Belatedly, Here Are The Gotham Award Nominations!


The Gotham nominations were announced on Thursday and I totally missed them!

Seriously, that’s how crazy this year has been.

Anyway, with so much up in the air, it’s probably debatable how much anything can be gleaned about the state of the Oscar race from these nominations.  In fact, even in a normal year, the Gothams aren’t exactly known for being Oscar precursors.  However, they do honor worthy independent films and often, they encourage us to track down films that we may have otherwise missed.

Only film with a budget under $35 million were eligible for a Gotham nomination.  So, don’t look at this list and go, “OH MY GOD, WHERE’S MANK!?  WHERE’S TENENT!?”  They’re not eligible.

Anyway, here are the Gotham nominations:

Best Feature
“The Assistant”
“First Cow”
“Never Rarely Sometimes Always”
“Nomadland”
“Relic”

Best Documentary
“76 Days”
“City Hall”
“Our Time Machine”
“A Thousand Cuts”
“Time”

Best International Feature
“Bacurau”
“Beanpole”
“Cuties (Mignonnes)”
“Identifying Features”
“Martin Eden”
“Wolfwalkers”

Bingham Ray Breakthrough Director Award
Carlo Mirabella-Davis, “Swallow”
Rhada Blank, “The Forty Year Old Version”
Andrew Patterson, “Vast of Night”
Channing Godfrey Peoples, “Miss Juneteenth”
Alex Thompson, “Saint Frances”

Best Screenplay
“Bad Education,” Mike Makowsky
“First Cow,” Jon Raymond and Kelly Reichardt
“The Forty-Year-Old Version,” Radha Blank
“Fourteen,” Dan Sallitt
“The Vast of Night,” James Montague and Craig Sanger

Best Actor
Riz Ahmed, “Sound of Metal”
Chadwick Boseman, “Ma Rainey’s Black Bottom”
Jude Law, “The Nest”
John Magaro, “First Cow”
Jesse Plemons, “I’m Thinking of Ending Things”

Best Actress
Nicole Beharie, “Miss Juneteenth”
Jessie Buckley, “I’m Thinking of Ending Things”
Yuh-Jung Youn, “Minari”
Carrie Coon, “The Nest”
Frances McDormand, “Nomadland”

Breakthrough Actor
Sidney Flanigan, “Never Rarely Sometimes Always”
Jasmine Batchelor, “The Surrogate”
Kelly O’Sullivan, “Saint Frances”
Orion Lee, “First Cow”
Kingsley Ben-Adir, “One Night in Miami”

Breakthrough Series – Long Form
“The Great”
“Immigration Nation”
“P-Valley”
“Unorthodox”
“Watchmen”

Breakthrough Series – Short Form
“Betty”
“Dave”
“I May Destroy You”
“Taste the Nation”
“Work in Progress”

Film Review: Venom (dir. by Ruben Fleischer)


VenomPosterAbout 20 years ago, a friend and I walked out of a movie theatre for some pizza. On the way to the Pizzeria, I raved about the movie we just watched.  The effects were awesome, and the main character was bad ass. My friend didn’t share the same sentiment, and over the dinner, he went on to explain everything that was wrong with the film. Bad CGI (for its time), 2 Dimensional Characters, and a pretty simplistic plot. By the end of my dinner, all of my joy was sucked away. I wanted to believe, deep down that I walked into a quality production, but there was so much room for improvement.

That film was Mark Dippe’s Spawn.

I mention this because after seeing Ruben Fleischer’s Venom, Spawn was the first film that came to mind. That makes sense, given that a lot of Venom’s genesis is from artist Todd McFarlane, who also created Spawn (and gave Spider-Man some of the best webbing I’ve ever known). There are parts of Venom I truly enjoyed, and I can say that there isn’t much of a problem with the acting on anyone’s side.  However, the levels of boredom in the film’s first hour will have you wanting to bring in a highly caffeinated drink to sip on, just to stay awake. The lady next to me yawned, which made me yawn and it just cycled through the audience. The good sequences are already visible in the trailers.

Here’s a clip of Venom from the Ultimate Spider-Man Video Game (easily recommended) to give you a rough idea of how he is.

From a plot standpoint, Venom does a good job in giving us a story for how Eddie Brock and his Symbiote meet without factoring in Spider-Man at all. Comic readers remember the Secret Wars, where Spider-Man lost his suit and picked up a symbiote replacement. When the Symbiote proved dangerous, Peter Parker got rid of it and it fell into the hands of his former Daily Bugle nemesis, Eddie Brock. Together, they formed Venom, a beast with all of Spider-Man’s powers and Brock’s hatred of Parker. Venom plagued Spider-Man, who was incredibly dangerous because he was one of the few villains that didn’t set of Parker’s Spidey Sense. He could sneak up on him at any time, assume the likenesses of other people, and Parker would never see him coming.

The Sony Spider-Man series changed this up in Spider-Man 3, replacing the Secret Wars with more of a Blob-like story. Symbiote crashes to Earth, finds Parker. Parker decides to rip it off and it finds Brock.  In this new version of Venom, symbiotes already exist in space, and a corporation lead by Carlton Drake (Riz Ahmed) are trying to bring them to Earth to intermingle with humans. When investigative reporter Eddie Brock (Tom Hardy) stumbles on the corporation’s evil plans, he accidentally joins with a symbiote and finds himself with a near insatiable hunger for the living.

You have the best 2 in 1 team up since Leigh Wannell’s Upgrade. I would not be opposed to a sequel for this if they tightened up the writing. Maybe that’s my problem. Both Upgrade and Venom are similar, but only one had an interesting character that looked like Tom Hardy (sorry, but Logan Marshall-Green does bear a resemblance).

Ruben Fleischer’s (Zombieland, Gangster Squad) direction is okay here. With Cinematographer Matthew Libatique (Iron Man, Black Swan) at his side, Venom doesn’t have many problems there. With the exception of the final confrontation, the shots aren’t too blurry or hard to track when the action starts. Even though Venom is a visibly dark character, I couldn’t complain that scenes weren’t well-lit.

For me, the problem with Venom is that at an hour and 52 minutes, it feels like the first hour is just waiting for that symbiosis to occur. Eddie Brock doesn’t really become interesting until Venom appears (also voiced by Hardy), and that’s a rough thing to say, given the cast involved. We’ve both seen Hardy, Ahmed and Michelle Williams in better roles, but they really aren’t given any real meat here. The dialog is a little shaky in some places. Hardy pushes himself hard here, and you see how disjointed Brock gets as he adjusts to the changes. Brock as a character, however, doesn’t really have a lot going for him. Neither did Peter Parker or maybe even Steve Rogers, but there were elements about who they were that helped you to appreciate who they be became as superheroes.  Steve Rogers was a weakling with a good spirit, which made him a better Captain America. Peter Parker was a chemical whiz kid and came up with his own web-fluid. Brock just…well, reports. There’s a lot of boredom in that first hour. The best scenes are the interactions between Venom and Brock, full of cute banter. It’s like having an unwelcome guest wanting to meet your parents. It just took so long to get to that point. When it does, however, the movie improves. They do manage to get a lot right about what Venom can do.

The CGI in Venom is definitely good in some places. It stands as the best argument for another remake of The Blob. The symbiotes are creepy in their design and motion, slithering up walls and making their way through vents. Venom, in all it’s glory, is quite a sight to behold, towering over humans. It goes a little overboard over the last 3rd of the film. I can’t say I knew for sure what it was I was looking at, but that’s to be expected with some superhero films.

If you see the film, stay for the mid-credits scene, which teases a future character. Also stay for a near 5 minute sneak peek into Spider-Man: Into the Spiderverse.

Overall, if you feel you have to see it in a theatre, by all means, do so. If you can wait for it to come out on Digital, that may be the best route.

Here’s What Won At The Emmys Last Night!


Last night, Lisa Marie did not watch the Emmys because she says that, “I’m just not feeling TV this year.”  If Twin Peaks had been eligible to be nominated, I bet it would have been a different story!

Instead, she asked me to watch the ceremony and let everyone know what I thought.  It needed less politics and more cats.

Here’s the list of winners:

COMEDY

BEST COMEDY SERIES
“Atlanta”
“Black-ish”
“Masters of None”
“Modern Family”
“Silicon Valley”
“Unbreakable Kimmy Schmidt”
X — “Veep”

BEST COMEDY ACTRESS
Pamela Adlon, “Better Things”
Jane Fonda, “Grace and Frankie”
Allison Janney, “Mom”
Ellie Kemper, “Unbreakable Kimmy Schmidt”
X — Julia Louis-Dreyfus, “Veep”
Tracee Ellis Ross, “Black-ish”
Lily Tomlin, “Grace and Frankie”

BEST COMEDY ACTOR
Anthony Anderson, “Black-ish”
Aziz Ansari, “Master of None”
Zach Galifianaks, “Baskets”
X — Donald Glover, “Atlanta”
William H. Macy, “Shameless”
Jeffrey Tambor, “Transparent”

BEST COMEDY SUPPORTING ACTRESS
Vanessa Bayer, “Saturday Night Live”
Anna Chlumsky, “Veep”
Kathryn Hahn, “Transparent”
Leslie Jones, “Saturday Night Live”
Judith Light, “Transparent”
X — Kate McKinnon, “Saturday Night Live”

BEST COMEDY SUPPORTING ACTOR
Louie Anderson, “Baskets”
X — Alec Baldwin, “Saturday Night Live”
Tituss Burgess, “Unbreakable Kimmy Schmidt”
Ty Burrell, “Modern Family”
Tony Hale, “Veep”
Matt Walsh, “Veep”

BEST COMEDY DIRECTING
X — “Atlanta” (“B.A.N.”)
“Silicon Valley” (“Intellectual Property”)
“Silicon Valley” (“Server Error”)
“Veep” (“Justice”)
“Veep” (“Blurb”)
“Veep” (“Groundbreaking”)

BEST COMEDY WRITING
“Atlanta” (“B.A.N.”)
“Atlanta” (“Streets on Lock”)
X — “Master of None” (“Thanksgiving”)
“Silicon Valley” (“Success Failure”)
“Veep” (“Groundbreaking”)
“Veep” (“Georgia”)

DRAMA

BEST DRAMA SERIES
“Better Call Saul”
“The Crown”
X — “The Handmaid’s Tale”
“House of Cards”
“Stranger Things”
“This is Us”
“Westworld”

BEST DRAMA ACTRESS
Viola Davis, “How to Get Away with Murder”
Claire Foy, “The Crown”
X — Elisabeth Moss, “The Handmaid’s Tale”
Keri Russell, “The Americans”
Evan Rachel Wood, “Westworld”
Robin Wright, “House of Cards”

BEST DRAMA ACTOR
X — Sterling K. Brown, “This is Us”
Anthony Hopkins, “Westworld”
Bob Odenkirk, “Better Call Saul”
Matthew Rhys, “The Americans”
Liev Schreiber, “Ray Donovan”
Kevin Spacey, “House of Cards”
Milo Ventimiglia, “This is Us”

BEST DRAMA SUPPORTING ACTRESS
Uzo Aduba, “Orange is the New Black”
Millie Bobby Brown, “Stranger Things”
X — Ann Dowd, “The Handmaid’s Tale”
Chrissy Metz, “This is Us”
Thandie Newton, “Westworld”
Samira Wiley, “The Handmaid’s Tale”

BEST DRAMA SUPPORTING ACTOR
Jonathan Banks, “Better Call Saul”
David Harbour, “Stranger Things”
Ron Cephas Jones, “This is Us”
Michael Kelly, “House of Cards”
X — John Lithgow, “The Crown”
Mandy Patinkin, “Homeland”
Jeffrey Wright, “Westworld”

BEST DRAMA DIRECTING
“Better Call Saul” (“Witness”)
“The Crown” (“Hyde Park Corner”)
“The Handmaid’s Tale” (“The Bridge”)
X — “The Handmaid’s Tale” (“Offred”)
“Homeland” (“America First”)
“Stranger Things” (“Chapter One: The Vanishing of Will Byers”)
“Westworld” (“The Bicameral Mind”)

BEST DRAMA WRITING
“The Americans” (“The Soviet Division”)
“Better Call Saul” (“Chicanery”)
“The Crown” (“Assassins”)
X — “The Handmaid’s Tale” (“Offred”)
“Stranger Things” (“Chapter One: The Vanishing of Will Byers”)
“Westworld” (“The Bicameral Mind”)

MOVIE/LIMITED SERIES

BEST LIMITED SERIES
X — “Big Little Lies”
“Fargo”
“Feud: Bette and Joan”
“Genius”
“The Night Of”

BEST TV MOVIE
X — “Black Mirror: San Junipero”
“Christmas of Many Colors”
“The Immortal Life of Henrietta Lacks”
“Sherlock: The Lying Detective”
“The Wizard of Lies”

BEST MOVIE/MINI ACTRESS
Carrie Coon, “Fargo”
Felicity Huffman, “American Crime”
X — Nicole Kidman, “Big Little Lies”
Jessica Lange, “Feud: Bette and Joan”
Susan Sarandon, “Feud: Bette and Joan”
Reese Witherspoon, “Big Little Lies”

BEST MOVIE/MINI ACTOR
X — Riz Ahmed, “The Night Of”
Benedict Cumberbatch, “Sherlock: The Lying Detective”
Robert De Niro, “The Wizard of Lies”
Ewan McGregor, “Fargo”
Geoffrey Rush, “Genius”
John Turturro, “The Night Of”

BEST MOVIE/MINI SUPPORTING ACTRESS
Judy Davis, “Feud: Bette and Joan”
X — Laura Dern, “Big Little Lies”
Jackie Hoffman, “Feud: Bette and Joan”
Regina King, “American Crime”
Michelle Pfeiffer, “The Wizard of Lies”
Shailene Woodley, “Big Little Lies”

BEST MOVIE/MINI SUPPORTING ACTOR
Bill Camp, “The Night Of”
Alfred Molina, “Feud: Bette and Joan”
X — Alexander Skarsgard, “Big Little Lies”
David Thewlis, “Fargo”
Stanley Tucci, “Feud: Bette and Joan”
Michael Kenneth Williams, “The Night Of”

BEST MOVIE/MINI DIRECTING
X — “Big Little Lies”
“Fargo” (“The Law of Vacant Places”)
“Feud: Bette and Joan” (“And the Winner Is”)
“Genius” (“Einstein: Chapter One”)
“The Night Of” (“The Art of War”)
“The Night Of” (“The Beach”)

BEST MOVIE/MINI WRITING
“Big Little Lies”
X — “Black Mirror: San Junipero”
“Fargo” (“The Law of Vacant Places”)
“Feud: Bette and Joan” (“And the Winner Is”)
“Feud: Bette and Joan” (“Pilot”)
“The Night Of” (“Call of the Wild”)

VARIETY/REALITY

BEST REALITY COMPETITION PROGRAM
“The Amazing Race”
“Amercan Ninja Warrior”
“Project Runway”
“RuPaul’s Drag Race”
“Top Chef”
X — “The Voice”

BEST VARIETY TALK SERIES
“Full Frontal with Samantha Bee”
“Jimmy Kimmel Live”
X — “Last Week Tonight with John Oliver”
“Late Late Show with James Corden”
“Late Show with Stephen Colbert”
“Real Time with Bill Maher”

BEST VARIETY SKETCH SERIES
“Billy on the Street”
“Documentary Now”
“Drunk History”
“Portlandia”
X — “Saturday Night Live”
“Tracey Ullman’s Show”

BEST VARIETY SERIES DIRECTING
“Drunk History”
“Jimmy Kimmel Live”
“Last Week Tonight with John Oliver”
“Late Show with Stephen Colbert”
X — “Saturday Night Live”

BEST VARIETY SERIES WRITING
“Full Frontal with Samantha Bee”
X — “Last Week Tonight with John Oliver”
“Late Night with Seth Meyers”
“Late Show with Stephen Colbert

No Ewoks, No Jar Jar: Rogue One: A Star Wars Story (2016, directed by Gareth Edwards)


rogue_one_a_star_wars_story_posterA long time ago in a galaxy far, far away…

The evil Galactic Empire spent what had to be billions of Imperial credits to build the greatest weapon in the universe.  It was known as the Death Star and it housed a laser so powerful that it could blow up a planet with just one shot.  And yet, for all the effort and all the years that were spent building it, the Death Star had one glaring vulnerability, an exposed exhaust valve that the Rebel Alliance twice used to the destroy it.

For years, fanboys debated why the Empire would go to the trouble to build a super weapon with such an obvious design flaw.  I have to admit that I was often one of them.  No one else seemed to care but, to us, this was a huge deal.  If the Empire could figure out how to blow up a planet with one super laser, why couldn’t they figure out how to protect that one valve?

Now, thanks to Rogue One: A Star Wars Story, we have an answer.  We not only know why that valve was there but we also know what was meant in New Hope when the rebel general said that the plans to the Death Star had been stolen at great cost.

Rogue One is a fan’s dream, one that answers questions while expanding on the Star Wars mythology.  Unlike the previous prequels, it adds to the story without cheapening the original films.  In fact, of all the Star Wars films, Rogue One is the first to make the Death Star into a believable weapon of mass destruction.  When it appears over one planet, it blots out the sun.  When it blows up a rebel base, we see the destruction from inside the base instead of observing it from the safety of Death Star.  Director Gareth Evans does for the Death Star what he previously did for Godzilla.

death-star

Unfortunately, like Godzilla, the action and the special effects in Rogue One are usually more interesting than any of the film’s characters.  Felicity Jones, Diego Luna, Donnie Yen, Jiang Wen, Alan Tudyk, and Riz Ahmed are all good actors but they’re all playing underwritten parts.  No one steps up like Harrison Ford did in the original trilogy.  Commander Kennec, played by Ben Mendelsohn, has a little more depth than the typical Imperial villain but, for better or worse, the film’s most memorable performances come from a CGI Peter Cushing and James Earl Jones providing the voice of Darth Vader.

rogue-one

Despite the underwritten characters, Rogue One is still the best Star Wars film since Empire Strikes Back, a return to the grittiness, the thrilling action, and the awe of discovering new worlds that distinguished the first two movies.  For once, a Star Wars film seems to have more on its mind than just selling toys.  Though we already know what is ultimately going to happen to the Death Star at the end of New Hope, Rogue One is a frequently downbeat film.  There are no Ewoks and, to great relief and rejoicing, Jar Jar is never seen.  The closest that Rogue One gets to comic relief is Alan Tudyk providing the voice of a cynical robot.  The emphasis is on the horrors of war and even the rebels are troubled by some of the things that they have done.  For once, the Rebel Alliance actually feels like a rebellion and the evil of the Empire feels real instead of cartoonish.

Rogue One is projected to be the first of many “Star Wars stories,” stand-alone film that will expand the universe and hopefully clarify some of the points that were left unclear by the original trilogy.  I think it’s going to be very successful very Disney.  I’m just dreading the inevitable Jar Jar origin story.

 

The SAG Nominations are here and … Hello there, Captain Fantastic!


captain-fantasticEarlier the year, I choose not to see Captain Fantastic.  Every bit of advertising that I saw for it led me to believe that Captain Fantastic was basically just Wes Anderson-lite and, as we all know, only Wes Anderson can successfully duplicate Wes Anderson.

Well, I think I may have made a mistake because Viggo Mortensen is definitely in the hunt for best actor.  Though most of the precursor awards (so far) have gone to Casey Affleck for Manchester By The Sea, Mortensen still seems like a likely nominee.

Just consider this: he got a SAG nomination!  And so did Captain Fantastic, itself!  It was nominated for best ensemble, which is the SAG equivalent of best picture…

Actually, maybe you shouldn’t spend too much time fixating on that.  People like me always talk about how the SAG awards are an obvious precursor for the Oscars.  Our logic is that the Actor’s Branch is the largest voting bloc in the Academy and the members of the Actor’s Branch are among those who also vote for the SAG awards.

Of course, we always forget that the majority of SAG members are themselves not a part of the Academy.  So, while enough members of SAG may have liked Captain Fantastic for it to get an unexpected ensemble nomination, that doesn’t necessarily mean that those voters are also members of the Academy.

I mean, let’s consider what happened last year.  Beasts of No Nation picked up an ensemble nomination.   So did Straight Outta Compton.  So did Trumbo.  None of those films proved to be an Oscar powerhouse.  In fact, Beasts of No Nation received a grand total of zero Oscar nominations.

So, let’s put it like this — it’s a good sign for a film or a performer to get a SAG nomination.  But there’s still no guarantee that it will translate into Oscar recognition. Captain Fantastic may have been nominated and La La Land was snubbed (for ensemble).  But I imagine that the reverse will happen when the Oscar noms are announced in January.

With all that in mind, here are the SAG nominations!

FILM

Best Film Ensemble
“Captain Fantastic”
“Fences”
“Hidden Figures”
“Manchester by the Sea”
“Moonlight”

Best Actor
Casey Affleck, “Manchester by the Sea”
Andrew Garfield, “Hacksaw Ridge”
Ryan Gosling, “La La Land”
Viggo Mortensen, “Captain Fantastic”
Denzel Washington, “Fences”

Best Actress
Amy Adams, “Arrival”
Emily Blunt, “The Girl on the Train”
Natalie Portman, “Jackie”
Emma Stone, “La La Land”
Meryl Streep, “Florence Foster Jenkins”

Best Supporting Actor
Mahershala Ali, “Moonlight”
Jeff Bridges, “Hell or High Water”
Hugh Grant, “Florence Foster Jenkins”
Lucas Hedges, “Manchester by the Sea”
Dev Patel, “Lion”

Best Supporting Actress
Viola Davis, “Fences”
Naomie Harris, “Moonlight”
Nicole Kidman, “Lion”
Octavia Spencer, “Hidden Figures
Michelle Williams, “Manchester by the Sea”

Best Stunt Ensemble
“Captain America: Civil War”
“Doctor Strange”
“Hacksaw Ridge”
“Jason Bourne”
“Nocturnal Animals”

TV

Best Comedy Ensemble
“The Big Bang Theory”
“Black-ish”
“Modern Family”
“Orange is the New Black”
“Veep”

Best Comedy Actor
Anthony Anderson, “Black-ish”
Titus Burgess, “Unbreakable Kimmy Schmidt”
Ty Burrell, “Modern Family”
William H. Macy, “Shameless”
Jeffrey Tambor, “Transparent”

Best Comedy Actress
Uzo Aduba, “Orange is the New Black”
Jane Fonda, “Grace & Frankie”
Ellie Kemper, “Unbreakable Kimmy Schmidt”
Julia Louis-Dreyfus, “Veep”
Lily Tomlin, “Grace & Frankie”

Best Drama Ensemble
“The Crown”
“Downton Abbey”
“Game of Thrones”
“Stranger Things”
“Westworld”

Best Drama Actor
Sterling K. Brown, “This Is Us”
Peter Dinklage, “Game of Thrones”
John Lithgow, “The Crown”
Rami Malek, “Mr. Robot”
Kevin Spacey, “House of Cards”

Best Drama Actress
Millie Bobby Brown, “Stranger Things”
Claire Foy, “The Crown”
Thandie Newton, “Westworld”
Winona Ryder, “Stranger Things”
Robin Wright, “House of Cards”

Best Movie/Miniseries Actor
Riz Ahmed, “The Night Of”
Sterling K. Brown, “The People v. O.J. Simpson”
Bryan Cranston, “All The Way”
John Turturro, “The Night Of”
Courtney B Vance, “The People v. O.J. Simpson”

Best Movie/Miniseries Actress
Bryce Dallas Howard, “Black Mirror”
Felicity Huffman, “American Crime”
Audra McDonald, “Lady Day at Emerson’s Bar & Grill”
Sarah Paulson, “The People v. O.J. Simpson”
Kerry Washington, “Confirmation”

Best Stunt Ensemble
“Game of Thrones”
“Daredevil”
“Luke Cage”
“The Walking Dead”
“Westworld”

Rogue One: A Star Wars Story Official Trailer Finally Arrives


Rogue One

The Rogue One official trailer finally came out after weeks of fans waiting for it since last month’s Star Wars celebration over in London.

At first, people thought the trailer would be released during the celebration, but that didn’t come to pass. Then San Diego Comic-Con came and went and still no official trailer. We already seen the teaser, the sizzle reel from London celebration and even a tv spot that aired in the last week or so. Yet, there was still no full trailer. Fans were waiting with extreme patience.

Once news came down that the first official trailer will show during the Olympics the guessing game began on which day it will be. When it was confirmed that it was to be tonight people worldwide began to wait for the trailer to premiere. And waited during each Olympic event. And waited some more. I, myself, decided I needed a nap and left orders to be awoken when it finally did show.

Well, it did show just an hour into my nap and despite being groggy from being woken up that first image of the desert planet with Forest Whitaker and Felicity Jones conversing got my full attention. The wait was long, but it was well worth it and now the wait for the film’s premiere begins.

Rogue One: A Star Wars Story is set for a December 16, 2016 release date.

Rogue One Wakes Up the Internet with Its First Trailer


Rogue One

The world has been dying to see the first teaser trailer for the next Star Wars. The most recent one came out at the end of last year and already people wondering why this next one hasn’t already come out.

Well, it will come out this December when the public is flush with money to spend on the holidays (though we all know it’s probably to buy Rogue One: A Star Wars Story tickets as holiday gifts for themselves).

This teaser trailer shows us stuff that happened between Episode 3 and Episode 4. It also focuses on a new hero character which has raised the ire of the most vocal minority (very tiny) of the Star Wars fandom. We’re introduced to Jyn Erso played by English-actress Felicity Jones who we learn is not just a criminal of sorts, but one ready with a smartass quip.

Star Wars has another woman in the lead role! First it was Rey in Star Wars: The Force Awakens. Then just the last couple weeks, one of the few redeeming things about Batman v. Superman was the appearance of Wonder Woman. We can’t forget how last year’s Mad Max: Fury Road was being called Mad Max Furiosa Road.

The MRA mouthbreaters and Mary Sue labelers have had it up to their neckbeards of having their beloved franchises being invaded by the opposite sex. They’re already calling for boycotts and petitions to get Rogue One from being released as is. They want their fictional heroes to return to the good ol’ days of privileged, white men who rescued and kissed damsels (even if they to be their sister) in distress.

Their shouts and cries of impotent rage has been drowned out by the massive majority of even more vocal supporters of another female heroine in a fictional universe which dares to posit that dangerous question: can women be heroes? It looks like after Rey and now, with this upcoming film’s Jyn Erso the answer may be a collective and very loud “Yes, Yes, Yes.”

Rogue One: A Star Wars Story is set for a December 16, 2016 release date or be on hold indefinitely if the MRA neckbeard mouthbreaters get their court injuction to delay its release.

Jason Bourne Is Back


Jason Bourne is back and uses the biggest sporting event to showcase in an action-packed tv spot why people should care that he’s back.

Yes, we know who he is. He definitely knows who he is, but this time around it looks like he remembers everything. If that’s the case then the CIA may be in for another beating Paul Greengrass-style with all the shaky-cam we can shake a stick at.

Looks like, if this tv spot is any indication, that Jason Bourne wasn’t taking it easy physically while he was gone. He definitely didn’t skimp on the lifting.

Jason Bourne is set for a July 29, 2016 release.

Award Season Continues! Here Are The Winners From Georgia!


selma

Yes, awards season is still going on and critics and guilds from across the country and the industry are still announcing their picks for the best of 2014!

The latest group to make their picks known?  The Georgia Film Critics Association!  Here are their nominees for the best of 2014!

Best Picture
BIRDMAN
BOYHOOD
GONE GIRL
THE GRAND BUDAPEST HOTEL
IDA
A MOST VIOLENT YEAR
NIGHTCRAWLER
SELMA
SNOWPIERCER
WHIPLASH

Best Director
Richard Linklater BOYHOOD
David Fincher GONE GIRL
Wes Anderson THE GRAND BUDAPEST HOTEL
Ava DuVernay SELMA
Damien Chazelle WHIPLASH

Best Actor
Ralph Fiennes THE GRAND BUDAPEST HOTEL
Jake Gyllenhaal NIGHTCRAWLER
Michael Keaton BIRDMAN
David Oyelowo SELMA
Eddie Redmayne THE THEORY OF EVERYTHING.

Best Actress
Marion Cotillard TWO DAYS ONE NIGHT
Scarlett Johansson UNDER THE SKIN
Felicity Jones THE THEORY OF EVERYTHING
Lisa Loven Kongsli FORCE MAJEURE
Julianne Moore STILL ALICE
Rosamund Pike GONE GIRL

Best Supporting Actor
Riz Ahmed NIGHTCRAWLER
Ethan Hawke BOYHOOD
Edward Norton BIRDMAN
Mark Ruffalo FOXCATCHER
JK Simmons WHIPLASH

Best Supporting Actress
Patricia Arquette BOYHOOD
Jessica Chastain A MOST VIOLENT YEAR
Rene Russo NIGHTCRAWLER
Emma Stone BIRDMAN
Tilda Swinton SNOWPIERCER

Best Original Screenplay
BOYHOOD
CALVARY
THE GRAND BUDAPEST HOTEL
NIGHTCRAWLER
SELMA

Best Adapted Screenplay
GONE GIRL
THE IMITATION GAME
INHERENT VICE
SNOWPIERCER
THE THEORY OF EVERYTHING
WILD

Best Cinematography
BIRDMAN
THE GRAND BUDAPEST HOTEL
IDA
INHERENT VICE
INTERSTELLAR

Best Production Design
THE GRAND BUDAPEST HOTEL
INHERENT VICE
INTERSTELLAR
INTO THE WOODS
SNOWPIERCER
UNDER THE SKIN

Best Original Score
BIRDMAN (Antonio Sánchez)
GONE GIRL (Trent Reznor, Atticus Ross)
INTERSTELLAR (Hans Zimmer)
LIFE ITSELF (Joshua Abrams)
UNDER THE SKIN (Mica Levi)

Best Original Song
“Everything is Awesome” from THE LEGO MOVIE
“Glory” from SELMA
“We Will Not Go” from VIRUNGA
“I’m Not Gonna Miss You” from GLEN CAMPBELL: I’LL BE ME
“Something So Right” from MUPPETS MOST WANTED

Best Ensemble Cast
BIRDMAN
BOYHOOD
THE GRAND BUDAPEST HOTEL
GONE GIRL
SELMA

Best Foreign Language Film
FORCE MAJEURE
IDA
SEPIDEH
TWO DAYS ONE NIGHT
WE ARE THE BEST!

Best Animated Feature Film
BIG HERO 6
THE BOOK OF LIFE
THE BOXTROLLS
HOW TO TRAIN YOUR DRAGON 2
THE LEGO MOVIE

Best Documentary Feature Film
CITIZENFOUR
FINDING VIVIAN MAIER
KEEP ON KEEPIN’ ON
LIFE ITSELF
SEPIDEH

Breakthough of the Year
Ellan Coltrane
Ava DuVernay
Gugu Mbatha-Raw
Jenny Slate
Tessa Thompson

Selma

 

What Do They Like in San Diego? Let’s Find Out…


Jake Gyllenhaal in Nightcrawler

And finally, here are the San Diego Film Critics Nominations!

(Insert your own clever and snarky analysis here because I’m exhausted.  Maybe point out that they nominated Alejandro Inarritu for best director and Michael Keaton, Edward Norton, and Emma Stone but they didn’t nominate Birdman for best film…)

(h/t to awards circuit)

Best Film

  • “Boyhood”
  • “Gone Girl”
  • “The Grand Budapest Hotel”
  • “Nightcrawler”
  • “Selma”
  • “The Theory of Everything”

Best Director

  • Alejandro González Iñárritu, “Birdman”
  • Richard Linklater, “Boyhood”
  • David Fincher, “Gone Girl”
  • Wes Anderson, “The Grand Budapest Hotel”
  • Dan Gilroy, “Nightcrawler”

Best Actor

  • Ralph Fiennes, “The Grand Budapest Hotel”
  • Brendan Gleeson, “Calvary”
  • Jake Gyllenhaal, “Nightcrawler”
  • Tom Hardy, “Locke”
  • Michael Keaton, “Birdman”
  • Eddie Redmayne, “The Theory of Everything”

Best Actress

  • Marion Cotillard, “Two Days, One Night”
  • Felicity Jones, “The Theory of Everything”
  • Rosamund Pike, “Gone Girl”
  • Hilary Swank, “The Homesman”
  • Mia Wasikowska, “Tracks”

Best Supporting Actor

  • Riz Ahmed, “Nightcrawler”
  • Ethan Hawke, “Boyhood”
  • Edward Norton, “Birdman”
  • J.K. Simmons, “Whiplash”
  • Mark Ruffalo, “Foxcatcher”

Best Supporting Actress

  • Patricia Arquette, “Boyhood”
  • Carrie Coon, “Gone Girl”
  • Keira Knightly, “The Imitation Game”
  • Rene Russo, “Nightcrawler”
  • Emma Stone, “Birdman”

Best Original Screenplay

  • “Birdman”
  • “Boyhood”
  • “The Grand Budapest Hotel”
  • “Locke”
  • “Nightcrawler”

Best Adapted Screenplay

  • “The Fault in Our Stars”
  • “Gone Girl”
  • “The Theory of Everything”
  • “Unbroken”
  • “Wild”

Best Foreign Language Film

  • “Force Majeure”
  • “Heli”
  • “Ida”
  • “Two Days, One Night”
  • “Venus in Fur”

Best Documentary

  • “CITIZENFOUR”
  • “Elaine Stritch: Shoot Me”
  • “Glen Campbell: I’ll Be Me”
  • “Last Days in Vietnam”
  • “Life Itself”

Best Animated Film

  • “Big Hero 6″
  • “The Boxtrolls”
  • “How to Train Your Dragon 2″
  • “The LEGO Movie”
  • “The Nut Job”

Best Cinematography

  • “Force Majeure” (Fredrik Wenzel)
  • “Interstellar” (Hoyte van Hoytema)
  • “Gone Girl” (Jeff Cronenweth)
  • “Nightcrawler” (Robert Elswit)
  • “Unbroken” (Roger Deakins)

Best Editing

  • “Boyhood” (Sandra Adair)
  • “Edge of Tomorrow” (James Herbert, Laura Jennings)
  • “Gone Girl” (Kirk Baxter)
  • “The Grand Budapest Hotel” (Barney Pilling)
  • “Nightcrawler” (John Gilroy)

Best Production Design

  • “The Grand Budapest Hotel” (Adam Stockhausen, Anna Pincock)
  • “Into the Woods” (Dennis Gassner & Anna Pinnock)
  • “The Theory of Everything” (John Paul Kelly)
  • “The Imitation Game” (Maria Djurkovic)
  • “Interstellar” (Nathan Crowley)

Best Score

  • “Birdman” (Antonio Sanchez)
  • “Gone Girl” (Trent Reznor and Atticus Ross)
  • “The Grand Budapest Hotel” (Alexandre Desplat)
  • “The Imitation Game” (Alexandre Desplat)
  • “Nightcrawler” (James Newton Howard)

Best Ensemble

  • “Birdman”
  • “Boyhood”
  • “The Grand Budapest Hotel”
  • “The Imitation Game”
  • “Selma”