Here Are The Golden Globe Winners!


Supporting Actor, Motion Picture — Daniel Kaluuya, Judas and the Black Messiah

Supporting Actor, Television — John Boyega, Small Axe

Actress, TV Music or Comedy — Catherine O’Hara, Schitt’s Creek

Motion Picture, Animated — Soul

Actor, TV Limited Series or Movie — Mark Ruffalo, I Know This Much Is True

Screenplay, Motion Picture — Aaron Sorkin, The Trial of the Chicago 7

Actress, TV Series, Drama — Emma Corrin, The Crown

Original Song, Motion Picture — lo Si, The Life Ahead

Original Score, Motion Picture — Trent Reznor, Atticus Ross, Jon Batiste, Soul

Actor, TV Series, Musical or Comedy — Jason Sudeikis, Ted Lasso

TV Series, Musical or Comedy — Schitt’s Creek

Actress. Musical or Comedy Film — Rosamund Pike, I Care A Lot

Actor, TV Series, Drama — Josh O’Connor, The Crown

Foreign Language Film — Minari

TV Series, Drama — The Crown

Supporting Actress, Film — Jodie Foster, The Mauritanian

Supporting Actress, TV Drama — Gillian Anderson, The Crown

Actress, TV Limited Series or Made-For-Television Film — Anya Taylor-Joy, The Queen’s Gambit

Limited Series or TV Movie — The Queen’s Gambit

Actor, Motion Picture Drama — Chadwick Boseman, Ma Rainey’s Black Bottom

Director, Motion Picture — Chloe Zhao, Nomadland

Motion Picture Comedy — Borat Subsequent Moviefilm

Actor, Motion Picture Comedy — Sacha Baron Cohen, Borat Subsequent Moviefilm

Actress, Motion Picture Drama — Andra Day, The United States vs. Billie Holliday

Motion Picture Drama — Nomadland

Nomadland Wins At The Satellite Awards


Here’s what won at the Satellite Awards on the 15th.  I apologize for being a bit late in posting this but the weather conspired to keep me from watching the Satellite Awards.

Actually, did anyone watch the Satellite Awards?  Does anyone even know who is even giving these things out?

Well, regardless, here’s what won in the film categories:

SPECIAL ACHIEVEMENT AWARD RECIPIENTS

Mary Pickford Award: Tilda Swinton
Tesla Award: Dick Pope
Auteur Award: Emerald Fennell – Promising Young Woman
Best First Feature: Channing Godfrey Peoples – Miss Juneteenth
Stunt Performance Award: Gaëlle Cohen
Humanitarian Award: Mark Wahlberg
Ensemble Motion Picture: The Trial of the Chicago 7
Ensemble Television: The Good Lord Bird

Actress in a Motion Picture Drama
Carey Mulligan – Promising Young Woman
Frances McDormand – Nomadland
Vanessa Kirby – Pieces of a Woman
Viola Davis – Ma Rainey’s Black Bottom
Kate Winslet – Ammonite
Sophia Loren – The Life Ahead

Actor in a Motion Picture Drama 
Anthony Hopkins – The Father
Delroy Lindo – Da 5 Bloods
Riz Ahmed – Sound of Metal
Steven Yeun – Minari
Chadwick Boseman – Ma Rainey’s Black Bottom
Gary Oldman – Mank

Actress in Motion Picture, Comedy or Musical 
Meryl Streep – The Prom
Rashida Jones – On the Rocks
Margot Robbie – Birds of Prey
Michelle Pfeiffer – French Exit
Maria Bakalova – Borat Subsequent Moviefilm
Anya Taylor-Joy – Emma

Actor in Motion Picture, Comedy or Musical
Andy Samberg – Palm Springs
Lin-Manuel Miranda – Hamilton
Dev Patel – The Personal History of David Copperfield
Sacha Baron Cohen – Borat Subsequent Moviefilm
Leslie Odom Jr. – Hamilton

Actress in a Supporting Role
Amanda Seyfried – Mank
Olivia Colman – The Father
Yuh-Jung Youn – Minari
Ellen Burstyn – Pieces of a Woman
Nicole Kidman – The Prom
Helena Zengel – News of the World

Actor in a Supporting Role
Brian Dennehy – Driveways
David Strathairn – Nomadland
Sacha Baron Cohen – The Trial of the Chicago 7
Chadwick Boseman – Da 5 Bloods
Kingsley Ben-Adir – One Night in Miami
Bill Murray – On the Rocks

Motion Picture, Drama
Nomadland
The Trial of the Chicago 7
The Father
Promising Young Woman
Minari
Ma Rainey’s Black Bottom
Tenet
Sound of Metal
One Night in Miami
Miss Juneteenth

Motion Picture, Comedy or Musical 
On the Rocks
Hamilton
Borat Subsequent Moviefilm
Palm Springs
The Personal History of David Copperfield
The Forty-Year-Old Version

Motion Picture, International
Another Round
Tove
A Sun
Two of Us
Jallikattu
I’m No Longer Here
Atlantis
My Little Sister
La Llorona

Motion Picture, Animated or Mixed Media
Over the Moon
Soul
Wolfwalkers
Demon Slayer-Kimetsu No Yaiba-The Movie: Mugen Train
Accidental Luxuriance of the Translucent Watery Rebus
No. 7 Cherry Lane

Motion Picture, Documentary
Collective
Crip Camp
MLK / FBI
The Dissident
A Most Beautiful Thing
The Truffle Hunters
Acasa, My Home
Coup 53
Gunda
Circus of Books

Director
Aaron Sorkin – The Trial of the Chicago 7
Chloé Zhao – Nomadland
David Fincher – Mank
Darius Marder – Sound of Metal
Lee Isaac Chung – Minari
Florian Zeller – The Father

Screenplay, Original
Lee Isaac Chung – Minari
Aaron Sorkin – The Trial of the Chicago 7
Jack Fincher – Mank
Pete Docter, Mike Jones & Kemp Powers – Soul
Andy Siara – Palm Springs
Emerald Fennell – Promising Young Woman

Screenplay, Adapted
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Christopher Hampton & Florian Zeller – The Father
Jessica Bruder & Chloe Zhao – Nomadland
Kemp Powers – One Night in Miami
Edoardo Ponti – The Life Ahead
Luke Davies & Paul Greengrass – News of the World

Original Score
Ludwig Goransson – Tenet
Trent Reznor & Atticus Ross – Mank
Alexandre Desplat – The Midnight Sky
James Newton Howard – News of the World
Emile Mosseri – Minari
Terence Blanchard – One Night in Miami

Original Song
“Io Si” – The Life Ahead
“Hear My Voice” – The Trial of the Chicago 7
“Rocket to the Moon” – Over the Moon
“Speak Now” – One Night in Miami
“Everybody Cries” – The Outpost
“The Other Side” – Trolls World Tour

Cinematography
The Midnight Sky
Nomadland
Mank 
News of the World
One Night in Miami
Tenet

Film Editing
Nomadland
The Father
The Trial of the Chicago 7
Mank
One Night in Miami
Minari

Sound (Editing and Mixing)
Sound of Metal
Tenet
Mank
The Prom
The Midnight Sky
Nomadland

Visual Effects
The Midnight Sky
Mank
Tenet    
Birds of Prey
Greyhound
Mulan

Art Direction and Production Design
The Personal History of David Copperfield
One Night in Miami
Mank
The Midnight Sky
The Prom
Mulan

Costume Design
Mulan
Emma
Ma Rainey’s Black Bottom
Mank
The Personal History of David Copperfield
One Night in Miami

Here Are The SAG Nominations!


Here are the SAG nominations!  I’ll be post my thoughts under the noms because — let’s be honest, the noms are what you’re here for:

BEST ENSEMBLE
Da 5 Bloods
Ma Rainey’s Black Bottom
Minari
One Night In Miami
The Trial Of The Chicago 7

BEST LEAD ACTOR (FEMALE)
Amy Adams – Hillbilly Elegy
Viola Davis – Ma Rainey’s Black Bottom
Vanessa Kirby – Pieces Of A Woman
Frances McDormand – Nomadland
Carey Mulligan – Promising Young Woman

BEST LEAD ACTOR (MALE)
Riz Ahmed – Sound Of Metal
Chadwick Boseman – Ma Rainey’s Black Bottom
Anthony Hopkins – The Father
Gary Oldman – Mank
Steven Yeun – Minari

BEST SUPPORTING ACTOR (FEMALE)
Maria Bakalova – Borat Subsequent Moviefilm
Glenn Close – Hillbilly Elegy
Olivia Colman – The Father
Youn Yuh-Jung – Minari
Helena Zengel – News Of The World

BEST SUPPORTING ACTOR (MALE)
Sacha Baron Cohen – The Trial Of The Chicago 7
Chadwick Boseman – Da 5 Bloods
Daniel Kaluuya – Judas And The Black Messiah
Jared Leto – The Little Things
Leslie Odom Jr. – One Night In Miami

BEST STUNT ENSEMBLE
Da 5 Bloods
Mulan
News of the World
The Trial of the Chicago 7
Wonder Woman 1984

BEST ENSEMBLE IN A DRAMA SERIES
Better Call Saul
Bridgerton
The Crown
Lovecraft Country
Ozark

BEST ACTRESS IN A DRAMA SERIES
Gillian Anderson – The Crown
Olivia Colman – The Crown
Emma Corrin – The Crown
Julia Garner – Ozark
Laura Linney – Ozark

BEST ACTOR IN A DRAMA SERIES
Jason Bateman – Ozark
Sterling K. Brown – This Is Us
Josh O’Connor – The Crown
Bob Odenkirk – Better Call Saul
Regé-Jean Page – Bridgerton

BEST ENSEMBLE IN A COMEDY SERIES
Dead To Me
The Flight Attendant
The Great
Schitt’s Creek
Ted Lasso

BEST ACTOR IN A COMEDY SERIES
Nicholas Hoult – The Great
Daniel Levy – Schitt’s Creek
Eugene Levy – Schitt’s Creek
Jason Sudekis – Ted Lasso
Ramy Youseff – Ramy

BEST ACTRESS IN A COMEDY SERIES
Christina Applegate – Dead To Me
Linda Cardellini – Dead To Me
Kaley Cuoco – The Flight Attendant
Annie Murphy – Schitt’s Creek
Catherine O’Hara – Schitt’s Creek

BEST ACTOR IN A TV MOVIE/LIMITED SERIES
Bill Camp – The Queen’s Gambit
​Daveed Diggs – Hamilton
Hugh Grant – The Undoing
Ethan Hawke – The Good Lord Bird
Mark Ruffalo – I Know This Much Is True

BEST ACTRESS IN A TV MOVIE/LIMITED SERIES
Cate Blanchett – Mrs. America
Cole – I May Destroy You
Nicole Kidman – The Undoing
Anya Taylor-Joy – The Queen’s Gambit
Kerry Washington – Little Fires Everywhere

Okay, my thoughts:

I guess the big news is that the SAG appreciated Hillbilly Elegy a bit more than the critics.  Glenn Close picking up a supporting actress nom isn’t a huge shock but I do think a few people were a bit surprised to see Amy Adams nominated.  Personally, I think Amy Adams was okay in Hillbilly Elegy but I’ll be kind of disappointed if — after all the great performance she’s given — this is the one that she picks up an Oscar for.

We all kind of laughed off Jared Leto picking up that supporting nomination from the Golden Globes but the SAG nominated him as well!  Is this a sign of momentum or just a crazy coincidence?  Either way, this doesn’t bode well for the Oscar hopes of Sound of Metal‘s Paul Raci.  Raci’s picked up a lot of critical support but getting snubbed by both the Globes and SAG doesn’t seem like a good sign.

Speaking of signs, I’m going to assume that Sidney Flanigan’s Oscar hopes are pretty much gone.  Like Raci, she seems like she would have needed either a GG or a SAG nomination to really break through.

Amanda Seyfried was not nominated.  That took me by surprise but it didn’t upset me as much as Raci getting snubbed, largely because I like Sound of Metal considerably more than Mank.

I think Spike Lee’s Da 5 Bloods is the overrated film of 2020 but you still have to wonder how the film could pick up a Best Ensemble nomination without also getting best actor nomination for Delroy Lindo.  Lindo was also snubbed by the Globes so again, the prospect of him getting nominated for an Oscar no longer seems like a sure thing.

Good news for Steven Yeun!  Some people were writing him off after he didn’t get a Golden Globe nomination but the SAG nomination puts him right back into the hunt.

Finally, the SAG is one of the best precursors regarding what films and performances will actually receive Oscar nominations.  So, whether or not I or anyone else agrees with all of the nominations, the nominees have to be feeling very happy right now.  Best of luck to them all!

Here Are The 78th Annual Golden Globe Nominations!


I’m totally turned off by the self-importance of the Golden Globes and I resent every time that I have to write about them.

That said, despite the fact that no one is quite sure who actually votes for the damn things and stories of corruption in the Hollywood Foreign Press Association have been rampant for years, the Golden Globes have still emerged as one of the main Oscar precursors.  So, you kind of have to pay attention to them.  Bleh.

There really aren’t any huge shocks in the list of nominees below, with the exception of maybe Jared Leto for Best Supporting Actor and James Corden’s Prom nomination.  I mean, if you’re that determined to nominate someone for The Prom, why would you go for James Corden as opposed to Meryl Streep?  That’s just odd.

Anyway, here are the nominations:

Best Motion Picture, Drama
“The Father”
“Mank”
“Nomadland”
“Promising Young Woman”
“The Trial of the Chicago 7”

Best Motion Picture, Musical or Comedy
“Borat Subsequent Moviefilm”
“Hamilton”
“Music”
“Palm Springs”
“The Prom”

Best Director, Motion Picture
Emerald Fennell, “Promising Young Woman”
David Fincher, “Mank”
Regina King, “One Night In Miami”
Aaron Sorkin, “The Trial of the Chicago 7”
Chloé Zhao, “Nomadland”

Best Performance by an Actress in a Motion Picture, Drama
Viola Davis, “Ma Rainey’s Black Bottom”
Andra Day, “The United States vs. Billie Holiday”
Vanessa Kirby, “Pieces of a Woman”
Frances McDormand, “Nomadland”
Carey Mulligan, “Promising Young Woman”

Best Performance by an Actress in a Motion Picture, Musical or Comedy
Maria Bakalova, “Borat Subsequent Moviefilm”
Kate Hudson, “Music”
Michelle Pfeiffer, “French Exit”
Rosamund Pike, “I Care a Lot”
Anya Taylor-Joy, “Emma”

Best Performance by an Actress in a Supporting Role in any Motion Picture
Glenn Close, “Hillbilly Elegy”
Olivia Colman, “The Father”
Jodie Foster, “The Mauritanian”
Amanda Seyfried, “Mank”
Helena Zengel, “News of the World”

Best Performance by an Actor in a Motion Picture, Drama
Riz Ahmed, “Sound of Metal”
Chadwick Boseman, “Ma Rainey’s Black Bottom”
Anthony Hopkins, “The Father”
Gary Oldman, “Mank”
Tahar Rahim, “The Mauritanian”

Best Performance by an Actor in a Motion Picture, Musical or Comedy
Sacha Baron Cohen, “Borat Subsequent Moviefilm”
James Corden, “The Prom”
Lin-Manuel Miranda, “Hamilton”
Dev Patel, “The Personal History of David Copperfield”
Andy Samberg, “Palm Springs”

Best Performance by an Actor in a Supporting Role in any Motion Picture
Sacha Baron Cohen, “The Trial of the Chicago 7”
Daniel Kaluuya, “Judas and the Black Messiah”
Jared Leto, “The Little Things”
Billy Murray, “On the Rocks”
Leslie Odom Jr., “One Night In Miami”

Best Screenplay, Motion Picture
Emerald Fennell, “Promising Young Woman”
Jack Fincher, “Mank”
Aaron Sorkin, “The Trial of the Chicago 7”
Florian Zeller and Christopher Hampton, “The Father”
Chloé Zhao, “Nomadland”

Best Original Score, Motion Picture
Alexandre Desplat, “The Midnight Sky”
Ludwig Göransson, “Tenet”
James Newton Howard, “News of the World”
Trent Reznor and Atticus Ross, “Mank”
Trent Reznor, Atticus Ross and Jon Batiste, “Soul”

Best Original Song, Motion Picture
“Fight For You,” Judas and the Black Messiah”
“Hear My Voice,” The Trial of the Chicago 7”
“Io Sì (Seen),” The Life Ahead”
“Speak Now,” One Night In Miami”
“Tigress & Tweed,” The United States Vs. Billie Holiday”

Best Motion Picture, Animated
“The Croods: A New Age”
“Onward”
“Over the Moon”
“Soul”
“Wolfwalkers”

Best Motion Picture, Foreign Language
“Another Round”
“La Llorona”
“The Life Ahead”
“Minari”
“Two Of Us”

Best Television Series, Drama
“The Crown”
“Lovecraft Country”
“The Mandalorian”
“Ozark”
“Ratched”

Best Television Series, Musical or Comedy
“Emily in Paris”
“The Flight Attendant”
“The Great”
“Schitt’s Creek”
“Ted Lasso”

Best Limited Series, Anthology Series or a Motion Picture made for Television
“Normal People”
“The Queen’s Gambit”
“Small Axe”
“The Undoing”
“Unorthodox”

Best Performance by an Actress in a Television Series, Drama
Olivia Colman, “The Crown”
Jodie Comer, “Killing Eve”
Emma Corrin, “The Crown”
Laura Linney, “Ozark”
Sarah Paulson, “Ratched”

Best Performance by an Actress in a Television Series, Musical or Comedy
Lily Collins, “Emily In Paris”
Kaley Cuoco, “The Flight Attendant”
Elle Fanning, “The Great”
Jane Levy, “Zoey’s Extraordinary Playlist”
Catherine O’Hara, “Schitt’s Creek”

Best Performance by an Actress in a Limited Series, Anthology Series or a Motion Picture Made for Television
Cate Blanchett, “Mrs. America”
Daisy Edgar Jones, “Normal People”
Shira Haas, “Unorthodox”
Nicole Kidman, “The Undoing”
Anya Taylor-Joy, “The Queen’s Gambit”

Best Performance by an Actress in a Television Supporting Role
Gillian Anderson, “The Crown”
Helena Bonham Carter, “The Crown”
Julia Garner, “Ozark”
Annie Murphy, “Schitt’s Creek”
Cynthia Nixon, “Ratched”

Best Performance by an Actor in a Television Series, Drama
Jason Bateman, “Ozark”
Josh O’Connor, “The Crown”
Bob Odenkirk, “Better Call Saul”
Al Pacino, “Hunters”
Matthew Rhys, “Perry Mason”

Best Performance by an Actor in a Television Series, Musical or Comedy
Don Cheadle, “Black Monday”
Nicholas Hoult, “The Great”
Eugene Levy, “Schitt’s Creek”
Jason Sudeikis, “Ted Lasso”
Ramy Youssef, “Ramy”

Best Performance by an Actor in a Limited Series or a Motion Picture Made for Television
Bryan Cranston, “Your Honor”
Jeff Daniels, “The Comey Rule”
Hugh Grant, “The Undoing”
Ethan Hawke, “The Good Lord Bird”
Mark Ruffalo, “I Know This Much is True”

Best Performance by an Actor in a Television Supporting Role
John Boyega, “Small Axe”
Brendan Gleeson, “The Comey Rule”
Daniel Levy, “Schitt’s Creek”
Jim Parsons, “Hollywood”
Donald Sutherland, “The Undoing”

Lisa Marie Picks The 30 Top Films of 2020


Well, it’s finally time!  It’s time for me to announce my picks for the best films of 2020.

Before we begin, there is one thing I want to make clear.  Unlike the Academy, I did not extend my eligibility window.  Films like Nomadland, Minari, and The Father (amongst others) will undoubtedly be competing for the Oscar for Best Picture of 2020.  However, as far as I’m concerned, those are all 2021 films.  And I imagine that a few of them will probably appear on my best films of 2021 list.  However, the list below are my picks for the best films of 2020.  You’ll probably agree with some of my picks and disagree with some of the others.  As always, I welcome any and all comments.

Also, be sure to check out my picks for 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018, and 2019!  Wow, I’ve been doing this for a while!

And now, in descending order, my favorites of 2020!

30. Money Plane (dir by Andrew Lawrence) — Okay, I can sense that you’re already rolling your eyes at my list by seriously, Money Plane is such a cheerfully absurd and self-aware little B-movie that there’s no way I couldn’t include it.  Seriously, how can you not love a film that features Kelsey Grammer always a gangster known as the Rumble?  Basically, as soon as I heard that priceless declaration of “We are going to rob the Money Plane!,” this movie had me under its spell.

29. Ma Rainey’s Black Bottom (dir by George C. Wolfe) — Though this adaptation of August Wilson’s play never quite escapes its theatrical roots, no one can deny the powerful performances of Viola Davis, Colman Domingo, Glynn Turman, and especially Chadwick Boseman.  Boseman dominates the film from the minute that he makes his first appearance, playing an ambitious, troubled, and undeniably talented trumpeter.  Viola Davis plays Ma Rainey with the self-awareness of someone who knows that the record producers need her more than she needs them.  She has the power and she’s not going to let anyone get away with forgetting it.

28. The Invisible Man (dir by Leigh Wannell) — Before the Academy announced that they would be changing their rules to considers streaming movies, many critics speculated that one of the results of the pandemic would be The Invisible Man winning all of the Oscars.  Though they may have been joking, it was not as outlandish an idea as they seemed to think.  The Invisible Man is a horror film that proves that being a genre film does not mean that film can’t also be a good and thought-provoking work of art.  The Invisible Man breathes new life into a somewhat hokey premise and Elisabeth Moss gives a great performance as a woman stalked by her abusive (and now invisble) ex.  The Invisible Man features one of the best ending scenes of 2020.

27. The Hunt (dir by Craig Zobel) — Delayed due to a manufactured controversy and released to critical bafflement, The Hunt is a clever satire of our hyper-partisan and hyper-polarized society.  The film’s final twist is a clever commentary on social media drama and Hillary Swank steals the show with an unexpected cameo.

26. One Night In Miami (dir by Regina King) — I went back and forth on this one.  Based on a stage play, this film imagines what happened the night that Malcolm X, Jim Brown, Sam Cooke, and Muhammad Ali met in a Miami motel room.  There are a few times that the film is undoubtedly a bit too stagey for its own good and, early on, some of the dialogue is a bit too on the nose.  But the film has a cumulative power and, despite a few uneven moments, it’s ultimately an intriguing look at race, celebrity, and political activism in America.  A good deal of the film’s power is due to the ensemble.  While most of the awards chatter seems to be focused on Leslie Odom, Jr. as Sam Cooke, it’s Aldis Hodge’s Jim Brown who truly anchors the film.

25. Gunpowder Heart (dir by Camila Urrutia) — This raw and angry film from Guatemala was one of the more powerful films to be featured at 2020’s virtual South By Southwest.  In Guatemala City, Maria and her girlfriend Claudia are assaulted by three men.  Maria wants revenge, no mater what.  Claudia, the more cautious of the two, knows that Maria’s plans are going to end in tragedy and disaster but she also knows that there’s nothing she can do to stop her.  Gunpowder Heart isn’t always easy to watch but it’s undeniably powerful.

24. The Shock of the Future (dir by Marc Collin) — Taking place in 1978, this French film follows one day in the life of a composer named Ana (Alma Jodorowsky).  It’s a typical day — Anna wakes up, a friend comes by with the latest albums, Anna tries to compose music, she goes to a party, and she hears the newest music.  It’s a simple but effective celebration of both music and the thrill of having your entire creative life ahead of you.  Alma Jodorowsky is brilliant in the role of Anna.

23. She Dies Tomorrow (dir by Amy Seimetz) — This a disturbing mood piece about a woman who is convinced that she is going to die in a day.  Everyone who she meets also becomes convinced that they’re going to die within 24 hours.  Some of them go out of their way to make sure that it happens while others just wait for death to come.  Is it a mass delusion or is it something else?  The atmospheric film may raise more questions than it answers but it will definitely stick with you.

22. Driveways (dir by Andrew Ahn) — Kathy (Hong Chau) and her young son, Cody (Lucas Jaye), move into the home that was owned by Kathy’s deceased sister.  In his final film appearance, Brian Dennehy plays the gruff but caring neighbor who befriends both Cody and his mother.  This is a low-key but emotionally resonant film, elevated by Dennehy’s heartfelt performance.

21. Figurant (dir by Jan Vejnar) — Clocking in at 14 minutes, this unsettling but powerful French/Czech co-production tells the story of a quiet man (Denis Levant) who follows a group of younger men into a warehouse and who soon finds himself in uniform and on a battlefield.  Or is he?  It’s not an easy question to answer but this intriguing short film will keep you watching, guessing, and thinking.

20. What Did Jack Do? (dir by David Lynch) — David Lynch interrogates a monkey in an expressionistic train station.  The monkey talks about a chicken and sings a song about true love’s flame.  “Are you now or have you ever been a member of the communist party?” Lynch asks.  It’s a brilliant short film and really, it’s the sort of thing that only David Lynch, with his mix of earnestness and eccentricity, could have pulled off.  Technically, this film was made a few years ago but it only got it’s official premiere in 2020, when Netflix released it on Lynch’s birthday.

19. Red, White, and Blue (dir by Steven McQueen) — Steve McQueen’s Small Axe was made up of five short films.  Three of them appear on this list.  There’s been a lot of debate about whether or not the Small Axe films should be considered individual features or if they should be considered a miniseries.  Obviously, I see them as being individual features but, in the end, they’re brilliant and thought-provoking regardless of whether they’re television or film.  Red, White, and Blue takes a nuanced look at institutional racism and features an excellent lead performance from John Boyega.

18. Mr. Jones (dir by Agnieszka Holland) — A film that deserved more attention than it received, Mr. Jones tells the story of Gareth Jones, the Welsh journalist who, in 1933, discovered the truth about the state-sponsored famine that was killing millions in the Ukraine.  Despite his efforts, the press refused to report on what was really happening in the Ukraine and instead, an odious propagandist named Walter Duranty was awarded a Pulitzer prize for writing pro-Stalin stories that were later determined to be full of deliberate lies.  An important and heartfelt film, Mr. Jones features a subtle but effective lead performance from James Norton and a memorable supporting turn from Peter Sarsgaard, who plays Walter Duranty as a smug snake.

17. The Outpost (dir by Rod Lurie) — Based on a true story and directed by Rod Lurie, this film pays tribute to the men who have fought and died in America’s forgotten conflict, the War in Afghanistan.  Well-acted and doggedly unsentimental, The Outpost will literally leave you breathless.

16. Emma (dir by Autumn de Wilde) — The latest adaptation of Jane Austen’s much-adapted novel, Emma has a playful spirit that is lacking in so many other literary adaptations.  It also has a great performance from Anya Taylor-Joy, who makes the character of Emma Woodhouse her own.

15. Never Rarely Sometimes Always (dir by Eliza Hittman) — Two teenagers, Autumn (Sidney Flanigan) and her cousin Skylar (Talia Ryder), travel to New York City from Pennsylvania so that Autumn can get an abortion without having to get her parent’s consent.  Though I’m occasionally a bit skeptic of cinema verite, Never Rarely Sometimes Always makes good use of the style.  Far more than just being a film about abortion, it’s a character study of two people trying to survive in a harsh world.  The scene where the previously withdrawn Autumn is prodded to open up about her past is one of the most powerful of the year.

14. Possessor (dir by Brandon Cronenberg) — Brandon Cronenberg’s disturbing sci-fi/horror hybrid is not an easy film to explain or to even describe.  Questions of identity and betrayal are mixed with grotesque images of body horror and societal neglect.  By the end of the film, you’ll find yourself reconsidering everything that you previously assumed about the movie.  This one sticks with you, even though you may not want it to.  (How’s that for a recommendation?)

13. Horse Girl (dir by Jeff Baena) — This is a film that definitely deserved a bit more attention than it received.  Alison Brie gives a brave and sympathetic performance as someone who believes that she’s a clone who has been abducted by aliens.  Is she suffering from delusions brought on by a combination of loneliness and too much television?  Or is she right?  The film will leave you guessing.  While Brie is at the center of almost every scene, Molly Shannon also gives a good performance as one of Brie’s only friends.

12. Sound of Metal (dir by Darius Marder) — Riz Ahmed plays an occasionally obnoxious drummer who goes deaf.  Worried that Ahemd is going to relapse into drug use, his girlfriend and musical partner (Olivia Cooke) checks him into a rehab center for the deaf.  With the help of a sympathetic but no-nonsense counselor (Paul Raci), Ahmed struggles to come to accept the loss of sound and music from his life.  The three main performances elevate this film, making it one of the year’s best.  In the film’s best moments, we hear the world through Ahmed’s ears and experience what he’s experiencing.

11. Mangrove (dir by Steve McQueen) — The first film in Steve McQueen’s Small Axe anthology tells the story of a true life court case.  Politically charged from beginning to end and leaving no doubt as to what the true stakes were in the case, Mangrove is the film that Trial of The Chicago 7 should have been.

10. Soul (dir by Peter Docter) — The latest from PIXAR made me cry as only a great PIXAR film can.  A music teacher named Joe (voices by Jamie Foxx) falls down a manhole shortly after winning his dream job in a jazz band.  Unwilling to die before performing on stage, Joe finds himself in the Great Before, assigned to teach an unborn soul named 22 (voiced by Tina Fey) what it means to be human …. okay, you know what?  This film has one of those plots that sounds silly if you try to explain it.  What matters is that it’s a heartfelt film that celebrates every minute of life.  Foxx and Fey both do wonderful voice work and the animation is as clever as always.  Plus, there’s a cat!

9. The Vast of Night (dir by Andrew Patterson) — This low-budget film is a wonderfully atmospheric look at what may or may not be an alien invasion taking place in the 1950s.  Featuring wonderfully naturalistic performances and an intelligent storyline, The Vast of Night is a triumph of the independent spirit.  I can’t wait to see what Andrew Patterson does next.

8. Lovers Rock (dir by Steve McQueen) — The 2nd film is Steve MQueen’s Small Axe anthology, Lovers Rock centers on one exhilarating house party.  Though the world outside of this party may be harsh and full of oppression and racism (a group of white teens shout racial slurs at one partygoer when she steps outside of the house), the world inside of the party is one of love, music, and celebration.

7. i’m thinking of ending things (dir by Charlie Kaufman) — A riddle wrapped in an enigma, i’m thinking of ending things features great performance from Jessie Buckley, Jesse Plemons, Toni Collette, and David Thewlis.  What starts out as an awkward drive to visit Plemons’s parents grows increasingly more and more surreal until the audience is left to wonder what is real, what is fantasy, and whether the majority of the film’s characters even exist.  This film plays out like a dream and stays with you long after it end.

6. Palm Springs (dir by Max Barbakow) — Perhaps the ultimate twist on Groundhog Day, Palm Springs is a thought-provoking comedic gem from Lonely Island Classic Pictures.  Andy Samberg, J.K. Simmons, and Cristin Milioti find themselves living the same day over and over again.  Each one reacts to their predicament in a different way.  It’ll make you laugh and then it’ll make you cry.  Revealing too much else about the plot would be a crime.  It’s on Hulu so go watch it.

5. The Assistant (dir by Kitty Green) — This infuriating and ultimately tragic film follows one day in the life of Jane (Julia Garner), a production assistant at a film company.  Though he’s never seen, Jane’s boss is clearly meant to be a fictionalized version of Harvey Weinstein.  Should Jane save her career or try to warn the actress that her boss has clearly set his eyes upon as his next victim?  The scene where the head of HR assures Jane that she needn’t worry about her boss’s behavior because “you’re not his type,” rings all too horribly true.  The Assistant was obviously designed to be a rallying call for #MeToo but sadly, today, it feels more like an obituary.

Bad Education

4. Bad Education (dir by Cory Finley) — All year, I have been lamenting the fact that Bad Education was bought by HBO and not Netflix.  If it had been released on Netflix, it would probably be an Oscar contender and Hugh Jackman would be in the hunt for his first Best Actor Oscar.  Instead, it aired on HBO and it had to settle for limited Emmy recognition.  It’s a shame because this film, which centers on embezzlement at one suburban school, was one of the best of 2020.  At a time when we’re being told not to question authority, Bad Education encourages us to question everything.  Along with being thought-provoking, it’s also occasionally laugh out loud funny.  Jackman is brilliant in the lead role.  Allison Janney is award-worthy as his partner-in-crime.  Ray Romano takes another step in proving that he’s more than just a sitcom actor.  All in all, this was a great movie.

3. First Cow (dir by Kelly Reichardt) — This melancholy tale follows two men who meet in Oregon in the 1820s and who become unlikely business partners.  Unfortunately, being partners means stealing milk from Toby Jones’s cow and thievery was even less appreciated in the 1820s than it is today. Featuring outstanding lead performances from Jon Magaro and Orion Lee, First Cow is a rewarding work of historical fiction.  Kelly Reichardt makes you feel as if you’ve woken up in the 1820s, even as she uses the past to comment upon the present.  This probably isn’t a film for everyone.  Reichardt’s style has always been more about observing than passing judgment.  But for viewers willing to stick with it, this deliberately paced film is a rewarding experience.

Finally, when it comes to the best film of the year, I’ve been going back and forth between two films.  In the end, I have to declare a tie.  In alphabetical order by title, here are the two best films of 2020:

2. The Girl With A Bracelet (dir by Stéphane Demoustier) — This French film is about a teenage girl who is on trial for murdering her best friend.  Whether or not she’s guilty is ultimately less important than why everyone has been so quick to accuse her in the first place.  Featuring an outstanding ensemble and an intelligent script, The Girl With A Bracelet will leave you thinking about …. well, everything.  It can currently be viewed on Prime.

1. Promising Young Woman (dir by Emerald Fennell) — When I first started watching this film, I worried that it might be too stylized to be effective.  But it soon became apparent the director/screenwriter Emerald Fennell and star Carey Mulligan both knew exactly what they needed to do to tell this story.  Mulligan plays a med school drop-out who is seeking her own unique style of revenge against not only the men who raped her best friend in college but also the people who Mulligan feels subsequently let her friend down.  Bo Burnham plays the pediatrician who asks Mulligan out on a date and who appears to be the perfect nice guy, the adorably awkward boyfriend who you you would expect to find in a 90s rom com.  Neither character turns out to be exactly who they initially appeared to be.  Promising Young Woman mixes genres that normally don’t go together, smashing together drama and comedy, and it’s just audacious enough to be one of the best films of the year.

 

 

TSL Looks Back at 2020:

  1. 2020 In Review: The Best of Lifetime (Lisa Marie Bowman)
  2. 12 Good Things I Saw On Television in 2020 (Lisa Marie Bowman)
  3. Lisa Marie’s Top 8 Novels of 2020 (Lisa Marie Bowman)
  4. Lisa Marie’s Top 8 Non-Fiction Books of 2020 (Lisa Marie Bowman)
  5. Lisa Marie’s 20 Favorite Songs of 2020 (Lisa Marie Bowman)
  6. Lisa Marie’s 16 Worst Films of 2020 (Lisa Marie Bowman)
  7. My Top 20 Albums of 2020 (Necromoonyeti)
  8. 25 Best, Worst, and Gems That I Saw In 2020 (Valerie Troutman)
  9. Top 10 Vintage Collections (Ryan C)
  10. Top 10 Contemporary Collections (Ryan C)
  11. Top 10 Original Graphic Novels (Ryan C)
  12. Top 10 Ongoing Series (Ryan C.)
  13. Top 10 Special Mentions (Ryan C.)
  14. Top Ten Single Issues (Ryan C)

Here Are the 2020 Satellite Nominations!


If the Golden Globes are the bastard children of the Oscars than the Satellites are the bastard children of the Golden Globes.  And if there’s anything that will always hold true, it’s that bastard children can eventually be accepted but bastard grandchildren are always going to struggle.  That’s my fancy way of saying that the Satellites have been around for 25 years and still, it doesn’t seem like anyone pays them much attention.  It’s also an excuse to use the word bastard 4 times in one paragraph.

Anyway, the Satellites announced their nominees earlier today.  Their film nominees can be found below!  If you want to see what they nominated in the television categories, check it out for yourself at their site!

SPECIAL ACHIEVEMENT AWARD RECIPIENTS

Mary Pickford Award: Tilda Swinton
Tesla Award: Dick Pope
Auteur Award: Emerald Fennell – Promising Young Woman
Best First Feature: Channing Godfrey Peoples – Miss Juneteenth
Stunt Performance Award: Gaëlle Cohen
Humanitarian Award: Mark Wahlberg
Ensemble Motion Picture: The Trial of the Chicago 7
Ensemble Television: The Good Lord Bird

NOMINEES FOR MOTION PICTURE

Actress in a Motion Picture Drama
Carey Mulligan – Promising Young Woman
Frances McDormand – Nomadland
Vanessa Kirby – Pieces of a Woman
Viola Davis – Ma Rainey’s Black Bottom
Kate Winslet – Ammonite
Sophia Loren – The Life Ahead

Actor in a Motion Picture Drama
Anthony Hopkins – The Father
Delroy Lindo – Da 5 Bloods
Riz Ahmed – Sound of Metal
Steven Yeun – Minari
Chadwick Boseman – Ma Rainey’s Black Bottom
Gary Oldman – Mank

Actress in Motion Picture, Comedy or Musical
Meryl Streep – The Prom
Rashida Jones – On the Rocks
Margot Robbie – Birds of Prey
Michelle Pfeiffer – French Exit
Maria Bakalova – Borat Subsequent Moviefilm
Anya Taylor-Joy – Emma

Actor in Motion Picture, Comedy or Musical
Andy Samberg – Palm Springs
Lin-Manuel Miranda – Hamilton
Dev Patel – The Personal History of David Copperfield
Sacha Baron Cohen – Borat Subsequent Moviefilm
Leslie Odom Jr. – Hamilton

Actress in a Supporting Role
Amanda Seyfried – Mank
Olivia Colman – The Father
Yuh-Jung Youn – Minari
Ellen Burstyn – Pieces of a Woman
Nicole Kidman – The Prom
Helena Zengel – News of the World

Actor in a Supporting Role
Brian Dennehy – Driveways
David Strathairn – Nomadland
Sacha Baron Cohen – The Trial of the Chicago 7
Chadwick Boseman – Da 5 Bloods
Kingsley Ben-Adir – One Night in Miami
Bill Murray – On the Rocks

Motion Picture, Drama
Nomadland
The Trial of the Chicago 7
The Father
Promising Young Woman
Minari
Ma Rainey’s Black Bottom
Tenet
Sound of Metal
One Night in Miami
Miss Juneteenth

Motion Picture, Comedy or Musical
On the Rocks
Hamilton
Borat Subsequent Moviefilm
Palm Springs
The Personal History of David Copperfield
The Forty-Year-Old Version

Motion Picture, International
Another Round
Tove
A Sun
Two of Us
Jallikattu
I’m No Longer Here
Atlantis
My Little Sister
La Llorona

Motion Picture, Animated or Mixed Media
Over the Moon
Soul
Wolfwalkers
Demon Slayer-Kimetsu No Yaiba-The Movie: Mugen Train
Accidental Luxuriance of the Translucent Watery Rebus
No. 7 Cherry Lane

Motion Picture, Documentary
Collective
Crip Camp
MLK / FBI
The Dissident
A Most Beautiful Thing
The Truffle Hunters
Acasa, My Home
Coup 53
Gunda
Circus of Books

Director
Aaron Sorkin – The Trial of the Chicago 7
Chloé Zhao – Nomadland
David Fincher – Mank
Darius Marder – Sound of Metal
Lee Isaac Chung – Minari
Florian Zeller – The Father

Screenplay, Original
Lee Isaac Chung – Minari
Aaron Sorkin – The Trial of the Chicago 7
Jack Fincher – Mank
Pete Docter, Mike Jones & Kemp Powers – Soul
Andy Siara – Palm Springs
Emerald Fennell – Promising Young Woman

Screenplay, Adapted
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Christopher Hampton & Florian Zeller – The Father
Jessica Bruder & Chloe Zhao – Nomadland
Kemp Powers – One Night in Miami
Edoardo Ponti – The Life Ahead
Luke Davies & Paul Greengrass – News of the World

Original Score
Ludwig Goransson – Tenet
Trent Reznor & Atticus Ross – Mank
Alexandre Desplat – The Midnight Sky
James Newton Howard – News of the World
Emile Mosseri – Minari
Terence Blanchard – One Night in Miami

Original Song
“Io Si” – The Life Ahead
“Hear My Voice” – The Trial of the Chicago 7
“Rocket to the Moon” – Over the Moon
“Speak Now” – One Night in Miami
“Everybody Cries” – The Outpost
“The Other Side” – Trolls World Tour

Cinematography
The Midnight Sky
Nomadland
Mank
News of the World
One Night in Miami
Tenet

Film Editing
Nomadland
The Father
The Trial of the Chicago 7
Mank
One Night in Miami
Minari

Sound (Editing and Mixing)
Sound of Metal
Tenet
Mank
The Prom
The Midnight Sky
Nomadland

Visual Effects
The Midnight Sky
Mank
Tenet
Birds of Prey
Greyhound
Mulan

Art Direction and Production Design
The Personal History of David Copperfield
One Night in Miami
Mank
The Midnight Sky
The Prom
Mulan

Costume Design
Mulan
Emma
Ma Rainey’s Black Bottom
Mank
The Personal History of David Copperfield
One Night in Miami

Here Are The Nominees of the 2020 Indiana Film Journalists Assosciation!


Bad Education

The Indiana Film Journalists Association (IJA) has announced their nominees for the best of 2020!  They’ll be announcing the winners on December 21st!

What I like about these nominations is that there’s a lot of them.  2020 may have been a difficult year for many but there were a lot of good films released and it does seem kind of silly (as it does every year) to limit things to some sort of arbitrary number.  Why only nominate 10 films when you could nominate 20 or 30?  Many of the nominees below will appear on my own personal best lists in January.

The other thing that I like about these nominees is that the include films like Bad Education and Mangrove.  There’s some debate as to whether or not these films should be considered Oscar eligible.  I feel that they should be so it’s nice to see that the folks in Indiana agree with me!

Here are the nominees:

BEST FILM
Da 5 Bloods
Another Round
The Assistant
Athlete A
Bad Education
Crip Camp: A Disability Revolution
Dick Johnson is Dead
Emma.
The Father
First Cow
I’m Thinking of Ending Things
Ma Rainey’s Black Bottom
Minari
The Nest
Never Rarely Sometimes Always
Nomadland
One Night in Miami
Palm Springs
The Personal History of David Copperfield
Possessor
Promising Young Woman
Small Axe: Mangrove
Song Without a Name
Soul
Sound of Metal
The Trial of the Chicago 7
The Twentieth Century
The Vast of Night

BEST ANIMATED FEATURE
Onward
Soul
Wolfwalkers

BEST FOREIGN LANGUAGE FILM
76 Days
Another Round
Bacurau
Beanpole
La Dosis
Song Without a Name

BEST DOCUMENTARY
76 Days
All In: The Fight for Democracy
Athlete A
Boys State
Crip Camp: A Disability Revolution
Desert One
Dick Johnson is Dead
Disclosure
John Lewis: Good Trouble
The Last Out
Miss Americana
MLK/FBI
Time
Totally Under Control
Welcome to Chechnya

BEST ORIGINAL SCREENPLAY
Lee Isaac Chung – Minari
Brandon Cronenberg – Possessor
Pete Docter, Mike Jones and Kemp Powers – Soul
Sean Durkin – The Nest
Emerald Fennell – Promising Young Woman
Kitty Green – The Assistant
Eliza Hittman – Never Rarely Sometimes Always
Tobias Lindholm and Thomas Vinterberg – Another Round
James Montague and Craig W. Sanger – The Vast of Night
Matthew Rankin – The Twentieth Century
Andy Siara – Palm Springs
Aaron Sorkin – The Trial of the Chicago 7
Alice Wu – The Half of It

BEST ADAPTED SCREENPLAY
Christopher Hampton and Florian Zeller – The Father
Armando Iannucci and Simon Blackwell – The Personal History of David Copperfield
Charlie Kaufman – I’m Thinking of Ending Things
Mike Makowsky – Bad Education
Kemp Powers – One Night in Miami
Jonathan Raymond and Kelly Reichardt – First Cow
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Chloé Zhao – Nomadland

BEST DIRECTOR
Lee Isaac Chung – Minari
Brandon Cronenberg – Possessor
Pete Docter – Soul
Sean Durkin – The Nest
Emerald Fennell – Promising Young Woman
Kitty Green – The Assistant
Eliza Hittman – Never Rarely Sometimes Always
Kirsten Johnson – Dick Johnson is Dead
Charlie Kaufman – I’m Thinking of Ending Things
Regina King – One Night in Miami
Spike Lee – Da 5 Bloods
Melina Léon – Song Without a Name
Steve McQueen – Small Axe: Mangrove
Matthew Rankin – The Twentieth Century
Kelly Reichardt – First Cow
Aaron Sorkin – The Trial of the Chicago 7
George C. Wolfe – Ma Rainey’s Black Bottom
Alice Wu – The Half of It
Chloé Zhao – Nomadland

BEST ACTRESS
Haley Bennett – Swallow
Jessie Buckley – I’m Thinking of Ending Things
Carrie Coon – The Nest
Viola Davis – Ma Rainey’s Black Bottom
Sidney Flanigin – Never Rarely Sometimes Always
Julia Garner – The Assistant
Han Ye-ri – Minari
Leah Lewis – The Half of It
Rachel McAdams – Eurovision Song Contest: The Story of Fire Saga
Frances McDormand – Nomadland
Pamela Mendoza – Song Without a Name
Cristin Milioti – Palm Springs
Elisabeth Moss – The Invisible Man
Carey Mulligan – Promising Young Woman
Aubrey Plaza – Black Bear
Margot Robbie – BIrds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
Anya Taylor-Joy – Emma.

BEST SUPPORTING ACTRESS
Jane Adams – She Dies Tomorrow
Maria Bakalova – Borat Subsequent Moviefilm
Toni Collette – I’m Thinking of Ending Things
Olivia Colman – The Father
Olivia Cooke – Sound of Metal
Allison Janney – Bad Education
Margo Martindale – Blow the Man Down
Talia Ryder – Never Rarely Sometimes Always
Youn Yuh-jung – Minari

BEST ACTOR
Christopher Abbott – Possessor
Ben Affleck – The Way Back
Riz Ahmed – Sound of Metal
Kingsley Ben-Adir – One Night in Miami
Paul Bettany – Uncle Frank
Chadwick Boseman – Ma Rainey’s Black Bottom
Eli Goree – One Night in Miami
Anthony Hopkins – The Father
Hugh Jackman – Bad Education
Jude Law – The Nest
Delroy Lindo – Da 5 Bloods
Mads Mikkelsen – Another Round
Jesse Plemons – I’m Thinking of Ending Things
Eddie Redmayne – The Trial of the Chicago 7
Steven Yeun – Minari

BEST SUPPORTING ACTOR
Chadwick Boseman, Da 5 Bloods
Bo Burnham – Promising Young Woman
Bill Burr – The King of Staten Island
Peter Capaldi – The Personal History of David Copperfield
Colman Domingo – Ma Rainey’s Black Bottom
Aldis Hodge – One Night in Miami
Caleb Landry Jones – The Outpost
Alan Kim – Minari
Frank Langella – The Trial of the Chicago 7
Orion Lee – First Cow
Ewan McGregor – BIrds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
Bill Murray – On the Rocks
Leslie Odom, Jr. – One Night in Miami
Paul Raci – Sound of Metal
J.K. Simmons – Palm Springs
Dan Stevens – Eurovision Song Contest: The Story of Fire Saga
David Strathairn – Nomadland
David Thewlis – I’m Thinking of Ending Things

BEST VOCAL / MOTION CAPTURE PERFORMANCE
Sean Bean – Wolfwalkers
Tina Fey – Soul
Jamie Foxx – Soul
Oliver Platt – I’m Thinking of Ending Things
Donald Ray Pollock – The Devil All the Time
Ben Schwartz – Sonic the Hedgehog

BEST ENSEMBLE ACTING
Da 5 Bloods
Another Round
The Devil All the Time
I’m Thinking of Ending Things
The King of Staten Island
Ma Rainey’s Black Bottom
Minari
One Night in Miami
The Personal History of David Copperfield
She Dies Tomorrow
The Trial of the Chicago 7
Uncle Frank

BEST MUSICAL SCORE
Erick Alexander and Jared Bulmer – The Vast of Night
Terence Blanchard – One Night in Miami
Ludovico Einaudi – Nomadland
Ludwig Göransson – Tenet
Emile Mosseri – Minari
Richard Reed Parry – The Nest
Trent Reznor and Atticus Ross – Soul
William Tyler – First Cow
Jay Wadley – I’m Thinking of Ending Things
Isobel Waller-Bridge and David Schweitzer – Emma.
Benjamin Wallfisch – The Invisible Man
Jim Williams – Possessor

BREAKOUT OF THE YEAR
Maria Bakalova (actress) – Borat Subsequent Moviefilm
Max Barbakow (director) – Palm Springs
Emerald Fennell (writer / director) – Promising Young Woman
Sidney Flanigin (actress) – Never Rarely Sometimes Always
Alan Kim (actor) – Minari
Orion Lee (actor) – First Cow
Leah Lewis (actress) – The Half of It
Darius Marder (writer / director) – Sound of Metal
Andrew Patterson (director) – The Vast of Night
Tayarisha Poe (writer / director) – Selah and the Spades
Kemp Powers – co-writer / co-director for Soul and writer for One Night in Miami
Matthew Rankin (writer / director) – The Twentieth Century
Andy Siara (writer) – Palm Springs
Autumn de Wilde (director) – Emma.

HOOSIER AWARD
Athlete A
Eliza Hittman, writer / director of Never Rarely Sometimes Always and graduate of Indiana University

ORIGINAL VISION AWARD
After Midnight
Assassin 33 A.D.
Dick Johnson is Dead
I’m Thinking of Ending Things
Possessor
Promising Young Woman
She Dies Tomorrow
The Twentieth Century
The Vast of Night
Vivarium

Mangrove

Film Review: Radioactive (dir by Marjane Satrapi)


If you want to talk about the birth of the modern world, you have to talk about Marie Curie.

That’s the argument made by the biopic, Radioactive.  It’s a compelling argument and it’s very much correct.  Born in Poland and a citizen of France, Marie Curie was the 1st woman to win the Nobel Prize, the 1st person and only woman to win the Nobel Prize a second time, and the only person to win a Nobel Prize in two scientific fields.  She shared her first Nobel Prize (in Physics) with her husband, Pierre.  After Pierre’s tragic death, Marie won her second Nobel, this time for Chemistry.  Both her daughter and her son-in-law would go on to win Nobel Prizes of their own and the Curie family continues to produce notable scientists to this very day.

Marie Curie is best known for her pioneering research on radioactivity, a coin that she termed.  She developed techniques for isolating radioactive isotopes.  She discovered that radioactivity could be used to battle aggressive forms of cancer.  Without her research, there would be no nuclear power, no chemotherapy, no X-ray machines, and no atomic weaponry.  Marie Curie is one of the few people about whom it can legitimately be said that they changed the world.  Of course, Curie herself later died of a radiation poisoning.

Radioactive opens with Marie (played by Rosamund Pike) on the verge of death, before flashing back to show us her early life and she went from being an obscure scientist to becoming the world renowned Madame Curie.  We watch as she meets and falls in love with Pierre Curie (Sam Riley).  The film celebrates not only their love for each other but also takes a look at Marie’s struggle to escape from Pierre’s shadow.  Though she was acknowledged as his partner and won her first Nobel Prize with him, it’s not until Pierre is trampled death by a bunch of horses that Marie’s genius is truly acknowledged.  The scenes in which Marie expresses her frustration at being overshadowed by her husband are some of the best in the film, largely because the film doesn’t make the mistake of attempting to portray Pierre as intentionally stealing all of the glory for himself.  Instead, society just assumes that Pierre deserves most of the credit because …. well, Pierre’s a man and Marie’s a woman.

Unfortunately, Radioactive makes some perplexing narrative choices.  Throughout the film, there are random moments when we get a sudden flashfoward and see random people interacting with radioactivity.  For instance, we go to a hospital in the 1950s and we listen as a doctor explains that he’s going to use radioactivity to help a patient combat cancer.  Another scene features the atomic bomb being dropped on Hiroshima.  We see the nuclear tests in Los Alamos.  One moment, Marie is crying in the middle of the street.  The next minute, an ambulance drives past her, on the way to Chernobyl.  On the one hand, it’s easy to see what the film’s going for.  It’s showing us everything, good and bad, that will happen as a result of Marie Curie’s work.  It makes the very relevant argument that sometimes, in order to get something good (less pollution, treatments for cancer) you have to risk something bad, like the possibility of being vaporized by an atomic bomb.  But the flashforwards are handled so clumsily that they actually detract from the film.  When I watched the sequence taking place at the hospital, I found myself wondering if Marie Curie discovered bad acting before or after she discovered radioactivity.  This is probably one of the few instances where a biopic would have been helped by taking a more traditional approach to its material.

On the plus side, Radioactive does feature a very good performance from Rosamund Pike, who really deserves to be known for more than just killing Neil Patrick Harris in Gone Girl.  (Don’t spoiler alert me.  The film’s nearly 6 years old.  If you haven’t seen it yet, you weren’t ever going to.)  Radioactive is currently playing on Amazon Prime and you should definitely watch it if you’re planning on keeping radioactive isotopes in your desk at work.  Seriously, don’t do it.

The New Mutants has a new date and trailer.


Marvel’s The New Mutants was a film that was supposed to come out in mid 2019, but was pushed back. The New Mutants focuses on a set of kids in a hospital and takes more of a horror/drama stance that’s similar to F/X’s Legion.  It’s a little different for Marvel, and fits for the Fox banner.

The New Mutants, starring Anya Taylor-Joy, Maisie Williams, Alice Braga, and Charlie Heaton, is set to premiere in cinemas on April 2020.

Icarus File No. 3: Glass (dir by M. Night Shyamalan)


Oh, Glass.  We all had such hopes for you.

Glass, as you may remember, came out in January and was one of the first big cinematic disappointments of the 2019.  People were certainly excited about it before the film was released.  Glass was a sequel to not only Split but also Unbreakable.  James McAvoy, Samuel L. Jackson, and Bruce Willis would all be returning to the roles that they played in those original films.  Glass was viewed as being the film that would establish whether director M. Night Shyamalan was truly back after the critical and commercial success of Split or if he was going to return to being the kinda hacky director who we all remembered from the mid to late-aughts.

Actually, it can probably be argued that, as a director, M. Night Shyamalan managed to go from being slightly overrated to being wildly underrated.  Even his worse films aren’t exactly terrible.  Even the incredibly silly The Happening had a few effective scenes.  Shyamalan wasn’t a bad director as much as he was a director who, at times, seemed to be way too convinced of his own cleverness.  The Shyamalan twist became both his trademark and his curse.  I can still remember an entire theater audibly groaning during The Village, not because the twist was necessarily bad as much as just because it was so expected.  Was Shyamalan capable of making a film that didn’t end with a gimmicky twist?  Interestingly, for most of its running time, Split seemed like a straight forward story about a psychotic man with multiple personalities.  It was only at the last minute, when Bruce Willis showed up in that bar, the people realized that Split had a Shyamalan twist.

Glass has a few twists of its own, most of them dealing with how Kevin Wendell Crumb (James McAvoy) became the killer known as The Beast.  It’s all connected to Elijah Price (Samuel L. Jackson), who is also the supervillain named Mr. Glass.  Kevin, Elijah, and David Dunn (Bruce Willis) all end up in a mental asylum together.  Dr. Ellie Staple (Sarah Paulson) insists that the three of them do not have any super powers and instead, they’re all suffering from a shared delusion.  Of course, Dr. Staple has an agenda of her own.  It’s not a particularly interesting agenda but then again, who cares, right?  I mean, the main reason people are going to watch this movie is so they can watch James McAvoy and Bruce Willis square off against each other, right?

Well, those people are out of luck.  The audience may not care about Dr. Staple’s agenda but Shyamalan certainly does and, as a result, McAvoy, Jackson, and Willis often seem to be bystanders in their own film.  When the long-promised confrontations between our three main characters finally do occur, it all leads to a finale that leaves a rather sour aftertaste.  You can’t help but feel that the characters (and their actors) deserved better.  What ultimately happens to David Dunn in Glass feels almost like an extended middle finger to anyone who has ever defended Unbreakable.  One gets the feeling that Shyamalan was so eager to work in one of his trademark surprises that he never stopped to consider whether the film’s storyline was strong enough to support his ambition.

The other problem is that Bruce Willis’s David Dunn and James McAvoy’s The Beast really don’t belong in the same movie together.  Willis gives an understated and rather haunted performance as David but McAvoy is so flamboyantly evil as the Beast that it destroys whatever gritty reality Willis had managed to develop.  Both McAvoy and Willis give good performances but they appear to be performing in different films.  As for Jackson, nobody glowers with the power of Samuel L. Jackson.  But, oddly, he never seems to have much to do.  Glass may be named after his character but Mr. Glass often feels superfluous to the overall plot.

Glass is ultimately a rather forgettable movie.  One gets the feeling that Shyamalan was truly trying to say something profound about heroism and pulp mythology in the final part of the trilogy that began with Unbreakable.  But, ultimately, Glass‘s message is too muddled to have much of an effect.  In the end, Glass leaves Shyamalan’s ambitions unfulfilled.

Previous Icarus Files:

  1. Cloud Atlas
  2. Maximum Overdrive