Retro Television Review: Homicide: Life On The Street 6.1 “Blood Ties, Part One”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, we start season 6.

Episode 6.1 “Blood Ties: Part 1”

(Dir by Alan Taylor, originally aired on October 17th, 1997)

It’s a new season of Homicide and, while Pembleton and Bayliss have been off working in the robbery division, some changes have occurred.  Sgt. Howard has left Homicide to work in another division.  Brodie’s documentary won an Emmy and he’s moved to Los Angeles.  Melissa Leo and Max Perlich are no longer a part of the cast.

Instead, we have three new detectives.  Gharty and Falsone (ugh!) are now full-time members of the squad.  Joining them is Laura Ballard (Callie Thorne), a recent transfer from Seattle.  When Pembleton and Bayliss return to Homicide, the first that they see is Ballard and Gharty being given a commendation for solving “the Rico case.”  Meanwhile, Falsone is walking around the squad room like he owns the place.  Giardello praises the new detectives and basically acts as if Pembelton and Bayliss are useless.

And listen, as much as I dislike Falsone and Jon Seda’s mumbling performance in the role, I do think that Peter Gerety is well-cast as Gharty.  And Callie Thorne seems like she’ll do a good job as Ballard, even if this episode does spend a bit too much time trying to convince us that she’s the greatest detective since Frank Pembleton.  But, when it comes to Homicide, I want to follow detectives like Munch, Lewis, Pembleton, and Bayliss.  I want to watch as Kellerman battles his demons and Giardello battles his superiors.  My point is that I don’t care about these new people.  I don’t care that Ballard is a hotshot detective.  I don’t care that Gharty is a blue-collar guy who is looking to prove himself.  I can’t stand Falsone.  I don’t want any of these people to be the new lead characters on the show.  I want Melissa Leo with her weird accent.  What are we even doing here, Homicide?

This episode, however, seemed to be determined to force the new characters on me.  For instance, Georgia Mahoney (Hazel Goodman) is in town, looking to get revenge for the death of her brother Luther.  She’s got people shooting at Lewis, Kellerman, and Terri Stivers.  Needless to see, Lewis and Kellerman get involved in tracking down and arresting not only Georgia but also Junior Bunk (Mekhi Phifer), Luther’s incompetent nephew.  However, Falsone gets involved too.  This means that we have to sit through an entire scene of Falsone attempting to interrogate Kellerman about the Mahoney shooting and the inconsistencies in the statements given by Lewis, Stivers, and Kellerman..  Hey, Falsone — YOU’RE THE NEW GUY!  WE LIKE KELLERMAN!  LEAVE HIM ALONE, YOU MUMBLING DOUCHEBAG!

Meanwhile, at a banquet honoring distinguished businessman and civil right activist Felix Wilson (James Earl Jones), a young Haitian woman is found beaten to death in the men’s room.  Her name is Melia and she worked for the Wilsons.  Now, in this case, Pembleton and Bayliss are the primaries but Ballard and Gharty still come along to provide support and soon, Ballard and Pembleton are arguing about the best way to handle the investigation.  Ballard thinks that Pembleton is going easy on Felix Wilson because of Wilson’s standing in the black community.  Pembleton thinks that Ballard should remember who the primary investigator is.  And myself, I’m wondering why Pembleton and Ballard are having the type of conversations that Pembleton used to have with Bayliss.  Whenever Pembleton and Bayliss debate prejudice, it works because we know who Pembleton is and we know how Bayliss is.  We don’t know enough about Ballard for her debate with Pembleton to really mean anything.

Apparently, Homicide was nearly cancelled after the end of season 5.  When it was renewed, it was done on the condition that had to improve its rating and win its time slot.  This episode feature a lot of action.  A man on a motorcycle fires at Falsone and Lewis.  A sniper hits Kellerman in the arm.  The cops stop Georgia’s private plane from taking off and arrest her.  Visually, this episode is brightly lit and there’s none of the odd camera angles that dominated the previous few seasons.  Comparing this episode to the episodes that came before it creates a tonal whiplash that can only be compared to going from the Steve Carell-led Office to the Ed Helms version.  It’s not necessarily bad but it just doesn’t feel right.

This episode ends with Georgia in jail and Pembleton still investigating the death of Melia.  Season 6 is off to a start and I’m not really happy about how it’s going so far but we’ll see what happens.

Retro Television Review: Homicide: Life On The Street 5.22 “Strangers And Other Partners”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, season 5 comes to a close.

Episode 5.22 “Strangers And Other Partners”

(Dir by Kenneth Fink, originally aired on May 16th, 1997)

It’s all hands on deck as the Homicide squad investigates the murder of Beau Felton.  This episode opens with Giardello announcing that Pembleton will be the primary and that they will all be working with Detective Falsone (Jon Seda) of the auto squad and Detective Gharty (Peter Gerety) of Internal Affairs.

“I ain’t working with anyone from IID!” Falsone snaps.

Hey, Falsone — you’re a guest star.  Shut up and do what you’re told, you prick.

The fifth season finale is a mess.  Some of that is because Beau Felton was never a strong enough a character for his death to have the emotional kick that it’s obviously meant to have.  Felton was not Crosetti.  Felton wasn’t some sort of beloved icon.  Felton was a jerk whose storylines were usually the least interesting of the show’s first three seasons.

An even bigger problem is that the emphasis is not on the detectives who we all know and love but instead on Falsone and Gharty.  Falsone and Gharty go from being at each other’s throats to teaming up to use a shared informant to get the evidence they need to go after Felton’s murderer.  Peter Gerety does a good job as Gharty.  It helps that Gharty has a compelling storyline.  He’s a cop that many people have dismissed as being a coward.  He’s trying to prove himelf.

Falsone, on the other hand …. seriously, what is the deal with this douchebag?  He spends this episodes strutting around in his stupid leather jacket, threatening to beat up people.  I get that he’s supposed to be a tough cop but he just comes across like a jackass with anger management issues.  It doesn’t help that actor Jon Seda gives a one-note performance in the role.

This whole episode is basically an introduction for Gharty and Falsone.  The other Homicide cops are pushed to the side so that these two can grab some legitimacy before becoming regular characters during season 6.  Gharty seems like he’ll be an okay addition to the ensemble.  Falsone, on the other hand, should be allowed nowhere near a show like Homicide.

While all of that is going on, Kellerman and Cox are both struggling with their drinking.  I’m a little bit tired of Kellerman and Cox, to be honest.  Kellerman, at least, has a compelling storyline with the Luther Mahoney shooting.  Dr. Cox, on the other hand, is starting feel superfluous.  No one from the Homicide squad can step into a bar without running into Dr. Cox.

Finally, Pembleton and Mary meet and agree to give their marriage another try.  Good.

This episode (and the season) ends with Felton’s murderer still on the run.  Giardello announces that the Baltimore police department is instituting a new policy in which detectives will rotate from unit to unit.  “In three months,” he tells the detectives, “none of us may be here.”

Season 5 was pretty good so it’s unfortunate that the finale was a mess.  The strength of Homicide has always been its ensemble of quirky, flawed, and heart-breakingly human cops.  Using the final episode of the season to focus on a one-note character like Paul Falsone almost feels insulting to the rest of the cast.

Next week, we start season 6!

Lisa Marie’s Week In Television: 6/16/26 — 6/22/26


Big Brother 28 (24/7, CBS, Paramout+, and Pluto TV)

I’ve been writing about the show that I love to hate over at Reality TV Chat Blog.

Election Coverage (Tuesday Night)

Last week was the last big primary night of 2026.  I mostly watched the results from Florida.  The defeat of Alex Vindman in Florida should be all the proof that one needs that the Resistance era is over.

Darke of the Night (YouTube)

My review of this unsold pilot will drop in September.

Homicide: Life On The Street (Peacock TV)

I binged several episodes of Homicide this week and wrote and scheduled reviews of each one.

Juvenile Court (YouTube)

My review of this unsold pilot will drop next week.

Law & Order (Hulu)

I watched an episode of Law & Order that served as a crossover with Homicide.  My review of both episodes will drop at some point in September.

Radio 1990 (Nightflight Plus)

I watched an episode of this 80s music video show on Friday night.

Saved By The Bell (Prime)

This week’s review will drop shortly.

Sylvan in Paradise (YouTube)

My review of this pilot will drop in September.

Warden Duffy of San Quentin (YouTube)

My review of this pilot will drop in September.

Watched and Reviewed:

  1. 1st & Ten,
  2. Baywatch,
  3. CHiPs,
  4. Crime Story,
  5. Harry’s Battles,
  6. Hunter,
  7. The Love Boat,
  8. Pacific Blue,
  9. Saved By The Bell: The New Class,
  10. Sledge Hammer,
  11. St. Elsewhere

Retro Television Review: Homicide: Life On The Street 5.21 “Partners And Other Strangers”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, we discover that Daniel Baldwin will not be returning to Homicide.

Episode 5.21 “Partners and Other Strangers”

(Dir by Leslie Libman and Larry Williams, originally aired on May 9th, 1997)

A call to investigate what appears to be a suicide leads Pembleton and Brodie to an isolated house in Baltimore.  The dead man has been found with a shotgun in his hands and his face blown apart.  It’s not until Pembleton looks at the dead man’s ID that he discovers that the man is former Detective Beau Felton.

Played by Daniel Baldwin, Felton was originally a major character on Homicide.  He was the cynical, sweaty detective who had an affair with Megan Russert, a partnership with Kay Howard, and a marriage with a crazy woman who wouldn’t let him see his kids.  Felton is the one who Robin Williams yelled at for being an insensitive ass in the Bop Gun episode.  As the series progressed and the focus shifted from characters like Felton and Bolander to Pembleton and Bayliss, Felton was given less and less too.  Daniel Baldwin was fired from the series at the end of season 3.  Felton was said to have been suspended for his rowdy behavior at a convention.

The episode fills us in on what happened to Felton after his suspension.  He apparently retired from the force and then stopped returning phone calls.  He disappeared and everyone else moved on.  At first, the squad room wonders if they could have done anything to prevent Felton’s suicide.  Howard and Lewis (who lost his previous partner to suicide and who nearly lost Kellerman to the same thing) are especially hit hard.  We get several flashbacks to the episodes that featured Felton and we’re reminded of just how much Daniel Baldwin used to sweat when he was on the show.

Dr. Cox takes a look at the skull fragments and the blood splatter and she realizes that Felton didn’t kill himself.  He was shot in the back of the head and then someone tried to make it look like he committed suicide.  Pembleton, Howard, and Bayliss are now investigating the murder of Beau Felton and they’re getting some help.

Megan Russert flies in from France to offer up her skills as an investigator.  If I remember correctly, Russert was never that good of a detective but it’s nice that she showed up.

Detective Paul Falsone (Jon Seda), from the auto theft squad, says that Felton was working with a notorious group of car thieves.  Falsone wants to help the investigation for …. reasons, I guess.

Finally, Detective Stuart Gharty (Peter Gerety) shows up.  When we last saw Gharty, he was a decorated cop who was too scared to enter an apartment building to help out one of his fellow officers.  Now, Gharty is working for Internal Affairs.  He reveals to Giardello that Felton was working undercover and he was helping to uncover a crooked cop in the department.  Colonel Barnfather announces that Gharty is going to work with Homicide on the Felton case.

Even if I didn’t already know that Falsone and Gharty are going to become regular characters during season six, it would be obvious from the introductions they’re given in this episode.  Peter Gerety, who later played a sympathetic judge on The Wire, is fine in the role of Gharty.  But I can already tell that Falsone is going to annoy me.  Some of it is because his character is the type of cliche that Homicide has, to this point, avoided.  He’s a young rebel who gets results …. HIS WAY!  From the minute he shows up, he’s telling Howard and Pembleton how they should conduct their investigation and it’s kind of annoying.  I mean, who the Hell is this jerk?  As played by Jon Seda, Falsone mumbles the majority of his dialogue and he just doesn’t seem like he belongs on Homicide.

This is a two-parter so we’ll see how the investigation wraps up (or doesn’t) next week.  Oddly, I have to admit that Felton’s death didn’t really have the type of emotional impact that the show seemed to think that it would.  Unlike the lovably eccentric Crosetti, Felton was never really that interesting of a character.  Far more impactful than the squadroom thinking about all of the times Felton acted like a jerk was the scene where Pembleton followed Bayliss to his uncle’s home.  Later, Pembleton told Bayliss that he now understood why Bayliss has been missing work.  In the past, this would have led to a fight between the two of them but both Bayliss and Pembleton have grown over the season.  Pembleton apologizes for following Bayliss.  (“I’m a detective.  It’s what I do.”)  Bayliss opens up about how he’s struggling with the concept of forgiveness.  As always, the show’s heart is with Bayliss and Pembleton.

Next week, season 5 comes to an end!

Lisa Marie’s Week In Television: 8/9/26 — 8/15/26


Austin City Limits (YouTube)

I watched an episode featuring Leonard Cohen.  It was a bit too low-key for me but I did appreciate Cohen’s sense of style.

Big Brother (24/7, CBS, Paramount+, Pluto TV)

I’ve been writing about the show that I love to hate at the Reality Tv Chat Blog.

Election Coverage

The Wisconsin primary will go down in history. As much as I disagree with Frances Hong on the issues, I felt a bit sorry for her.  There was a time when it was very trendy to claim to be mentally ill on social media.  I think a lot of people are going to run into the same problem that she ran into when they try to run for office.

Kitchen Nightmares (Disney Plus)

 I watched the two latest episodes.  I am amazed that anyone would allow their business to appear on this show.  Personally, I am never going to eat again.

Survivor 50 (Wednesday Night, CBS)

That 90-minute run time is going to be the death of Survivor.  Every episode feels so dragged out now.

Top of the Pops (YouTube)

I watched two episodes from the 80s on Saturday morning  It featured some of the least danceable music that I’ve ever heard.

Watched and Reviewed:

  1. 1st & Ten,
  2. Almost Heaven,
  3. Baywatch,
  4. CHiPs,
  5. Crime Story,
  6. Homicide: Life on the Street,
  7. Hunter,
  8. The Love Boat,
  9. Pacific Blue,
  10. Saved By The Bell: The New Class,
  11. Sledge Hammer,
  12. St. Elsewhere

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