What If Lisa Picked The Oscar Nominees: 2020 Edition


With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are listed in bold.

I should also point out that I’ve only nominated films that were actually released in 2020.  Undoubtedly, Nomadland, Minari, Judas and the Black Messiah, and The Father will do very well with the Academy tomorrow but, as far as I’m concerned, they’re 2021 films and not eligible for my nominations.  They will be eligible next year, when I do my 2021 edition of What If Lisa Had All The Power.

It should also go without saying that I’ve nominated films that I’ve actually seen.

You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.

Click on the links to see my nominations for 2019, 20182017201620152014201320122011, and 2010!)

Best Picture

The Assistant
Bad Education
First Cow
The Girl With A Bracelet
i’m thinking of ending things
Lovers Rock
Palm Springs
Promising Young Woman
Soul
The Vast of Night

Best Director

Stéphane Demoustier for The Girl With A Bracelet
Emerald Fennell for Promising Young Woman
Charlie Kaufman for i’m thinking of ending things
Steve McQueen for Lovers Rock
Andrew Patterson for The Vast of Night
Kelly Reichardt for First Cow

Best Actor

Ben Affleck in The Way Back
Riz Ahmed in Sound of Metal
Chadwick Boseman in Ma Rainey’s Black Bottom
John Boyega in Red, White, and Blue
Hugh Jackman in Bad Education
Delroy Lindo in Da 5 Bloods

Best Actress

Alison Brie in Horse Girl
Sidney Flanigan in Never Rarely Sometimes Always
Julia Garner in The Assistant
Melissa Guers in The Girl With A Bracelet
Sophia Loren in The Life Ahead
Carey Mulligan in Promising Young Woman

Best Supporting Actor

Brian Dennehy in Driveways
Aldis Hodge in One Night In Miami
Orion Lee in First Cow
Clarke Peters in Da 5 Blood
Paul Raci in The Sound of Metal
J.K. Simmons in Palm Springs

Best Supporting Actress

Jane Adams in She Dies Tomorrow
Glenn Close in Hillbilly Elegy
Olivia Cooke in Sound of Metal
Allison Janney in Bad Education
Chiara Mastroianni in The Girl With A Bracelet
Talia Ryder in Never Rarely Sometimes Always

Best Voice Over Performance

Jack Cruz in What Did Jack Do?
Bruce Davis in The Vast of Night
Tina Fey in Soul
Jamie Foxx in Soul
Nick Offerman in Frances Ferguson
Chris Pratt in Onward

Best Original Screenplay

The Assistant
Palm Springs
Possessor
Promising Young Woman
Soul
The Vast of Night

Bad Education

Best Adapted Screenplay

Bad Education
Emma
First Cow
The Girl With A Bracelet
i’m thinking of ending things
The Outpost

Best Animated Feature Film

A Shaun The Sheep Movie: Farmageddon
Onward
Red Shoes and the Seven Dwarfs
Soul

Best Documentary Feature Film

Alabama Snake
Athlete A
The Mystery of D.B. Cooper
Natalie Wood: What Remains Behind
The Social Dilemma
Tread

Best International Feature Film

Figurant
The Girl With A Bracelet
Gunpowder Heart
The Hater
The Life Ahead
The Shock of the Future

Best Live Action Short Film

Basic
Figurant
Host
Run/On
Waffle
What Did Jack Do?

Best Documentary Short Film

Betye Saar: Taking Care of Business
John Was Trying To Contact Aliens
Lions in the Corner
Quilt Fever

Best Animated Short Film

Canvas

If Anything Happens I Love You

Best Original Score

Call of the Wild
First Cow
Mangrove
Possessor
She Dies Tomorrow
The Shock of The Future

Best Original Song

“Boss Bitch” from Birds of Prey
“Diamonds” from Birds of Prey
“Everybody Dies” from The Outpost
“Future Shock Work in Progress” from The Shock of the Future
“Gratia Plena” from Fatima
“Husavik” from Eurovision Song Contest: The Story of Fire Saga
“Jah Jah Ding Dong” from Eurovision Song Contest: The Story of Fire Saga
“Metamorph” from Gunpowder Heart
“The Spirit of Christmas” from The Christmas Chronicles 2
“True Love’s Flame” from What Did Jack Do?

Best Overall Use of Music

Bill & Ted Face The Music
Eurovision Song Contest: The Story of Fire Saga
Lovers Rock
Proising Young Woman
The Shock of the Future
Soul

Best Sound

Eurovision Song Contest: The Story of Fire Saga
Lovers Rock
The Outpost
Possessor
The Shock of the Future
Sound of Metal

Best Production Design

Eurovision Song Contest: The Story of Fire Saga
Emma
First Cow
i’m thinking of ending things
Possessor
The Shock of the Future

Best Casting

The Assistant
First Cow
Lovers Rock
Palm Springs
Promising Young Woman
The Vast of Night

Best Cinematography

First Cow
i’m thinking of ending things
Lovers Rock
Mank
She Dies Tomorrow
The Vast of Night

Best Makeup and Hairstyling

Bill & Ted Face The Music
i’m thinking of ending things
Eurovision Song Contest: The Story of Fire Saga
Hillbilly Elegy
Ma Rainey’s Black Bottom
Promising Young Woman

Best Costume Design

Emma
Eurovision Song Contest: The Story of Fire Saga
Fatima
First Cow
Ma Rainey’s Black Bottom
Tesla

Best Film Editing

Extraction
i’m thinking of ending things
The Outpost
Palm Springs
Promising Young Woman
The Way Back

Best Stuntwork

Bad Boys For Life
Birds of Prey
Bloodshot
Extraction
The Hunt
The Outpost

Best Visual Effects

The Christmas Chronicles 2
The Midnight Sky
The Outpost
Possessor
Radioactive
Tesla

Films By Number of Nominations

8 Nominations — First Cow, Promising Young Woman

7 Nominations — Eurovision Song Contest: The Story of Fire Saga, i’m thinking of ending things

6 Nominations — The Girl With A Bracelet, Lovers Rock, The Outpost, Shock of the Future, Soul, The Vast of Night

5 Nominations — Palm Springs, Possessor

4 Nominations — The Assistant, Bad Education, Sound of Metal

3 Nominations — Birds of Prey, Emma, Ma Rainey’s Black Bottom, She Dies Tomorrow, What Did Jack Do?

2 Nominations — Bill & Ted Face the Music, The Christmas Chronicles 2, Da 5 Bloods, Extraction, Fatima, Figurant, Gunpowder Heart, Hillbilly Elegy, The Life Ahead, Never Rarely Sometimes Always, Onward, Tesla, The Way Back

1 Nomination — Alabama Snake, Athlete A, Bad Boys For Life, Basic, Bettye Saar: Taking Care of Business, Bloodshot, Call of the Wild, Canvas, Driveways, Frances Ferguson, The Hater, Horse Girl, Host, The Hunt, If Anything Happens I Love You, John Was Trying To Contact Aliens, Lions in the Corner, Mangrove, Mank, Midnight Sky, The Mystery of D.B. Cooper, Natalie Wood: What Remains Behind, One Night in Miami, Quilt Fever, Radioactive, Red Shoes and the Seven Dwarfs, Red White and Blue, Run/On, A Shaun The Sheep Movie: Farmageddon, The Social Dilemma, Tread, Waffle

Films By Number of Oscars Won

3 Oscars — The Girl With A Bracelet, Promising Young Woman

1 Oscar — The Assistant, Bad Education, Driveways, Eurovision Song Contest: The Story of Fire Saga, Figurant, First Cow, Frances Ferguson, If Anything Happens I Love You, i’m thinking of ending things, John Was Trying To Contact Aliens, Lovers Rock, Ma Rainey’s Black Bottom, The Outpost, Palm Springs, Possessor, Shock of the Future, The Social Dilemma, Soul, Sound of Metal, The Vast of Night, What Did Jack Do?

Tomorrow, the Oscar nominations will be released and we’ll see if how much or, more likely, how little the Academy and I agree upon!

Nomadland Wins At The Satellite Awards


Here’s what won at the Satellite Awards on the 15th.  I apologize for being a bit late in posting this but the weather conspired to keep me from watching the Satellite Awards.

Actually, did anyone watch the Satellite Awards?  Does anyone even know who is even giving these things out?

Well, regardless, here’s what won in the film categories:

SPECIAL ACHIEVEMENT AWARD RECIPIENTS

Mary Pickford Award: Tilda Swinton
Tesla Award: Dick Pope
Auteur Award: Emerald Fennell – Promising Young Woman
Best First Feature: Channing Godfrey Peoples – Miss Juneteenth
Stunt Performance Award: Gaëlle Cohen
Humanitarian Award: Mark Wahlberg
Ensemble Motion Picture: The Trial of the Chicago 7
Ensemble Television: The Good Lord Bird

Actress in a Motion Picture Drama
Carey Mulligan – Promising Young Woman
Frances McDormand – Nomadland
Vanessa Kirby – Pieces of a Woman
Viola Davis – Ma Rainey’s Black Bottom
Kate Winslet – Ammonite
Sophia Loren – The Life Ahead

Actor in a Motion Picture Drama 
Anthony Hopkins – The Father
Delroy Lindo – Da 5 Bloods
Riz Ahmed – Sound of Metal
Steven Yeun – Minari
Chadwick Boseman – Ma Rainey’s Black Bottom
Gary Oldman – Mank

Actress in Motion Picture, Comedy or Musical 
Meryl Streep – The Prom
Rashida Jones – On the Rocks
Margot Robbie – Birds of Prey
Michelle Pfeiffer – French Exit
Maria Bakalova – Borat Subsequent Moviefilm
Anya Taylor-Joy – Emma

Actor in Motion Picture, Comedy or Musical
Andy Samberg – Palm Springs
Lin-Manuel Miranda – Hamilton
Dev Patel – The Personal History of David Copperfield
Sacha Baron Cohen – Borat Subsequent Moviefilm
Leslie Odom Jr. – Hamilton

Actress in a Supporting Role
Amanda Seyfried – Mank
Olivia Colman – The Father
Yuh-Jung Youn – Minari
Ellen Burstyn – Pieces of a Woman
Nicole Kidman – The Prom
Helena Zengel – News of the World

Actor in a Supporting Role
Brian Dennehy – Driveways
David Strathairn – Nomadland
Sacha Baron Cohen – The Trial of the Chicago 7
Chadwick Boseman – Da 5 Bloods
Kingsley Ben-Adir – One Night in Miami
Bill Murray – On the Rocks

Motion Picture, Drama
Nomadland
The Trial of the Chicago 7
The Father
Promising Young Woman
Minari
Ma Rainey’s Black Bottom
Tenet
Sound of Metal
One Night in Miami
Miss Juneteenth

Motion Picture, Comedy or Musical 
On the Rocks
Hamilton
Borat Subsequent Moviefilm
Palm Springs
The Personal History of David Copperfield
The Forty-Year-Old Version

Motion Picture, International
Another Round
Tove
A Sun
Two of Us
Jallikattu
I’m No Longer Here
Atlantis
My Little Sister
La Llorona

Motion Picture, Animated or Mixed Media
Over the Moon
Soul
Wolfwalkers
Demon Slayer-Kimetsu No Yaiba-The Movie: Mugen Train
Accidental Luxuriance of the Translucent Watery Rebus
No. 7 Cherry Lane

Motion Picture, Documentary
Collective
Crip Camp
MLK / FBI
The Dissident
A Most Beautiful Thing
The Truffle Hunters
Acasa, My Home
Coup 53
Gunda
Circus of Books

Director
Aaron Sorkin – The Trial of the Chicago 7
Chloé Zhao – Nomadland
David Fincher – Mank
Darius Marder – Sound of Metal
Lee Isaac Chung – Minari
Florian Zeller – The Father

Screenplay, Original
Lee Isaac Chung – Minari
Aaron Sorkin – The Trial of the Chicago 7
Jack Fincher – Mank
Pete Docter, Mike Jones & Kemp Powers – Soul
Andy Siara – Palm Springs
Emerald Fennell – Promising Young Woman

Screenplay, Adapted
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Christopher Hampton & Florian Zeller – The Father
Jessica Bruder & Chloe Zhao – Nomadland
Kemp Powers – One Night in Miami
Edoardo Ponti – The Life Ahead
Luke Davies & Paul Greengrass – News of the World

Original Score
Ludwig Goransson – Tenet
Trent Reznor & Atticus Ross – Mank
Alexandre Desplat – The Midnight Sky
James Newton Howard – News of the World
Emile Mosseri – Minari
Terence Blanchard – One Night in Miami

Original Song
“Io Si” – The Life Ahead
“Hear My Voice” – The Trial of the Chicago 7
“Rocket to the Moon” – Over the Moon
“Speak Now” – One Night in Miami
“Everybody Cries” – The Outpost
“The Other Side” – Trolls World Tour

Cinematography
The Midnight Sky
Nomadland
Mank 
News of the World
One Night in Miami
Tenet

Film Editing
Nomadland
The Father
The Trial of the Chicago 7
Mank
One Night in Miami
Minari

Sound (Editing and Mixing)
Sound of Metal
Tenet
Mank
The Prom
The Midnight Sky
Nomadland

Visual Effects
The Midnight Sky
Mank
Tenet    
Birds of Prey
Greyhound
Mulan

Art Direction and Production Design
The Personal History of David Copperfield
One Night in Miami
Mank
The Midnight Sky
The Prom
Mulan

Costume Design
Mulan
Emma
Ma Rainey’s Black Bottom
Mank
The Personal History of David Copperfield
One Night in Miami

Lisa Marie Picks The 30 Top Films of 2020


Well, it’s finally time!  It’s time for me to announce my picks for the best films of 2020.

Before we begin, there is one thing I want to make clear.  Unlike the Academy, I did not extend my eligibility window.  Films like Nomadland, Minari, and The Father (amongst others) will undoubtedly be competing for the Oscar for Best Picture of 2020.  However, as far as I’m concerned, those are all 2021 films.  And I imagine that a few of them will probably appear on my best films of 2021 list.  However, the list below are my picks for the best films of 2020.  You’ll probably agree with some of my picks and disagree with some of the others.  As always, I welcome any and all comments.

Also, be sure to check out my picks for 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018, and 2019!  Wow, I’ve been doing this for a while!

And now, in descending order, my favorites of 2020!

30. Money Plane (dir by Andrew Lawrence) — Okay, I can sense that you’re already rolling your eyes at my list by seriously, Money Plane is such a cheerfully absurd and self-aware little B-movie that there’s no way I couldn’t include it.  Seriously, how can you not love a film that features Kelsey Grammer always a gangster known as the Rumble?  Basically, as soon as I heard that priceless declaration of “We are going to rob the Money Plane!,” this movie had me under its spell.

29. Ma Rainey’s Black Bottom (dir by George C. Wolfe) — Though this adaptation of August Wilson’s play never quite escapes its theatrical roots, no one can deny the powerful performances of Viola Davis, Colman Domingo, Glynn Turman, and especially Chadwick Boseman.  Boseman dominates the film from the minute that he makes his first appearance, playing an ambitious, troubled, and undeniably talented trumpeter.  Viola Davis plays Ma Rainey with the self-awareness of someone who knows that the record producers need her more than she needs them.  She has the power and she’s not going to let anyone get away with forgetting it.

28. The Invisible Man (dir by Leigh Wannell) — Before the Academy announced that they would be changing their rules to considers streaming movies, many critics speculated that one of the results of the pandemic would be The Invisible Man winning all of the Oscars.  Though they may have been joking, it was not as outlandish an idea as they seemed to think.  The Invisible Man is a horror film that proves that being a genre film does not mean that film can’t also be a good and thought-provoking work of art.  The Invisible Man breathes new life into a somewhat hokey premise and Elisabeth Moss gives a great performance as a woman stalked by her abusive (and now invisble) ex.  The Invisible Man features one of the best ending scenes of 2020.

27. The Hunt (dir by Craig Zobel) — Delayed due to a manufactured controversy and released to critical bafflement, The Hunt is a clever satire of our hyper-partisan and hyper-polarized society.  The film’s final twist is a clever commentary on social media drama and Hillary Swank steals the show with an unexpected cameo.

26. One Night In Miami (dir by Regina King) — I went back and forth on this one.  Based on a stage play, this film imagines what happened the night that Malcolm X, Jim Brown, Sam Cooke, and Muhammad Ali met in a Miami motel room.  There are a few times that the film is undoubtedly a bit too stagey for its own good and, early on, some of the dialogue is a bit too on the nose.  But the film has a cumulative power and, despite a few uneven moments, it’s ultimately an intriguing look at race, celebrity, and political activism in America.  A good deal of the film’s power is due to the ensemble.  While most of the awards chatter seems to be focused on Leslie Odom, Jr. as Sam Cooke, it’s Aldis Hodge’s Jim Brown who truly anchors the film.

25. Gunpowder Heart (dir by Camila Urrutia) — This raw and angry film from Guatemala was one of the more powerful films to be featured at 2020’s virtual South By Southwest.  In Guatemala City, Maria and her girlfriend Claudia are assaulted by three men.  Maria wants revenge, no mater what.  Claudia, the more cautious of the two, knows that Maria’s plans are going to end in tragedy and disaster but she also knows that there’s nothing she can do to stop her.  Gunpowder Heart isn’t always easy to watch but it’s undeniably powerful.

24. The Shock of the Future (dir by Marc Collin) — Taking place in 1978, this French film follows one day in the life of a composer named Ana (Alma Jodorowsky).  It’s a typical day — Anna wakes up, a friend comes by with the latest albums, Anna tries to compose music, she goes to a party, and she hears the newest music.  It’s a simple but effective celebration of both music and the thrill of having your entire creative life ahead of you.  Alma Jodorowsky is brilliant in the role of Anna.

23. She Dies Tomorrow (dir by Amy Seimetz) — This a disturbing mood piece about a woman who is convinced that she is going to die in a day.  Everyone who she meets also becomes convinced that they’re going to die within 24 hours.  Some of them go out of their way to make sure that it happens while others just wait for death to come.  Is it a mass delusion or is it something else?  The atmospheric film may raise more questions than it answers but it will definitely stick with you.

22. Driveways (dir by Andrew Ahn) — Kathy (Hong Chau) and her young son, Cody (Lucas Jaye), move into the home that was owned by Kathy’s deceased sister.  In his final film appearance, Brian Dennehy plays the gruff but caring neighbor who befriends both Cody and his mother.  This is a low-key but emotionally resonant film, elevated by Dennehy’s heartfelt performance.

21. Figurant (dir by Jan Vejnar) — Clocking in at 14 minutes, this unsettling but powerful French/Czech co-production tells the story of a quiet man (Denis Levant) who follows a group of younger men into a warehouse and who soon finds himself in uniform and on a battlefield.  Or is he?  It’s not an easy question to answer but this intriguing short film will keep you watching, guessing, and thinking.

20. What Did Jack Do? (dir by David Lynch) — David Lynch interrogates a monkey in an expressionistic train station.  The monkey talks about a chicken and sings a song about true love’s flame.  “Are you now or have you ever been a member of the communist party?” Lynch asks.  It’s a brilliant short film and really, it’s the sort of thing that only David Lynch, with his mix of earnestness and eccentricity, could have pulled off.  Technically, this film was made a few years ago but it only got it’s official premiere in 2020, when Netflix released it on Lynch’s birthday.

19. Red, White, and Blue (dir by Steven McQueen) — Steve McQueen’s Small Axe was made up of five short films.  Three of them appear on this list.  There’s been a lot of debate about whether or not the Small Axe films should be considered individual features or if they should be considered a miniseries.  Obviously, I see them as being individual features but, in the end, they’re brilliant and thought-provoking regardless of whether they’re television or film.  Red, White, and Blue takes a nuanced look at institutional racism and features an excellent lead performance from John Boyega.

18. Mr. Jones (dir by Agnieszka Holland) — A film that deserved more attention than it received, Mr. Jones tells the story of Gareth Jones, the Welsh journalist who, in 1933, discovered the truth about the state-sponsored famine that was killing millions in the Ukraine.  Despite his efforts, the press refused to report on what was really happening in the Ukraine and instead, an odious propagandist named Walter Duranty was awarded a Pulitzer prize for writing pro-Stalin stories that were later determined to be full of deliberate lies.  An important and heartfelt film, Mr. Jones features a subtle but effective lead performance from James Norton and a memorable supporting turn from Peter Sarsgaard, who plays Walter Duranty as a smug snake.

17. The Outpost (dir by Rod Lurie) — Based on a true story and directed by Rod Lurie, this film pays tribute to the men who have fought and died in America’s forgotten conflict, the War in Afghanistan.  Well-acted and doggedly unsentimental, The Outpost will literally leave you breathless.

16. Emma (dir by Autumn de Wilde) — The latest adaptation of Jane Austen’s much-adapted novel, Emma has a playful spirit that is lacking in so many other literary adaptations.  It also has a great performance from Anya Taylor-Joy, who makes the character of Emma Woodhouse her own.

15. Never Rarely Sometimes Always (dir by Eliza Hittman) — Two teenagers, Autumn (Sidney Flanigan) and her cousin Skylar (Talia Ryder), travel to New York City from Pennsylvania so that Autumn can get an abortion without having to get her parent’s consent.  Though I’m occasionally a bit skeptic of cinema verite, Never Rarely Sometimes Always makes good use of the style.  Far more than just being a film about abortion, it’s a character study of two people trying to survive in a harsh world.  The scene where the previously withdrawn Autumn is prodded to open up about her past is one of the most powerful of the year.

14. Possessor (dir by Brandon Cronenberg) — Brandon Cronenberg’s disturbing sci-fi/horror hybrid is not an easy film to explain or to even describe.  Questions of identity and betrayal are mixed with grotesque images of body horror and societal neglect.  By the end of the film, you’ll find yourself reconsidering everything that you previously assumed about the movie.  This one sticks with you, even though you may not want it to.  (How’s that for a recommendation?)

13. Horse Girl (dir by Jeff Baena) — This is a film that definitely deserved a bit more attention than it received.  Alison Brie gives a brave and sympathetic performance as someone who believes that she’s a clone who has been abducted by aliens.  Is she suffering from delusions brought on by a combination of loneliness and too much television?  Or is she right?  The film will leave you guessing.  While Brie is at the center of almost every scene, Molly Shannon also gives a good performance as one of Brie’s only friends.

12. Sound of Metal (dir by Darius Marder) — Riz Ahmed plays an occasionally obnoxious drummer who goes deaf.  Worried that Ahemd is going to relapse into drug use, his girlfriend and musical partner (Olivia Cooke) checks him into a rehab center for the deaf.  With the help of a sympathetic but no-nonsense counselor (Paul Raci), Ahmed struggles to come to accept the loss of sound and music from his life.  The three main performances elevate this film, making it one of the year’s best.  In the film’s best moments, we hear the world through Ahmed’s ears and experience what he’s experiencing.

11. Mangrove (dir by Steve McQueen) — The first film in Steve McQueen’s Small Axe anthology tells the story of a true life court case.  Politically charged from beginning to end and leaving no doubt as to what the true stakes were in the case, Mangrove is the film that Trial of The Chicago 7 should have been.

10. Soul (dir by Peter Docter) — The latest from PIXAR made me cry as only a great PIXAR film can.  A music teacher named Joe (voices by Jamie Foxx) falls down a manhole shortly after winning his dream job in a jazz band.  Unwilling to die before performing on stage, Joe finds himself in the Great Before, assigned to teach an unborn soul named 22 (voiced by Tina Fey) what it means to be human …. okay, you know what?  This film has one of those plots that sounds silly if you try to explain it.  What matters is that it’s a heartfelt film that celebrates every minute of life.  Foxx and Fey both do wonderful voice work and the animation is as clever as always.  Plus, there’s a cat!

9. The Vast of Night (dir by Andrew Patterson) — This low-budget film is a wonderfully atmospheric look at what may or may not be an alien invasion taking place in the 1950s.  Featuring wonderfully naturalistic performances and an intelligent storyline, The Vast of Night is a triumph of the independent spirit.  I can’t wait to see what Andrew Patterson does next.

8. Lovers Rock (dir by Steve McQueen) — The 2nd film is Steve MQueen’s Small Axe anthology, Lovers Rock centers on one exhilarating house party.  Though the world outside of this party may be harsh and full of oppression and racism (a group of white teens shout racial slurs at one partygoer when she steps outside of the house), the world inside of the party is one of love, music, and celebration.

7. i’m thinking of ending things (dir by Charlie Kaufman) — A riddle wrapped in an enigma, i’m thinking of ending things features great performance from Jessie Buckley, Jesse Plemons, Toni Collette, and David Thewlis.  What starts out as an awkward drive to visit Plemons’s parents grows increasingly more and more surreal until the audience is left to wonder what is real, what is fantasy, and whether the majority of the film’s characters even exist.  This film plays out like a dream and stays with you long after it end.

6. Palm Springs (dir by Max Barbakow) — Perhaps the ultimate twist on Groundhog Day, Palm Springs is a thought-provoking comedic gem from Lonely Island Classic Pictures.  Andy Samberg, J.K. Simmons, and Cristin Milioti find themselves living the same day over and over again.  Each one reacts to their predicament in a different way.  It’ll make you laugh and then it’ll make you cry.  Revealing too much else about the plot would be a crime.  It’s on Hulu so go watch it.

5. The Assistant (dir by Kitty Green) — This infuriating and ultimately tragic film follows one day in the life of Jane (Julia Garner), a production assistant at a film company.  Though he’s never seen, Jane’s boss is clearly meant to be a fictionalized version of Harvey Weinstein.  Should Jane save her career or try to warn the actress that her boss has clearly set his eyes upon as his next victim?  The scene where the head of HR assures Jane that she needn’t worry about her boss’s behavior because “you’re not his type,” rings all too horribly true.  The Assistant was obviously designed to be a rallying call for #MeToo but sadly, today, it feels more like an obituary.

Bad Education

4. Bad Education (dir by Cory Finley) — All year, I have been lamenting the fact that Bad Education was bought by HBO and not Netflix.  If it had been released on Netflix, it would probably be an Oscar contender and Hugh Jackman would be in the hunt for his first Best Actor Oscar.  Instead, it aired on HBO and it had to settle for limited Emmy recognition.  It’s a shame because this film, which centers on embezzlement at one suburban school, was one of the best of 2020.  At a time when we’re being told not to question authority, Bad Education encourages us to question everything.  Along with being thought-provoking, it’s also occasionally laugh out loud funny.  Jackman is brilliant in the lead role.  Allison Janney is award-worthy as his partner-in-crime.  Ray Romano takes another step in proving that he’s more than just a sitcom actor.  All in all, this was a great movie.

3. First Cow (dir by Kelly Reichardt) — This melancholy tale follows two men who meet in Oregon in the 1820s and who become unlikely business partners.  Unfortunately, being partners means stealing milk from Toby Jones’s cow and thievery was even less appreciated in the 1820s than it is today. Featuring outstanding lead performances from Jon Magaro and Orion Lee, First Cow is a rewarding work of historical fiction.  Kelly Reichardt makes you feel as if you’ve woken up in the 1820s, even as she uses the past to comment upon the present.  This probably isn’t a film for everyone.  Reichardt’s style has always been more about observing than passing judgment.  But for viewers willing to stick with it, this deliberately paced film is a rewarding experience.

Finally, when it comes to the best film of the year, I’ve been going back and forth between two films.  In the end, I have to declare a tie.  In alphabetical order by title, here are the two best films of 2020:

2. The Girl With A Bracelet (dir by Stéphane Demoustier) — This French film is about a teenage girl who is on trial for murdering her best friend.  Whether or not she’s guilty is ultimately less important than why everyone has been so quick to accuse her in the first place.  Featuring an outstanding ensemble and an intelligent script, The Girl With A Bracelet will leave you thinking about …. well, everything.  It can currently be viewed on Prime.

1. Promising Young Woman (dir by Emerald Fennell) — When I first started watching this film, I worried that it might be too stylized to be effective.  But it soon became apparent the director/screenwriter Emerald Fennell and star Carey Mulligan both knew exactly what they needed to do to tell this story.  Mulligan plays a med school drop-out who is seeking her own unique style of revenge against not only the men who raped her best friend in college but also the people who Mulligan feels subsequently let her friend down.  Bo Burnham plays the pediatrician who asks Mulligan out on a date and who appears to be the perfect nice guy, the adorably awkward boyfriend who you you would expect to find in a 90s rom com.  Neither character turns out to be exactly who they initially appeared to be.  Promising Young Woman mixes genres that normally don’t go together, smashing together drama and comedy, and it’s just audacious enough to be one of the best films of the year.

 

 

TSL Looks Back at 2020:

  1. 2020 In Review: The Best of Lifetime (Lisa Marie Bowman)
  2. 12 Good Things I Saw On Television in 2020 (Lisa Marie Bowman)
  3. Lisa Marie’s Top 8 Novels of 2020 (Lisa Marie Bowman)
  4. Lisa Marie’s Top 8 Non-Fiction Books of 2020 (Lisa Marie Bowman)
  5. Lisa Marie’s 20 Favorite Songs of 2020 (Lisa Marie Bowman)
  6. Lisa Marie’s 16 Worst Films of 2020 (Lisa Marie Bowman)
  7. My Top 20 Albums of 2020 (Necromoonyeti)
  8. 25 Best, Worst, and Gems That I Saw In 2020 (Valerie Troutman)
  9. Top 10 Vintage Collections (Ryan C)
  10. Top 10 Contemporary Collections (Ryan C)
  11. Top 10 Original Graphic Novels (Ryan C)
  12. Top 10 Ongoing Series (Ryan C.)
  13. Top 10 Special Mentions (Ryan C.)
  14. Top Ten Single Issues (Ryan C)

Here Are the 2020 Satellite Nominations!


If the Golden Globes are the bastard children of the Oscars than the Satellites are the bastard children of the Golden Globes.  And if there’s anything that will always hold true, it’s that bastard children can eventually be accepted but bastard grandchildren are always going to struggle.  That’s my fancy way of saying that the Satellites have been around for 25 years and still, it doesn’t seem like anyone pays them much attention.  It’s also an excuse to use the word bastard 4 times in one paragraph.

Anyway, the Satellites announced their nominees earlier today.  Their film nominees can be found below!  If you want to see what they nominated in the television categories, check it out for yourself at their site!

SPECIAL ACHIEVEMENT AWARD RECIPIENTS

Mary Pickford Award: Tilda Swinton
Tesla Award: Dick Pope
Auteur Award: Emerald Fennell – Promising Young Woman
Best First Feature: Channing Godfrey Peoples – Miss Juneteenth
Stunt Performance Award: Gaëlle Cohen
Humanitarian Award: Mark Wahlberg
Ensemble Motion Picture: The Trial of the Chicago 7
Ensemble Television: The Good Lord Bird

NOMINEES FOR MOTION PICTURE

Actress in a Motion Picture Drama
Carey Mulligan – Promising Young Woman
Frances McDormand – Nomadland
Vanessa Kirby – Pieces of a Woman
Viola Davis – Ma Rainey’s Black Bottom
Kate Winslet – Ammonite
Sophia Loren – The Life Ahead

Actor in a Motion Picture Drama
Anthony Hopkins – The Father
Delroy Lindo – Da 5 Bloods
Riz Ahmed – Sound of Metal
Steven Yeun – Minari
Chadwick Boseman – Ma Rainey’s Black Bottom
Gary Oldman – Mank

Actress in Motion Picture, Comedy or Musical
Meryl Streep – The Prom
Rashida Jones – On the Rocks
Margot Robbie – Birds of Prey
Michelle Pfeiffer – French Exit
Maria Bakalova – Borat Subsequent Moviefilm
Anya Taylor-Joy – Emma

Actor in Motion Picture, Comedy or Musical
Andy Samberg – Palm Springs
Lin-Manuel Miranda – Hamilton
Dev Patel – The Personal History of David Copperfield
Sacha Baron Cohen – Borat Subsequent Moviefilm
Leslie Odom Jr. – Hamilton

Actress in a Supporting Role
Amanda Seyfried – Mank
Olivia Colman – The Father
Yuh-Jung Youn – Minari
Ellen Burstyn – Pieces of a Woman
Nicole Kidman – The Prom
Helena Zengel – News of the World

Actor in a Supporting Role
Brian Dennehy – Driveways
David Strathairn – Nomadland
Sacha Baron Cohen – The Trial of the Chicago 7
Chadwick Boseman – Da 5 Bloods
Kingsley Ben-Adir – One Night in Miami
Bill Murray – On the Rocks

Motion Picture, Drama
Nomadland
The Trial of the Chicago 7
The Father
Promising Young Woman
Minari
Ma Rainey’s Black Bottom
Tenet
Sound of Metal
One Night in Miami
Miss Juneteenth

Motion Picture, Comedy or Musical
On the Rocks
Hamilton
Borat Subsequent Moviefilm
Palm Springs
The Personal History of David Copperfield
The Forty-Year-Old Version

Motion Picture, International
Another Round
Tove
A Sun
Two of Us
Jallikattu
I’m No Longer Here
Atlantis
My Little Sister
La Llorona

Motion Picture, Animated or Mixed Media
Over the Moon
Soul
Wolfwalkers
Demon Slayer-Kimetsu No Yaiba-The Movie: Mugen Train
Accidental Luxuriance of the Translucent Watery Rebus
No. 7 Cherry Lane

Motion Picture, Documentary
Collective
Crip Camp
MLK / FBI
The Dissident
A Most Beautiful Thing
The Truffle Hunters
Acasa, My Home
Coup 53
Gunda
Circus of Books

Director
Aaron Sorkin – The Trial of the Chicago 7
Chloé Zhao – Nomadland
David Fincher – Mank
Darius Marder – Sound of Metal
Lee Isaac Chung – Minari
Florian Zeller – The Father

Screenplay, Original
Lee Isaac Chung – Minari
Aaron Sorkin – The Trial of the Chicago 7
Jack Fincher – Mank
Pete Docter, Mike Jones & Kemp Powers – Soul
Andy Siara – Palm Springs
Emerald Fennell – Promising Young Woman

Screenplay, Adapted
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Christopher Hampton & Florian Zeller – The Father
Jessica Bruder & Chloe Zhao – Nomadland
Kemp Powers – One Night in Miami
Edoardo Ponti – The Life Ahead
Luke Davies & Paul Greengrass – News of the World

Original Score
Ludwig Goransson – Tenet
Trent Reznor & Atticus Ross – Mank
Alexandre Desplat – The Midnight Sky
James Newton Howard – News of the World
Emile Mosseri – Minari
Terence Blanchard – One Night in Miami

Original Song
“Io Si” – The Life Ahead
“Hear My Voice” – The Trial of the Chicago 7
“Rocket to the Moon” – Over the Moon
“Speak Now” – One Night in Miami
“Everybody Cries” – The Outpost
“The Other Side” – Trolls World Tour

Cinematography
The Midnight Sky
Nomadland
Mank
News of the World
One Night in Miami
Tenet

Film Editing
Nomadland
The Father
The Trial of the Chicago 7
Mank
One Night in Miami
Minari

Sound (Editing and Mixing)
Sound of Metal
Tenet
Mank
The Prom
The Midnight Sky
Nomadland

Visual Effects
The Midnight Sky
Mank
Tenet
Birds of Prey
Greyhound
Mulan

Art Direction and Production Design
The Personal History of David Copperfield
One Night in Miami
Mank
The Midnight Sky
The Prom
Mulan

Costume Design
Mulan
Emma
Ma Rainey’s Black Bottom
Mank
The Personal History of David Copperfield
One Night in Miami

Here Are The Winners of 2020 Hollywood Music In Medi Awards


The winners are listed in bold!

ORIGINAL SCORE – FEATURE FILM
DA 5 BLOODS (Netflix) – Terence Blanchard
THE LIFE AHEAD (LA VITA DAVANTI A SE) (Netflix) – Gabriel Yared
MA RAINEY’S BLACK BOTTOM (Netflix) – Branford Marsalis
MANK (Netflix) – Trent Reznor, Atticus Ross
THE MIDNIGHT SKY (Netflix) – Alexandre Desplat
NEWS OF THE WORLD (Universal Pictures / Netflix) – James Newton Howard
PIECES OF A WOMAN (Netflix) – Howard Shore
THE TRIAL OF THE CHICAGO 7 (Netflix) – Daniel Pemberton

ORIGINAL SCORE – INDEPENDENT FILM
THE 24TH (Vertical Entertainment) – Alex Heffes
AMMONITE (Neon) – Dustin O’Halloran, Volker Bertelmann
THE GLORIAS (LD Entertainment / Roadside Attractions) – Elliot Goldenthal
MINARI (A24) – Emile Mosseri
SHIRLEY (Neon) – Tamar-kali
WILD MOUNTAIN THYME (Bleecker Street Media) – Amelia Warner

ORIGINAL SCORE – ANIMATED FILM
THE CROODS: A NEW AGE (Universal Pictures) – Mark Mothersbaugh
ONWARD (Walt Disney Studios) – Mychael Danna, Jeff Danna
SHAUN THE SHEEP: FARMAGEDDON (Netflix) – Tom Howe
SOUL (Walt Disney Studios) – Trent Reznor, Atticus Ross, Jon Batiste
WOLFWALKERS (Apple TV+) – Bruno Coulais

ORIGINAL SCORE – SCI-FI/FANTASY
THE NEW MUTANTS (Walt Disney Studios Motion Pictures / Disney+) – Mark Snow
THE OLD GUARD (Netflix) – Volker Bertelmann, Dustin O’Halloran
PALM SPRINGS (Neon) – Matthew Compton
TENET (Warner Bros. / HBO Max) – Ludwig Görannson
WONDER WOMAN 1984 (Warner Bros. / HBO Max) – Hans Zimmer

ORIGINAL SCORE – HORROR FILM
ANTEBELLUM (Lionsgate Films) – Nate Wonder, Roman GianArthur
THE DARK AND THE WICKED (RLJE Films / Shudder) – Tom Schraeder
THE EMPTY MAN (Walt Disney Studios) – Christopher Young, Lustmord
THE INVISIBLE MAN (Universal Pictures) – Benjamin Wallfisch
SWALLOW (IFC Films) – Nathan Halpern

ORIGINAL SCORE – DOCUMENTARY
ATHLETE A (Netflix) – Jeff Beal
CRIP CAMP (Netflix) – Bear McCreary
DAVID ATTENBOROUGH: A LIFE ON OUR PLANET (Netflix) – Steven Price
JOHN LEWIS: GOOD TROUBLE (Magnolia Pictures / Participant) – Tamar-kali
RISING PHOENIX (Netflix) – Daniel Pemberton

ORIGINAL SONG – FEATURE FILM
“Fight for You” from JUDAS AND THE BLACK MESSIAH – Written by H.E.R., Dernst Emile II, Tiara Thomas. Performed by H.E.R. (Warner Bros. / HBO Max)
“Hear My Voice” from THE TRIAL OF THE CHICAGO 7 – Written by Daniel Pemberton, Celeste. Performed by Celeste (Netflix)
“Húsavík (Hometown)” from EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA – Written by Savan Kotecha, Rickard Göransson, Fat Max Gsus. Performed by Will Ferrell, Rachel McAdams, Molly Sandén (Netflix)
“The Plan” from TENET – Written by Jacques Webster II, Ebony Naomi Oshunrinde, Ludwig Göransson. Performed by Travis Scott (Warner Bros. Home Entertainment / HBO Max)
“Poverty Porn” from THE FORTY-YEAR-OLD VERSION – Written by Radha Blank, Khrysis. Performed by RadhaMUSPrime (Netflix)
“Seen (lo Sì)” from THE LIFE AHEAD (LA VITA DAVANTI A SE) – Written by Diane Warren, Laura Pausini, Niccolò Agliardi. Performed by Laura Pausini (Netflix)
“Speak Now” from ONE NIGHT IN MIAMI – Written by Leslie Odom Jr., Sam Ashworth. Performed by Leslie Odom Jr. (Amazon Studios)
“Tigress & Tweed” from THE UNITED STATES VS. BILLIE HOLIDAY – Written by Raphael Saadiq, Andra Day. Performed by Andra Day (Hulu)

ORIGINAL SONG – INDEPENDENT FILM
“Everybody Cries” from THE OUTPOST – Written by Rod Lurie, Larry Groupé, Rita Wilson. Performed by Rita Wilson (Screen Media Films)
“I’ll Be Singing” from WILD MOUNTAIN THYME – Written by Amelia Warner, John Patrick Shanley. Performed by Sinéad O’Connor (Bleecker Street Media)
“Rain Song” from MINARI – Written by Emile Mosseri, Stefanie Hong. Performed by Yeri Han (A24)
“Staring At A Mountain” from NEVER RARELY SOMETIMES ALWAYS – Written by Sharon Van Etten. Performed by Sharon Van Etten (Focus Features / HBO Max)

ORIGINAL SONG – ANIMATED FILM
“Carried Me With You” from ONWARD – Written by Brandi Carlile, Phil Hanseroth, Tim Hanseroth. Performed by Brandi Carlile (Walt Disney Studios Motion Pictures / Disney+)
“Feel the Thunder” from THE CROODS: A NEW AGE – Written by Alana Haim, Danielle Haim, Este Haim and Ariel Rechtshaid. Performed by HAIM (Universal Pictures)
“Free” from THE ONE AND ONLY IVAN – Written by Diane Warren. Performed by Charlie Puth (Walt Disney Studios Motion Pictures / Disney+)
“Just Sing” from TROLLS WORLD TOUR – Written by Max Martin, Justin Timberlake, Ludwig Göransson, Sarah Aarons (Universal Studios)
“Rocket to the Moon” from OVER THE MOON – Written by Christopher Curtis, Marjorie Duffield, Helen Park. Performed by Cathy Ang (Netflix)
“Stand for Hope – When I Stand with You” from TWO BY TWO: OVERBOARD! – Written by Eímear Noone. Performed by Sibéal (Entertainment One)

ORIGINAL SONG – DOCUMENTARY
“The Future” from THE WAY I SEE IT – Written by Aloe Blacc. Performed by Aloe Blacc (Focus Features)
“How Can I Tell You?” From NASRIN – Written by Lynn Ahrens, Stephen Flaherty. Performed by Angelique Kidjo (Virgil Films & Entertainment)
“Never Break” from GIVING VOICE – Written by John Legend, Nasri Atweh, Benjamin Hudson McIldowie, Greg Wells, John Stephens. Performed by John Legend (Netflix)
“Only The Young” from MISS AMERICANA – Written by Taylor Swift, Joel Little. Performed by Taylor Swift (Netflix)
“See What You’ve Done” from BELLY OF THE BEAST – Written by Mary J. Blige, Nova Wav, DJ Camper. Performed by Mary J. Blige (PBS)
“Turntables” from ALL IN: THE FIGHT FOR DEMOCRACY – Written by Janelle Monáe. Performed by Janelle Monáe (Amazon)

ORIGINAL SCORE – INDEPENDENT FILM (FOREIGN LANGUAGE)
ALL AGAINST ALL (Fivia) – Kristian Sensini
BLACK BEACH (eOne Films Spain) – Arturo Cardelus
BLIZZARD OF SOULS (DVĒSEĻU PUTENIS) (Access – A / Pandastorm) – Lolita Ritmanis
SUMMER KNIGHT (China Film Administration) – Min He
ZERØ (Nemesis Media) – Ricardo Curto

OUTSTANDING MUSIC SUPERVISION – FILM
Angela Leus – TROLLS WORLD TOUR (Universal Studios)
Bonnie Greenberg – THE LIFE AHEAD (LA VITA DAVANTI A SE) (Netflix)
Guy C. Routte – THE FORTY-YEAR-OLD VERSION (Netflix)
Linda Cohen – THE HIGH NOTE (Focus Features)
Lynn Fainchtein – THE UNITED STATES VS. BILLIE HOLIDAY (Hulu)
Sue Jacobs – PROMISING YOUNG WOMAN (Focus Features)
Tom MacDougall – SOUL (Walt Disney Studios)

SOUNDTRACK ALBUM
ASSASSIN’S CREED VALHALLA (Lakeshore Records)
BILL & TED: FACE THE MUSIC (Lakeshore Records)
JINGLE JANGLE: A CHRISTMAS JOURNEY (Atlantic Records)
ONWARD (Walt Disney Records)
PROMISING YOUNG WOMAN (Capitol Records)
SOUL (Walt Disney Records)
THE EDDY (Sony Classical)

The National Board of Review Honors Da 5 Bloods


In the past, the National Board of Review were considered to be a big deal because they were the first of the critics groups to announce their yearly awards and winning with the NBR could help to generate momentum for a film going into the awards season.  No one was really sure just who exactly the NBR voters were but they were the first to announce and that was all that mattered.

However, that all changed when the Academy decided to extend the year’s eligibility window and to also hold off on announcing the Oscar nominations into February.  The National Board Of Review followed suit and decided to hold off on handing out their awards until late January, presumably so that they could continue to be seen as Academy influencers.  As a result of bunch of regional critics got the jump on the NBR and now Nomadland and Promising Young Woman have so much momentum that it’s kind of hard to really care that the NBR honored Spike Lee’s Da 5 Bloods instead.

(That said, it is kind of interesting that Nomadland is kind of underrepresented as far as the NBR rewards are concerned.  It won for for Joshua James Richards’s cinematography and it was included as one of the “top films of the year,” but otherwise, it was pretty much ignored in favor of Da 5 Bloods, Promising Young Woman, Minari, and Sound of MetalNomadland didn’t even pick up the award for Best Adapted Screenplay, instead losing out to News of the World, a film that otherwise really hasn’t been a huge factor in 2020’s extended awards season.)

Anyway, for what their worth, here are the winners from the National Board of Review:

Best Film: “Da 5 Bloods”
Best Director: Spike Lee – “Da 5 Bloods”
Best Actor: Riz Ahmed – “Sound of Metal”
Best Actress: Carey Mulligan – “Promising Young Woman”
Best Supporting Actor: Paul Raci – “Sound of Metal”
Best Supporting Actress: Youn Yuh-jung – “Minari”
Best Adapted Screenplay: Paul Greengrass & Luke Davies – “News of the World”
Best Original Screenplay: Lee Isaac Chung – “Minari”
Breakthrough Performance: Sidney Flanigan – “Never Rarely Sometimes Always”
Best Directorial Debut: Channing Godfrey Peoples – “Miss Juneteenth”
Best Animated Feature: “Soul”
Best Foreign Language Film: “La Llorona”
Best Documentary: “Time”
NBR Icon Award: Chadwick Boseman
NBR Freedom of Expression Award: “One Night in Miami”
NBR Spotlight Award: Radha Blank for writing, directing, producing and starring in “The Forty-Year-Old Version”
Best Ensemble: “Da 5 Bloods”
Outstanding Achievement in Cinematography: Joshua James Richards – “Nomadland”

Top Films (in alphabetical order):
First Cow
The Forty-Year-Old Version
Judas and the Black Messiah
The Midnight Sky
Minari
News of the World
Nomadland
Promising Young Woman
Soul
Sound of Metal

Top 5 Foreign Language Films (in alphabetical order):
Apples
Collective
Dear Comrades
The Mole Agent
Night of the Kings

Top 5 Documentaries (in alphabetical order):
All In: The Fight for Democracy
Boys State
Dick Johnson is Dead
Miss Americana
The Truffle Hunters

Top 10 Independent Films (in alphabetical order):
The Climb
Driveways
Farewell Amor
Miss Juneteenth
The Nest
Never Rarely Sometimes Always
The Outpost
Relic
Saint Frances
Wolfwalkers

The Films of 2020: The Outpost (dir by Rod Lurie)


The Outpost, which is currently streaming on Netflix and which deserves far more attention than it’s been given, is a film that left me breathless.  Seriously, as the film came to its conclusion, I realized that I was so emotionally overwhelmed by what I had just seen that I actually had to stop for a few minutes and catch my breath.  Once I was breathing again, I started to cry.  I cried all the way through the end credits.  That’s the sign of a powerful film.

Based on a true story, The Outpost takes place in 2009.  PRT Kamdesh is an American military outpost in Northern Afghanistan.  The post is located in a valley.  The mountains, which rise high up into the sky, are not only beautiful but they also provide the perfect cover for the Taliban.  The outpost is attacked on a nearly daily basis.  At the start of the film, we’re told that one military strategist said that the base should have been named after George Custer because it was impossible to defend and that, should a big attack ever truly come, all 53 of the man on the base would essentially be sitting ducks.

The Outpost follows those 53 men as they go about their daily lives on the base.  Commanders die and are replaced.  The soldiers try to hold onto their sanity, even though they know that the “big attack” is inevitable.  Though more than a few of the men have families back home, they try not to think about them.  They can’t risk the distractions.  Even the act of adopting a dog is seen as being a potentially dangerous move.  The humor is dark, to the extent that the base’s theme song is “Everybody Dies.”  While dealing with daily attacks, the base’s commanders try to win the support of the local villagers.  One of the local elders asks if the Americans are the same invaders who have been in Afghanistan for the last 40 years.  “No,” the flummoxed commander tries to explain, “those were the Russians.”  It quickly becomes apparent that the soldiers and the villagers have at least one thing in common: no one is quite sure why the Americans are there or if they’ll ever able to leave.  Orders are sent down by faceless generals and the men of PRT Kamdesh wait for the attacks that they all know are coming,

When the attack does come, it leads to one of the most visceral battle scenes that I’ve ever seen.  There’s nothing glamorous about the way that The Outpost portrays war.  Instead, it’s a confusing, loud, and terrifying nightmare.  The Outpost establishes early on that anyone can die, an important lesson when you consider how many action movies have been made about heroes who are mythically impervious to even the slightest of injuries.

For roughly the final hour of the film, The Outpost puts us into the middle of the Battle of Kamdesh.  The film pays tribute to the soldiers who fought in the battle, showcasing their bravery and the quick thinking that kept the battle from being even more of a disaster than it was.  At the same time, it also reminds us that war is not fun and that the scars of combat are not just physical.  When a soldier breaks down into tears while trying to talk about the battle, the film treats his feelings with the respect that they deserve.  It’s been said that few people are as anti-war as the people who have actually experienced combat and The Outpost shows us why that is.

The Outpost is an important film.  It’s especially important now that we have a new president and the national media is probably going to go back to ignoring whatever happens in Afghanistan for at least the next four years.  For far too many people, it’s become the forgotten war, even though it’s still ongoing.  The Outpost is a film that reminds us that no war and no soldier should ever be forgotten.

I’ve been pretty critical of director Rod Lurie in the past but, with The Outpost, he’s given us one of the best films of 2020.

Here Are The 2020 Nominations of Hollywood Music In Media Awards!


For those of you who are still struggling to make your predictions as to which which films will be in the hunt for the Best Score and Best Song Oscars, the Hollywood Music In Media Awards are here to help out!  They released their nominations yesterday.  Below, you’ll find the nominees for the best in film.  If you want to see their TV and video game nominations, click here!

The main thing I like about the nominations below is that there’s a lot of them.  I support anything that adds a little more chaos and variety to awards season.  Keep everyone guessing!

Here are the film nominations:

ORIGINAL SCORE – FEATURE FILM
DA 5 BLOODS (Netflix) – Terence Blanchard
THE LIFE AHEAD (LA VITA DAVANTI A SE) (Netflix) – Gabriel Yared
MA RAINEY’S BLACK BOTTOM (Netflix) – Branford Marsalis
MANK (Netflix) – Trent Reznor, Atticus Ross
THE MIDNIGHT SKY (Netflix) – Alexandre Desplat
NEWS OF THE WORLD (Universal Pictures / Netflix) – James Newton Howard
PIECES OF A WOMAN (Netflix) – Howard Shore
THE TRIAL OF THE CHICAGO 7 (Netflix) – Daniel Pemberton

ORIGINAL SCORE – INDEPENDENT FILM
THE 24TH (Vertical Entertainment) – Alex Heffes
AMMONITE (Neon) – Dustin O’Halloran, Volker Bertelmann
THE GLORIAS (LD Entertainment / Roadside Attractions) – Elliot Goldenthal
MINARI (A24) – Emile Mosseri
SHIRLEY (Neon) – Tamar-kali
WILD MOUNTAIN THYME (Bleecker Street Media) – Amelia Warner

ORIGINAL SCORE – ANIMATED FILM
THE CROODS: A NEW AGE (Universal Pictures) – Mark Mothersbaugh
ONWARD (Walt Disney Studios) – Mychael Danna, Jeff Danna
SHAUN THE SHEEP: FARMAGEDDON (Netflix) – Tom Howe
SOUL (Walt Disney Studios) – Trent Reznor, Atticus Ross, Jon Batiste
WOLFWALKERS (Apple TV+) – Bruno Coulais

ORIGINAL SCORE – SCI-FI/FANTASY
THE NEW MUTANTS (Walt Disney Studios Motion Pictures / Disney+) – Mark Snow
THE OLD GUARD (Netflix) – Volker Bertelmann, Dustin O’Halloran
PALM SPRINGS (Neon) – Matthew Compton
TENET (Warner Bros. / HBO Max) – Ludwig Görannson
WONDER WOMAN 1984 (Warner Bros. / HBO Max) – Hans Zimmer

ORIGINAL SCORE – HORROR FILM
ANTEBELLUM (Lionsgate Films) – Nate Wonder, Roman GianArthur
THE DARK AND THE WICKED (RLJE Films / Shudder) – Tom Schraeder
THE EMPTY MAN (Walt Disney Studios) – Christopher Young, Lustmord
THE INVISIBLE MAN (Universal Pictures) – Benjamin Wallfisch
SWALLOW (IFC Films) – Nathan Halpern

ORIGINAL SCORE – DOCUMENTARY
ATHLETE A (Netflix) – Jeff Beal
CRIP CAMP (Netflix) – Bear McCreary
DAVID ATTENBOROUGH: A LIFE ON OUR PLANET (Netflix) – Steven Price
JOHN LEWIS: GOOD TROUBLE (Magnolia Pictures / Participant) – Tamar-kali
RISING PHOENIX (Netflix) – Daniel Pemberton

ORIGINAL SONG – FEATURE FILM
“Fight for You” from JUDAS AND THE BLACK MESSIAH – Written by H.E.R., Dernst Emile II, Tiara Thomas. Performed by H.E.R. (Warner Bros. / HBO Max)
“Hear My Voice” from THE TRIAL OF THE CHICAGO 7 – Written by Daniel Pemberton, Celeste. Performed by Celeste (Netflix)
“Húsavík (Hometown)” from EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA – Written by Savan Kotecha, Rickard Göransson, Fat Max Gsus. Performed by Will Ferrell, Rachel McAdams, Molly Sandén (Netflix)
“The Plan” from TENET – Written by Jacques Webster II, Ebony Naomi Oshunrinde, Ludwig Göransson. Performed by Travis Scott (Warner Bros. Home Entertainment / HBO Max)
“Poverty Porn” from THE FORTY-YEAR-OLD VERSION – Written by Radha Blank, Khrysis. Performed by RadhaMUSPrime (Netflix)
“Seen (lo Sì)” from THE LIFE AHEAD (LA VITA DAVANTI A SE) – Written by Diane Warren, Laura Pausini, Niccolò Agliardi. Performed by Laura Pausini (Netflix)
“Speak Now” from ONE NIGHT IN MIAMI – Written by Leslie Odom Jr., Sam Ashworth. Performed by Leslie Odom Jr. (Amazon Studios)
“Tigress & Tweed” from THE UNITED STATES VS. BILLIE HOLIDAY – Written by Raphael Saadiq, Andra Day. Performed by Andra Day (Hulu)

ORIGINAL SONG – INDEPENDENT FILM
“Everybody Cries” from THE OUTPOST – Written by Rod Lurie, Larry Groupé, Rita Wilson. Performed by Rita Wilson (Screen Media Films)
“I’ll Be Singing” from WILD MOUNTAIN THYME – Written by Amelia Warner, John Patrick Shanley. Performed by Sinéad O’Connor (Bleecker Street Media)
“Rain Song” from MINARI – Written by Emile Mosseri, Stefanie Hong. Performed by Yeri Han (A24)
“Staring At A Mountain” from NEVER RARELY SOMETIMES ALWAYS – Written by Sharon Van Etten. Performed by Sharon Van Etten (Focus Features / HBO Max)

ORIGINAL SONG – ANIMATED FILM
“Carried Me With You” from ONWARD – Written by Brandi Carlile, Phil Hanseroth, Tim Hanseroth. Performed by Brandi Carlile (Walt Disney Studios Motion Pictures / Disney+)
“Feel the Thunder” from THE CROODS: A NEW AGE – Written by Alana Haim, Danielle Haim, Este Haim and Ariel Rechtshaid. Performed by HAIM (Universal Pictures)
“Free” from THE ONE AND ONLY IVAN – Written by Diane Warren. Performed by Charlie Puth (Walt Disney Studios Motion Pictures / Disney+)
“Just Sing” from TROLLS WORLD TOUR – Written by Max Martin, Justin Timberlake, Ludwig Göransson, Sarah Aarons (Universal Studios)
“Rocket to the Moon” from OVER THE MOON – Written by Christopher Curtis, Marjorie Duffield, Helen Park. Performed by Cathy Ang (Netflix)
“Stand for Hope – When I Stand with You” from TWO BY TWO: OVERBOARD! – Written by Eímear Noone. Performed by Sibéal (Entertainment One)

ORIGINAL SONG – DOCUMENTARY
“The Future” from THE WAY I SEE IT – Written by Aloe Blacc. Performed by Aloe Blacc (Focus Features)
“How Can I Tell You?” From NASRIN – Written by Lynn Ahrens, Stephen Flaherty. Performed by Angelique Kidjo (Virgil Films & Entertainment)
“Never Break” from GIVING VOICE – Written by John Legend, Nasri Atweh, Benjamin Hudson McIldowie, Greg Wells, John Stephens. Performed by John Legend (Netflix)
“Only The Young” from MISS AMERICANA – Written by Taylor Swift, Joel Little. Performed by Taylor Swift (Netflix)
“See What You’ve Done” from BELLY OF THE BEAST – Written by Mary J. Blige, Nova Wav, DJ Camper. Performed by Mary J. Blige (PBS)
“Turntables” from ALL IN: THE FIGHT FOR DEMOCRACY – Written by Janelle Monáe. Performed by Janelle Monáe (Amazon)

ORIGINAL SCORE – INDEPENDENT FILM (FOREIGN LANGUAGE)
ALL AGAINST ALL (Fivia) – Kristian Sensini
BLACK BEACH (eOne Films Spain) – Arturo Cardelus
BLIZZARD OF SOULS (DVĒSEĻU PUTENIS) (Access – A / Pandastorm) – Lolita Ritmanis
SUMMER KNIGHT (China Film Administration) – Min He
ZERØ (Nemesis Media) – Ricardo Curto

OUTSTANDING MUSIC SUPERVISION – FILM
Angela Leus – TROLLS WORLD TOUR (Universal Studios)
Bonnie Greenberg – THE LIFE AHEAD (LA VITA DAVANTI A SE) (Netflix)
Guy C. Routte – THE FORTY-YEAR-OLD VERSION (Netflix)
Linda Cohen – THE HIGH NOTE (Focus Features)
Lynn Fainchtein – THE UNITED STATES VS. BILLIE HOLIDAY (Hulu)
Sue Jacobs – PROMISING YOUNG WOMAN (Focus Features)
Tom MacDougall – SOUL (Walt Disney Studios)

SOUNDTRACK ALBUM
ASSASSIN’S CREED VALHALLA (Lakeshore Records)
BILL & TED: FACE THE MUSIC (Lakeshore Records)
JINGLE JANGLE: A CHRISTMAS JOURNEY (Atlantic Records)
ONWARD (Walt Disney Records)
PROMISING YOUNG WOMAN (Capitol Records)
SOUL (Walt Disney Records)
THE EDDY (Sony Classical)

Here Are The Nominees of the 2020 Indiana Film Journalists Assosciation!


Bad Education

The Indiana Film Journalists Association (IJA) has announced their nominees for the best of 2020!  They’ll be announcing the winners on December 21st!

What I like about these nominations is that there’s a lot of them.  2020 may have been a difficult year for many but there were a lot of good films released and it does seem kind of silly (as it does every year) to limit things to some sort of arbitrary number.  Why only nominate 10 films when you could nominate 20 or 30?  Many of the nominees below will appear on my own personal best lists in January.

The other thing that I like about these nominees is that the include films like Bad Education and Mangrove.  There’s some debate as to whether or not these films should be considered Oscar eligible.  I feel that they should be so it’s nice to see that the folks in Indiana agree with me!

Here are the nominees:

BEST FILM
Da 5 Bloods
Another Round
The Assistant
Athlete A
Bad Education
Crip Camp: A Disability Revolution
Dick Johnson is Dead
Emma.
The Father
First Cow
I’m Thinking of Ending Things
Ma Rainey’s Black Bottom
Minari
The Nest
Never Rarely Sometimes Always
Nomadland
One Night in Miami
Palm Springs
The Personal History of David Copperfield
Possessor
Promising Young Woman
Small Axe: Mangrove
Song Without a Name
Soul
Sound of Metal
The Trial of the Chicago 7
The Twentieth Century
The Vast of Night

BEST ANIMATED FEATURE
Onward
Soul
Wolfwalkers

BEST FOREIGN LANGUAGE FILM
76 Days
Another Round
Bacurau
Beanpole
La Dosis
Song Without a Name

BEST DOCUMENTARY
76 Days
All In: The Fight for Democracy
Athlete A
Boys State
Crip Camp: A Disability Revolution
Desert One
Dick Johnson is Dead
Disclosure
John Lewis: Good Trouble
The Last Out
Miss Americana
MLK/FBI
Time
Totally Under Control
Welcome to Chechnya

BEST ORIGINAL SCREENPLAY
Lee Isaac Chung – Minari
Brandon Cronenberg – Possessor
Pete Docter, Mike Jones and Kemp Powers – Soul
Sean Durkin – The Nest
Emerald Fennell – Promising Young Woman
Kitty Green – The Assistant
Eliza Hittman – Never Rarely Sometimes Always
Tobias Lindholm and Thomas Vinterberg – Another Round
James Montague and Craig W. Sanger – The Vast of Night
Matthew Rankin – The Twentieth Century
Andy Siara – Palm Springs
Aaron Sorkin – The Trial of the Chicago 7
Alice Wu – The Half of It

BEST ADAPTED SCREENPLAY
Christopher Hampton and Florian Zeller – The Father
Armando Iannucci and Simon Blackwell – The Personal History of David Copperfield
Charlie Kaufman – I’m Thinking of Ending Things
Mike Makowsky – Bad Education
Kemp Powers – One Night in Miami
Jonathan Raymond and Kelly Reichardt – First Cow
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Chloé Zhao – Nomadland

BEST DIRECTOR
Lee Isaac Chung – Minari
Brandon Cronenberg – Possessor
Pete Docter – Soul
Sean Durkin – The Nest
Emerald Fennell – Promising Young Woman
Kitty Green – The Assistant
Eliza Hittman – Never Rarely Sometimes Always
Kirsten Johnson – Dick Johnson is Dead
Charlie Kaufman – I’m Thinking of Ending Things
Regina King – One Night in Miami
Spike Lee – Da 5 Bloods
Melina Léon – Song Without a Name
Steve McQueen – Small Axe: Mangrove
Matthew Rankin – The Twentieth Century
Kelly Reichardt – First Cow
Aaron Sorkin – The Trial of the Chicago 7
George C. Wolfe – Ma Rainey’s Black Bottom
Alice Wu – The Half of It
Chloé Zhao – Nomadland

BEST ACTRESS
Haley Bennett – Swallow
Jessie Buckley – I’m Thinking of Ending Things
Carrie Coon – The Nest
Viola Davis – Ma Rainey’s Black Bottom
Sidney Flanigin – Never Rarely Sometimes Always
Julia Garner – The Assistant
Han Ye-ri – Minari
Leah Lewis – The Half of It
Rachel McAdams – Eurovision Song Contest: The Story of Fire Saga
Frances McDormand – Nomadland
Pamela Mendoza – Song Without a Name
Cristin Milioti – Palm Springs
Elisabeth Moss – The Invisible Man
Carey Mulligan – Promising Young Woman
Aubrey Plaza – Black Bear
Margot Robbie – BIrds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
Anya Taylor-Joy – Emma.

BEST SUPPORTING ACTRESS
Jane Adams – She Dies Tomorrow
Maria Bakalova – Borat Subsequent Moviefilm
Toni Collette – I’m Thinking of Ending Things
Olivia Colman – The Father
Olivia Cooke – Sound of Metal
Allison Janney – Bad Education
Margo Martindale – Blow the Man Down
Talia Ryder – Never Rarely Sometimes Always
Youn Yuh-jung – Minari

BEST ACTOR
Christopher Abbott – Possessor
Ben Affleck – The Way Back
Riz Ahmed – Sound of Metal
Kingsley Ben-Adir – One Night in Miami
Paul Bettany – Uncle Frank
Chadwick Boseman – Ma Rainey’s Black Bottom
Eli Goree – One Night in Miami
Anthony Hopkins – The Father
Hugh Jackman – Bad Education
Jude Law – The Nest
Delroy Lindo – Da 5 Bloods
Mads Mikkelsen – Another Round
Jesse Plemons – I’m Thinking of Ending Things
Eddie Redmayne – The Trial of the Chicago 7
Steven Yeun – Minari

BEST SUPPORTING ACTOR
Chadwick Boseman, Da 5 Bloods
Bo Burnham – Promising Young Woman
Bill Burr – The King of Staten Island
Peter Capaldi – The Personal History of David Copperfield
Colman Domingo – Ma Rainey’s Black Bottom
Aldis Hodge – One Night in Miami
Caleb Landry Jones – The Outpost
Alan Kim – Minari
Frank Langella – The Trial of the Chicago 7
Orion Lee – First Cow
Ewan McGregor – BIrds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
Bill Murray – On the Rocks
Leslie Odom, Jr. – One Night in Miami
Paul Raci – Sound of Metal
J.K. Simmons – Palm Springs
Dan Stevens – Eurovision Song Contest: The Story of Fire Saga
David Strathairn – Nomadland
David Thewlis – I’m Thinking of Ending Things

BEST VOCAL / MOTION CAPTURE PERFORMANCE
Sean Bean – Wolfwalkers
Tina Fey – Soul
Jamie Foxx – Soul
Oliver Platt – I’m Thinking of Ending Things
Donald Ray Pollock – The Devil All the Time
Ben Schwartz – Sonic the Hedgehog

BEST ENSEMBLE ACTING
Da 5 Bloods
Another Round
The Devil All the Time
I’m Thinking of Ending Things
The King of Staten Island
Ma Rainey’s Black Bottom
Minari
One Night in Miami
The Personal History of David Copperfield
She Dies Tomorrow
The Trial of the Chicago 7
Uncle Frank

BEST MUSICAL SCORE
Erick Alexander and Jared Bulmer – The Vast of Night
Terence Blanchard – One Night in Miami
Ludovico Einaudi – Nomadland
Ludwig Göransson – Tenet
Emile Mosseri – Minari
Richard Reed Parry – The Nest
Trent Reznor and Atticus Ross – Soul
William Tyler – First Cow
Jay Wadley – I’m Thinking of Ending Things
Isobel Waller-Bridge and David Schweitzer – Emma.
Benjamin Wallfisch – The Invisible Man
Jim Williams – Possessor

BREAKOUT OF THE YEAR
Maria Bakalova (actress) – Borat Subsequent Moviefilm
Max Barbakow (director) – Palm Springs
Emerald Fennell (writer / director) – Promising Young Woman
Sidney Flanigin (actress) – Never Rarely Sometimes Always
Alan Kim (actor) – Minari
Orion Lee (actor) – First Cow
Leah Lewis (actress) – The Half of It
Darius Marder (writer / director) – Sound of Metal
Andrew Patterson (director) – The Vast of Night
Tayarisha Poe (writer / director) – Selah and the Spades
Kemp Powers – co-writer / co-director for Soul and writer for One Night in Miami
Matthew Rankin (writer / director) – The Twentieth Century
Andy Siara (writer) – Palm Springs
Autumn de Wilde (director) – Emma.

HOOSIER AWARD
Athlete A
Eliza Hittman, writer / director of Never Rarely Sometimes Always and graduate of Indiana University

ORIGINAL VISION AWARD
After Midnight
Assassin 33 A.D.
Dick Johnson is Dead
I’m Thinking of Ending Things
Possessor
Promising Young Woman
She Dies Tomorrow
The Twentieth Century
The Vast of Night
Vivarium

Mangrove