Retro Television Review: St. Elsewhere 4.15 “Family Feud”

Posted on October 16, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Daily Motion.

This week, Bobby Caldwell returns.

Episode 4.15 “Family Feud”

(Dir by Mark Tinker, originally aired on January 29th, 1986)

After being gone for the last few episodes, Bobby Caldwell (Mark Harmon) returns to St. Eligius. As he explains it, he’s spent the last month or so with his family in Baltimore. He worked on his family’s farm and got in touch with what actually matters in life. Westphall is so happy to hear this that he immediately starts talking about the time he spent volunteering in Ethiopia.

Caldwell is ready to get his facial scar taken care of. He meets with an old colleague from medical school, Dr. Duncan Harper (Kip Gilman). Harper says that the operation should be simple and quick and then Caldwell will be ready to hit the bars again. As a precaution, Caldwell gives blood, just in case it’s needed during the surgery.

Later, a shaken Harper comes to St. Eligius and meets privately with Caldwell. Harper says that the lab did some standard tests on Caldwell’s blood and that it appears that Caldwell might have AIDS. Caldwell says there has to be some sort of mistake, but Harper shakes his head. Harper retested the blood himself. He asks if Caldwell has any lesions. Caldwell looks down at a spot on his hand and says, “I thought it was just an infection.”

Caldwell tells Westphall about his diagnosis. Westphall tells Caldwell not to give up hope, that a cure might be right around the corner. Caldwell replies that he’s probably got 15 months to live and he’s not going to stop working. After Caldwell leaves, Westphall meets with Auschlander and they both agree that they have no idea what to do.

Meanwhile, it’s Jack Morrison’s birthday! Clancy arranges for him to have a birthday party in the doctor’s lounge. She also continues to flirt with Fiscus. You might expect Morrison to be upset about that, but Morrison is too busy flirting with Mona, Fiscus’s ex! Yeah, we’ll see how that works out….

Finally, Augusta Endicott previously told Dr. Craig that she didn’t want to have a bypass, even if it meant that she would die otherwise. However, when the entire Endicott family comes to visit her, she changes her mind. (During the operation, Dr. Wade comments that Dr. Craig must really be looking forward to the next Endicott presidential campaign. Craig snorts and says that the Endicotts are a bunch of bleeding-heart liberals and he wouldn’t vote for them in a million years. I love Dr. Craig.) Sen. Gordon Endicott (Charles Cioffi) goes to the chapel to pray and ends up getting shot by a lone gunman.

Gee, who saw that coming?

The Endicotts continue to bore me. They’re just not that interesting as either characters or as thinly-veiled stand-ins for the Kennedy family. On the other hand, Bobby Caldwell’s storyline was powerful and Mark Harmon gave an especially good performance. (I just wish the show had made it clear that AIDS wasn’t meant to be some sort of narrative punishment for Caldwell’s previous bad behavior.) It will be interesting to see how the hospital deals with Caldwell’s diagnosis. Will he actually be allowed to continue to do his job? We’ll find out next week.

Retro Television Review: St. Elsewhere 4.14 “Family Ties”

Posted on October 9, 2026 by Lisa Marie Bowman

This week, the matriarch of a powerful Massachusetts political family comes to St. Eligius.

Episode 4.14 “Family Ties”

(Dir by Allan Arkush, originally aired on January 22nd, 1986)

After Elliot makes a clerical error that leads to one of his patients getting a mohawk, he’s more than happy to be assigned to check on a sick gorilla. Elliot not only diagnoses the gorilla as suffering from a brain tumor (luckily, it’s not malignant) but also gets a date with the animal’s keeper, Dr. Valerie Harding (Diana Canova).

When Fiscus freaks out about getting older, he tries to push up his wedding date with Mona and pressures her to abandon her career to start a family immediately. After Fiscus interrupts an operation to argue with her, Mona dumps him. (“I told you he was a bubblehead,” Dr. Craig says.) When Fiscus learns that his sperm has been used in an IVF procedure, he becomes obsessed with tracking down the woman who might be having his child. He then runs into Morrison’s ex-girlfriend, Clancy (Helen Hunt), and is soon flirting with her.

Why is Clancy back at the hospital? Morrison slipped on a wet floor and injured his knee. He has to have surgery. Clancy comes up with Morrison’s little-seen son, Pete. Pete, for his part, wanders over to Ken Valere (George Deloy), who, along with his wife (Deborah May), has been having second thoughts about whether to use a surrogate. Meeting Pete inspires the Valeres to adopt. So I guess that plotline is finally over, and I won’t have to ignore it anymore.

The majority of this episode is taken up with the arrival of Augusta Endicott (Dorothy McGuire), the matriarch of one of Massachusetts’s most powerful political families. She’s also the widow of a notorious anti-Semite, one who kept Auschlander from getting appointed to a state board in the 1960s.

From the minute Augusta and her family show up at the hospital, it’s obvious that they’re meant to be stand-ins for the Kennedys, even though Endicott is not an Irish name. (One gets the feeling the Endicotts are meant to be WASPy Episcopalians.) I always find it curious when an obvious Kennedy stand-in turns up on a television show. Does that mean St. Elsewhere takes place in a universe where the Kennedys don’t exist? The parallels are so obvious that it seems strange no one would point them out in-universe. This show is set in Boston. It seems as if someone would say, “Hey, Augusta Endicott sure has a lot in common with Rose Kennedy.”

Augusta is in the hospital for a checkup. She’s having heart problems, but she tells Dr. Craig that she would prefer to let nature take its course rather than spend the rest of her life having surgeries. Augusta also arranges for Auschlander to finally be appointed to the state medical board.

I’m getting the feeling that the Endicott family is going to be around for at least a few episodes. I can’t say I’m particularly enthused about the idea, but I get it. This is a show about Boston. You’ve got to have Kennedys.

Retro Television Review: The Love Boat 8.14 “Country Blues/A Matter of Taste/Frat Brothers Forever”

Posted on September 30, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week, Adam’s old fraternity brother takes a cruise. He’s got a secret!

Episode 8.14 “Country Blues/A Matter of Taste/Frat Brothers Forever”

(Dir by Jerome Courtland, originally aired on December 8th, 1984)

Simon (Farley Granger) and Valerie (Terry Moore) used to be lovers but now, they’re rival interior designers. They are competing for the chance to redesign that ship’s cabins and, of course, they both end up sabotaging each other. The Captain grows so frustrated that he decides that the cabins are fine just the way they are and I agree. The cabins are functional and bland and they encourage the passengers to spend most of their time in either the lounge or at the pool. As for Simon and Valerie, they realize that they’re still in love. It’s a win-win-win for everyone.

Country singer Billy Bodine (Matt McCoy) falls in love with Arlene Cort (Leah Ayres), little realizing that she’s been bribed by his manager, Cappy (Claude Akins), to break his heart. Billy writes his most popular songs when he’s depressed. After she lies to him about having another lover, Arlene feels terrible, especially after she learns that she’s inspired Billy to write not just one but two songs about how heartbroken he is. Arlene wants to come lean but, if Arlene confesses, she’ll lose her chance to be on the big Kenny Rogers television special. Of course, Arlene does confesse. Love is more important than Kenny. Billy fires Cappy. Cappy doesn’t care. Cappy announces that he’s going to go into the pickle-selling business and make a million dollars. Arlene finds love but she does lose her chance to be a big TV star. So, this one is a win-lose-win.

Finally, Adam’s old frat brother, Buzz (Roy Thinnes), boards the ship with Jim Dolan (Michael McGrady). Buzz says that Jim is his cousin. Adam promises to find dates for both Buzz and Jim. Uhmm, Adam, I don’t think Buzz and Jim are interested in the same dates that you are.

This was the first and only episode of The Love Boat to feature a gay couple and, to my surprise, their story was actually handled with a good deal of sensitivity. Buzz fears that Adam won’t accept that he’s gay but he also doesn’t want to spend the entire cruise living a lie. (Adam keeps trying to set Buzz and Jim up with every single woman on the cruise.) When Buzz does come out to Adam, Adam is surprised but accepting. I appreciated that this episode allowed Adam to have a realistic reaction to Buzz coming out as opposed to turning Adam into some sort of idealized perfect best friend. Instead, Adam has the reaction that you would expect a good-hearted but old-fashioned boomer to have. He’s surprised and, briefly, at a loss for words. The fact that Adam does then accept Buzz for who he is and apologizes for his earlier surprise shows that people can continue to grow and learn, regardless of how old they may be.

Two of the stories were silly but the third one made up for them. This wasn’t a bad cruise.

Retro Television Review: St. Elsewhere 4.12 “The Boom Boom Womb”

Posted on September 25, 2026 by Lisa Marie Bowman

This week, St. Elsewhere gets topical.

Episode 4.12 “The Boom Boom Womb”

(Dir by Nicholas Mele, originally aired on January 8th 1986)

When Elliot’s car gets stuck in the snow, Luther offers to help in return for Elliot looking after Luther’s homing pigeon. Elliot, whose father was a veterinarian, agrees. Unfortunately, when Elliot attempts to turn his sink into a birdbath, the pigeon is electrocuted after it accidentally pulls an electric shaver into the water. Elliot originally tells Luther that the bird flew out a window and then froze to death on the windowsill. Luther accepts the story. A guilt-ridden Elliot later tells Luther the truth, and Luther shoves him to the ground.

Watching this storyline, I thought about how bad I always feel for Luther. In many ways, he’s the smartest guy on the show. He’s certainly the most compassionate and the least judgmental. (Yes, he pushed Elliot, but Elliot did lie to him about how the bird died.) And yet, because he didn’t grow up rich, Luther is stuck working as an orderly, and the doctors frequently seem to look down on him.

While Elliot’s lying to Luther, Helen Rosenthal is trying to figure out why her youngest son, Jeff (Ina Fried), keeps acting out in school and at home. She even takes him to see St. Eligius’s staff psychiatrist, Dr. Weiss (Philip Sterling). Dr. Weiss’s diagnosis is that Helen’s son is basically growing up to be a jerk.

As for the rest of the episode, it was all about current events, 1986-style. Pru (Amanda Wyss), the developmentally challenged teenager who got pregnant during her last hospital visit, has an abortion even though she doesn’t know what that means. Dr. Morrison struggles to reconcile his pro-life beliefs with his job as a doctor. Dr. Ehrlich, who has no beliefs, performs the operation. Meanwhile, a bomber (Rob Garrison) blows up the Boston Women’s Clinic and, as the episode ends, is seen sneaking a bomb into St. Eligius.

This is typically the type of storyline that would feature Westphall wandering around glumly. Westphall, however, is busy at a hearing to determine whether his housekeeper, Morena (Edith Diaz), will be deported back to El Salvador. Westphall is worried about her being deported because she’s so good with Tommy. In other words, this is yet another example of Westphall making someone else’s problem all about himself.

This episode was a bit too heavy-handed for my tastes, but I did appreciate that Dr. Morrison was at least not portrayed as a monster for his views. When it comes to being heavy-handed, the New Amsterdam episode that aired in 2022 and dealt with Roe v. Wade being overturned will always be the champion. That episode featured a slow-motion montage of people staring at their phones, dropping their coffee cups, and, in one case, running down a street. (“Maybe she’s running to the clinic to get an abortion while she still can,” Erin said when we saw the opening of the episode.) Compared to that, this episode of St. Elsewhere is actually pretty even-handed.

Retro Television Review: St. Elsewhere 4.10 “Loss of Power”

Posted on September 11, 2026 by Lisa Marie Bowman

This week, the lights go out.

Episode 4.10 “Loss of Power”

(Dir by Mark Tinker, originally aired on December 11th, 1985)

Due to a blizzard, the power has gone down in Boston. At St. Eligius, the backup generator comes to a sputtering and unreliable life. Over the course of the night shift, many things happen in the dark.

Dr. Craig successfully performs lifesaving surgery without being able to use any of the tools that surgeons have come to take for granted. After the grueling operation is completed, he leaves the ER without thanking anyone else. Dr. Wade chases after him and tells him that he should have at least told everyone that they did a good job. Dr. Craig replies that everyone did their job like they were supposed to. Just the fact that he allows them into his operating room should be thanks enough.

Pru Dowler (Amanda Wyss), the developmentally challenged teenager who was caught having sex in her hospital room a few episodes ago, returns with her mother (Terrence O’Connor). Pru has been having stomach pains and morning sickness. After Dr. Morrison confirms that Pru is pregnant, her mother says that Pru will be having an abortion. Morrison tries to talk her out of it, to no avail.

Working at the nurses’ station, Helen Rosenthal gets a summons to appear in court. Lucy is suing over the incident in which Helen slapped her.

Fiscus and Mona have sex in the hospital and, when Fiscus proposes, Mona accepts.

Elliott treats a patient who claims that he’s going to turn into either a vampire or a werewolf at midnight. Elliott thinks that the man belongs in the psych ward, but then he discovers that the man is actually suffering from a real condition that makes it difficult for him to go out during the day. The man spent so much time being made fun of for his nocturnal lifestyle that he eventually decided that he really was a vampire.

And finally, Dr. Westphall is stuck in an elevator with a claustrophobic man (Michael Des Barres) who is also named Donald. Stuck in an elevator with a stranger, Westphall does what he always does. He uses the situation as an excuse to start talking about the volunteer work he did in Ethiopia and how disappointed he is that everyone doesn’t share his attitude when it comes to community outreach. The other Donald responds by talking about the time he was thrown in jail for marijuana possession. Eventually, the other Donald dislocates his shoulder when he throws himself against the elevator doors.

Seriously, can you think of anything worse than being stuck in an elevator with Donald Westphall? Westphall is already one of the most depressing people on the planet. Now imagine being trapped in a confined space with him. Once again, this episode proves that Westphall can take any situation and turn it into a lesson about how he’s right and everyone else is wrong.

That said, I liked this episode. It reminded me of the season-one episode that featured a small group of doctors working the night shift. It was interesting to see how everyone adjusted to the darkness. This was a workplace episode in which we watched as everyone did their best under less than ideal conditions. In the end, it was obvious that Dr. Craig was correct.

His people are the best.

It would just be nice if he would let them know that once in a while.

Retro Television Review: St. Elsewhere 4.9 “Sanctuary”

Posted on September 4, 2026 by Lisa Marie Bowman

This week, Westphall finds something else to feel depressed about.

Episode 4.9 “Sanctuary”

(Dir by Eric Laneuville, originally aired on December 4th, 1985)

Dr. Ehrlich has been demoted to gynecology, the department he most fears. He even begs Dr. Caldwell to allow him to return to plastic surgery, but Caldwell has no sympathy for him. Caldwell tells Ehrlich that he’s a loser and that he’ll always be a loser.

Well, Ehrlich may be a loser, but he also helps deliver a baby in this episode and learns that he can actually get through the day without offending someone. Bobby Caldwell, on the other hand, makes a joke about Lucy’s breasts in front of a patient and ends up getting reported for sexual harassment. When Lucy points out to Auschlander that Caldwell’s statement was both demeaning and uttered in front of a patient, Caldwell argues that Lucy is taking things too personally and that he was just joking. (Ugh. Every woman has had a Bobby Caldwell in her life.) Auschlander asks Lucy to leave the room and then tells Bobby that if he ever makes another joke like that, he’ll be fired. While it’s good that Auschlander makes it clear that Bobby’s conduct was unprofessional, sending Lucy out of the room beforehand only leaves her feeling more isolated. Auschlander is willing to reprimand Caldwell, but only in private, a consideration that Bobby wasn’t willing to show Lucy.

Lucy is angry, and it doesn’t help that Nurse Rosenthal essentially says that Lucy only has herself to blame for being too flirtatious with the doctors in the past. Oh God, this episode was not easy for me to watch. I used to work as an administrative assistant. My boss was a good guy who always treated me with respect. (It undoubtedly helped that he was a good friend of my mom’s and we had more of a father/daughter relationship than a standard boss/employee relationship.) However, I lost track of the number of other men who would tell me that they appreciated it whenever I wore a skirt or who would hang out at my desk and watch whenever I had to lean forward for any particular reason. I would smile and say something silly in response because that just seemed like the easiest way to deal with things. The other women who worked in the building always told me that I should “dress down,” but I didn’t want to do that. I just wanted to be myself.

Meanwhile, Dr. Fiscus loses a patient, a homeless man (Mark Casella) who once helped Fiscus move. Before the man dies, he sees an Egyptian sarcophagus being X-rayed and comments on how people still remember the rulers of ancient Egypt but no one is going to remember him. After he dies, Fiscus and his girlfriend, X-ray technician Mona Polita (Leah Ayres), wrap the man’s body and put him in an empty sarcophagus.

Finally, Westphall’s new housekeeper, Morena (Edith Diaz), is rushed to the ER with back pain. With the help of Dr. Morrison (who speaks fluent Spanish as a result of attending a South American medical school), Westphall learns that Morena was tortured in her native El Salvador. As usual, Dr. Westphall makes Morena’s tragedy all about himself by using her as an example of why the hospital needs to adopt Westphall’s plans to reach out to the community.

The next day, Westphall snaps at the residents about their lack of community spirit. Fiscus finally snaps that he’s sick of being lectured by Westphall and leaves the room. Good for Fiscus! Seriously, Westphall’s self-righteousness has been unbearable this season. Just because Westphall can’t figure out how to communicate with his autistic son, he’s been making everyone else’s life miserable.

This was another rather sad episode of St. Elsewhere. There’s not much happiness to be found in St. Eligius. That said, Lucy’s storyline was touching and also a reminder that, in some ways, 2026 is not that different from 1985. And I was glad that the poor homeless man was given a burial fit for a king. If nothing else, Fiscus will never forget him.

Late Night Retro Television Review: 1st & Ten 3.13 “Championship Jinx”

Posted on May 6, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, season 3 comes to an end.

Episode 3.13 “Championship Jinx”

(Dir by Bruce Seth Green, originally aired on December 16th, 1987)

Things have a way of working themselves out on 1st & Ten, especially when the season ends and a lot of plotlines need to be hastily wrapped up.

Last week, TD Parker (OJ Simpson) was arrested under suspicion of ticket scalping. This episode, it turned out that 1) ticket scalping isn’t illegal and 2) TD’s ex-mistress quickly figured out that her boyfriend was trying to frame him. Someone trying to frame OJ Simpson!? Like anyone would ever buy that. Anyway, the main theme here seemed to be that it was a good thing TD cheated on his wife because otherwise, no one would have been around to exonerate him.

Last week, Yinessa was letting fame go to his head. This week, his father died and the funeral was a media circus. Yinessa decided to focus on playing football. That’s a good thing, seeing as how the Bulls had yet another championship game coming up.

Zagreb was concerned that he was a jinx after he appeared on the cover of Sports Illustrated. (Yinessa told him that players who appeared on the cover often lost the spark afterwards.) Luckily, Cliff and Jethro brought in a voodoo priestess (Roxie Roker) to exorcise the jinx.

Before the game, Jill told the team that they weren’t only playing for themselves. They were playing for the memory of Tom Yinessa’s father. Unfortunately, the Bulls lost the game at the last minute when Billy Cooper’s game-winning catch was reviewed by the booth and declared to be out of bounds. So, I guess Yinessa’s father is in Hell now.

And so ends the rather odd third season. Coach Denardo left after the first episode. Delta Burke left about halfway through the season, just to be replaced by a new female owner who gave a pre-game speech that referred to all of the previous times she had gone to the Championship Game with the Bulls just to see them lose, despite the fact that she wasn’t even a part of the show’s cast during the previous two seasons. The season began with a player dying of steroid abuse and ended with OJ Simpson proving his innocence. Oh! And Zagreb discovered his father was a CIA agent and then he got married.

Was it a good season? Not really. This isn’t a good show. But season 3 was definitely a lot stranger than the previous two seasons and that’s definitely a point in 1st & Ten‘s favor.

Next week, we start season 4!

Late Night Retro Television Review: 1st & Ten 3.12 “Of Scalpers and Superstars”

Posted on April 29, 2026 by Lisa Marie Bowman

This week, OJ’s in trouble!

Episode 3.12 “Of Scalpers and Superstars”

(Dir by Bruce Seth Green, originally aired on December 9th, 1987)

O.J. Simpson gets arrested!

Okay, technically, OJ Simpson is not the one being arrested. He’s just playing TD Parker, the Bulls’s general manager. TD is the one who is arrested at the end of this episode after being framed for stealing 5,000 ticket to the Championship Game and selling to a ticket scalper. Still, as is so often the case with this show, the casting of OJ Simpson does bring a while new layer to the action of meaning to the action onscreen.

Who framed TD? The answer is Dolph Crane (Forry Smith), a former player who was cut from the team. Dolph has never appeared on the show before but, judging from what TD says when he sees Dolph hanging around the stadium, it seems that Dolph was cut last season. One of the things that I’ve noticed about 1st & Ten is that new characters will often pop up out of nowhere and people will act as if they’ve been there the whole time. Dolph appears to be one of those pop-up character. Dolph mentions that he’s now dating TD’s former mistress. Dolph and the owner of Arizona’s team are the ones who conspire to take out TD. Hopefully, they didn’t plant a bloody glove anywhere in the office.

The Bulls are going to the Championship Game …. again! Maybe they’ll actually win this time. This is their third trip to the game, after all. It’ll be kind of sad if they win without Coach Denardo, though. Coach Grier just isn’t as much fun as foul-mouthed Ernie Denardo.

The entire team gets mad at Yinessa. After getting injured during a game, he decides that he needs to make as much money as possible so he allows his agent (Bobby Hosea) to promote him as being the “star” of the team. The rest of the team feels that isn’t fair. The thing is, though …. Yinessa is kind of the star. He’s the quarterback. If he has a bad day, the team doesn’t win. The Bulls are a bunch of crybabies. When they find out that a team music video is being reimagined as a Yinessa music video, they literally look like they’re about to break down in tears. No wonder they always lose the Championship Game.

This episode ended wth the Bulls heads to the Championship and OJ heading to jail. That seems about right. Good luck to the team!

Late Night Retro Television Review: 1st & Ten 3.11 “Land of the Free (Agent)”

Posted on April 22, 2026 by Lisa Marie Bowman

The playoffs continue!

Episode 3.11 “Land of the Free (Agent)”

(Dir by Bruce Seth Green, originally aired on December 2nd, 1987)

The Bulls are in the playoffs but they need a new running back. Jill decides to sign Brian Bozworth (Brian Bosworth), a player who was drafted by Arizona but who refused to sign his contract because he felt he wasn’t being offered enough money. TD Parker (OJ Simpson) tells Jill that it would be highly irregular for the Bulls to sign Bozworth because, technically, he still “belongs” to Arizona. Jill tells TD to take a knife to the rules and sign Bozworth.

And it’s a good thing that she did because, after some opening jitters, Bozworth plays a key role in getting the Bulls a win over Arizona in the playoffs. Recognizing what the Arizona defense is going to do, he gives Yinessa a heads up. Yinesa throws Bozworth the ball, Bozworth gets the Bulls into good field position, and Zagreb kicks the game-winning field goal.

Zagreb is only able to make that kick because Mad Dog lied to him and told him that Anna had called and agreed to marry him. The next day, at the wedding ceremony, Anna is a no-show. Or, at least, she is until Mad Dog breaks into her house, forces her to put on a wedding gown, and then carries her to the ceremony. She arrives just in time to hear Zagreb giving a speech about how much he loves her. Anna and Zagreb marry.

Finally, Jethro is upset when Bubba is offered a commercial contract with Squelch Sports Drink. Squelch doesn’t want Jethro in its commercials. But when Bubba can’t find the strength to lift a drum of Squelch and pour it over Coach Grier’s head, his contact is canceled.

This was a weird episode. A lot of stuff was going on but none of it really added up too much. At first, Bozworth seemed like a bad player and then, suddenly, he was a good player. Jethro and Bubba were arguing and then suddenly they weren’t. Zagreb got married and good for him. Zagreb is perhaps the most cartoonish character on the show but then again, 1st & Ten is rather cartoonish in general.

Anyway, the Bulls are one step closer to the Championship Game. We’ll see if they make it next week.

Retro Television Review: The Love Boat 7.16 “The Buck Stops Here/For Better or Worse/Bet on It”

Posted on April 22, 2026 by Lisa Marie Bowman

This week, the ship is a casino!

Episode 7.16 “The Buck Stops Here/For Better or Worse/Bet on It”

(Dir by Richard Kinon, originally aired on January 14th, 1984)

It’s a gambling cruise!

Of course, it’s all for charity. The Love Boat has been turned into a floating casino but all of the money that the passengers lose will be donated to the Flanders Hospital. Florence Flanders (Celeste Holm) is yet another old friend’s Captain Stubing’s and he’s happy to welcome her aboard. He is less happy to see Florence’s ne’er-do-well brother, Frank (Richard Jaeckel). Frank is in debt to another passenger, Al Dixon (Richard Ponzini). Frank is willing to cheat and steal to get the money to pay off Al. When Stubing calls Frank out on it, Frank threatens to reveal that Florence’s deceased husband had a mistress.

One of the people cheated by Frank is newlywed Nancy Sidon (Leah Ayres), who is upset about the prospect of having to move in with her in-laws. Her husband, Stewart (Shea Farrell), says that it’s perfectly normal to move back in with your parents after you get married. He also doesn’t want Nancy gambling. When Nancy loses all of her money, she fears that she’s going to lose Stewart as well. Fortunately, Frank has a change of heart and returns all of the money that he stole. Not only has Nancy avoided divorce but she now has enough that she and Stewart won’t have to move in with the in-laws.

Meanwhile, Michael Borden (McClean Stevenson) is carrying a very valuable silver dollar with him. When Sally (Jo Ann Pflug) accidentally puts the silver dollar in a slot machine, Michael has a near breakdown. He obsessively pulls on the lever, hoping to win back his silver dollar. Soon, he’s broke. However, Sally puts her final dollar in the slot machine, pulls the lever, and hit the jackpot. Michael wins back his silver dollar and he also finds love. To be honest, Sally could do better.

This was a rather low-key and almost moody episode. The laugh track was notably muted. On the one hand, the show celebrated gambling for charity. On the other hand, nearly everyone’s life was ruined in the casino. Richard Jaeckel gave a good performance as the conflicted Frank. Not giving a good performance was McClean Stevenson, who came across as being so cranky and whiny that I found myself hoping he would never win back his silver dollar.

This cruise did not hit the jackpot for me.