14 Days of Paranoia #7: No Way Out (dir by Roger Donaldson)

Posted on February 22, 2024 by Lisa Marie Bowman

Trust no one in Washington would seem to be the message of this 1987 thriller.

Kevin Costner plays Lt. Commander Tom Farrell, a Naval Intelligence officer who is hailed as a hero after saving a shipmate who falls overboard. In Washington, Tom is recruited by a friend from college, Scott Pritchard (Will Patton), to work for Secretary of Defense Brice (Gene Hackman). Brice doesn’t trust the head of the CIA (played by future senator, Fred Dalton Thompson) and he wants Tom to serve as his mole within the service. What Brice doesn’t know is that Tom is sleeping with Brice’s mistress, Susan Atwell (Sean Young).

Still, Brice does suspect that the woman with whom he is cheating is also cheating on him. When he confronts her about it, their argument leads to him accidentally pushing Susan over an upstairs railing. Pritchard, who is implied to be in love with Brice, takes charge of the cover-up and decides to push the story that Susan was killed by a possibly mythical Russian agent who is known only by the name “Yuri.”

Tom assists with the investigation of her death, both because he wants to know who killed Susan and also because he knows that there’s evidence in Susan’s apartment that could be manipulated to make him look guilty of the crime. For instance, Susan took a picture of Tom shortly before her death. The picture failed to develop but, through the use of what was undoubtedly cutting edge technology in 1987, Naval Intelligence is slowly unscrambling the picture. For Tom, it’s a race against time to find the actual killer before the picture develops and he’s accused of both killing Susan and being Yuri.

Everyone has an agenda in No Way Out, from the ambitious Brice to the fanatical Scott Pritchard to the head of the CIA, who wants Brice to approve funding for a costly submarine. Even the film’s nominal hero has an agenda, which has less to do with finding justice for Susan and everything to do with protecting himself and his future. In fact, as is revealed in the film’s enjoyable if slightly implausible twist ending, some people in Washington have multiple agendas. The film portrays Washington as being a place where, behind the stately facade, everyone is a liar and everyone is ultimately a pawn in someone else’s game. If you have the right connections, you can even get away with murder. Loyalty is rewarded until you’re no longer needed.

It’s an enjoyably twisty thriller, one that makes good use of the contrast between Kevin Costner’s All-American good looks and his somewhat shady screen presence. The film introduces Costner as being a character who, at first glance, seems almost too good to be true and then spend the majority of its running time suggesting that is indeed the case. Gene Hackman is well-cast as the weaselly cabinet secretary, as is Sean Young as the woman who links them all together. In the end, though, the film is stolen by Will Patton, who plays Scott Pritchard as being someone who has unknowingly given his loyalty to a man who is incapable of returning it. As played by Patton, Scott is an outsider who desperately wants to be an insider and who is willing to do just about anything to accomplish that goal. He’s a version of Iago who never turned against Othello but instead devoted all of his devious tricks to trying to cover up the murder of Desdemona.

Even with an over-the-top final twist, No Way Out holds up well as a portrait of how the lust for power both drives and corrupts our political system.

14 Days of Paranoia:

What If Lisa Marie Picked The Oscar Nominees: 2022 Edition

Posted on January 24, 2023 by Lisa Marie Bowman

With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa Marie had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not be. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are listed in bold.

It should also go without saying that I’ve only nominated films that I’ve actually seen. So, if you’re wondering why a certain film wasn’t nominated, it’s always possible that may have not gotten the opportunity to see it yet. Of course, it’s also possible that I didn’t feel that a certain film was worthy of a nomination, despite what the critics may say. In the end, my best advice is not to worry too much about it. I’m not an Academy voter so ultimately, this is all for fun and that’s the spirit in which it should be taken.

You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.

(Click on the links to see my nominations for 2021, 2020, 2019, 2018, 2017, 2016, 2015, 2014, 2013, 2012, 2011, and 2010!)

And now, without any further ado:

2022

Best Picture

All Quiet on the Western Front

The Banshees of Inisherin

Elvis

Emily the Criminal

Everything Everywhere All At Once

The Fabelmans

Nitram

TAR

Top Gun: Maverick

Vengeance

Best Director

Edward Berger for All Quiet on the Western Front

Todd Field for TAR

Joseph Kosinski for Top Gun: Maverick

Baz Luhrmann for Elvis

Martin McDonagh for The Banshees of Inisherin

BJ Novak for Vengeance

Best Actor

Austin Butler in Elvis

Tom Cruise in Top Gun: Maverick

Colin Farrell in The Banshees of Inisherin

Caleb Landry Jones in Nitram

BJ Novak in Vengeance

Adam Sandler in Hustle

Best Actress

Cate Blanchett in TAR

Emma Corrin in Lady Chatterley’s Lover

Annie Hardy in Dashcam

Mia Goth for Pearl

Aubrey Plaza in Emily The Criminal

Michelle Yeoh in Everything Everywhere All At Once

Best Supporting Actor

Brendan Gleeson in The Banshees of Inisherin

Val Kilmer in Top Gun: Maverick

Anthony LaPaglia in Nitram

David Lynch in The Fabelmans

Brad Pitt in Babylon

Ke Huy Quan in Everything Everywhere All At Once

Best Supporting Actress

Kerry Condon in The Banshees of Inisherin

Essie Davis in Nitram

Judy Davis in Nitram

Nina Hoss in TAR

Nicole Kidman in The Northman

Michelle Williams in The Fabelmans

Best Voice Over Performance

Antonio Banderas in Puss In Boots: The Last Wish

Jack Black in Apollo 10 ½

Steve Carell in Minions: The Rise of Gru

Mike Judge in Beavis and Butthead Do The Universe

Ewan McGregor in Guillermo del Toro’s Pinocchio

Jenny Slate in Marcel the Shell With Shoes On

Best Adapted Screenplay

All Quiet On The Western Front

Guillermo Del Toro’s Pinocchio

Lady Chatterley’s Lover

Marcel The Shell With Shoes On

Operation Mincemeat

Top Gun: Maverick

Best Original Screenplay

Apollo 10 ½

The Banshees of Inisherin

Emily the Criminal

Everything Everywhere All At Once

TAR

Vengeance

Best Animated Feature Film

Apollo 10 ½

Beavis and Butthead Do The Universe

The Bob’s Burgers Movie

Guillermo del Toro’s Pinoccio

The House

Mad God

Marcel the Shell with Shoes On

Minions: The Rise of Gru

Puss in Boots: The Last Wish

Turning Red

Best Documentary Feature Film

The Automat

Bitterbrush

Dreaming Walls: Inside the Chelsea Hotel

Goodnight Oppy

Is That Black Enough For You?

My Old School

Selena Gomez: My Mind And Me

Send Me

Three Minutes: A Lengthening

Wildcat

Best International Feature Film

All Quiet on the Western Front

Bardo

Battle: Freestyle

The Bombardment

Dark Glasses

How I Fell In Love With A Gangster

Into the Wind

My Best Friend Anne Frank

Restless

RRR

Best Live Action Short Film

A Little Dead

Forgive Us Our Trespasses

Best Animated Short Film

The Flying Sailor

Ice Merchants

The Garbage Man

Steakhouse

Best Documentary Short Film

Elephant Whisperers

Her Majesty’s Queue

The Martha Mitchell Effect

Nuisance Bear

The Runner

Stranger at the Gate

Best Original Score

All Quiet On The Western Front

Babylon

The Banshees of Inisherin

Don’t Worry, Darling

Guillermo del Toro’s Pinocchio

Top Gun: Maverick

Best Original Song

“At the Automat” from The Automat

“Sunny Side Up Summer” from The Bob’s Burgers Movie

“Vegas” from Elvis

“Ciao Papa” from Guillermo del Toro’s Pinocchio

“Naatu Naatu” from RRR

“My Mind and Me” From Selena Gomez: My Mind and Me

“Hold My Hand” From Top Gun: Maverick

“Carolina” From Where The Crawdads Sing

“New Body Rhumba” from White Noise

“A Sky Like I’ve Never Seen” from Wildcat

Best Overall Use of Music In A Movie

The Banshees of Inisherin

Elvis

TAR

Father Stu

Top Gun: Maverick

Best Sound Editing

All Quiet On The Western Front

Avatar: The Way of the Water

The Bombardment

Elvis

Guillermo del Toro’s Pinoccio

Top Gun Maverick

Best Sound Mixing

All Quiet on the Western Front

The Batman

Elvis

TAR

The Northman

Top Gun Maverick

Best Production Design

Babylon

The Batman

Elvis

The Fabelmans

RRR

See How They Run

Best Casting

All Quiet on the Western Front

The Northman

She Said

TAR

Top Gun: Maverick

Vengeance

Best Cinematography

The Banshees of Inisherin

Bardo

Elvis

Everything Everywhere All At Once

RRR

Top Gun: Maverick

Best Costume Design

Babylon

Death on the Nile

Dr. Strange in the Multiverse of Madness

Elvis

The Fabelmans

See How They Run

Best Film Editing

All Quiet on the Western Front

Ambulance

The Banshees of Inisherin

Everything Everywhere All At Once

The Fabelmans

Top Gun: Maverick

Best Make-Up and Hairstyling

Babylon

Elvis

The Fabelmans

The Northman

Terrifier 2

Best Stuntwork

All Quiet On The Western Front

The Batman

Bullet Train

Everything Everywhere All At Once

RRR

Top Gun: Maverick

Best Visual Effects

Avatar: The Way of Water

Dr. Strange in the Multiverse of Madness

Mad God

RRR

Terrifier 2

Top Gun: Maverick

Films Listed By Number of Nominations

15 Nominations — Top Gun: Maverick

11 Nominations — Elvis

10 Nominations — All Quiet On The Western Front, The Banshees of Inisherin

8 Nominations — TAR

7 Nominations — Everything Everywhere All At Once, The Fabelmans

6 Nominations — Guillermo del Toro’s Pinocchio, RRR

5 Nominations — Babylon, Nitram, Vengeance

4 Nominations — The Northman, Puss in Boots: The Last Wish

3 Nominations — Apollo 10 1/2, The Batman, Emily the Criminal, Marcel the Shell With Shoes On

2 Nominations — The Automat, Avatar: The Way of the Water, Bardo, Beavis and Butthead Do The Universe, The Bob’s Burgers Movie, The Bombardment, Dr. Strange in the Multiverse of Madness, Lady Chatterley’s Lover, Mad Dog, Minions: The Rise of Gru, See How They Run, Selena Gomez: My Mind & Me, Terrifier 2, Wildcat, X

1 Nomination — A Little Dead, Ambulance, Battle: Freestyle, Bitterbush, Bullet Train, Dascham, Dark Glasses, Death on the Nile, Don’t Worry Darling, Dreaming Walls: Inside the Chelsea Hotel, Elephant Whisperers, Father Stu, The Flying Sailor, Forgive Us Our Trespasses, The Garbage Man, Goodnight Oppy, Her Majesty’s Queue, How I Fell In Love With A Gangster, Hustle, Ice Merchants, Into the Wind, Is That Black Enough For You?, The House, Hustle, The Martha Mitchell Effect, My Friend Anne Frank, My Old School, Nuisance Bear, Operation: Mincemeat, Pearl, Restless, The Runner, Send Me, She Said, Steakhouse, Stranger at the Gates, Three Minutes: A Lengthening, Turning Red, Where The Crawdads Sing, White Noise

Films Listed By Number of Wins:

6 Oscars — Top Gun: Maverick

4 Oscars — All Quiet on the Western Front, Banshees of Inisherin

2 Oscars — Babylon, Elvis, TAR

1 Oscars — A Little Death, Avatar: The Way of the Water, Beavis and Butthead Do The Universe, Guillermo del Toro’s Pinocchio, Ice Merchant, Nuisance Bear, Three Minutes: A Lengthening, X

Will the Academy and I agree? Probably not! But we’ll find out for sure in just a few hours!

Lisa Marie’s Oscar Predictions for December

Posted on December 31, 2022 by Lisa Marie Bowman

Here they are! These are my final Oscar predictions for 2022. The critics groups have certainly helped to show us which films are major contenders. That said, the Guilds are even more important so I can’t wait to see who they nominate and honor in January.

be sure to check out my predictions for February, March, April, May, June, July, August, September, October, and November!

Best Picture

Avatar: The Way of Water

Babylon

The Banshees of Inisherin

Elvis

Everything Everywhere All At Once

The Fabelmans

Tar

Top Gun: Maverick

The Woman King

Women Talking

Best Director

Todd Field for TAR

Baz Luhrmann for Elvis

Martin McDonagh for The Banshees of Inisherin

Sarah Polley for Women Talking

Steven Spielberg for The Fabelmans

Best Actor

Austin Butler in Elvis

Tom Cruise in Top Gun: Maverick

Colin Farrell in The Banshees of Inisherin

Brendan Fraser in The Whale

Gabriel LaBelle in The Fabelmans

Best Actress

Cate Blanchett in TAR

Viola Davis in The Woman King

Danielle Deadwyler in Till

Michelle Williams in The Fabelmans

Michelle Yeoh in Everything Everywhere All At Once

Best Supporting Actor

Brendan Gleeson for The Banshees of Inisherin

Judd Hirsch in The Fabelmans

Barry Keoghan in The Banshees of Inisherin

Ke Huy Quan in Everything Everywhere All At Once

Brad Pitt in Babylon

Best Supporting Actress

Jessie Buckley in Woman Talking

Kerry Condon in The Banshees of Inisherin

Jamie Lee Curtis in Everything Everywhere All At Once

Dolly de Leon in Triangle of Sadness

Janelle Monáe in Glass Onion

Here’s The Trailer For Babylon

Posted on November 28, 2022 by Lisa Marie Bowman

Here’s the trailer for Babylon!

I have to admit that my interesting in this film goes up and down. I was intrigued when I first heard about it. This trailer, to be honest, is a bit too frantic for me and a lot of it feels like the sort of thing that would have been mind-blowing in 2007 but, today, we’ve kind of been inundated with films about Hollywood’s decadent past.

That said, I’m still looking forward to seeing and judging the film for myself.

The TSL’s Horror Grindhouse: Cutting Class (dir by Raspo Pallenberg)

Posted on October 16, 2022 by Lisa Marie Bowman

Someone is murdering the students and the teachers at the local high school and it’s up to Paula Carson (Jill Schoelen), the studious daughter of the local DA (Martin Mull), to figure out who is responsible!

Though the principal (Roddy McDowall, who seemed to be cast as a lot of bizarre school employees during the latter half of his career) is a perv and the janitor (Robert Glaudini) fancies himself as being some sort of bizarre ninja with a mop, it soon becomes apparent that there’s really only two viable suspects. One of them is Brian Woods (Donavon Leitch), who has just returned home after spending several months in a mental hospital where he was regularly given electroshock therapy. The other is Dwight Ingalls (Brad Pitt), the alcoholic jock who is under tremendous pressure to win a basketball scholarship and who also happens to be Paula’s boyfriend! Brian and Dwight were friends when they were younger. Now, Dwight spends all of his time bullying Brian and Brian spends all of his time staring at Paula. Who could the murderer be!?

Actually, you won’t be surprised at all when the identity of the murderer is revealed. You’ve probably already guessed who the killer is. A campy slasher film from 1989, Cutting Class doesn’t exactly win any points for originality. If Cutting Class is remembered for anything, it’s for providing Brad Pitt with an early leading role. Pitt, it should be said, is totally convincing as Dwight. On the one hand, he’s such a jerk that it’s difficult to really like him but, on the other hand, he looks like Brad Pitt so you totally can’t blame Paula for putting up with him. For that matter, both Leitch and Schoelen give convincing performances as well. When you’ve got a trio as talented as these three, it’s kind of a shame that Cutting Class wasn’t a better film.

Cutting Class tries to mix horror and comedy but the comedy is too broad (Roddy McDowall leers like a cartoon wolf) while the horror is not quite horrific enough and, as such, the film never really settles on a consistent or an interesting tone. Whenever the film starts to get into a horror grove, Martin Mull shows up like a character in an overplayed Saturday Night Live skit. Whenever the film starts to find itself as a comedy, someone is horribly murdered and you’re totally taken out of the mood. This is also another one of those films where the characters randomly switch from being ludicrously stupid to unnaturally intelligent from scene-to-scene. The killer, for instance, is diabolically clever until the film’s final moments, at which point the murderer suddenly gets very talky and very easily fooled.

Cutting Class is occasionally interesting as a time capsule. It’s from 1989, after all. And it’s interesting to see Brad Pitt playing the type of character one would more likely expect to see on a very special episode of Saved By The Bell. Otherwise, this one is fairly forgettable.

Here’s The Trailer for Babylon!

Posted on September 13, 2022 by Lisa Marie Bowman

Finally! We have a trailer for Damien Chazelle’s Babylon!

Who would have thought that 2022 would have been the year that would have produced three flamboyant films about the decadence of the entertainment industry? Elvis has already been released. Blonde will be available by the end of the month. And Babylon will coming out just as the year ends. Judging from this trailer, it appears to be a film that will either be brilliant or a total disaster. I’m hoping for the former. America could use a really good movie about cocaine and pool parties.

Monday Live Tweet Alert: Join Us For Flight 93 and Seven!

Posted on September 12, 2022 by Lisa Marie Bowman

As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.

Tonight, for #MondayActionMovie, the film will be 2006’s Flight 93! Selected and hosted by @Titus88Titus, Flight 93 is a docudrama about one of the planes that was hijacked on September 11th, 2001 and the heroic passengers who bravely fought back. The movie starts at 8 pm et and it is available on YouTube.

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet. We will be watching 1995’s Seven, the trend-setting and still disturbing horror film that established David Fincher as a director and which starred Morgan Freeman, Brad Pitt, Kevin Spacey, Gwyneth Paltrow, and Richard Roundtree. (Yes, Shaft is in the movie.) The film is available on Netflix. It starts at 10 pm et.

It should make for a night of intense viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto twitter, start Flight 93 at 8 pm et, and use the #MondayActionMovie hashtag! Then, at 10 pm et, start Seven and use the #MondayMuggers hashtag! The live tweet community is a friendly group and welcoming of newcomers so don’t be shy. And reviews of these films will probably end up on this site at some point over the next few weeks.

Film Review: The Lost City (dir by Adam and Aaron Nee)

Posted on July 7, 2022 by Lisa Marie Bowman

Last month, when I finally watched The Lost City, I had two thoughts.

First off, I thought it was a perfectly charming little movie, a well-made and unpretentious film that went out of its way to entertain its audience and which, for the most part succeeded. The film, which features Sandra Bullock as Loretta Sage, a reluctant writer of sex-filled romance/adventure novels, and Channing Tatum as Alan Caprison, an earnest but not terrible bright cover model, strikes just the right balance of adventure and comedy. Bullock and Tatum are charming together. Brad Pitt has a fun cameo as an ultra-macho wilderness guide who is hired to help track down Bullock after she’s kidnapped by a wealthy businessman who wants her to help him track down the fabled crown of fire. Daniel Radcliffe gives a nicely eccentric performance as the villain and, for once in his post-Potter career, actually seems to be having fun with a role. The jungle scenery is lovely to look at. Bullock’s purple sequin jumpsuit is to die for. Tatum shows off his physique. The jokes come fast, the action is exciting, and we get to watch two people fall in love. What more could one ask for?

My other thought is that The Lost City is a film that Sandra Bullock could have made at any point of her career. There’s never been a time when Bullock wouldn’t have been convincing in the role of Loretta Sage. It’s easy to imagine The Lost City coming out in the aughts, starring Sandra Bullock as Loretta and Brendan Fraser as Alan. Or perhaps even in the 90s, with Bullock and Matthew McConaughey as Alan. Much as Top Gun: Maverick does for Tom Cruise, The Lost City serves to remind us that Sandra Bullock is one of the last true film stars, someone who can effortlessly move from genre to genre without losing any of their onscreen charisma in the process. For audiences who have just spent the last two years being told that the world was collapsing and that nothing would ever be the same again, there is something undoubtedly comforting about films like Top Gun: Maverick and The Lost City. They are a reminder that yes, it is permissible, possible, and even necessary to just have a good time.

And have no doubt about it, The Lost City is definitely a good time. From the opening scene (which literally takes us into one of Loretta’s novels) to Loretta’s disastrous book tour to the eventual journey through the jungle, The Lost City is an entertaining film. It’s not a film that asks for much from the audience. There’s no complicated backstory. It’s not necessary to have seen 10 earlier movies and a miniseries to understand everyone’s motivations. There’s no bad CGI to challenge the audience’s willingness to buy into the story. The film gets the job done in a relatively brisk 112 minutes and, at a time when even comedies are regularly running over two hours, it’s hard not to appreciate the efficiency with which The Lost City tells its story. There is a mid-credits scene but it’s actually kind of funny. For once, the promise of a sequel feels likes something for which to look forward.

If you missed The Lost City in theaters, it can currently be viewed on Paramount Plus.

Lisa Marie’s Way Too Early Oscar Predictions for May

Posted on May 31, 2022 by Lisa Marie Bowman

It’s that time of the month again!

It’s time for me to once again try to predict what will be nominated for the Oscars. If you had to told me, at this time last year, that Top Gun: Maverick would emerge as an Oscar contender, I would have said that you were crazy but here we are. Admittedly, it is early in the year and I think there’s always going to be some ambivalence towards honoring Tom Cruise. (You just know that someone is having nightmares about him thanking David Miscavige in his Oscar speech.) But with the reviews and the box office success that Top Gun: Maverick is getting, it would be a mistake to dismiss it. After all, Mad Max: Fury Road came out around this same time of year in 2015. As well, one can be sure that A24 will be giving Everything Everywhere All At Once a heavy awards push as well. This could very well be the year of the genre blockbuster as far as the Oscars are concerned.

As for Cannes, it’s come and gone. George Miller’s Three Thousand Years of Longing got some good reviews, even if those reviews didn’t translate into awards at the end of the Festival. David Cronenberg’s Crimes of the Future sounds like it’s going to be too divisive for the Academy and really, the thought of Cronenberg winning an Oscar has always been a bit implausible, regardless of how much he may or may not deserve one. As for James Gray’s Armageddon Time, Gray has always been more popular with critics than with audiences or Academy voters. If Gray couldn’t break through with something like The Lost City of Z, I doubt he’s going to do so with an autobiographical film about his life in private school. Steven Spielberg already has the autobiography slot wrapped up with The Fabelmans.

Of course, there’s still many films left to see and many more film festivals to be held. Let us not forget that Martin Scorsese is bringing us Killers of the Flower Moon. Personally, I’m looking forward to Damien Chazelle’s Babylon. In short, nothing has been settled yet. For all the acclaim that Top Gun and Everything are getting, who knows how the race is going to look at the start of the Fall season?

Anyway, here are my predictions for May. Be sure to check out my predictions for February and March and April as well!

Best Picture

Amsterdam

Babylon

Everything Everywhere All at Once

The Fabelmans

I Want To Dance With Somebody

Killers of the Flower Moon

Next Goal Wins

Rustin

She Said

Top Gun: Maverick

Best Director

Damien Chazelle for Babylon

Kasi Lemmons for I Want To Dance With Somebody

Martin Scorsese for Killers of the Flower Moon

Steven Spielberg for The Fabelmans

Taika Waititi for Next Goal Wins

Best Actor

Tom Cruise in Top Gun: Maverick

Colman Domingo in Rustin

Idris Elba in Three Thousand Years of Longing

Brendan Fraser in The Whale

Brad Pitt in Babylon

Best Actress

Naomi Ackie in I Want To Dance With Somebody

Cate Blanchett in Tar

Margot Robie in Babylon

Tilda Swinton in Three Thousand Years of Longing

Michelle Yeoh in Everything Everywhere All At Once

Best Supporting Actor

John Boyega in The Woman King

Leonardo DiCaprio in Flowers of the Killer Moon

Tom Hanks in Elvis

David Lynch in The Fabelmans

Tobey Maguire in Babylon

Best Supporting Actress

Jessie Buckley in Women Talking

Tantoo Cardinal in Flowers of the Killer Moon

Li Jun Li in Babylon

Samantha Morton in She Said

Michelle Williams in The Fabelmans

Lisa Marie’s Way Too Early Oscar Predictions For March

Posted on March 31, 2022 by Lisa Marie Bowman

Now that the awards for last year’s films have been given out and everyone has already started to forget who won, we can start to concentrate on the next batch of Oscar contenders….

Oh, stop yelling. It’s not that early!

Well, actually, it is way too early. I mean, we’re still not really sure what is even going to be released this year. Due to all the COVID delays, we went into 2021 knowing which films we could look forward to, mostly because all of those films were originally supposed to be released in 2020. Compared to 2021, we’re going into 2022 blind. The majority of the films that we do know about don’t really sound like Oscar contenders, either.

So, really, the only solution to how to predict the Oscar nominees when you know nothing is to guess. The films and actors listed below are not there because I have any inside information. Instead, they are there as a result of some wishful thinking and some educated guesses. Killers of the Flower Moon was directed by Martin Scorsese, so of course it’s there. The Fabelmans is there because a lot of people feel that the Academy didn’t show Spielberg and West Side Story enough love this year and I think the fact that the film is autobiographical will make it irresistible to same voters who nominated Belfast. Napoleon is there because there might be some lingering guilt over how both Ridley Scott and The Last Duel were utterly ignored this year. Rustin is there because it’s an Obama production and Hollywood loves the Obamas. Chris Rock is listed as a supporting actor nominee because it would be the perfect conclusion to the saga of the Oscar Slap. David Lynch is listed because …. well, I like David Lynch. Personally, it’s doubtful that Tom Hanks will be able to pull off two nominations in one year but if anyone could do it, it’s Tom!

In other words, don’t take any of these predictions too seriously. As of now, there are no definite contenders. These are just some guesses.

Be sure to check out my even more random predictions for February as well!

Best Picture

Babylon

The Fabelmans

Killers of the Flower Moon

Napoleon

Rustin

She Said

TAR

Thirteen Lives

Till