Retro Television Review: Crime Story 1.3 “Shadow Dancer”

Posted on May 11, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Crime Story, which ran on NBC from 1986 to 1988. The entire show can be found on Tubi!

This week, Torello’s war on Luca continues!

Episode 1.3 “Shadow Dancer”

(Dir by Leon Ichaso, originally aired on September 26th, 1986)

With the frequency killer now dead, Torello and his men are once again free to focus on trying to bust Ray Luca. The sooner they do it, the better. For one thing, Torello is becoming so obsessed that, even though his wife is pregnant, Torello’s dreams are still dominated by Luca taunting him. Also, Luca’s latest robbery has resulted in a death. Vincent Noonan (Michael Kemmerling), a former cellmate of Frank Holman’s (Ted Levine,) lost it during their latest home invasion and beat to death Mrs. Novak (Nancy Sheeber).

(Noonan, it turns out, has a history of losing control. It probably wasn’t a good idea to hire him in the first place but, with Luca no refusing to personally take part in robberies, the crew had to find a third man and quickly. Holman recommended Noonan because of how loyal Noonan was to him in prison)

Eager to solve the case and take down Luca, the Major Case Unit starts to put pressure on Luca’s boss, Phil Bartoli (Jon Polito). After his weekly craps game is broken up by Danny Krychek, Bartoli tells Luca that he has to do something to get the police to back off. Bartoli orders him to turn Noonan over to the police. Luca, who no longer handles dirty work himself, tells Holman to take care of it. Holman sends Noonan on a job and then tips off Torello. Despite Danny telling him that Noonan would die before turning into a rat, Torello is convinced that, if he takes Noonan alive, he’ll be able to get Noonan to give up Luca. (What Torello doesn’t realize is that Noonan has never actually met Luca. To quote Willy Cicci, “The family had lots of buffers.”)

It’s all for naught, though. Torello and the cops chase Noonan all over the streets of Chicago and, in the end, Noonan dies while trying to escape. Much like Homicide’s Luther Mahoney, Luca appears to be untouchable …. for now.

This episode worked best as a character study. After last week’s somewhat over-the-top villain, this episode reminded us that Luca and Torello are two tightly-wound men who struggle with emotion. Beyond his own self-absorption, Luca lacks the emotions necessary to truly understand his fellow humans. Torello, meanwhile, gets too emotional. Whether he’s pursuing Ray Luca or snapping at a condescending salesman, Torello is a self-styled crusader who appears to be going slowly but surely insane. This wasn’t a particularly complex episode but it felt important. It was a reminder of what this show is all about.

Lisa Marie’s Week In Television: 5/3/26 — 5/9/26

Posted on May 9, 2026 by Lisa Marie Bowman

Hollywood Demons: After the Bell (HBOMax)

The latest episode of Hollywood Demons took a rather superficial look at life behind the scenes at Saved By The Bell. The formerly reclusive Lark Voorhies was interviewed and it was good to see her looking healthy and happy. As well, Max Battimo, from Good Morning Miss Bliss, was also interviewed and talked about what it was like to not be invited to join the cast of Saved By The Bell.

The majority of the episode focused on Dustin Diamond and his years after Saved By The Bell. The episode tried to generate some sympathy for Diamond and I have to admit that I’ve always felt that it wasn’t right to cast him as a high school student when he was barely 12 and had so little in common with the rest of the cast. That said, in this documentary, Dustin Diamond also came across as being mentally unhinged. One crew member told a story about Diamond threatening a Saved By The Bell: The New Class actor with a knife. The name of the actor was not given, though from the details provided (the incident occurred while Diamond’s mother was dying of cancer and Diamond threatened to get the actor fired), it seems that the incident took place in 1996, during the film of the New Class‘s Fourth Season. Assuming Diamond didn’t pull the knife on any of the female cast members or Dennis Haskins, that leaves Richard Lee Jackson, Ben Gould, and Anthony Harrell. Jackson was in his second season on the show and was the lead actor so I don’t think Diamond would have threatened to get him fired. Gould and Harrell were new. On twitter, I found a tweet from 2014 of someone mentioning that they had been given a tour of Hollywood by someone who Dustin Diamond pulled a knife on. Since Harrell has been busy with his musical career, that would leave Gould as the probable target of Diamond’s abuse. Of course, that’s all speculation on my part. The important thing is that Dustin Diamond didn’t come across as being particularly sympathetic, despite the documentary’s best efforts.

Unfortunately, while Lark, Max, and Ed Alonzo were all interviewed, Mark-Paul, Mario, Tiffani, Elizabeth, and Dennis Haskins were not. I’m not surprised. When you’ve actually got a career going, you don’t want to taint it by being interviewed by a tabloid television show. Still, considering that they were the stars of the show, not interviewing them seemed like a missed opportunity.

Kyōryū Sentai Zyuranger (Shout TV)

I watched three more episodes of this odd series on Friday night. The monsters were trippy!

Night Flight (NightFlight+)

I watched an episode on Friday night. John Cougar Mellencamp talked about his career.

Saved By The Bell (Tubi)

My review of Saved By The Bell will be dropping soon, assuming I don’t fall asleep before I can write it.

Watched and Reviewed:

Retro Television Review: Crime Story 1.2 “Final Transmission”

Posted on May 4, 2026 by Lisa Marie Bowman

This week, Torello and company search Chicago for a serial killer.

Episode 1.2 “Final Transmission”

(Dir by Leon Ichaso, originally aired on September 19th, 1986)

Mike Torello and the members of the MCU would really like to go after Luca and his crew but, unfortunately, there’s a serial killer on the loose in Chicago. Realizing that the MCU is going to be tied up trying to track down Ray Pernell (John Snyder) before he kills again, Luca orders his crew to commit even more robberies. Luca explains to a crestfallen Paulie that Luca will no longer be taking part in the robberies. Luca is the boss and the boss doesn’t get his hands dirty. Instead, Luca spends most of this episode meeting with Murray Weisbord’s man in Chicago, Max Goldman (Andrew Dice Clay).

This was an odd episode. On the one hand, the show went out of its way to recreate Chicago in the early 60s. The soundtrack was early rock and roll. The cars all had tailfins. The suits, the cigarettes, Luca’s haircut, all of the details screamed 1960s. But then the episode revolved around a serial killer who thought his mother was addressing him through the television and who looked and dressed like a late 70s punk rocker. I assume that Ray Pernell was based on Richard Speck, the notorious Chicago serial killer who, in 1966, murdered 8 student nurses. Like Speck, Pernell had an identifying tattoo and both men were traced through the National Maritime Union. That said, Pernell just seemed so out-of-place, with his sleeveless shirt and his punkish haircut that he just didn’t seem to belong in the world of Crime Story.

That said, I will give this episode some credit. In the pilot, Luca often seemed like a clueless punk. In this episode, he quickly realized that the MCU would be too busy hunting for Pernell to devote much time to him and he took advantage of that fact. Luca’s not quite as dumb as he sometimes seems. This episode also showed that he was capable of thinking ahead. When he suspects that someone is listening in on his conversation with Goldman, he resists the temptation to burst into the room next door with his gun drawn. (If he had, he would have run straight into Torello and Danny.) This episode shows that Luca is learning and growing. He not the buffoonish hothead that Torello originally assumed him to be. In fact, he’s even more dangerous.

This episode ends with Pernell somehow (it’s not really clear how) taking an entire television news broadcast hostage. Torello takes him down as the cameras roll and the entire city of Chicago watches. It’s not a bad ending but it just doesn’t feel right for the show. It’s a Miami Vice ending. This is Crime Story!

Lisa Marie’s Week In Television: 4/19/26 — 4/25/26

Posted on April 25, 2026 by Lisa Marie Bowman

Boy Band Confidential (HBOMax)

Another week, another special about boy bands. I watched this 3-hour, two-part documentary on Wednesday and Thursday. Joey Fatone was one of the producers so it’s not a surprise that a major theme of the documentary was that Joey Fatone was a pretty cool guy. This show hit all the usual points — hey, there’s Lou Pealman! — without adding much new insight.

Crime Story (Tubi)

My review will drop this upcoming Monday.

Degrassi: The Next Generation (Tubi)

My review will drop tomorrow night.

Hollywood Demons (HBOMax)

I watched two episodes. The first one was about Stephen Collins (yikes!). The second was about Jerry Springer. Now that Jerry is dead and his show is definitely never coming back, all of his producers are trying to cash in by letting you know that they were anti-Jerry the whole time. It all feels a bit self-serving.

Homicide: Life on the Street (Peacock)

My review will drop tomorrow.

Saved By The Bell (Tubi)

Along with this week’s review episode (which will be dropping shortly), I also watched three Patrick Muldoon episodes on Friday. RIP.

Watched and Reviewed: