Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!
This week, Hunter breaks rules and shoots people.
Episode 1.2 “Hard Contract”
(Dir by Bruce Kessler, originally aired on September 28th, 1984)
When McCall calls in sick and says that she’s taking the week off, Capt. Cain (now played by Arthur Rosenberg) assigns Hunter to work with bowtie-wearing Bernie Terwilliger. Cain sees this as an opportunity to get rid of Hunter. He tells Bernie to write down every policy that Hunter breaks throughout the day.
Terwilliger wants to spend the day tracking down whoever is leaving graffiti in the park. Hunter’s not interested in that. He wants to know what’s going on with McCall. Mostly, Hunter wants to find an excuse to draw his gun. The only thing he gets out of the trip to the park is a chance to arrest a man trying to rob a hot dog vendor. Hunter gets a hot dog, of course.
Eventually, Hunter drags Terwilliger to a bar where they discover McCall hanging out. After a bar fight, Hunter and McCall abandon Terwilliger and go after Gus (David Ackroyd), McCall’s former partner. Gus was McCall’s mentor and she’s still close to Gus and his wife. However, Gus has fallen on hard times and now, he’s looking for work as a contract killer.
The most interesting thing about this episode is that, even though Gus and McCall are old friends, they’re still totally willing to shoot each other. That seems to be a recurring theme with Hunter. Everyone likes to shoot everyone else.
I enjoyed this episode. It was very, very simple but Fred Dryer and Stepfanie Kramer got to show off their chemistry and there was plenty of humor involving poor old Bernie. Sometimes, it’s enjoyable to watch something that doesn’t require you to do much thinking and that was certainly the case here.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!
Today, we start a new series.
Episode 1.1 “Hunter”
(Dir by Ron Satlof, originally aired on September 18th, 1984)
Ah, Hunter.
Hunter is one of those shows that, up unitl now, I’ve never really specifically felt the need to track down and binge but I’ve still seen a handful episodes. Some of that is because Hunter is a mainstay on the nostalgia channels. If you fall asleep while watching an old episode of Fantasy Island, there’s a good chance that you’re going to wake up to an episode of Hunter. Hunter is also a mainstay on both Prime and Tubi. Again, if you fall asleep watching your favorite Eric Roberts movie, there’s a decent chance that you’re going to wake up to an episode of Hunter.
I have to admit that every episode I’ve seen has been entertaining. It’s the epitome of an 80s cop show, in all of its action-filled, simplistically-plotted glory. Rick Hunter (played by former football player Fred Dryer) is a cop who gets results by doing things his way. “His way” typically involves shooting a lot of people. (Hunter’s catch phrase? “Works for me.”) Hunter’s partner is Dee Dee McCall (Stepfanie Kramer), a cop who gets results by doing things her way. “Her way” typically involves going undercover and …. uhmm, shooting a lot of people. And while I am certainly aware of the dangers of police overreach and I generally don’t support shooting anyone without just cause, it’s still fun to watch Hunter and McCall break every regulation in the book. In almost every episode that I’ve seen, Hunter and McCall end up shooting so many people that the action ends up verging on self-parody. Fortunately, both Dryer and Kramer appeared to be in on the joke.
(From what I’ve seen, I should also mention that Fred Dryer appears to have been a slightly better actor than some of the other former pro athletes who have decided to go into acting. He may not have had a huge amount of range but he was still better than most of the basketball players who showed up on Hang Time. If nothing else, he was better at showing emotion than OJ Simpson.)
Hunter premiered with a 90-minute made-for-television movie. The action starts with Los Angeles Police Detective Rick Hunter crammed into a beat-up car that has definitely seen better days. Because Hunter is the son of a mobster, he’s not totally trusted by his fellow detectives. Because he’s a cop, he’s not totally trusted by the mob. And because he’s a shoot-first renegade, all of his partners end up going to the hospital. Captain Cain (Michael Cavanaugh) is trying to get him to quit the force and that means only allowing him to drive the department’s worst cars, not allowing Hunter to respond to most calls, and trying to partner him up with bowtie wearing moron, Bernie Terwilliger (James Whitmore, Jr.)
Hunter knows that LAPD regulations will allow him to pick his own partner if he can find someone willing to work with him. The problem is that no one wants to put their life on the line. Finally, Hunter tracks down Sgt. Dee Dee McCall, the widow of a fallen officer. Nicknamed the “Brass Cupake” (cringe!), Dee Dee is currently working undercover as a prostitute and is trying to take down Los Angeles’s biggest pimp, King Hayes (Steven Williams). Hunter has a proposition for her. Since neither wants a partner and they both prefer shooting first and asking questions later, why not pretend to work together? They’ll check in and out at the station together but, otherwise, they’ll separate and work their own cases once they hit the streets. McCall agrees.
Unfortunately, Captain Cain is not dumb. He figures out exactly what they’re doing and he tells them that he will have people watching them to make sure that they are actually working together. Luckily, McCall has just arrested King Hayes. Hunter shows up as McCall is handcuffing Hayes and immediately sees that Hayes’s bodyguard is driving his car straight at them.
“You want this guy?” Hunter asks.
“That would be nice,” McCall replies.
Hunter, much like Dirty Harry, proceeds to fire several bullets into the car windshield, causing the car to flip over.
With King Hayes and his bodyguard now taken care of, it’s time for Hunter and McCall to investigate the murders of two blonde women who both enjoyed hanging out at country western bars. McCall puts on a blonde wig and goes undercover at a honky tonk. Hunter is shocked to see that she is being stalked by Dr. Bolin (Brian Dennehy), the psychiatrist who the LAPD brought in to examine all of their detectives. As a viewer, I was not particularly surprised to discover that Dr. Bolin was the killer. You’re not going to cast an actor like Brian Dennehy on a show like Hunter and then just have him spend the entire episode sitting in his office. McCall and Hunter work together to stop Bolin before he kills again.
The pilot of Hunter was actually a lot of fun. The pilot may have been violent but it still had a sense of humor. The show understood that the sight of 6’6 Fred Dryer crammed into a dented station wagon would not only make the viewer smile but it would also go a long way towards humanizing Hunter as a character. He may be big and cocky and quick to shoot people but he also has terrible luck when it comes to cars, police radios, and bystanders. At one point, he even gets pepper-sprayed by Dee Dee’s neighbor. As for Dee Dee, I liked the fact that she was capable and tough without being a stereotypical action girl. I also appreciated that she and Hunter chose to work together. I feared, initially, that the pilot would be full of scenes featuring Hunter whining about having to work with a woman and I appreciated that the show went the opposite direction. From the start, Hunter respects Dee Dee as a cop and it’s made clear that she has nothing to prove to him. If anything, Hunter has to earn her respect.
Of course, the main appeal of Hunter is that both Dryer and Kramer looked good holding a gun and yelling at people to “freeze!” As opposed to the wishy washy police procedurals of today, the pilot of Hunter was absolutely shameless about giving the viewers what they wanted as far as bullets and car chases were concerned.
This was a good pilot. Watching it, I could understand why the show ended up running for 8 seasons. And, every Thursday, I’ll be reviewing Hunter. I look forward to the action!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. Almost entire show is currently streaming is on Youtube!
(Dir by Gene Nelson, originally aired on November 17th, 1979)
For the third week in a row, this episode of Fantasy Island features Mr. Roarke and Tattoo heading straight to the docks so that they can meet their guests without making any time for any Roarke/Tattoo banter. On the one hand, the scenes where Tattoo would tell Roarke about his latest scheme were always a bit awkward because of the obvious bad feelings between Ricardo Montalban and Herve Villechaize. On the other hand, they did reveal that Tattoo had a life outside of just following around Mr. Roarke. I will be a little bit sad if they’re gone forever.
As for this week’s fantasies, neither one adds up too much.
Big Jake Farley (Max Baer, Jr.) is a big, strapping cowboy who will tell anyone who will listen that he’s from “Big D.” (“It’s a mite south of Heaven.”) I’m from Big D too and I will admit that I’m a bit sensitive when it comes to the whole “All Texans are cowboys” stereotype so I pretty much spent this entire fantasy in cringe mode. Big Jake wants to meet Valeska de Marco (Carol Lynley), the ballerina whose hard work and perfectionism inspired him when he was just a penniless cowpoke. Now that Big Jake is a wealthy rancher and oilman, he wants to marry Valeska and take her back to the ranch. Unfortunately, Valeska is already engaged to Stuffy Q. Borington III (Howard Morton). When Valeska suffers a career ending injury, will Big Jake be able to convince her to come open an acting school in Big D and will Mr. Roarke help everyone’s fantasy come true?
You already know the answer. Everyone gets a happy ending on Fantasy Island, except for that time Mr. Roarke got married.
Eh. Considering that this fantasy combined several of my favorite things — ballet, Texas, tropical islands — it’s a bit of a shock just how boring it turned out to be. The main problem was that there was zero chemistry between Baer and Lynley. Both of them came across as if they would rather be anywhere but on Fantasy Island.
As for the other fantasy, it featured Toni Tennille as Betty Foster, a former fast food worker turned private investigator. Her fantasy was to solve a big case. With Roarke’s help, Betty was hired by Contessa Christina Kastronova (Stepfanie Kramer) to accompany the Contessa to the reading her cousin’s will. The Contessa felt her cousin had been murdered and she feared she might be next. Betty pretended to be the Contessa during both the reading of the will and the subsequent night spent in a scary, dark house with all of the Contessa’s relatives. Anyway, Dick Sargent turned out to be the murderer and Betty realized that she’d rather marry one of the Contessa’s relatives than continue on as a private eye.
As far as this fantasy went, I liked the scary house and I found the scene where Roarke and Tattoo debated which one of them should stay behind with Betty to be amusing. (Tattoo, of course, ended up having to stay.) But the mystery didn’t add up too much. To be honest, as soon as Dick Sargent showed up, I knew he was going to be the bad guy. I mean, I’ve seen Clonus.
Especially when compared to the previous two episodes, this episode was fairly forgettable. Everyone got their fantasy but no one made much of an impression.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. The entire show is currently streaming on Tubi!
This week, Eve Plumb and Leslie Nielsen visit Fantasy Island!
Episode 2.14 “Séance/The Treasure”
(Dir by Larry Stewart, originally aired on January 13th, 1979)
Tattoo is a horse thief! He claims that he just found the horse while wandering around the island but later, he comes across a wanted poster that has his picture on it and the declaration that Tattoo is wanted dead or alive. Mr. Roarke gets a good laugh out of that and even repeats the words, “Dead or alive,” as if he’s realizing that he’s finally found a way to get rid of his assistant. Fortunately, Mr. Roarke has a change of heart and, at the end of the episode, buys the horse for Tattoo. Awwwww!
As for this week’s guests, Joe Capos (George Maharis) is a fisherman who has always wondered what it would be like to be a millionaire. Joe and his wife, Eva (Shelley Fabares), come to the island and find themselves set up in a house that looks exactly like the one where Joe grew up. One day, Joe goes out fishing and what should he find in his net but a gold statue of Triton blowing his horn! It’s a valuable artifact, one that could make Joe a millionaire if it is found to be authentic. Soon, Joe is surrounded by a bunch of people who are hoping to be on his good side when he becomes rich. He’s the most popular man on the island! Unfortunately, Joe is having so much fun being rich and popular that his neglected wife leaves him. Joe knows that the only way to get Eva back is to return the statue to the ocean but will he have the courage to give up wealth and fame for love?
Meanwhile, Eve Plumb plays — wait a minute, Eve Plumb? Just last week, Robert Reed was on the show, playing a method actor who thought he was a vampire. Now, the original Jan Brady has come to the island. I wonder if the entire Brady Bunch will eventually make it to Fantasy Island?
Plumb is playing Clare Conti, a young woman who suspects that her twin brother was murdered. In order to prove it, her fantasy is to have a séance and contact him. Her entire family comes to the Island for the séance, including Uncle Victor (Leslie Nielsen). This episode is Neilsen’s second appearance on the Fantasy Island and, again, he’s playing a very serious and a very somber character but, because he’s so deadpan about it, it’s hard not hear everything that he says as being a joke. It’s always great fun to see Nielsen playing humorless authority figures in the days before he became a comedy superstar. The only thing that would make this episode better would be if Nielsen turned out to be the murderer but sadly, he’s not. As for the rest of the fantasy, the séance scenes manage to strike the right balance between being creepy and being campy. Clare’s dead brother yells a lot but I guess that’s what you do when you’re trying to communicate from the beyond.
This was an enjoyable episode, featuring good performances from the guest stars and fantasies that were intriguing without demanding too much from the audience. This trip to Fantasy Island was more than worth it.
On a foggy London night in 1888, the shadowy killer known as Jack the Ripper is pursued by a combination of police and citizens. Cornered and facing certain execution if captured, Jack jumps off of London Bridge and disappears into the murky waters of the Thames.
Jump forward to the late 80s. London Bridge has been transported, brick-by-brick, to a town in Arizona and it now serves as a somewhat tacky tourist attraction. Unfortunately, it turns out that Jack the Ripper’s spirt is inside in the bricks and transporting the bridge has also transported Jack. Considering that Jack died in the Thames, I’m not really sure why his spirit will still be trapped in the bricks of the bridge. It seems like his spirit should still be in the river but whatever. Let’s just go with it. One tourist accidentally cuts her finger while walking across the bridge. Her blood hits the wrong brick and suddenly, Jack the Ripper is alive and killing in Arizona! Can the murders be stopped before they interfere with the tourist season!?
Only Detective Don Gregory (David “The Hoff” Hasselhoff) thinks that Jack the Ripper has returned to life. His captain (Clu Gulager) doesn’t believe him. The sleazy city councilamn (Lane Smith) doesn’t believe him. His potential girlfriend, Angie (Stepfanie Kramer), has doubts about Don’s theory. His own partner (Randolph Mantooth) doesn’t buy it. Even Angie’s best friend, a librarian named Lynn (Adrienne Barbeau), doesn’t think that there’s any connection between Jack the Ripper and the handsome Englishman (Paul Rossilli) who has recently been stopping by the library and flirting with her.
And really, why would anyone believe Don? His theory makes no sense, even if it does turn out to be true. Indeed, Don is remarkably quick to accept the idea of Jack the Ripper traveling through time. Of course, what also doesn’t make sense is the city council’s refusal to shut down the bridge until the killer’s been caught. It’s the tourist season but seriously, it seems like a serial killer — whether he’s Jack the Ripper or not — would be bad for business!
This 1985 movie was made for television. The premise is intriguing but the execution is a real let-down. It’s a 90 minute film and the Hoff doesn’t really seem to get serious about trying to hunt down Jack the Ripper until 60 minutes in. This is the odd Jack the Ripper film in which the Ripper is often treated as an afterthought. Instead, the majority of the film is taken up with Don flirting with Angie and trying to come to terms with an accidental shooting that occurred when Don was a cop in Chicago. The whole Jack the Ripper subplot is almost treated like a red herring, which is an odd way to treat a 19 century villain who can travel through time. I mean, sometimes, romance has to wait until the time-traveling serial killer has been taken care of. It’s all about priorities.
In the end, this one is for hardcore Hasselhoff fans only. Those who want to watch a Jack the Ripper time traveling movie would be better served by watching Time After Time, featuring David Warner as the Ripper and Malcolm McDowell as H.G. Wells.
During a reception on the steps of U.S. Capitol, an assassin kills Contra leader Col. Martinez (Geno Silva) and seriously wounds Sen. Terry Fallon (Harry Hamlin), an up-and-coming politician from Texas. An eager media catapults Fallon to national stardom and the beleagued President (James Whitmore), who is facing a tough reelection bid, is pressured to replace the current vice president (Mitchell Ryan) with Fallon.
The FBI only assigns two of their agents to investigate the assassination, a sure sign that someone wants the investigation to just go away. Nick Mancuso (Robert Loggia) is a crusty, hard-drinking veteran agent whose career is nearly at an end. David Ross (Lance Guest) is his young and idealistic partner. When Mancuso and Ross discover that Martinez was injected with the HIV virus just two days before the assassination, it becomes obvious that there is a bigger conspiracy afoot. It all links back to Sally Crain (Linda Kozlowski), who is Fallon’s legislative aide and also his lover. (Fallon has a wife but she’s locked away in a hospital.) Sally has an interest in bondage, as Ross soon finds out.
Favorite Son was originally aired as a 3-night, 4 and a half-hour miniseries. It was later reedited and, with a running time of less than two hours, released theatrically overseas as Target: Favorite Son. As a miniseries, Favorite Son is an exciting conspiracy-themed film that is full of scheming, plotting, interesting performances, and pungent dialogue. Target: Favorite Son, on the other hand, is disjointed and, unless you know the original’s plot, almost impossible to follow. If you’re going to watch Favorite Son, make sure you see the original miniseries. My mom taped it off of NBC when it originally aired. That was the only way that I was able to originally see the film the way that it meant to be seen. The entire miniseries has also been uploaded, in three parts, to YouTube.
Hopefully, the original miniseries will get an official release someday because it’s pretty damn entertaining. Harry Hamlin isn’t really dynamic enough for the role of Fallon but otherwise, the movie is perfectly cast. Robert Loggia is so perfect for the role of Nick Mancuso that it almost seems as if the character was written for him. (Loggia did later star in a one-season drama called Mancuso, FBI.) Linda Kozlowski seems to be destined to be forever known as Crocodile Dundee’s wife but her performance as Sally shows that she was a better actress than she was given credit for. The supporting cast also features good performances from Jason Alexander, Ronny Cox, Tony Goldwyn, John Mahoney, Kenneth McMillian, Richard Bradford, and Jon Cypher.
Favorite Son may be over 30 years old but it’s still relevant today. In the third part, John Mahoney gives a speech about how American voters are often willfully ignorant when it comes to what’s going on behind the scenes in Washington and it’s a killer moment. Melodramatic as Favorite Son may be, with its portrayal of political chicanery and an exploitative national media, it’s still got something to say that’s worth hearing.
Through the Shattered Lens 