Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, the Wilson case is finally resolved.

Episode 6.3 “Blood Ties, Part 3”

(Dir by Mark Pellington, originally aired on October 31st, 1997)

“Yo, Frank!” Detective Ballard yells at Pembleton at the start of this episode and I have to admit that I immediately cringed at the sound of it.  The man’s name is “Detective Pembleton.”  Ballard has done nothing so far to give her the right to address Homicide’s best character as “Yo, Frank!”

Of course, the main theme of this episode seemed to be all the detective who have been with the show since the beginning suck and that the new arrivals can do no wrong.

Take Falsone, for instance!  After a drug dealer is murdered, Falsone proves himself to be the only one who can talk to the dealer’s traumatized child.  Lewis is a buffoon in this episode, gloating over the dead dealer and traumatizing the kid while trying to lead him through the police station.  But Falsone?  He knows exactly what to say and, with his gentle prodding, the kid identifies the murderer of his parent as being a narcotics detective who is on the Mahoney payroll.   When Lewis asks Falsone why he’s so awesome, Falsone explains that he’s divorced and he misses his own kids….

OH MY GOD!  He’s a young detective who gets results and he’s divorced!  For a show that previously avoided stereotypes, Homicide is going out of his way to promote a big one in the form of Detective Falsone.

Meanwhile, the Wilson case is resolved.  It turns out that Ballard was totally correct and Pembleton was totally wrong.  Melia was killed by a member of the Wilson family and, to the surprise of absolutely no, the murderer turns out to be Hal Wilson (Jeffrey Wright, giving perhaps the worst performance of his distinguished career), the twitchy son of Felix.  Hal was obsessed with Melia and flew into a rage when he found out she was sleeping with his father.  Pembleton even gets Hal to admit it but –– Law & Order plot twist time! — Felix and Hal were only willing to talk to Pembleton on the condition that they weren’t Mirandized so the confession is inadmissible.  (That doesn’t seem like something that the normally meticulous Pembleton would agree to but whatever.)  Felix, Hal, and the entire family leave Baltimore for San Diego.

Afterwards, Ballard track Pembleton down and tells him that she’s going to be a Baltimore homicide detective whether he likes it or not.  Pembleton admits that he was wrong.  Watching the scene, one gets the feeling that the show is telling us, “Who needs Pembleton and Bayliss and all those boring cops when we’ve got new cop who are young and sexy and infallible?”

And here’s the thing.  There’s nothing wrong with bringing in new characters.  There’s nothing wrong casting attractive actors in those roles.  There is something wrong with pushing the characters to whom we’ve grown attached aside and insisting that we instead embrace new characters that we barely know.

This was a disappointing ending for the first three-parter of the series.  The season has just started and I’m already sick of Falsone trying to prove that the Luther Mahoney shooting wasn’t justified.  I’m sick of everyone talking about George Rae Mahoney as if she’s some total badass as opposed to a plot device.  And I’m tired of my favorites being pushed to the side.

We are not off to a good start.