Late Night Retro Television Review: Degrassi: The Next Generation 3.10 “Never Gonna Give You Up”

Posted on September 13, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sunday, I will be reviewing the Canadian series, Degrassi: The Next Generation, which aired from 2001 to 2015! The series can be streamed on YouTube and Tubi.

This week, Terri has a boyfriend!

Episode 3.10 “Never Gonna Give You Up”

(Dir by John Bell, originally aired on November 19th, 2003)

Hey, it’s Rick Murray!

When last we saw Rick (played by Ephraim Ellis), he was the shy, nerdy-but-cute guy leaving flowers at Terri’s locker. When this episode starts, Terri and Rick have been dating for a while. From the outside, Rick seems sweet, romantic, and utterly devoted to Terri. Jimmy and Spinner both think he’s a little weird, but Hazel and Paige insist he’s perfect for her.

The truth is that Rick is controlling, arrogant, and easily offended. In private, he loses his temper fast. In Ms. Kwan’s scene-study class, he’s in a group with Jimmy, Hazel, and Terri, assigned to bring to life a one-act written by budding playwright and actor Marco. Rick wants to direct. When Jimmy takes that job, Rick agrees to be stage manager. That’s right, folks! Rick is one of those people who likes to work crew. Anyone who ever did theater in high school knows how annoying those people were. (Seriously, you’d come offstage glowing because you’d just given the best performance of your life and some lighting-crew dork would go, “You nearly missed your mark.” Like, seriously, just shut up and stay out of my way, you weirdo.)

Marco takes the lead male role. Jimmy gives the nurse to Hazel and then announces that Terri will be the female lead. Terri is stunned and excited. Rick is immediately defensive, telling her it’s obvious Jimmy “has a thing for you. Why else would he give you the female lead?” (I think it may have had something to do with Terri being the last person left.)

This episode follows a pattern that will be painfully familiar to anyone who has ever been in an abusive relationship. Rick gives Terri a pile of overly technical acting notes that make her look stupid onstage. When she gets upset, he grabs her wrist and leaves a bruise. Then he buys her flowers and apologizes. When Terri says she’s having a girls’ night with Paige and Hazel and Rick can’t come because “it’s just for girls,” he backhands her and leaves her with a swollen lip. (Hazel sees the lip and immediately knows Terri is lying about a cold sore.) When Terri says she needs time to herself and that Rick is suffocating her, he shoves her against a wall. Terri announces that she’s done with him.

Unfortunately, every Degrassi watcher knows that isn’t true. This episode may end with Terri throwing away the flower Rick left at her locker, but we know he’ll be back in a few episodes. We also know Season 4 is basically the season of Rick Murray’s revenge.

It’s an episode with a commendable message and a good performance from Ephraim Ellis. That said, as I rewatched it, I found myself obsessing over just how bad Marco’s little scene was. Marco played Ray, a dying man, and spoke in an exaggerated Italian accent. Hazel was the nurse who told Terri (playing Ray’s mother) that Ray was not going to live. In the episode, Terri takes the blame for everyone laughing at the play’s big dramatic beat, but I think the real culprit was Marco’s writing. “We do not always get what we want .… or want what we get.” I’ve always assumed the play was meant as a parody of bad teenage dramatics. At least, I hope it was.

The B-plot is an amusing little prank war between Spinner and J.T. Spinner is sick of J.T. hanging around Paige, so among other things he plasters the inside of J.T.’s locker with glamour photos of Mr. Raditch and slips a romantic poem under Raditch’s office door. J.T. responds by showing up at The Dot and being such an obnoxious customer that Spinner, waiting tables, loses his temper. Spinner gets in trouble with his boss and is demoted to — get this– “dish pig.” Is that an actual job? I mean, I guess he’s washing dishes, but “dish pig” is a really vivid way to put it. It’s certainly better than anything Marco ever wrote. J.T. and Spinner call a truce, but not before Ms. Kwan gets a love poem from “Spinner.”

This week’s episode was classic Degrassi. I liked that the ultra-dark Rick Murray storyline was balanced with JT and Spinner acting like idiots. That’s high school for you.

Next week, it’s Christmas in Canada!

Late Night Retro Television Review: Degrassi: The Next Generation 3.9 “Against All Odds”

Posted on September 6, 2026 by Lisa Marie Bowman

This week, Emma and Manny go to a rave and have another big fight.

Episode 3.9 “Against All Odds”

(Dir by Stefan Scaini, originally aired on November 5th, 2003)

When Ms. Kwan asks Sean for his thoughts on Julius Caesar, he dismisses Shakespeare as someone who has no relevance to his life. Another student, Chris Sharpe (Daniel Morrison), speaks up and says he loved the play because it was all about betrayal. Ms. Kwan says she’s glad Chris got something out of it. Chris replies, “Unlike my friend Slim Shady over there, I actually read the play.”

That’s all it takes for Emma to decide that she’s in love.

Manny is super excited about the idea of attending a rave. (Woo hoo!) According to the flyer, the DJ is going to be DJ Jacob Sharpe, Chris’s cousin, who always lets Chris spin at least one set at every rave. Manny convinces Emma to come with her. She also convinces Emma to actually dress up. Emma puts on a blue top and a knee-length pink skirt and then worries that her modest outfit is going to make everyone look at her. Manny, who has fully embraced her new wardrobe of crop tops and visible thongs, tells her that the idea is to get people to look at her. Emma and Manny sneak out of Emma’s basement bedroom to go to the rave. As Emma explains it, she doesn’t want her mom to see her new outfit. Personally, I think it’s more probable that it was Amanda Stepto’s week off and the show’s producers needed an excuse for why Spike, for once, is not clinging to her daughter and demanding to be her best friend.

The rave is kind of lame, and Chris doesn’t really seem to be that great of a DJ, but he sure is excited to see Emma. He even forgives her after she trips over a wire and unplugs his sound system. The only problem is that Chris has a girlfriend, and Emma doesn’t believe in cheating. Manny, however, does believe in cheating, which is why she invites Craig to the rave and then abandons Emma, heads back to the Nelson/Simpson household, and ends up fooling around with Craig in the basement. When Emma finally arrives home (she had to take a cab), she stumbles in on Manny and Craig and, needless to say, she is not happy. Normally this is where I would make a joke about Emma never being happy, but for once Emma is kind of justified in being upset.

Meanwhile, Marco and Spinner go over to Jimmy’s apartment so they can study for an important test. Spinner is worried that Marco is going to hit on him, and then he’s offended when Marco informs him that he isn’t Marco’s type.

The next day, Spinner is ready for his test. Yay! However, Emma is not ready to forgive Manny. When Manny lets it slip that she and Craig have been cheating for a while, Emma accuses Manny of not caring that Craig is dating Ashley. Manny says she doesn’t want to be Emma’s friend anymore. She calls Emma a judgmental prude, and Manny isn’t wrong. Emma then replies that she’s not interested in being friends with the “school slut.”

OUCH!

Oh, this episode. There was a lot about it that left me cringing because it brought back a lot of memories of my own time in high school. (Let’s just say that I was very much aware of how to climb out of my second-story window and make it to the ground without breaking my ankle, and leave it at that.) On the one hand, Emma has every right to be upset over Manny ditching her at the rave and then using her basement as a place to hook up with Craig. On the other hand, from the very first episode of Degrassi, Emma has basically been ordering Manny around and freaking out anytime Manny showed the slightest hint of independence. (Remember when Emma threw a fit just because Manny wanted to join the Spirit Squad?) Emma has spent two and a half seasons giving people the Emma Nelson Death Stare, and Manny has every right to be tired of it. Emma continually demands to be allowed to live her own life and make her own decisions, but when Manny does the same thing, Emma calls her a slut. In the end, Emma’s the hypocrite here.

As for the Spinner/Jimmy/Marco storyline, it was cute. I like anything involving Spinner, and it always amuses me how, whenever anyone goes to Jimmy’s apartment, the show uses the exact same ominous establishing shot of a huge building set off a freeway. Jimmy’s parents are rich and they’re never around, and the inside of the apartment is always oddly dark, as if Jimmy is scared to turn on all the lights. In this episode, Jimmy spends most of his time watching an adult movie on his television. “Thank God for satellite!” he says, before adding, “You are looking at the future Mrs. Jimmy Brooks.” It’s one of those things that probably wouldn’t be memorable except for the fact that Jimmy is being played by Drake.

As for Chris, he’s a nice guy, but even in this episode it was already obvious that Emma was just using him as a substitute for Sean.

This was a good episode, but it ended on a dark note. Allow me to lighten things up by noting that the episode is named after a song by Phil Collins. The summer after I graduated from high school, my sisters and I took a trip to Europe. While we were in Switzerland, we stayed in a ski lodge. Our host told us that the chateau next door was rumored to belong to Phil Collins. That night, I went out on the balcony of my room and noticed that there was a light on in the chateau. At the top of my lungs, I started to sing, “Well, take a look at me now!” I wasn’t really sure how the whole song went, so I mostly just focused on the chorus and tossed in a few lyrics from “In the Air Tonight.” The light in the chateau went dark while I was singing. Did Phil Collins personally turn off the living room light while I was singing? I have no way of definitively saying, but .… yeah, I’m pretty sure he did.

Next week on Degrassi, Rick Murray shows his true colors and sets in motion a drama that won’t be resolved until halfway through the fourth season.

Late Night Retro Television Review: Degrassi: The Next Generation 3.8 “Whisper to a Scream”

Posted on August 30, 2026 by Lisa Marie Bowman

This week is Degrassi at its best and most important.

Episode 3.8 “Whisper to a Scream”

(Dir. Philip Earnshaw; originally aired November 12th, 2003)

Ellie is dealing with more than any teenager should have to.

Her father, Colonel Nash (Daniel Lévesque), is deployed overseas, leaving her to take care of her self-centered, alcoholic mother (Kirsten Kieferle). Ellie is up for an internship with Caitlin Ryan, but to get it she’ll have to beat out none other than Paige. Despite the fact that Paige starts wearing glasses to look smarter and “accidentally” spills a drink on Ellie’s shirt, Ellie still manages to get the internship. “I guess she really did feel sorry for you,” Paige says.

The internship is Ellie’s dream job, but now she has to balance it with school and taking care of her mom. Her grades struggle. The ladies in the front office start giving her nasty looks whenever she comes in for a late slip. Whenever the stress gets to be too much, Ellie cuts herself.

This episode is difficult for me to watch. For a time, Degrassi was advertised as the show that “goes there,” and this episode has always hit close to home for me. When I was much younger and blaming myself for my parents’ divorce and the fact that my mom usually had to work more than one job to support me and my sisters, I used to manage my stress in much the same way Ellie did, though I was usually too afraid of scars to actually break the skin. Cutting is a sensitive subject, and not one that is easy for other people to understand or for people who cut to really explain. This episode approaches the subject with intelligence and sensitivity, and Stacey Farber gives a commendable performance.

To the show’s credit, Ellie does not magically get over being a cutter in just 20 minutes. Even after her former rival, Paige, sees the scars on Ellie’s arms and encourages her to talk to the school counselor, Ellie isn’t suddenly better. In a future episode, Ellie will admit, “I’ll always be a cutter,” regardless of whether she’s actually cutting or not. It’s one of those honest moments that sets Degrassi apart from most other teen shows.

I should admit that when Ellie cuts herself, she does so with a drawing compass, and it’s obvious that the point is very dull. This was apparently done on purpose to keep the episode from becoming a “how-to” video. I can understand that. Degrassi shows the dangers of cutting, but it doesn’t shy away from admitting that it also provides an outlet for Ellie’s stress.

This episode’s B-plot is important as well. Someone has been leaving flowers at Terri’s locker. Terri fears that her secret admirer is Toby, and Toby doesn’t help things by saying stuff like, “I don’t know, am I?” Fortunately, it turns out that Toby is not her secret admirer and is just acting weird because he’s trying to test whether or not she has ESP. Instead, Terri’s secret admirer is cute, shy Rick Murray (Ephraim Ellis).

Considering Rick’s ultimate legacy as a Degrassi student, it’s always a bit surprising to be reminded that, in his first appearance, he just came across as a sweet romantic. “Awwww! He left her a poem!” When you already know that Rick is destined to (1) put Terri in a coma and (2) shoot Jimmy in the back, it completely changes how you react to Rick’s courtship of Terri.

Next week, Emma’s back and she’s trying to move on from Sean. Yeah, good luck with that!