Retro Television Review: Saved By The Bell: The New Class 1.10 “Swap Meet”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00.  The show is currently on Prime.

It’s time for the annual school swap meet!

Episode 1.10 “Swap Meet”

(Dir by Don Barnhart, originally aired on November 13, 1993)

It’s time for the Swap Meet, the annual Bayside tradition that has never been mentioned before this week’s episode.  All of the students — and Mr. Belding — go to the gym to sell the old stuff that they don’t need anymore.  Does anyone in this school actually go to class?

Weasel, Scott, and Tommy D. have their own table, where they are apparently selling random things from Weasel’s garage.  Scott desperately needs some money so that he can take Rachel Meyers (Sarah Lancaster, who would become a regular starting with season 2) to the Janet Jackson concert.  Scott is not happy when Weasel takes the ten dollars that Scott and Tommy D have made at the table and spends it all on comic books.  Fortunately, one of those comic books turns out to be Defender Dog #59, the one with the “famous misprint!”  Scott and Weasel go to call the comic book shop to find out how much the comic book is worth.  “It’s worth 600 raviolis!” Weasel announces.  Huh?  Who talks like that?

While Scott and Weasel are dancing in the hallway, Tommy D sells the comic book for nine dollars to Marv and Harv Dorkman (played by Grant Gelt and Karl Michael Maschek).

Marv and Harv, as you guessed, are two of Saved By The Bell‘s stereotypical nerd characters.  They refuse to sell the comic book back to Scott.  When Scott realizes that Marv and Harv have crushes on Megan and Vicki, he convinces Megan and Vicki to go to the movies with them and to lie about loving comic books.  Megan and Vicki think that, by doing this, they’ll get the Defender Dog comic book.  Instead, Marv and Harv sell the comic book to Crunch Grabowski (Ryan Hurst) and then use the money that they made to buy necklaces for Megan and Vicki, which Megan and Vicki  promptly reject.

“I can’t believe this,” Scott says.

“Getting that comic book back is harder than Chinese square dancing,” says Weasel.

It’s hurting my head just to recap this.

Anyway, Crunch doesn’t want to sell the comic book so Scott convinces Crunch to come to the local comic book shop, which is owned by Honolulu Harry.  So, of course, Weasel puts on an old man mask and pretends to be Honolulu Harry and Tommy D. pretends to be a nerd who wants to sell a copy of Defender Dog so that Weasel (as Harry) to tell him that no one likes Defender Dog.  Crunch cannot handle being seen with an unpopular super hero so he trades Defender Dog for Lou the Ant.  Scott gets the comic book but then the real Honolulu Harry shows up and refuses to buy it from him because he caught Tommy D. in the back of the comic book shop.  “You touched my comics!” Harry yells.  What are people supposed to do in a comic book store?

Poor Scott!  Well, no, not really.  There’s a hundred smart things that Scott could have done during this episode and he didn’t do a single one of them.  He deserves what he gets….

Oh wait, the Dorkmans spent a lot of money to get four tickets to the Janet Jackson concert.  Megan tells them that she and Vicki would love to go to the concert with them.  Megan says she’ll hold on to two of the tickets and that she and Vicki will meet them at the concert.  The Dorkmans give the tickets to Megan and Vicki and then Megan and Vicki give them to Scott so he can take Rachel to the concert.

“You guys did this for me?  You guys are the best.” Scott says.

Rachel shows up to go to the concert with Scott.  She asks if the tickets were hard to get.

“No, not when you have really great friends,” Scott says.

Awwwww! the audience replies.

The audience has probably forgotten that Vicki had a huge crush on Scott just a few episodes ago and Megan and Scott were hinted to be a couple-in-the-making at the start of the season.  Beyond continuity, the main message here seems to be that, if your friend is a pathological liar, it’s okay to to lie to help him out.  The Dorkmans, who apparently spent a lot of money on the tickets that Megan just gave away, are already at the concert waiting on their dates.  Vicki and Megan’s actions would perhaps be justified if the Dorkmans were creeps but, for the most part, they’re just two guys who wears glasses and like comic books.  And while it is true that the Dorkmans bought those tickets without bothering to ask Vicki and Megan out beforehand, it’s also true that Megan flat-out lied so that she could then give the tickets to Scott.

One thing that I have noticed about Saved By The Bell: The New Class is that it seems to really hate its nerd characters.  The original series had stereotypical nerds as well but they were still, more or less, likeable and the show’s characters may not have hung out with them but they weren’t intentionally cruel to them.  Saved By The Bell: The New Class, on the other hand, feels as if it was written by the same people who spilled the pig’s blood on Carrie White.

Anyway, this episode was terrible.  Thank goodness there’s only three more episodes of the first season to go.

Blue Ridge (2020, directed by Brent Christy)


Former Green Beret Justin Wise (Johnathon Schaech) is the new sheriff of the small mountain town of Blue Ridge.  Sheriff Wise is so good at his job that he can just step inside of a gas station and figure out that it’s been robbed just by observing that the millennial behind the counter isn’t look at his phone.  The sheriff has a phone-obsessed millennial daughter (Taegen Burns) and a supportive ex-wife (Sarah Lancaster), who works as a waitress.

He also has a big mystery on his hands when the daughter of Cliff McGrath (Graham Greene) is found murdered.  The McGraths thinks that the Wade family is responsible.  The Wades have a long-standing grievance against the McGraths.  Sheriff Wise and Deputies Dobson (Lara Silva) and Thompson (Ben Esler) have to solve the mystery before a full-out war breaks out in town.

I was not surprised to discover that this was a pilot for television series.  The movie has the homey feel of the type of mystery show that your parents or grandparents would watch every Friday night.  Sherriff Wise may not be as old as my parents but he definitely shares their feelings about phones and trying to understand what’s wrong with the kids today.

It’s an old-fashioned movie but it’s mildly diverting and it does hold your attention.   Johnathon Schaech gives a strong performance as the sheriff who can beat up three people at once but who still gets nervous before asking a woman out on a date.  Graham Greene and Tom Proctor both give good performances as the rival family patriarchs and the mystery takes some interesting turns.  Blue Ridge did a good job of brining its small town setting to life.  Blue Ridge is good enough to be a pleasant afternoon diversion.

A Quickie With Lisa Marie: The Judge (dir by David Dobkin)


The Roberts

Hey, everyone!

Remember how, earlier this year, a whole lot of people (like me) figured that The Judge would be a surefire Oscar contender and that Robert Duvall would probably receive an Oscar nomination for best supporting actor?

At the time, it made perfect sense.  After all, in the past, courtroom dramas have occasionally been popular with the Academy and, while we all knew that The Judge probably wouldn’t be a modern-day Anatomy of a Murder, there was still reason to hope that the film would turn out to be a watchable melodrama.  Add to that, the movie starred Robert Downey, Jr, an actor who is eventually going to win an Academy Award.  Perhaps most importantly, the title character was played by Robert Duvall, one of the best American actors of all time and an actor who, having recently turned 83, might not get many more opportunities to win one final career-honoring Oscar.

It only made sense to assume that The Judge would be a contender.

And then the trailer came out and those of us who know our film history were left a little bit confused.  It wasn’t that the trailer was necessarily bad.  It was just that it made the film seem rather old-fashioned.  It didn’t feel like a trailer for a film that was set to be released in 2014.  If anything, it almost felt like a parody, as if it was one of those fake, overly Hollywood trailers that appeared at the beginning of Tropic Thunder.  (The fact that the trailer featured Robert Downey, Jr. looking haunted only contributed to this feeling.)

And then the film opened and received reviews that were, at best, respectful and, at worst, scathing.  And I quickly revised my Oscar predictions.

Despite the bad reviews and my own suspicion that the film would not be very good, I still wanted to see The Judge.  I love melodrama.  I love courtroom dramas.  Even more importantly, the Roberts are two of my favorite actors.  Robert Downey, Jr. is always a lot of fun to watch.  Robert Duvall began his career playing Boo Radley in To Kill A Mockingbird and, 52 years later, he’s still a great and uniquely American actor.

So, I saw The Judge this weekend and … well, it’s just a weird movie and not in a good way.  Instead, it’s one of those movies where almost everything seems to be so strangely miscalculated that you really can’t imagine how it could have possibly happened.  The film runs for nearly two and a half hours, despite only having enough plot for maybe an hour-long pilot for a potential mid-season replacement.  The script is amazingly overwritten, full of portentous speeches and clichéd characters.  It’s not enough that Robert Downey, Jr. has two brothers that he has to reconnect with while defending their father on a murder charge.  Instead, one of the brothers also has to be vaguely developmentally challenged so that he can deliver cute lines that are full of “accidental wisdom.”  It’s not enough that Downey reunites with his ex-high school girlfriend (Vera Farmiga, who deserves a better role) but she also has to have a daughter who might be his but could be someone else’s.  It’s not enough that Billy Bob Thornton’s prosecuting attorney is slick and cunning but he also has to be a self-righteous crusader who has rather silly personal reasons for wanting to defeat Downey in court.  It’s not enough that Downey and Duvall eventually end up yelling their personal grievances each other.  Instead, they have to do it while a tornado literally tears through the front yard, the type of directorial choice that is so obvious and heavy-handed that it indicates that director David Dobkin (best known for directing comedies like Wedding Crashers) was desperate to prove that he could be dramatic.

Much like the similarly bad Love and Other Drugs, The Judge is one of those films that tries so hard to be all things to all viewers that it’s ultimately just a huge mess.  Is it a murder mystery?  If so, you have to wonder why we learn so little about the case against Duvall’s judge.  Is it a romantic comedy about Robert Downey, Jr. returning to his small hometown and rediscovering what’s important in life?  If so, you have to wish that the town had a little bit more character beyond just being a standard Hollywood version of what middle America is like.  Is it a family drama?  Well, then it would be nice to know more about the family dynamic beyond the fact that Duvall was stern, Downey was rebellious, and Vincent D’Onofrio is stuck playing the brother who never got to leave home.  It’s a comedy with few laughs and a drama with few tears and ultimately, The Judge just does not work.

However, both of the Roberts give pretty good performances.  That’s what makes The Judge truly frustrating.  Duvall and Downey both do such good work but the material ultimately not only lets them down but lets the audiences down as well.

Oh well.

Duvall