What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable? This feature is all about those insomnia-inspired discoveries!
Last night, if you were suffering from insomnia around 2:30 in the morning, you could have turned over to Flix and watched Stag, a dreary film from 1997!
And I know what you’re saying. “Really, Lisa? I could have watched a dreary film! WHY DIDN’T SOMEBODY TELL ME!?” Well, sorry. Your loss. Maybe next time you won’t be so quick to resist the call of insomnia…
Anyway, Stag eventually turns out to be pretty bad but it actually has a pretty good opening. A bunch of rich guys get together in a big house and throw a bachelor party. Whenever one of them first appears on screen, they get a freeze frame that tells us their name and gives us a few biographical facts.
For instance, one coke-snorting character is introduced as “Jon DiCapri: Soap opera star, spokesman for “Stars Against Drugs.” A drunk guy begging for money is identified as “Timan Bernard: Accountant, Author of ‘Ethics in Business.'” The pensive fellow standing by the window and a smoking a cigarette is “Daniel Kane: Gulf war veteran, post traumatic stress disorder,” while the guy running around in a wig and lingerie is “Ed Labenski: Contractor, church treasurer.” My personal favorite of the introductions belonged to the guy with the neck tattoo and the terrible teeth. We’re told that he’s “Pete Weber: Drug dealer, extortionist. Self employed.”
Of course, Pete Weber is also Andrew McCarthy, playing a character who is far removed from the world of Pretty In Pink and St. Elmo’s Fire. And Daniel Kane is actually Kevin Dillon, taking part in the type of misogynistic hi-jinks that would later be celebrated in Entourage. Jon DiCapri is actually William McNamara, who will always be remembered for his memorable death scene in Dario Argento’s Opera. As for Timan Bernard, he’s played by John Henson, who was the host of that terrible Wipeout show that was on the air forever despite the fact that nobody in the world would admit to watching it.
And they’re not the only ones at this bachelor party! The bachelor himself is played by John Stockwell, the director of movies like Cheaters, Crazy/Beautiful and In The Blood. His best friend is played by Mario Van Peebles. Even distinguished character actor Ben Gazzarra is at this bachelor party!
As I said, the film starts out well enough, with the men all acting like idiots and pretty much confirming everything that I’ve always suspected about bachelor parties. But then the strippers show up and there’s a highly improbable accident and soon there are two dead bodies bleeding out on the linoleum floor of John Stockwell’s house. The rest of the movie is pretty much the men yelling at each other and arguing about what they should do. Some fear going to jail. Some want to frame someone else. Some want to cover up the accident. A few suggest calling the police but then Andrew McCarthy rips the landline phone out of the wall and, since this movie was made in the 90s, that is literally all he has to do to keep everyone from contacting the outside world.
Despite some decent performances, the film turned out to be pretty tedious. That said, as I watched it, I found myself wondering how my girlfriends and I would have handled a similar situation. What if we were throwing a bachelorette party and suddenly Magic Mike ended up lying in the middle of the floor with a broken neck? To be honest, I get the feeling we’d probably handle it in roughly the same way as the characters in Stag. We would just be a lot more passive aggressive about it.
“Oh my God, is that guy dead!?”
“I don’t know but that’s what I think Heather said. But it’s all Amy’s fault and … Bitch, everyone says it’s your fault so unless everyone in the entire world is wrong … whatever, Amy.”
“Oh my God, what are we going to do with him?”
“I don’t know but Vanessa said that maybe we should say that he like never showed up at the party and then she said that Jen said that … oh my God, are those new earrings!?”
“Yeah, do you like them!?”
“They’re so pretty! Anyway, Jen said that maybe you should like go bury him somewhere…”
“Oh my God, Jen said I should go bury him!?”
“Well, I didn’t hear for sure but Tina said that she heard Vanessa say that Jen said that you should go bury him…”
“That bitch! I am so going to kick her ass! Oh my God!”
But anyway, the body would eventually get buried. Just not by me.
ANYWAY! What was I talking about?
Right … Stag.
It’s not a very good movie.
Previous Insomnia Files:
Pingback: Insomnia File No. 3: Love is a Gun (dir by David Hartwell) | Through the Shattered Lens
Pingback: Insomnia File No. 4: Nina Takes A Lover (dir by Alan Jacobs) | Through the Shattered Lens
Pingback: Insomnia File No. 5: Black Ice (dir by Neill Fearnley) | Through the Shattered Lens
Pingback: Insomnia File No. 6: Frogs For Snakes (dir by Amos Poe) | Through the Shattered Lens
Pingback: Insomnia File No. 7: Fair Game (dir by Andrew Sipes) | Through the Shattered Lens
Pingback: Insomnia File No. 8: From the Hip (dir by Bob Clark) | Through the Shattered Lens
Pingback: Insomnia File #9: Born Killers (dir by Morgan J. Freeman) | Through the Shattered Lens
Pingback: Insomnia File #10: Eye For An Eye (dir by John Schlesinger) | Through the Shattered Lens
Pingback: Insomnia File #11: Summer Catch (dir by Mike Tollin) | Through the Shattered Lens
Pingback: Insomnia File #12: Beyond The Law (dir by Larry Ferguson) | Through the Shattered Lens
Pingback: Insomnia File No. 14: Promise (dir by Glenn Jordan) | Through the Shattered Lens
Pingback: Insomnia File No. 15: George Wallace (dir by John Frankenheimer) | Through the Shattered Lens
Pingback: Insomina File No. 16: Kill The Messenger (dir by Michael Cuesta) | Through the Shattered Lens
Pingback: Insomnia File No. 17: The Suburbans (dir by Donal Lardner Ward) | Through the Shattered Lens
Pingback: Insomnia File No. 18: Only The Strong (dir by Sheldon Lettich) | Through the Shattered Lens
Pingback: Insomnia File No. 19: Great Expectations (dir by Alfonso Cuaron) | Through the Shattered Lens
Pingback: Insomnia File No. 20: Casual Sex? (dir by Geneviève Robert) | Through the Shattered Lens
Pingback: Insomnia File #21: Truth (dir by James Vanderbilt) | Through the Shattered Lens
Pingback: Insomnia File #22: Insomnia (dir by Christopher Nolan) | Through the Shattered Lens
Pingback: Insomnia File #23: Death Do Us Part (dir by Nicholas Humphries) | Through the Shattered Lens
Pingback: Insomnia File #24: A Star is Born (dir by Frank Pierson) | Through the Shattered Lens
Pingback: Insomnia File #25: The Winning Season (dir by James C. Strouse) | Through the Shattered Lens
Pingback: Insomnia File #26: Rabbit Run (dir by Jack Smight) | Through the Shattered Lens
Pingback: Insomnia File #27: Remember My Name (dir by Alan Rudolph) | Through the Shattered Lens
Pingback: Insomina File #28: The Arrangement (dir by Elia Kazan) | Through the Shattered Lens
Pingback: A Horror Insomnia File #29: Day of the Animals (dir by William Girdler) | Through the Shattered Lens
Pingback: A Suspenseful Insomnia File #30: Still Of The Night (dir by Robert Benton) | Through the Shattered Lens
Pingback: Insomnia File #31: Arsenal (dir by Steve C. Miller) | Through the Shattered Lens
Pingback: Insomnia File #31: Arsenal (dir by Steve C. Miller) | Through the Shattered Lens
Pingback: Insomnia File #32: Smooth Talk (dir by Joyce Chopra) | Through the Shattered Lens
Pingback: Insomnia File #33: The Comedian (dir by Taylor Hackford) | Through the Shattered Lens
Pingback: Insomnia File #34: The Minus Man (dir by Hampton Fancher) | Through the Shattered Lens
Pingback: Insomnia File #35: Donnie Brasco (dir by Mike Newell) | Through the Shattered Lens
Pingback: Insomnia File #36: Punchline (dir by David Seltzer) | Through the Shattered Lens
Pingback: Insomnia File #37: Evita (dir by Alan Parker) | Through the Shattered Lens
Pingback: Insomnia File #38: Six: The Mark Unleashed (dir by Kevin Downes) | Through the Shattered Lens
Pingback: Insomnia File #39: Disclosure (dir by Barry Levinson) | Through the Shattered Lens
Pingback: Insomnia File #40: The Spanish Prisoner (dir by David Mamet) | Through the Shattered Lens
Pingback: Insomnia File #41: Elektra (dir by Rob Bowman) | Through the Shattered Lens
Pingback: Insomnia File #42: Revenge (dir by Tony Scott) | Through the Shattered Lens
Pingback: Insomnia File #43: Legend (dir by Brian Helgeland) | Through the Shattered Lens
Pingback: Insomnia File #45: The Pyramid (dir by Gary Kent) | Through the Shattered Lens
Pingback: Insomnia File #46: Enter the Ninja (dir by Menahem Golan) | Through the Shattered Lens
Pingback: Insomnia File #47: Downhill (dir by Nat Faxon and Jim Rash) | Through the Shattered Lens
Pingback: Insomnia File #48: Malice (dir by Harold Becker) | Through the Shattered Lens
Pingback: Insomnia File #49: Mystery Date (dir by Jonathan Wacks) | Through the Shattered Lens
Pingback: Insomnia File #50: Zola (dir by Janicza Bravo) | Through the Shattered Lens
Pingback: Insomnia File #51: Ira & Abby (dir by Robert Clary) | Through the Shattered Lens
Pingback: Insomnia File #52: The Next Karate Kid (dir by Christopher Cain) | Through the Shattered Lens
Pingback: Insomnia File #53: A Nightmare on Drug Street (dir by Traci Wald Donat) | Through the Shattered Lens
Pingback: Insomnia File No. 54: Jud (dir by Gunther Collins) | Through the Shattered Lens
Pingback: Insomnia File No. 55: FTA (dir by Francine Parker) | Through the Shattered Lens
Pingback: Insomnia File #56: Exterminators of the Year 3000 (dir by Giuliano Carmineo) | Through the Shattered Lens
Pingback: Insomnia File #57: Boris Karloff: The Man Behind The Monster (dir by Thomas Hamilton) | Through the Shattered Lens
Pingback: Insomnia File #58: The Haunting of Helen Walker (dir by Tom McLoughlin) | Through the Shattered Lens
Pingback: Insomnia File #59: True Spirit (dir by Sarah Spillane) | Through the Shattered Lens