Musical Documentary Review: Woodstock ’94 (dir by Bruce Gowers)


Woodstock ’94 is the forgotten Woodstock.

Taking place in a field in Saugerties, New York, Woodstock ’94 opened on August 12 and it ended two days later.  Officially, it was held to celebrate the 25th anniversary of the original Woodstock and it was produced and promoted largely by the same people who were behind the original festival.  They were hoping to actually make some money this time but that plan failed when the fence surrounding the concert area was torn down by people who wanted to see the bands and hear the music without having to pay an exorbitant amount of money for tickets.  In all, 164,000 tickets were sold for Woodstock ’94 but it’s estimated that 350,000 attended.  To be honest, that sounds like a good example of the Woodstock spirit to me.  The people in charge of the festival disagreed, which is what led to the disaster that was Woodstock ’99.

Woodstock ’94 tends to be overlooked, precisely because it was neither the spontaneous celebration of the first Woodstock nor the epic trainwreck of the third Woodstock.  Instead, the second Woodstock was a largely peaceful festival that featured a good mix of older and, at the time, newer acts.  The original Woodstock featured open love and the third Woodstock featured random acts of arson.  The second Woodstock, on the other hand, featured a lot of rain.  Apparently, Green Day got pelted with mud.  Maybe a time traveler went back to 1994 and told everyone about American Idiot before the band started playing.  It makes sense if you think about it.

The first Woodstock lives forever as an epic documentary.  The third Woodstock has inspired at least two docuseries, both of which examine the festival with the grim weariness of a true crime recreation.  Earlier today, I discovered that the second Woodstock actually was filmed as well, though apparently Bruce Gowers’s Woodstock ’94 was never released in theaters and instead went straight to video.  It’s a sign of how forgotten Woodstock ’94 is that the film has never even been released on DVD or Blu-ray.  That said, after I learned of the film’s existence, I really did want to see it.  (I’m a completist at heart.)  I discovered that, fortunately, it’s been uploaded to YouTube.

From the start, Woodstock ’94 sets out to duplicate the style of the first Woodstock.  There’s plenty of split screens.  We open with people working hard to get the festival grounds ready.  There are interviews with concert goers.  There’s an interview with a guy selling food.  We get a few random announcements from the stage.  There’s a hint of nudity, though nowhere near as much as in the first film.  Probably the funniest moment in the documentary is when we see a sign telling us that a certain area has been reserved for those wanting to watch the concert nude.  During the first Woodstock, the nudity was spontaneous.  For the second one, it was prepared for.  The main thing that I noticed was how pleasant everyone seemed to be.  There was none of the anger that defined Woodstock ’99.  There was none of the bad brown acid that inspired so many warnings at the first Woodstock.  Instead, everyone appeared to be having a good time.  Even with Green Day getting pelted with mud, the Woodstock ’94 audience appeared to be rather mild-mannered.  Most of them seemed like they probably play golf now.

The majority of the documentary is devoted to the music.  We see tightly edited performances from, amongst others, Bob Dylan, Sheryl Crow, Aerosmith, Crosby Still Nash & Young, Nine Inch Nails, Metallica, The Cranberries, Green Day (though we don’t really get to see the incident with the mud, which is a shame), and Primus.  The festival had a good lineup.  Crosby, Stills, Nash & Young are a bit on the dull side but Primus more than makes up for it.  My only real complaint is that we only get to hear one song from each featured group.

Woodstock ’94 was surprisingly pleasant.  It’s too bad that, five years later, the whole idea of Woodstock fell apart.

Lifetime Film Review: Death At The Dinner Party (dir by Alain Desrochers)


There’s been a Death At The Dinner Party!

This Lifetime film has a title that makes it sound like it should be one of those British murder mysteries, set in the 1920s and featuring a Scotland Yard inspector limping around a mansion while trying to figure out who killed the notorious ne’er-do-well, Freddy Gibbs.  (The Inspector would limp because of the wound he received while fighting in the Great War.)  Was it the maid?  Was it the groundskeeper?  Was it the flighty flapper or the grand dame with the mysterious past?  Or was the murderer the shadowy visitor from America, the one who is rumored to be connected to bootleggers in Toronto.  Fear not!  Stanley of the Yard is on the case!

Where was I?  Oh yeah, I was creating a different movie in my head.  Anyway, let’s talk about the movie that I actually watched….

Andrea Gibbs (Candice Lidstone) is visiting her son, Ethan (Cameron Brodeur).  Ethan is a somewhat nerdy college student who is rooming with a platonic female friend who he is obviously in love with.  Andrea can tell that Ethan has been friend zoned and sweetly asks his roommate to let him down gently.  Ethan’s roommate later ends up dead at a dinner party that is attended by Ethan and Andrea.  The dinner party’s host is a psychology professor, Alan Jackson (Mark Day).  Jackson posts his fascistic lectures online and he has a loyal following of all-male students.  Gee, can you guess who was actually behind the murder?

(Last summer, Erin and I watched several episodes of an old show that featured Jim Hutton as Ellery Queen.  We loved it whenever Hutton would suddenly look at the camera and say, “Well, I’ve figured this one out!  Have you!?”  I have to admit that usually, I had not.  Erin was much better at figuring out who the murderer was than I was.  But, in the case of this film, I think Ellery probably would have looked straight at the camera before the murder even happened.)

There’s nothing particularly subtle about Death At The Dinner Party.  The film’s portrayal of dangerous, right-wing college professors gives the whole thing a dated feel, as if it should have aired ten years earlier than it did.  The film could have just as easily have been called Murder On The Intellectual Dark Web or Death At Evergreen College.  Today, I imagine that members of the angry dishrag brigade are a more realistic danger than a fight club of psych majors.  But the lack of subtlety and even the dated premise give this film a certain charm.  It’s over-the-top and it embraces the melodrama, just as every Lifetime film should.

Though she only appears to be a few years older than the actor playing her son, Candice Lidstone does a good job playing the mother who is rightly concerned about what her child is learning in college.  Indeed, the mother-child relationship was this film’s secret weapon. When I was in college, I never would have had the courage to invite my mom to a dinner party with any of my professors.  Then again, at my college, dinner with a professor usually meant a lot more alcohol and definitely a lot more weed.  However, there was also significantly less murder so everything evened out in the end.

Brad’s “4 Shots From 4 Films” celebrates Bruce Dern on his 90th Birthday!


Bruce Dern has made so many great movies that it was pretty tough for me to pick out just 4 shots from 4 films. I ended up picking out the movies that he’s been in that have affected me the most personally, for a variety of reasons. I’ve noticed that Bruce isn’t the “star” of these movies, but each film benefits greatly from his presence. While he has had his share of starring roles over the course of his 6-decade (and counting) career, many of his best performances have come in supporting roles. The man just makes everything he’s in better.

Today, I celebrate the work of a living legend, Bruce Dern!

The Cowboys (1972)
The Driver (1978)
With James Woods in Diggstown (1992)
The Hateful Eight (2015)

Check Out The Adventure-Filled Covers Of The Wide World!


The Wide World was a British pulp tabloid that ran from 1898 to 1965.  The magazine’s slogan was “Truth is stranger than fiction” and it proved that with stories of adventure and exploration.  Today, along with its covers, the magazine is best known for breaking the news that outlaw Butch Cassidy had been killed in Bolivia.

Here are just a few of the covers of The Wide World.  All of the covers below are credited to W.C. Nicolson.

Film Review: Red Sonja (by MJ Bassett)


Red Sonja is one of those films that was in development forever.

In 2008, Robert Rodriguez was rumored to be planning to direct a Red Sonja film with Rose McGowan in the title role.  Then, in 2012, it was Simon West who was being mentioned as the film’s director.  In 2018, Bryan Singer announced that he would be directing but he was dropped from the project (and every other project he had going) in 2019.  Joey Soloway, best-known for co-creating the briefly trendy show Transparent, was announced as Singer’s replacement.  Soloway left the project in 2022 and was replaced by MJ Bassett.  Red Sonja was filmed in 2023 and then sat on the shelf for two years before it was finally released in 2025.

Needless to say, a lot happened between 2023 and 2025.  By the time Red Sonja was released, it felt like an artifact from a different world.  Red Sonja is very much a film of the action girl era.  Sonja can beat up just about anyone and she usually does it without breaking a sweat.  As was so often the case with the films of the action girl era, the film is so proud of itself for featuring a woman who can fight that no one involved seemed to notice that they hadn’t really come up with anything interesting for her to do.

Sonja (blandly played by Matilda Lutz) has spent most of her life in the forests of a mythical land, searching for the otnher members of her tribe and communing with the animals.  When she has to hunt and kill a animal in order to eat, she is sure to say, “Thank you for your sacrifice.”  I’m sure her gratitude will provide comfort to the animal’s family.  (I’ve never really gotten the whole attitude that hunting is somehow noble as long as you use every bit of the animal and thank it for dying.  I’m sure the animal would still rather be alive.)   When Sonja is captured and forced to become a gladiator, she discovers that her people are being held prisoner by the effete emperor, Draygan (Robert Sheehan, who is even blander than Matilda Lutz).  In the arena, Sonja shouts questions at the emperor and the audience because, thanks to Russell Crowe and Ridley Scott, that’s what gladiators do.  She’s also given her famous chain mail bikini.  The film is quick to make sure we understand that Sonja isn’t into the whole chain mail bikini thing but she has to wear something.  Unintentionally, the film also reveals that the filmmakers aren’t really interested in making a Red Sonja film.  Everything that made Red Sonja a memorable character in the comic books and the original film is either ignored or viewed with snarky disdain.  The only reason the film is called Red Sonja is because Grim Barbarian Woman didn’t have the same zing.

Now, I will say that Red Sonja does get better as it goes along.  In fact, the film’s climax features an unexpected twist and, if the entire film had that scene’s courage, this review would be very different.  Unfortunately, Red Sonja looks and feels cheap and worst of all, it’s never fun.  It’s very much a 2023 film and 2o23 was a year when anyone who dared to enjoy themselves was viewed with suspicion.  It may have more of a political consciousness than the 80s version but it’s not as entertaining.

 

A Scene That I Love: The American Express Commercial From Major League


“Don’t leave home without it!”

The Cleveland Indians (yeah, I said it) are finally in the race for the pennant and, as a result, they get to star in their very own credit card commercial.  The main reason that I love this scene is because, even when appearing in a commercial, each member of the the team still has their own personality and style.

From Major League, one of the greatest baseball films ever made:

Join #TubiThursday For Night Shift!


Hi, everyone!  Tonight, on Mastodon, #TubiThursday watch party will be watching 1982’s Night Shift, with guest host Matthew Titus!

You can find the movie on Tubi and you can join them on Mastodon at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  The party will be using #TubiThursday hashtag!