Lisa Marie’s Early Oscar Predictions For May


Here are my Oscar predictions for May!

Well, for once, Cannes has helped the Oscar picture to come into focus.  The triumphant premiere of Killers of the Flower Moon not only cemented the film’s status as an early front runner but it also confirmed that Leonardo DiCaprio will be in the running for Best Actor and Lily Gladstone for either Best Actress or Supporting Actress.  It also sound like Robert De Niro could receive another nomination.  (Despite the importance of his role, Jesse Plemons’s screen time is apparently limited.)

The other Oscar contender to come out of Cannes would appear to be Jonathan Glazer’s The Zone of Interest.  There is some talk that the film itself could be a bit too chilly for the Academy and, being familiar with Glazer’s work, that would not necessarily surprise me.  But, for now, The Zone of Interest is among my predicated Best Picture nominee.  I’m also going to continue to predict that Oppenheimer will be nominated and, after seeing the trailer, I’m a bit more confident that The Color Purple will be nominated as well.  And I’m still going to toss in Barbie because why not?

That said, the year isn’t even halfway over yet and there’s a lot of films to come.  It’s entirely possible that the majority of the best picture nominees are going to be films that haven’t even shown up on anyone’s radar yet.

Below are my predictions for May.  Be sure to also check out my predictions for March and April!

Best Picture

Air

Barbie

The Color Purple

Dune: Part Two

The Holdovers

Killers of the Flower Moon

Maestro

Oppenheimer

Poor Things

The Zone of Interest

Best Director

Blitz Bazawule for The Color Purple

Jonathan Glazer for The Zone of Interest

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Best Actor

Bradley Cooper in Maestro

Leonardo DiCaprio in Killers of the Flower Moon

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Andre Holland in The Actor

Best Actress

Emily Blunt in Pain Brokers

Greta Lee in Past Lives

Natalie Portman in May December

Margot Robbie in Barbie

Emma Stone in Poor Things

Best Supporting Actor

Willem DaFoe in Poor Things

Matt Damon in Oppenheimer

Robert De Niro in Killers of the Flower Moon

Ryan Gosling in Barbie

Samuel L. Jackson in The Piano Lesson

Best Supporting Actress

Viola Davis in Air

Jodie Foster in Nyad

Lily Gladstone in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Da’Vine Joy Randolph in The Holdovers

Lisa Marie’s Way Too Early Oscar Predictions For April


Here are my Oscar predictions for April!  As always, when it’s this early in the year, I recommend taking all of these with a grain of salt.  At this point, the only thing that anyone knows for sure is that it’s safe to remove Jonathan Majors and Magazine Dreams from any list of predictions.

Check out my predictions for March by clicking here!

Best Picture

The Actor

Barbie

The Color Purple

Dumb Money

Dune: Part Two

Flint Strong

The Holdovers

Killers of the Flower Moon

Oppenheimer

Rustin

Best Director

Blitz Bazawule for The Color Purple

Rachel Morrison for Flint Strong

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Best Actor

Bradley Cooper in Maestro

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Andre Holland in The Actor

Anthony Hopkins in Freud’s Last Session

Best Actress

Fantasia Barrino in The Color Purple

Emily Blunt in Pain Brokers

Greta Lee in Past Lives

Margot Robbie in Barbie

Emma Stone in Poor Things

Best Supporting Actor

Willem DaFoe in Poor Things

Matt Damon in Oppenheimer

Brian Tyree Henry in Flint Strong

Samuel L. Jackson in The Piano Lesson

Jesse Plemons in Killers of the Flower Moon

Best Supporting Actress

Viola Davis in Air

Jodie Foster in Nyad

Lily Gladstone in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Da’Vine Joy Randolph in The Holdovers

Lisa Marie’s Way Too Early Oscar Predictions For March


Now that the 2022 Oscars are over with, it’s time to move on to the 2023 Oscars!

Needless to say, there’s probably nothing more pointless than trying to guess which films are going to be nominated a year from now.  I can’t even guarantee that all of the films listed below are even going to be released this year.  And, even if they are released this year, I can’t guarantee that they’ll actually be any good or that the Academy will show any interest in them.  I mean, Martin Scorsese always seems like a safe bet but we all remember what happened with Silence.  For months, everyone said Silence would be the Oscar front runner.  Then it was released to respectful but not ecstatic reviews.  Audiences stayed away.  The film ended up with one technical nomination.

My point is that no one knows anything.  As much as I hate quoting William Goldman (because, seriously, quoting Goldman on a film site is such a cliché at this point), Goldman was right.

So, you may be asking, how did I come up with the nominees below?  For the most part, I guessed.  A few of them I went with because of the people who made the film.  Though shooting has wrapped, Ferrari might not even be released this year but it’s a Michael Mann film that stars Adam Driver so, for now, I have to include it.  Of course, I had to include Scorsese and Killers of the Flower Moon.  Asteroid City is there because the Academy embraced Wes Anderson once and it could always happen again.  Fair Play and Magazine Dreams‘s Jonathan Majors are listed because the Sundance Film Festival is still a recent memory.  Maestro is there because the Academy seems like to Bradley Cooper.  Dune Part Two and Oppenheimer are there because Film Twitter is convinced that they will be.

In other words, there’s no real science to these predictions.  It’s too early in the year to do anything but guess.  And for now, these are my guesses.  A year from now, they’ll be good for either bragging rights or a laugh.  Hopefully, they’ll be good for both.

Best Picture

Asteroid City

The Color Purple

Dune Part Two

Fair Play

Ferrari

The Holdovers

Killers of the Flower Moon

Maestro

Oppenheimer

Rustin

Best Director

Chloe Domont for Fair Play

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Denis Villeneuve for Dune Part Two

Best Actor

Bradley Cooper in Maestro

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Jonathan Majors in Magazine Dreams

Cillian Murphy in Oppenheimer

Best Actress

Emily Blunt in Pain Hustlers

Carey Mulligan in Maestro

Da’Vine Joy Randolph in The Holdovers

Julia Roberts in Leave the World Behind

Teyana Taylor in A Thousand and One

Best Supporting Actor

Mahershala Ali in Leave The World Behind

Willem DaFoe in Poor Things

Matt Damon in Oppenheimer

Ethan Hawke in Strange Way Of Life

Jesse Plemons in Killers of the Flower Moon

Best Supporting Actress

Emily Blunt in Oppenheimer

Tantoo Cardinal in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Florence Pugh in Oppenheimer

Tilda Swinton in Asteroid City

Lisa Marie’s Way Too Early Oscar Predictions for May


It’s that time of the month again!

It’s time for me to once again try to predict what will be nominated for the Oscars.  If you had to told me, at this time last year, that Top Gun: Maverick would emerge as an Oscar contender, I would have said that you were crazy but here we are.  Admittedly, it is early in the year and I think there’s always going to be some ambivalence towards honoring Tom Cruise.  (You just know that someone is having nightmares about him thanking David Miscavige in his Oscar speech.)  But with the reviews and the box office success that Top Gun: Maverick is getting, it would be a mistake to dismiss it.  After all, Mad Max: Fury Road came out around this same time of year in 2015.  As well, one can be sure that A24 will be giving Everything Everywhere All At Once a heavy awards push as well.  This could very well be the year of the genre blockbuster as far as the Oscars are concerned.

As for Cannes, it’s come and gone.  George Miller’s Three Thousand Years of Longing got some good reviews, even if those reviews didn’t translate into awards at the end of the Festival.  David Cronenberg’s Crimes of the Future sounds like it’s going to be too divisive for the Academy and really, the thought of Cronenberg winning an Oscar has always been a bit implausible, regardless of how much he may or may not deserve one.  As for James Gray’s Armageddon Time, Gray has always been more popular with critics than with audiences or Academy voters.  If Gray couldn’t break through with something like The Lost City of Z, I doubt he’s going to do so with an autobiographical film about his life in private school.  Steven Spielberg already has the autobiography slot wrapped up with The Fabelmans. 

Of course, there’s still many films left to see and many more film festivals to be held.  Let us not forget that Martin Scorsese is bringing us Killers of the Flower Moon.  Personally, I’m looking forward to Damien Chazelle’s Babylon.  In short, nothing has been settled yet.  For all the acclaim that Top Gun and Everything are getting, who knows how the race is going to look at the start of the Fall season?

Anyway, here are my predictions for May.  Be sure to check out my predictions for February and March and April as well!

Best Picture

Amsterdam

Babylon

Everything Everywhere All at Once

The Fabelmans

I Want To Dance With Somebody

Killers of the Flower Moon

Next Goal Wins

Rustin

She Said

Top Gun: Maverick

Best Director

Damien Chazelle for Babylon

Kasi Lemmons for I Want To Dance With Somebody

Martin Scorsese for Killers of the Flower Moon

Steven Spielberg for The Fabelmans

Taika Waititi for Next Goal Wins

Best Actor

Tom Cruise in Top Gun: Maverick

Colman Domingo in Rustin

Idris Elba in Three Thousand Years of Longing

Brendan Fraser in The Whale

Brad Pitt in Babylon

Best Actress

Naomi Ackie in I Want To Dance With Somebody

Cate Blanchett in Tar

Margot Robie in Babylon

Tilda Swinton in Three Thousand Years of Longing

Michelle Yeoh in Everything Everywhere All At Once

Best Supporting Actor

John Boyega in The Woman King

Leonardo DiCaprio in Flowers of the Killer Moon

Tom Hanks in Elvis

David Lynch in The Fabelmans

Tobey Maguire in Babylon

Best Supporting Actress

Jessie Buckley in Women Talking

Tantoo Cardinal in Flowers of the Killer Moon

Li Jun Li in Babylon

Samantha Morton in She Said

Michelle Williams in The Fabelmans

Lisa Marie’s Way Too Early Oscar Predictions For March


Now that the awards for last year’s films have been given out and everyone has already started to forget who won, we can start to concentrate on the next batch of Oscar contenders….

Oh, stop yelling.  It’s not that early!

Well, actually, it is way too early.  I mean, we’re still not really sure what is even going to be released this year.  Due to all the COVID delays, we went into 2021 knowing which films we could look forward to, mostly because all of those films were originally supposed to be released in 2020.  Compared to 2021, we’re going into 2022 blind.  The majority of the films that we do know about don’t really sound like Oscar contenders, either.

So, really, the only solution to how to predict the Oscar nominees when you know nothing is to guess.  The films and actors listed below are not there because I have any inside information.  Instead, they are there as a result of some wishful thinking and some educated guesses.  Killers of the Flower Moon was directed by Martin Scorsese, so of course it’s there.  The Fabelmans is there because a lot of people feel that the Academy didn’t show Spielberg and West Side Story enough love this year and I think the fact that the film is autobiographical will make it irresistible to same voters who nominated BelfastNapoleon is there because there might be some lingering guilt over how both Ridley Scott and The Last Duel were utterly ignored this year.  Rustin is there because it’s an Obama production and Hollywood loves the Obamas.  Chris Rock is listed as a supporting actor nominee because it would be the perfect conclusion to the saga of the Oscar Slap.  David Lynch is listed because …. well, I like David Lynch.  Personally, it’s doubtful that Tom Hanks will be able to pull off two nominations in one year but if anyone could do it, it’s Tom!

In other words, don’t take any of these predictions too seriously.  As of now, there are no definite contenders.  These are just some guesses.

Be sure to check out my even more random predictions for February as well!

Best Picture

Babylon

The Fabelmans

Killers of the Flower Moon

Napoleon

Rustin

She Said

TAR

Thirteen Lives

Till

The Woman King

Best Director

Damien Chazelle for Babylon

Chinonye Chukwu for Till

Martin Scorsese for Killers of the Flower Moon

Ridley Scott for Napoleon

Steven Spielberg for The Fabelmans

Best Actor

Colman Domingo in Rustin

Brendan Fraser in The Whale

Tom Hanks in A Man Called Otto

Joaquin Phoenix in The Whale

Brad Pitt in Babylon

Best Actress

Naomi Ackie for I Wanna Dance With Somebody

Cate Blanchett in TAR

Viola Davis in The Woman King

Danielle Deadwyler in Till

Michelle Williams in The Fabelmans

Best Supporting Actor

John Boyega in The Woman King

Leonardo DiCaprio in Killers of the Flower Moon

Tom Hanks in Elvis

David Lynch in The Fabelmans

Chris Rock in Rustin

Best Supporting Actress

Laura Dern in The Son

Sally Field in Spoiler Alert

Greta Gerwig in White Noise

Lily Gladstone in Killers of the Flower Moon

Li Jun Li in Babylon

TV Review: Fear The Walking Dead 7.1 “The Portrait” (dir by Heather Cappiello)


The latest episode of Fear The Walking Dead featured Morgan taking baby Mo to Strand’s tower, in order to try to find medicine for her.  Normally, Strand would have sent Morgan away and laughed about it but Morgan was lucky enough to show up while Strand was having an existential crisis about his role in the brave new world of the Walking Dead.

In short, Morgan got to enter the tower and he stayed there for a while before Strand ended up having one of his trademark changes of heart.  After nearly tossing Morgan to the Walkers, Strand changed his mind on the condition that Grace and the baby would stay at the tower while Morgan went back out into the apocalyptic wasteland.  Morgan then hooked up with Dwight and his “moral outlaws” and then they all ran into some Stalkers who are apparently different from the other Stalkers who have previously appeared and then there was a big explosion …. or something.

Look, I don’t know.  To be honest, I had a hard time following what was going on after Morgan left the Tower.  That could be because this is the first season of the show that I’ve really watched.  But, I will say that, when Fear the Walking Dead works, it works precisely because it captures the confusion of trying to keep track of who is who in a post-apocalyptic wasteland.  It does a good job of capturing the paranoia that would go along with the end of the world.  If The Walking Dead and Walking Dead: World Beyond is occasionally a bit too neat when it comes to depicting its characters as being good or evil, Fear The Walking Dead is a bit more chaotic.

As for this episode, it kind of reminded me of one of those old episodes of Lost where Jack or Kate would end up spending a week with The Others and you would kind of end up thinking that, regardless of how you felt about The Others as a moral force, you’d really rather live in their little village than in the caves with Jack and the skeletons.  I wouldn’t necessarily want to live under the rule of a dictator prone to arbitrary rages but, at the same time, the Tower does look nice and Strand is keeping people alive (or at least, he is until he randomly decides to them off the top of the Tower).  One could easily imagine the Others living in the Tower and telling a disbelieving Morgan, “We’re the good guys.”

For me, the highlight of this episode was Colman Domingo’s performance of Strand.  Domingo, who has recently gotten some deserved attention for his performances in Ma Rainey’s Black Bottom and Zola, is charismatic enough to be believable as a leader while also frightening enough to be believable as someone who could get his followers to go along with his often contradictory impulses.  I actually felt a bit of sympathy for Strand as he realized that he would always be viewed as a fearsome ruler as opposed to a benevolent monarch.  Of course, the rest of the episode was dedicated to reminding views as to why exactly Strand is so feared.

Anyway, it was a good episode.  Colman Domingo and Lennie James dueling each other to see who could control each scene was entertaining to watch.  The next episode is called Padre, so I guess we’ll finally get some answers as to who exactly is out there.

We’ll see!

Here Are The Gotham Winners!


The Gotham Awards were held last night and the big winners were CODA and Maggie Gyllenhaal’s The Lost Daughter.  The Gothams aren’t exactly the biggest or most influential of the Oscar precursors but they were are one of the first so a victory can only help!

The winners are listed in bold:

Best Feature
“The Green Knight”
“The Lost Daughter”
“Passing”
“Pig”
“Test Pattern”

Best Documentary Feature
“Ascension”
“Faya Dayi”
Flee”
“President”
“Summer Of Soul (…Or, When The Revolution Could Not Be Televised)”

Best International Feature
“Azor”
“Drive My Car”
“The Souvenir Part II”
Titane
“What Do We See When We Look at the Sky?”
“The Worst Person In The World”

Bingham Ray Breakthrough Director Award
Maggie Gyllenhaal for “The Lost Daughter”
Edson Oda for “Nine Days”
Rebecca Hall for “Passing”
Emma Seligman for “Shiva Baby”
Shatara Michelle Ford for “Test Pattern”

Best Screenplay
“The Card Counter,” Paul Schrader
“El Planeta,” Amalia Ulman
“The Green Knight,” David Lowery
“The Lost Daughter,” Maggie Gyllenhaal
“Passing,” Rebecca Hall
“Red Rocket,” Sean Baker & Chris Bergoch

Outstanding Lead Performance
Olivia Colman in “The Lost Daughter”
Frankie Faison in “The Killing of Kenneth Chamberlain”
Michael Greyeyes in “Wild Indian”
Brittany S. Hall in “Test Pattern”
Oscar Isaac in “The Card Counter”
Taylour Paige in “Zola”
Joaquin Phoenix in “C’mon C’mon”
Simon Rex in “Red Rocket”
Lili Taylor in “Paper Spiders”
Tessa Thompson in “Passing”

Outstanding Supporting Performance
Reed Birney in “Mass”
Jessie Buckley in “The Lost Daughter”
Colman Domingo in “Zola”
Gaby Hoffmann in “C’mon C’mon”
Troy Kotsur in “CODA”
Marlee Matlin in “CODA”
Ruth Negga in “Passing”

Breakthrough Performer
Emilia Jones in “CODA”
Natalie Morales in “Language Lessons”
Rachel Sennott in Shiva Baby”
Suzanna Son in “Red Rocket”
Amalia Ulman in “El Planeta”

Breakthrough Series – Long Format (over 40 minutes)
“The Good Lord Bird”
“It’s A Sin”
“Small Axe”
“Squid Game”
“The Underground Railroad”
“The White Lotus”

Breakthrough Series – Short Format (under 40 minutes)
“Blindspotting”
“Hacks”
“Reservation Dogs”
“Run the World”
“We Are Lady Parts”

Breakthrough Nonfiction Series
“City So Real”
“Exterminate All the Brutes”
“How To with John Wilson”
“Philly D.A.”
“Pride”

Outstanding Performance in a New Series
Jennifer Coolidge in “The White Lotus”
Michael Greyeyes in “Rutherford Falls”
Ethan Hawke in “The Good Lord Bird”
Devery Jacobs in “Reservation Dogs”
Lee Jung-jae in “Squid Game”
Thuso Mbedu in “The Underground Railroad”
Jean Smart in “Hacks”
Omar Sy in “Lupin”
Anya Taylor-Joy in “The Queen’s Gambit”
Anjana Vasan in “We Are Lady Parts”

(Incidentally, I’m probably the only person not involved with the show to have noticed the victory for Philly D.A.  I’m just going to be honest and say that is one of my least favorite results ever.  Philly D.A. was a pure propaganda, nothing more.)

TV Review: Fear the Walking Dead 7.5 “Til Death” (dir by Lennie James)


I can still remember when Fear the Walking Dead first started back in 2015.

The premise, as you may remember, was that the show was going to take place in the “world of The Walking Dead” but that it was going to deal with an entirely new group of characters and follow them through the early days of the zombie apocalypse.  Would there be crossovers with the main show?  While AMC refused to rule them out, it was also said that the world of the Walking Dead was so compelling and fully realized that there really was no real need to bring over Rick, Darryl, Morgan, or anyone else from the original show.  In fact, since Fear the Walking Dead was a prequel, it really wouldn’t make any sense to have any of the original show’s characters show up for anything more than a winking cameo.  Instead, audiences would be thrilled with the new cast of doctors, drug addicts, and city planners.

Well, that didn’t quite work out.  It turned out that audiences didn’t really respond to the entirely new cast and so almost all of them were killed off, Lennie James switched from the main show to the spinoff, and, from season 4 on, Fear the Walking Dead became the Morgan show.

And I’m really not complaining.  I tried to watch the early seasons of Fear The Walking Dead and I was so bored that I gave up on the show fairly quickly.  However, I’ve been mostly entertained by the seventh and final season of Fear The Walking Dead.  Yes, there have been a few pacing issues but, at this point, that’s something that anyone who has ever watched more than a handful of episodes of The Walking Dead and its spin-offs should be used to.  But still, I enjoy Fear the Walking Dead‘s rather surreal landscape.  Colman Domingo’s wonderfully weird performance is always entertaining to watch.  I’m even somewhat interested in discovering who Padre is, even though I know the character probably won’t live up to all the hype.  At this point, unless he turns out to be Rick, there’s no way Padre can meet the expectations that have been set for him.

Last Sunday, Dwight and Sherry joined the search for Padre.  Like Morgan, Dwight and Sherry were originally on The Walking Dead.  Dwight was one of Negan’s lieutenants.  Sherry was his wife.  Now, they’re “ethical outlaws,” riding across the radioactive landscape of Texas and protecting those in need.  During the latest episode, Strand tried to get Dwight and Sherry to join his organization and Dwight was certainly tempted.  But, in the end, they did the right thing and helped a woman named Mickey find and put down her reanimated husband.  They then teamed up with the Stalkers to continue their search for Padre …. okay, so the plot summary sounds a little absurd and, to be honest, the idea of Dwight and Sherry calling themselves the Dark Horses and fighting for the bullied is a little absurd.  But, and this is the secret as to why Fear the Walking Dead‘s final season has been so enjoyable, the show seems to be aware of how absurd it all is.  Whereas The Walking Dead would have taken the whole “ethical outlaw” thing way too seriously, Fear the Walking Dead is willing to have fun with it all.

And this Sunday’s episode was a fun one.  Apparently, with The Walking Dead and its two spin-offs coming to a close with the end of their current seasons, AMC is planning on keeping the franchie alive with an anthology series.  Hopefully, the Dark Horses will appear in more than a few episodes.  As much as I disliked them on The Walking Dead, Dwight and Sherry are a blast on Fear the Waling Dead.  Dark Horses forever!

TV Review: Fear The Walking Dead 7.4 “Breathe With Me” (dir Tara Nicole Weyr)


The latest episode of Fear The Walking Dead really didn’t do much for me.

That’s not necessarily the show’s fault, or at least not entirely.  As I’ve said from my first review, I didn’t start regularly watching this show until the start of the current (and final) season.  As a result, I’m still learning who many of these characters are.  Perhaps if I had watched the earlier seasons, I would have been more emotionally connected to Sarah’s search for her brother, Wendell.  And perhaps I would have been more concerned with Josiah’s need to get revenge on Morgan.

But, even with all that in mind, last Sunday’s episode was punishingly slow.  It felt like a throwback to one of those old episodes of The Walking Dead where some minor character would randomly run into someone and then we’d have to spend 40 minutes listening to them have a conversation about nothing before some random Walkers finally showed up.  For lack of a better term, it was kind of boring.  For all of the trouble that the episode put the viewer through, it needed a better pay off than “Wendell’s here but I’m not going to let you see him.”

Josiah carrying around his brother’s disembodied heard was visually interesting but, from a narrative point of view, it was pretty stupid and it kind of made me wonder how someone who could be dumb enough to carry around a zombie head could possibly manage to survive in the world of the walking dead.  The fact that it all led to Josiah having to euthanize an adorable dog did not help matters.  I get that the whole idea behind The Walking Dead and its spin-offs is that the world is a terrible place where terrible things happen but honestly, Josiah was just an idiot.  He was probably an idiot before the zombie apocalypse and he’s apparently still an idiot afterwards.  My hope is that we’ve seen the last of Josiah because I really don’t want to have to spend another episode listening to him whine about his dead brother.  Instead, I hope future episodes will take us back into The Tower and the world of Strand.  Colman Domingo only appeared for a few minutes in the latest episode but he owned every one of them.

Finally, it appears that there are still some atomic warheads that were not set off during the previous season.  And I guess the Stalkers now have one of them.  That’s probably not a good thing.

TV Review: Fear the Walking Dead 7.3 “Cindy Hawkins” (dir by Ron Underwood)


I finally watched the latest episode of Fear the Walking Dead earlier today and, believe it or not, I’ve actually come to like this show.

Considering that I originally stopped watching Fear the Walking Dead because I got bored with it during its first season, I’m as surprised as anyone to realize that the seventh season of Fear The Walking Dead has won me over.  But what can I say?  The first three episodes of the show’s final season have been so weird that it’s been impossible not to enjoy them.  Everything, from the radiation-scarred landscape to Colman Domingo’s wonderfully odd performance as Strand, has come together to make this show a rather lively look at a world dominated by the walking dead.  It also helps, of course, that most of the boring characters from season one are no longer on the show.  AMC figured out that audiences didn’t care about an emergency room doctor and her drug addict son.  They cared about Morgan and nuclear fallout.

Morgan showed up during the final minutes of the latest episode of Fear the Walking Dead, just long enough to discover that two of his allies had been, depending on how you look at it, either rescued or abducted by Strand.  He and Strand had a little argument over the radio.  Strand says that he’s going to remake the world, something that Morgan could never figure out how to do.  Morgan and Strand both appear to be batshit insane, which is what made the scene so compelling.  Would you want to live in a world created by either of them?

The majority of the episode revolved around John Dorie (Keith Carradine) and his daughter-in-law, June (Jenna Elfman), living in an underground bunker.  (Before I go any further, I should mention that is the first season of Fear the Walking Dead that I’ve regularly watched since the first one.  So, if I misinterpret anything that was established in a previous season, feel free to correct me in the comments but be kind about it.)  The bunker was formerly the lair of Teddy, who I assume was a serial killer who John pursued and framed during his previous life as a cop.  With June insisting that it was too dangerous to leave the bunker and John suffering from DTS, John became very interested in a hidden room that he and June discovered in the bunker.  The room was where Teddy used to embalm his victims and John soon found himself having conversations with the spirit of one of his victims, Cindy Hawkins.  Cindy’s body was never recovered and John became obsessed with finding it.  Apparently, he made a promise to Cindy’s mother,  The fact that Cindy’s mother was probably dead either as a result of zombies or radiation did not seem to matter with John.

The show left it ambiguous as to whether or not Cindy’s spirit was real or just a product of John’s delirious state.  But ultimately, it didn’t matter whether or not Cindy’s spirit was real.  Cindy was a symbol.  Finding Cindy’s body would bring John some sort of peace.  It would be a sign that there was still a place for men like John in the world of the walking dead.  Keith Carradine did a great job of portraying John’s torment and his single-minded determination to find some shred of hope, even while trapped in a combination of a zombie and a nuclear apocalypse.

It was a good episode, full of enjoyably weird imagery and distinguished by fine performance from both Keith Carradine and Jenna Elfman.  Both John and June ended the episode as guests of Strand.  Hopefully, they’ll both survive.  It’d be a shame for either one of them to exit the season early.