What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable? This feature is all about those insomnia-inspired discoveries!
If you were awake at midnight and trying to get some sleep, you could have turned over to ThillerMax and watched the 1996 revenge thriller, Eye For An Eye. However, the film wouldn’t have helped you get to sleep. Eye For An Eye is not a film that you sleep through.
Eye For An Eye opens with Karen McCann (Sally Field) comforting her youngest daughter, Megan (Alexandra Kyle). Megan is terrified of a moth that has flown into her bedroom. “Kill it, mommy, kill it!” Megan shouts. Instead, Karen gently takes the moth in her hand and allows it to escape through an open window. In those first few minutes, the film tells us everything that it feels to be important about Karen. She’s a mother. She lives in a big house in the suburbs. And she wouldn’t kill a moth…
But — the name of the title is Eye For An Eye and that would seem to promise killing so we know that something terrible is going to happen to change Karen’s outlook on life.
And it does! The next afternoon, Karen is stuck in traffic and calls her oldest daughter, 17 year-old Julie (Olivia Burnette). In an extremely harrowing sequence that is pure nightmare fuel, Karen helplessly listens as Julie is raped and murdered.
A white trash deliveryman named Robert Doob is arrested for the crime and we immediately know that he’s guilty. First off, his name is Robert Doob and that’s a serial killer name if I’ve ever heard one. Secondly, he smirks at Karen and her husband (Ed Harris) and, in a particularly cruel moment that was especially upsetting to this former stutterer, he imitates Julie’s stammer. Third, Robert has tattoos and Satanic facial hair. And finally, Robert Doob is played by Keifer Sutherland. And usually, I find Keifer and his growl of a voice to be kinda sexy in a dangerous sorta way but in Eye For An Eye, he was so icky that he just made my skin crawl.
Robert Doob is obviously guilty but an evil liberal judge throws the case out on a technicality. After Karen gets over the shock of seeing justice perverted, she decides to take the law into her own hands. After meeting a professional vigilante (Philip Baker Hall, looking slightly amused no matter how grim he tries to act), Karen decides to learn how to use a gun so that she can get her revenge…
There’s not a single subtle moment in Eye For An Eye but that’s actually the main reason I enjoyed the film. Everything — from the performances to the script to the direction to the music to … well, everything — is completely and totally over-the-top. The symbolism is so heavy-handed and the film is so heavily stacked in favor of vigilante justice that the whole thing becomes oddly fascinating. It may not be a great film but it’s always watchable. It may not be subtle and it may even be borderline irresponsible in its portrayal of the American justice system but who cares? By the end of the movie, I was over whatever real world concerns I may have had about the film’s premise and I was totally cheering Karen on in her quest for vengeance. I imagine I’m not alone in that. Eye For An Eye is the type of film that elitist movie snobs tend to dismiss, even while secretly knowing that it’s actually kinda awesome.
Previous Insomnia Files:
Pingback: Insomnia File #11: Summer Catch (dir by Mike Tollin) | Through the Shattered Lens
Pingback: Insomnia File #12: Beyond The Law (dir by Larry Ferguson) | Through the Shattered Lens
Pingback: Insomnia File No. 14: Promise (dir by Glenn Jordan) | Through the Shattered Lens
Pingback: Insomnia File No. 15: George Wallace (dir by John Frankenheimer) | Through the Shattered Lens
Pingback: Insomina File No. 16: Kill The Messenger (dir by Michael Cuesta) | Through the Shattered Lens
Pingback: Insomnia File No. 17: The Suburbans (dir by Donal Lardner Ward) | Through the Shattered Lens
Pingback: Insomnia File No. 18: Only The Strong (dir by Sheldon Lettich) | Through the Shattered Lens
Pingback: Insomnia File No. 19: Great Expectations (dir by Alfonso Cuaron) | Through the Shattered Lens
Pingback: Insomnia File No. 20: Casual Sex? (dir by Geneviève Robert) | Through the Shattered Lens
Pingback: Insomnia File #21: Truth (dir by James Vanderbilt) | Through the Shattered Lens
Pingback: Insomnia File #22: Insomnia (dir by Christopher Nolan) | Through the Shattered Lens
Pingback: Insomnia File #23: Death Do Us Part (dir by Nicholas Humphries) | Through the Shattered Lens
Pingback: Insomnia File #24: A Star is Born (dir by Frank Pierson) | Through the Shattered Lens
Pingback: Insomnia File #25: The Winning Season (dir by James C. Strouse) | Through the Shattered Lens
Pingback: Insomnia File #26: Rabbit Run (dir by Jack Smight) | Through the Shattered Lens
Pingback: Insomnia File #27: Remember My Name (dir by Alan Rudolph) | Through the Shattered Lens
Pingback: Insomina File #28: The Arrangement (dir by Elia Kazan) | Through the Shattered Lens
Pingback: Insomina File #28: The Arrangement (dir by Elia Kazan) | Through the Shattered Lens
Pingback: A Horror Insomnia File #29: Day of the Animals (dir by William Girdler) | Through the Shattered Lens
Pingback: A Suspenseful Insomnia File #30: Still Of The Night (dir by Robert Benton) | Through the Shattered Lens
Pingback: Insomnia File #31: Arsenal (dir by Steve C. Miller) | Through the Shattered Lens
Pingback: Insomnia File #32: Smooth Talk (dir by Joyce Chopra) | Through the Shattered Lens
Pingback: Insomnia File #33: The Comedian (dir by Taylor Hackford) | Through the Shattered Lens
Pingback: Insomnia File #34: The Minus Man (dir by Hampton Fancher) | Through the Shattered Lens
Pingback: Insomnia File #35: Donnie Brasco (dir by Mike Newell) | Through the Shattered Lens
Pingback: Insomnia File #36: Punchline (dir by David Seltzer) | Through the Shattered Lens
Pingback: Insomnia File #37: Evita (dir by Alan Parker) | Through the Shattered Lens
Pingback: A Horror Insomnia File #29: Day of the Animals (dir by William Girdler) - You Can Quit Now
Pingback: Insomnia File #38: Six: The Mark Unleashed (dir by Kevin Downes) | Through the Shattered Lens
Pingback: Insomnia File #39: Disclosure (dir by Barry Levinson) | Through the Shattered Lens
Pingback: Insomnia File #40: The Spanish Prisoner (dir by David Mamet) | Through the Shattered Lens
Pingback: Insomnia File #41: Elektra (dir by Rob Bowman) | Through the Shattered Lens
Pingback: Insomnia File #42: Revenge (dir by Tony Scott) | Through the Shattered Lens
Pingback: Insomnia File #43: Legend (dir by Brian Helgeland) | Through the Shattered Lens
Pingback: Insomnia File #44: Cat Run (dir by John Stockwell) | Through the Shattered Lens
Pingback: Insomnia File #45: The Pyramid (dir by Gary Kent) | Through the Shattered Lens
Pingback: Insomnia File #46: Enter the Ninja (dir by Menahem Golan) | Through the Shattered Lens
Pingback: Insomnia File #47: Downhill (dir by Nat Faxon and Jim Rash) | Through the Shattered Lens
Pingback: Lisa Marie’s Week In Review: 5/3/21 — 5/9/21 | Through the Shattered Lens
Pingback: Insomnia File #49: Mystery Date (dir by Jonathan Wacks) | Through the Shattered Lens
Pingback: Insomnia File #50: Zola (dir by Janicza Bravo) | Through the Shattered Lens
Pingback: Insomnia File #51: Ira & Abby (dir by Robert Clary) | Through the Shattered Lens
Pingback: Insomnia File #52: The Next Karate Kid (dir by Christopher Cain) | Through the Shattered Lens
Pingback: Insomnia File #53: A Nightmare on Drug Street (dir by Traci Wald Donat) | Through the Shattered Lens
Pingback: Insomnia File No. 54: Jud (dir by Gunther Collins) | Through the Shattered Lens
Pingback: Insomnia File No. 55: FTA (dir by Francine Parker) | Through the Shattered Lens
Pingback: Lisa Marie’s Week In Review: 8/8/22 — 8/14/22 | Through the Shattered Lens
Pingback: Insomnia File #56: Exterminators of the Year 3000 (dir by Giuliano Carmineo) | Through the Shattered Lens
Pingback: Insomnia File #57: Boris Karloff: The Man Behind The Monster (dir by Thomas Hamilton) | Through the Shattered Lens
Pingback: Insomnia File #58: The Haunting of Helen Walker (dir by Tom McLoughlin) | Through the Shattered Lens
Pingback: Insomnia File #59: True Spirit (dir by Sarah Spillane) | Through the Shattered Lens