hammer tells the world that Trunk is dead.

Doreau is shocked to see that Hammer doesn’t seem that upset over Trunk’s death. She asks him if he has any emotions. Hammer replies that he has a full range of emotions: “Anger, rage, hate. Hate.”

Hammer also explains that Trunk isn’t really dead. He’s at the hospital, preparing for surgery. Hammer takes Doreau to the hospital to see their captain. Outside the hospital room, the guard looks at Hammer and asks, “Why did the chicken cross the road?” “To avoid the death penalty,” Hammer says. He looks over at Doreau. “Guess who came up with that password?”

An assassin (Robert O’Reilly) has disguised himself as an anesthesiologist. The assassin even manages to drug Hammer. Fortunately, a half-drugged and stumbling Hammer still knows how to throw a punch. He knocks out the assassin and then announces that, because the hospital has been compromised, he’s going to have to remove the bullet himself. “Don’t worry. I’ve practiced on myself.”

Trunk somehow survives being protected by Hammer and gives his testimony. The commissioner congratulates Trunk and then assigns Hammer to continue guarding him for at least a month.

This episode felt a bit off. There were a few funny lines and some good physical humor (especially when Doreau was helping the drugged Hammer to his feet), but otherwise it lacked the fast-paced, anything-for-a-joke feel of some of the previous episodes. In fact, it felt almost like a regular cop show. The only surprising thing is that it’s an assassin who shoots Trunk and not Sledge Hammer himself.

As I said, this episode did make me laugh. David Rasche, Anne-Marie Martin, and Harrison Page are quite a comedic team. It just didn’t leave as lasting an impression as some of the other episodes I’ve watched.

Late Night Retro Television Review: Sledge Hammer! 1.7 “All Shook Up”

Posted on September 25, 2026 by Lisa Marie Bowman

Trust him. He knows what he’s doing.

Episode 1.7 “All Shook Up”

(Dir by Jackie Cooper, originally aired on November 7th, 1986)

15 Elvis impersonators have been murdered in the city. Doreau wonders how anyone can be so evil. Sledge Hammer wonders about the person who draws the chalk outlines at crime scenes. “What type of life is that?”

Captain Trunk, who spends this episode dealing with a migraine, is upset that there aren’t more clues as to the identity of the murderer. Hammer suggests that it will be easier to solve the case once more Elvises have been murdered. To Trunk’s disappointment, Hammer turns out to be right. A woman witnesses the 16th murder and reports that the killer was not only dressed like Elvis but he was also carrying a golden microphone!

It’s time for Sledge Hammer to go undercover! Doreau enrolls him in a school for Elvis impersonators and then accompanies him to the National Elvis Impersonator Semi-Finals. The highlight of the episode is Sledge Hammer imitating Elvis. He can’t do the voice and he can’t do the dance moves but he’s totally convincing when he draws a gun and shoots it. Later, he shows off his karate moves and wins a trophy.

As for the murderer, he turns out to be the janitor (Raymond Ma) at the Elvis school. He feels that he’s the best Elvis in the world. Unfortunately, for him, he’s electrocuted when he accidentally holds his golden microphone too close to a live wire. With the city safe for Elvis impersonators, Sledge announces that he’s going to Graceland.

This week’s episode was just ludicrous enough to work. Between the Elvis puns and all of the bad singing and dancing, it kept me laughing (or, at the very least, smiling). As usual, David Rasche’s enthusiastic performance more than made up for any jokes that didn’t quite land. This was also a good episode for Anne-Marie Martin, who played Doreau’s relationship with Hammer with just the right combination of frustration and affection.

Sledge Hammer has left the building but he’ll be back next week.

Late Night Retro Television Review: Sledge Hammer 1.6 “To Sledge, With Love”

Posted on September 18, 2026 by Lisa Marie Bowman

This week, Sledge is going back to school!

Episode 1.6 “To Sledge, With Love”

(Dir by David Wechter, originally aired on October 31st, 1986)

When an obnoxious man insists on smoking a cigar in the police station despite it being against the rules, Sledge Hammer shoots the cigar out of his mouth. Later, when Hammer asks Captain Trunk if he’s going to yell at him about shooting the cigar, Trunk asks what difference it would make.

It’s good to see that Trunk is learning.

Speaking of learning, the local high school has been taken over by a gang! It’s time for Sledge Hammer and Dori to go back to school. Unfortunately for Hammer, that means that he can’t shoot or even hit anyone. “You mean I have to wait until this punk is 18 before I can toss him off the roof?” Hammer asks. Sorry, Hammer!

The school has a lot of problems, but the main one is a delinquent named Turk (Shawn Klugman). Turk is more concerned with stealing cars for Mr. Roscoe (Norman Alden) than with going to class. When Sledge Hammer tries to get through to him by showing off his gun and challenging him to a fight, Turk laughs him off. When Sledge Hammer tries to teach Turk that he’s a “homosapien,” Turk angrily declares that he has lots of girlfriends and then walks out of class.

It looks like Turk is a lost cause, but Hammer has one more trick up his sleeve. He reveals how much money Roscoe is making by selling used cars. Turk realizes that he deserves to get paid a lot more than just $500 for his hard work. Turk helps Hammer take down Roscoe and then, at the end of the episode, he announces that he’s going to join the Police Academy as soon as he graduates.

Good work, Hammer!

I enjoyed this episode more than last week’s. While last week’s episode sometimes seemed to be a bit too much of a straight crime drama, this week’s episode returns to the format of nonstop jokes. The entire episode is a parody of those painfully earnest films where a teacher comes to a tough school and manages to change the lives of their students. Hammer changes lives not with confidence-building and smart lesson plans but instead with a big gun. Hey, whatever gets the job done!

How do you thank someone who took you from crayons to perfume? It’s not easy, but I’ll try….

Late Night Retro Television Review: Sledge Hammer! 1.5 “Dori Day Afternoon”

Posted on September 11, 2026 by Lisa Marie Bowman

This week, Dori and Sledge get caught up in a hostage situation.

Episode 1.5 “Dori Day Afternoon”

(Dir by James Sheldon, originally aired on October 24th, 1986)

While driving to the bank, Dori and Sledge Hammer see a man on the ledge of a building. The man is threatening to jump. Dori says she’s going to grab a bullhorn out of the trunk so she can talk the guy down. Sledge says that won’t be necessary. He draws his gun and fires five shots at the man, barely missing him, until the terrified man goes back inside.

At the bank, Sledge is shocked when the ATM tells him that his account is overdrawn. He and Dori go inside to talk to the manager. While Sledge is trying to get some answers as to what happened to his account, two men draw guns. Cliff (Frank Doubleday) and Lou (Britt Leach) announce that they are robbing the bank and that everyone inside is going to be a hostage. Sledge has his gun with him but, after dealing with the jumper, he only has one bullet left. While Cliff negotiates with Captain Trunk, Sledge continually waits for Cliff and Lou to stand close enough together that they can both be taken out by one bullet. Unfortunately, the other hostages keep getting in the way.

This episode was okay without being particularly memorable. When you consider how silly the first three episodes of Sledge Hammer! were, it’s a bit ironic that this one suffers because it takes itself a bit too seriously. Instead of the enjoyably surreal humor of the first episode, “Dori Day Afternoon” features too many scenes of Cliff and Lou making their demands and threatening people. The episode does pick up a bit at the end, when Trunk tries to trick Cliff and Lou by giving them a plane but not a pilot. It turns out Cliff is an expert pilot. After Sledge manages to beat Cliff up, it turns out that Sledge has no idea how to fly a plane. Luckily, Dori does.

The funniest moments are the ones where Sledge struggles with his natural instinct, which is to shoot first and worry about the consequences later. David Rasche, as always, does a good job of showing just how much Sledge struggles when he’s in a situation that can’t be solved through gunplay. The funniest moment is when Trunk calls the bank and asks Sledge if the hostages have hurt anyone.

“No,” Sledge replies.

“Have you hurt anyone?”

“Not yet.”

Late Night Retro Television Review: Sledge Hammer 1.4 “They Shoot Hammers, Don’t They?”

Posted on September 4, 2026 by Lisa Marie Bowman

This week, Hammer’s former partner break out of prison!

Episode 1.4 “They Shoot Hammers, Don’t They?”

(Dir by David Wechter, originally aired on October 17th, 1986)

At the annual police quick-draw contest, Hammer is once again named the department champion. His secret is to shoot every target, whether it represents a criminal or a civilian. He also attaches a “loudener” to the barrel of his gun, which not only makes a lot of noise but also causes a lot of damage.

Hammer is going to need all of his abilities, because his childhood friend and former partner on the force, John Kogan (Jack Thibeau), has broken out of jail and hijacked a bus. He announces that he’s going to drive the bus across the country and cause a lot of trouble unless Hammer meets him for a duel. Kogan, a corrupt cop, blames Hammer for sending him to prison. Captain Trunk refuses to allow Hammer to meet with Kogan. As Trunk puts it, Kogan is one man with a bus. How much damage can he do?

After a montage of buildings exploding and people running in fear, Hammer finally confronts Kogan. As Dori Doreau watches, Kogan and Hammer attempt to outdraw each other. Kogan turns out to be faster than Hammer. He shoots the gun out of Hammer’s hand, then keeps shooting the gun.

“Stop shooting my gun!” Hammer yells.

This was a funny episode, even if it didn’t quite reach the comedic heights of the previous three. While those episodes were often intentionally absurd and even surreal, this one tells a relatively straightforward story. That said, David Rasche continues to be gleefully unhinged as Hammer, and Anne-Marie Martin and Harrison Page provide good support as the two people tasked with keeping him under control.

The funniest scene involves Hammer using a pay phone to talk to an informant who is himself using another pay phone only about five feet away. When the informant demands $25,000 for his information, Hammer has to use another pay phone to call the station and get Trunk’s permission. Trunk has left for lunch, so Hammer then has to use yet another pay phone to call Trunk’s home. It’s a wonderfully chaotic visual gag, and it gives David Rasche a chance to show off some impressive physical comedy.

In the end, the city is saved. Trust Sledge Hammer. He knows what he’s doing.

Late Night Retro Television Review: Sledge Hammer! 1.3 “Witless”

Posted on August 28, 2026 by Lisa Marie Bowman

This week, Sledge meets the Maninotes.

Episode 1.3 “Witless”

(Dir by Jackie Cooper, originally aired on October 3rd, 1986)

Upset that crime has fallen in the city due to the insanity of just one cop, Don Phillip Souza (Al Ruscio) announces that he will pay a million dollars to anyone who can bring him Sledge Hammer in a box. When his accountant (Basil Hoffman) points out that a million dollars is a lot of money, Souza explains that he’s running a weekly special.

Fortunately for Sledge, it turns out that the city’s assassins are even dumber than he is. On his way to work, he has several close calls that he fails to notice. A knife is tossed at him but is blocked by his newspaper (which is extra thick because of the addition of several new Zodiac signs). Two hitmen accidentally shoot each other when he leans forward. Sledge spills his poisoned coffee before he can drink it. It’s not until he arrives at work and ends up juggling a lit stick of dynamite in Captain Trunk’s office that he realizes someone is after him.

Captain Trunk orders Hammer to hide out in the country. Unfortunately, the cop driving him explains that he has 12 kids and needs the money both to pay for their school and for a vasectomy. A struggle ends with Hammer getting tossed out of the car. He lands in a field, where he is discovered by farmer Jacob (Lewis Arquette) and his daughter, Isadora (Ann Ryerson).

Jacob and Isadora may ride in a buggy and eschew modern technology, but they’re not Amish. They’re not Mennonites either. Instead, they are Maninotes. Isadora insists that Hammer stay in their farmhouse until he recovers. Jacob insists that he do chores. Sledge milks a cow. Sledge tosses hay. Sledge tries and fails to build a barn.

As you probably already guessed, “Witless” is a parody of the 1985 film Witness. It’s definitely an affectionate parody. It doesn’t make fun of the movie so much as it imagines what would have happened if Harrison Ford’s sensitive and intelligent detective had been replaced by a trigger-happy lunatic. Sledge may be attracted to Isadora, but in the end his true love remains his gun. And when the assassins (led by the Don’s accountant) arrive at the farm, Jacob and Isadora appear with machine guns. When Hammer points out that Maninotes are supposed to be against violence, Jacob shrugs. “It’s the ’80s,” he says.

Eventually, Sledge gets in a box and has himself delivered to the Don so that he can collect the money. When Officer Doreau tells Sledge that he can’t take the money because it’s evidence, Sledge laughs and says that he won’t be pressing charges. Instead, he takes the money and gives it to Jacob and Isadora. Jacob says that he’s going to repair the barn and then buy a Porsche.

This is a hilarious episode, from the sight gags at the start to Sledge’s efforts to help out around the farm. The humor is cheerfully absurd. (At one point, when the accountant is slowly creeping up on Sledge, one of the other assassins walks up and takes his place so the accountant can take a break.) David Rasche plays Sledge with just the right amount of clueless enthusiasm. I laughed throughout. Sledge Hammer may be witless, but he’s also very funny.

Late Night Retro Television Review: Sledge Hammer 1.2 “Hammer Gets Nailed”

Posted on August 21, 2026 by Lisa Marie Bowman

This week, the liberal media comes after Sledge Hammer!

Episode 1.2 “Hammer Gets Nailed”

(Dir by Charles Braverman, originally aired on September 26th, 1986)

“HAMMER!” shouts Lt. Trunk as the episode begins.

Trunk is concerned because nosy news reporter Phil Gumm (Ronnie Schell) wants to do a ride along with Sledge Hammer. The Mayor is thinking about laying off a large percentage of the force. (I guess he’s not that grateful to the police for finding his daughter.) If Hammer screws up on camera, that’ll give the Mayor the excuse that he needs. Doreau is assigned to keep Hammer out of trouble.

So, of course, Hammer screws everything up. After forcing a convenience store thief to eat all of the store’s expired food, Hammer gets into a high-speed chase and crashes his car. Phil Gumm ends up with broken arms and a bad attitude. The Mayor promptly starts laying people off …. including Sledge Hammer!

Hammer gets a job as a crossing guard. (He even continues to wear his suit.) However, when a group of terrorists call in a bomb threat, Hammer is the one who heads down to the clock store to try to disarm it. The bomb is ticking. Unfortunately, so is every clock in the store.

“Go Hammer go!” the people watching chant.

“Go bomb go,” Trunk mutters in his office.

Fortunately, Hammer is able to find and disarm the bomb. The store is saved and so is Hammer’s job.

Yay!

This episode wasn’t quite as funny as last week but it still had plenty of laughs. David Rasche delivers his berserk lines with so much earnestness that they actually start to make a strange sort of sense. When Hammer stepped into the store and saw every clock ticking back and forth, I laughed harder than I’ve laughed in a while.

The important thing is that Hammer outsmarted the media.

Late Night Retro Television Review: Sledge Hammer! 1.1 “Under the Gun”

Posted on August 14, 2026 by Lisa Marie Bowman

My friend Pat McCurry introduced me to Sledge Hammer earlier this year. Starring David Rasche as Detective Sledge Hammer, this show was a parody of Dirty Harry and Hunter. Since I’m currently reviewing Hunter on Thursday night, it seems only appropriate to review Sledge Hammer on Friday night!

Episode 1.1 “Under the Gun

(Dir by Martha Coolidge, originally aired on September 23rd, 1986)

“HAMMER!” shouts police Captain Trunk (Harrison Page), “YOU COULDN’T RESIST BLOWING UP A BUILDING ON YOUR WAY TO WORK THIS MORNING, COULD YOU!?”

Captain Trunk yells a lot but that’s just because he’s been put in charge of managing Detective Sledge Hammer (David Rasche), a San Francisco cop who talks to his gun and who is currently on suspension for shooting a robber at a grocery store before then buying some eggs and “those little cocktail weenies.” When asked by a reporter if his response was too violent, Hammer replied that he really needed his groceries.

For the record, Trunk is correct. Hammer did blow up a building on his way to work. There was a sniper on the roof so Hammer pulled a rocket launcher out of the back of his car and took care of the problem.

Despite all of that, the mayor (John Vernon, who previously played San Francisco’s mayor in Dirty Harry) orders that Sledge Hammer be taken off suspension. The Mayor’s daughter, Francie (Judie Aronson), has disappeared. (“She was either kidnapped or she is just very good at hiding.”) The police think that she was taken by the Allied Violent Offence Network (AVON), a terrorist group led by Weird Willy Luxley (D.W. Brown). Weird Willy is so evil that his own parents gave him up for adoption three years before he was born. The Mayor thinks that Sledge Hammer’s unapologetic embrace of violence is the way to go.

Hammer is assigned a partner, Dori Doreau (Anne-Marie Martin), an expert in negotiation and criminal psychology. At first, Hammer is uneasy about working with a woman. But, when he sees her beat up a man with a shotgun, he’s impressed. “That was excessively violent and totally unnecessary. I loved it.” Doreau mentions she was at the top of her class in hand-to-hand combat. “I’d like to fight you sometimes, Doreau,” Hammer replies.

Hammer promises to bring back “the mayor’s daughter, dead or alive.” Reasoning that it’s usually a member of the family who is to blame in cases like this, Hammer arrests and interrogates the Mayor’s wife. That gets Hammer suspended again but it turns out that Hammer was half-right. It wasn’t the Mayor’s wife. Instead, in true Patty Hearst manner, it turns out that Francie Flambo is a member of AVON and she arranged her own kidnapping!

It all leads to a shootout in a warehouse, as these things often do. When AVON makes their ransom demand, Doreau is sent to deliver the money. (She’s actually given a suitcase full of shredded paper.) Sledge Hammer crashes through a skylight and lands on a box, grinning.

“Why are you smiling!?” Weird Willie Luxley demands.

“I’m trigger happy, that’s why!” Hammer replies.

Soon, all of the members of AVON have been subdued and Francie has been arrested. The Mayor offers Doreau a promotion but Doreau refuses to accept it because she feels that Hammer is not being given the recognition that he deserves.

This seems like the start of a beautiful friendship.

The first episode of Sledge Hammer may be 40 years old but it’s still feels relevant and the laughs still feel earned. As played by David Rasche, Sledge Hammer is the perfect parody of every unapologetically violent action hero. Though there are hints of attraction between him and Doreau, the episode makes it pretty clear that Hammer’s true love is for his gun. At the same time, there’s something rather refreshing about Hammer’s total and complete lack of angst. As I watched this episode, it occurred to me that Hammer would probably get as annoyed with Daniel Craig’s self-pitying version of James Bond as I do.

This pilot was enjoyable and funny 26 minutes of pure entertainment. I look forward to reviewing the rest of the series!

Runaway (1984, directed by Michael Crichton)

Posted on June 20, 2026 by Jedadiah Leland

The year is 1991 and humans are using robots for everyday tasks. Because the budget is low and Michael Crichton had already done Westworld, none of the robots are humanoid or capable of original thought. The majority of them are boxy and they look harmless until they malfunction. All police departments now have a division of cops trained to deal with robots. Being a part of the “runaway squad” is not prestigious but it’s perfect for Sgt. Jack Ramsey (Tom Selleck), a good cop who suffers from a crippling fear of heights.

Ramsey and his new partner, Karen Thompson (Cynthia Rhodes), investigate a murder that was apparently committed by a robot. Their investigation leads them to Jackie Rogers (Kirstie Alley) and her boyfriend, renegade scientist Charles Luther (Gene Simmons). Luther has not only programmed robots to kill but he’s also designed smart bullets that can lock onto a target’s unique body heat.

It’s hard to resist Runaway. Stalwart Tom Selleck vs an overacting Gene Simmons? Kirstie Alley as a neurotic femme fatale? Robots spiders that inject acid into their victims? Remote control smart bombs that chase cars down the highway? Countless point-of-view shots of the smart bullets tracking their victims? It’s an entertaining B-movie, no matter what you may think of the plot or some of the acting. I don’t know what logic led to Michael Crichton casting Gene Simmons as a crazed computer scientist but I’m glad that he did. Watching a movie like this, you can see why Tom Selleck remains a television star. He doesn’t have the bigger-than-life persona of a movie star. But Selleck’s mild persona works perfectly when matched up with Gene Simmons acting like the phantom of the park. And then there’s Kirstie Alley, playing a dangerous secretary with the right mix of sexiness and humor. Cynthia Rhodes may have been the female lead but Kristie Alley is the one who stole the movie.

When Runaway was first released in 1984, it was expected to be a hit but it was instead overshadowed by another film about killer future robots, The Terminator. Needless to say, the simple heroics of Runaway can’t compete with intense action of The Terminator and even Gene Simmons at his most unhinged can’t beat Arnold Schwarzenegger saying, “I’ll be back,” but Michael Crichton’s vision of a future full of killer roombas still feels prescient today.