Tag Archives: Bruce Tuthill

Late Night Retro Television Review: Hunter 2.1 “Case X”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991.  The entire show is currently streaming on Tubi and several other services!

This week, we begin the second season!

Episode 2.1 “Case X”

(Dir by David Soul, originally aired on September 21st, 1985)

Adult-film actresses are turning up dead all over Los Angeles. Hunter and McCall have the case, and it does not take them long to see the pattern. The killer is sleazy photographer Tony Cochran (Leo Rossi), and the women are being supplied to him by former adult star turned talent agent Andrea Burden (Rita Taggart). Knowing who the murderer is and having the evidence to arrest him are two different things. After Tony murders his brother (Sam Anderson) and frames him for the crimes, it looks as if Tony might walk.

So, of course, McCall goes undercover. She joins the fitness club where Andrea works out and looks for girls. She poses in lingerie for Tony. (Just as in the first season, McCall going undercover seems to largely mean McCall wearing less clothes than usual.) And when Tony kidnaps her, it is up to Hunter to rescue her and fill Tony with lead.

In other words, the second season of Hunter opens in a style familiar to anyone who watched the first. Hunter is still a shoot-first rebel. McCall is still his continually in-peril partner. The bad guy still underestimates this violent duo. While Hunter and McCall solve the crimes and kill the villains, Bernie Terwilliger keeps trying to write them up for every infraction imaginable. In this episode, Terwilliger counts seven violations of police policy on the part of Hunter and McCall. I counted a bit more but maybe Terwilliger was trying to be charitable.

The one real change between seasons is a new commanding officer. John Amos has been replaced by Bruce Davison. As Captain Wyler, Davison wears a three-piece suit, never has a hair out of place, and bristles when Hunter refuses to follow orders. That said, Wyler congratulates Hunter at the end of the episode and tells Terwilliger to back off the ethics investigation. For once, Hunter has a boss who is not actively trying to get him kicked off the force.

The episode itself is pretty predictable. As soon as Leo Rossi’s name appeared in the guest credits, it was easy to guess who the murderer would turn out to be. Hunter is not a show about complex mysteries or shocking twists. It is a show about the chemistry between Fred Dryer and Stepfanie Kramer, and about the promise that the bad guys will be punished. This episode delivered on both.

Late Night Retro Television Review: Hunter 1.18 “Fire Man”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991.  The entire show is currently streaming on Tubi and several other services!

This week, things are getting hot!

Episode 1.18: “Fire Man”

(Dir Tony Mordente, originally aired May 11th, 1985)

Somebody in Los Angeles has got a military-grade flamethrower and is using it to set fires all over the city.

When a homeless man perishes in a burning warehouse, Hunter and McCall get involved. Their first suspect is a nervous man named Jack Lachman (William Russ, giving a better performance than the material probably deserved), who always seems to show up in the crowds that gather to watch the flames. Jack swears he’s innocent and that the arsonist is instead a former Special Forces operative with whom he served in Vietnam.  Jack also claims that the arsons are connected to a war crime that Jack and his fellow soldiers covered up.

Also getting involved is Matt Gold (Mark Schneider), a reporter determined to get the story and unconcerned about whether he messes up the investigation in the process. At first, McCall thinks Matt is harmless. Hunter does not. Not surprisingly, Hunter turns out to be right: the media gets in the way of solving and preventing crimes.

This episode was all about visual style. The plot wasn’t terribly complicated, but the shots of the arsonist setting his fires were disturbing, as were the images of the flames quickly consuming anything they touched. The scene in which the arsonist takes out a witness was disturbingly violent, even by Hunter’s standards. At the same time, the song that seemed to play whenever the arsonist appeared quickly got old.

As violent as the episode got, there was something reassuring about Hunter and McCall once again stopping the bad guy and saving the city—and doing it while trading quips. It’s a scary world out there, this episode seemed to be saying, but luckily we’ve got Hunter and McCall to take out the trash.

 

Late Night Retro Television Review: Hunter 1.5 “Legacy”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991.  The entire show is currently streaming on Tubi and several other services!

This week, Hunter and McCall investigate a mob hit!

Episode 1.5 “Legacy”

(Dir by Ron Satlof, originally aired on November 2nd, 1984)

Gangster John Vincent (Tony Girogio) has been gunned down in his own mansion.  Detective Bernie Terwilliger thinks that it’s a case of burglary gone wrong.  Rick Hunter thinks that it was a mob hit and that one of John’s sons is responsible.  He and McCall search for Sandy Newton (Mary-Margaret Humes), the woman who was with Michael Vincent (Vincent Baggetta) the night that his father was killed.

I have to admit that I had totally forgotten that Rick Hunter was supposed to be the son of a mobster.  This episode featured Rick associating with his childhood buddies and, if nothing else, it showed just how unconvincing Fred Dryer was as the scion of a mob family.  Don’t get me wrong.  Fred Dryer was great when he was gunning down a suspect and then saying, “Works for me.”  And Fred Dryer had a fun chemistry with Stepfanie Kramer.  But there was absolutely nothing about Fred Dryer that, in any way, said, “Mobster.”  Surrounding Dryer with a bunch of tough-looking Italian-American character actors did nothing to change the fact that Dryer essentially looked like a former football player from sunny California.

This episode had a predictable story but it also had two good action scenes: a fight on a pier and a mob hit in a warehouse.  It also introduced John Amos as Captain Dolan, who is the new police captain but who appears to dislike Hunter and McCall just as much as the previous captain.  It’s hard not to feel that Amos will be entertaining as he yells at Hunter for not following regulations and costing the city money.

We’ll see how it goes!

Late Night Retro Television Review: CHiPs 4.7 “Satan’s Angels”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Bonnie is taken hostage!  It’s good thing Ponch exists because you know no one else on this show is going to able to rescue her.

Episode 4.7 “Satan’s Angels”

(Dir by Phil Bondelli, originally aired on December 14th, 1980)

When confronting a group of outlaw bikers who are harrassing a teenager (Heather Locklear, in her screen debut), Bonnie is kidnapped!  Reno (John Quade) manages to snap her own handcuffs on her wrists and then drags her to a cabin owned by Stan (William Smith) and his wife (Candice Azzara).

Can the Highway Patrol find the cabin?  The cabin is in the mountains it might not be easy to locate.  It’s a good thing that Ponch and Jon just happen have those motorized hang gliders!   It’s California living to the rescue!  Needless to say, Ponch and Jon (but mostly Ponch) are able to swoop in for the rescue.

This episode didn’t do much for me but then again, episodes about hostage situations rarely do.  Once a character is taken hostage, it pretty much causes the action to slow down to a crawl.  There’s only so many times you can listen to someone being told not to even think about escaping before it gets kind of boring.  This episode did feature the great villainous character actor, William Smith.  It had that going for it.  But, otherwise, the episode itself moved very slowly and it didn’t help that Bonnie herself was required to make a lot of very stupid mistakes so that she could be kidnapped in the first place.  When a show’s storyline depends on a previous competent person suddenly being amazing incompetent, it’s an issue.

This episode’s b-plot featured Getraer’s very pregnant wife continually going the hospital, just to discover it was a false alarm.  Getraer’s wife was played Gwynne Gilford who was (and is) married to Robert Pine.  Their son, Chris Pine, was born a few months before this episode aired.