Here Are The 2020 Nominations of the Hollywood Critics Association!


The Hollywood Critics Association has announced their nominees for the best of 2020!  The winners will be announced on March 5th, 2021 in a virtual ceremony.

As for the nominees, themselves, it’s pretty much more of the same.  Judas and the Black Messiah — which really wasn’t a huge factor during the December and January portion of awards season — seems to be coming on strong in the 2nd half.  In this case, it took the Best Picture spot that probably would have otherwise gone to First Cow.

Here are the nominees:

Best Picture
Da 5 Bloods
Judas and The Black Messiah
Minari
Nomadland
One Night in Miami
Promising Young Woman
Soul
Sound of Metal
The Father
The Trial of the Chicago 7

Best Actor
Anthony Hopkins – The Father
Chadwick Boseman – Ma Rainey’s Black Bottom
Delroy Lindo – Da 5 Bloods
Kingsley Ben-Adir – One Night in Miami
Riz Ahmed – Sound of Metal

Best Actress
Carey Mulligan – Promising Young Woman
Elisabeth Moss – The Invisible Man
Frances McDormand – Nomadland
Vanessa Kirby – Pieces of a Woman
Viola Davis – Ma Rainey’s Black Bottom
Zendaya – Malcolm & Marie

Best Supporting Actor
Bo Burnham – Promising Young Woman
Chadwick Boseman – Da 5 Bloods
Daniel Kaluuya – Judas and The Black Messiah
Leslie Odom Jr. – One Night in Miami
Paul Raci – Sound of Metal

Best Supporting Actress
Amanda Seyfried – Mank
Ellen Burstyn – Pieces of a Woman
Glenn Close – Hillbilly Elegy
Olivia Colman – The Father
Yuh-Jung Youn – Minari

Best Animated or VFX Performance
Ben Schwartz – Sonic the Hedgehog
Cathy Ang – Over the Moon
Honor Kneafsey – Wolfwalkers
Jamie Foxx – Soul
Tina Fey – Soul

Best Male Director
Darius Marder – Sound of Metal
David Fincher – Mank
Lee Isaac Chung – Minari
Shaka King – Judas and The Black Messiah
Spike Lee – Da 5 Bloods

Best Female Director
Chloé Zhao – Nomadland
Eliza Hittman – Never Rarely Sometimes Always
Emerald Fennell – Promising Young Woman
Regina King – One Night in Miami
Sofia Coppola – On the Rocks

Best Original Screenplay
Aaron Sorkin – The Trial of the Chicago 7
Abraham Marder & Darius Marder – Sound of Metal
Andy Siara – Palm Springs
Emerald Fennell – Promising Young Woman
Lee Isaac Chung – Minari

Best Adapted Screenplay
Chloé Zhao – Nomadland
Florian Zeller – The Father
Jonathan Raymond & Kelly Reichardt – First Cow
Kemp Powers – One Night in Miami
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom

Best Cast Ensemble
Da 5 Bloods
Ma Rainey’s Black Bottom
One Night in Miami
Promising Young Woman
The Prom
The Trial of the Chicago 7

Best First Feature
Channing Godfrey Peoples – Miss Juneteenth
Darius Marder – Sound of Metal
Emerald Fennell – Promising Young Woman
Radha Blank – The 40-Year-Old Version
Regina King – One Night in Miami

Best Animated Film
Onward
Over The Moon
Soul
The Croods: A New Age
Wolfwalkers

Best International Film
Another Round
Bacurau
I’m No Longer Here
La Llorona
Two of Us

Best Documentary
All In: The Fight for Democracy
Boys State
Class Action Park
Dick Johnson is Dead
Time

Best Action
Bad Boys for Life
Birds of Prey
Extraction
Tenet
The Old Guard

Best Blockbuster
Birds of Prey
Sonic the Hedgehog
Tenet
The Old Guard
Wonder Woman 1984

Best Comedy/Musical
Eurovision Song Contest: The Story of Fire Saga
On the Rocks
Palm Springs
The Personal History of David Copperfield
The Prom

Best Horror
Freaky
His House
Host
Relic
The Invisible Man

Best Indie Film
Black Bear
First Cow
Minari
Miss Juneteenth
Palm Springs

Best Short Film
Burrow
Canvas
Cops And Robbers
If Anything Happens, I Love You
The Heart Still Hums

Best Cinematography
Mank
News of The World
Nomadland
Tenet
The Midnight Sky

Best Stunts
Birds of Prey
Extraction
Tenet
The Old Guard
Wonder Woman 1984

Best Score
Mank
Minari
News of The World
Soul
The Midnight Sky

Best Original Song
Husavik (My Hometown) – Eurovision Song Contest
Rocket to the Moon – Over the Moon
Speak Now – One Night in Miami
Turntables – All In: The Fight for Democracy
Wear Your Crown – The Prom

Best Hair & Makeup
Birds of Prey
Hillbilly Elegy
Mank
Ma Rainey’s Black Bottom
Promising Young Woman

Best Costume Design
Birds of Prey
Emma
Mank
Ma Rainey’s Black Bottom
The Personal History of David Copperfield

Best Production Design
Emma
Mank
Ma Rainey’s Black Bottom
The Personal History of David Copperfield
The Prom

Best Film Editing
Nomadland
Promising Young Woman
The Father
The Invisible Man
The Trial of the Chicago 7

Best Visual Effects
Birds of Prey
Sonic the Hedgehog
Tenet
The Invisible Man
The Midnight Sky

Here Are The Nominees of the 2020 Indiana Film Journalists Assosciation!


Bad Education

The Indiana Film Journalists Association (IJA) has announced their nominees for the best of 2020!  They’ll be announcing the winners on December 21st!

What I like about these nominations is that there’s a lot of them.  2020 may have been a difficult year for many but there were a lot of good films released and it does seem kind of silly (as it does every year) to limit things to some sort of arbitrary number.  Why only nominate 10 films when you could nominate 20 or 30?  Many of the nominees below will appear on my own personal best lists in January.

The other thing that I like about these nominees is that the include films like Bad Education and Mangrove.  There’s some debate as to whether or not these films should be considered Oscar eligible.  I feel that they should be so it’s nice to see that the folks in Indiana agree with me!

Here are the nominees:

BEST FILM
Da 5 Bloods
Another Round
The Assistant
Athlete A
Bad Education
Crip Camp: A Disability Revolution
Dick Johnson is Dead
Emma.
The Father
First Cow
I’m Thinking of Ending Things
Ma Rainey’s Black Bottom
Minari
The Nest
Never Rarely Sometimes Always
Nomadland
One Night in Miami
Palm Springs
The Personal History of David Copperfield
Possessor
Promising Young Woman
Small Axe: Mangrove
Song Without a Name
Soul
Sound of Metal
The Trial of the Chicago 7
The Twentieth Century
The Vast of Night

BEST ANIMATED FEATURE
Onward
Soul
Wolfwalkers

BEST FOREIGN LANGUAGE FILM
76 Days
Another Round
Bacurau
Beanpole
La Dosis
Song Without a Name

BEST DOCUMENTARY
76 Days
All In: The Fight for Democracy
Athlete A
Boys State
Crip Camp: A Disability Revolution
Desert One
Dick Johnson is Dead
Disclosure
John Lewis: Good Trouble
The Last Out
Miss Americana
MLK/FBI
Time
Totally Under Control
Welcome to Chechnya

BEST ORIGINAL SCREENPLAY
Lee Isaac Chung – Minari
Brandon Cronenberg – Possessor
Pete Docter, Mike Jones and Kemp Powers – Soul
Sean Durkin – The Nest
Emerald Fennell – Promising Young Woman
Kitty Green – The Assistant
Eliza Hittman – Never Rarely Sometimes Always
Tobias Lindholm and Thomas Vinterberg – Another Round
James Montague and Craig W. Sanger – The Vast of Night
Matthew Rankin – The Twentieth Century
Andy Siara – Palm Springs
Aaron Sorkin – The Trial of the Chicago 7
Alice Wu – The Half of It

BEST ADAPTED SCREENPLAY
Christopher Hampton and Florian Zeller – The Father
Armando Iannucci and Simon Blackwell – The Personal History of David Copperfield
Charlie Kaufman – I’m Thinking of Ending Things
Mike Makowsky – Bad Education
Kemp Powers – One Night in Miami
Jonathan Raymond and Kelly Reichardt – First Cow
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Chloé Zhao – Nomadland

BEST DIRECTOR
Lee Isaac Chung – Minari
Brandon Cronenberg – Possessor
Pete Docter – Soul
Sean Durkin – The Nest
Emerald Fennell – Promising Young Woman
Kitty Green – The Assistant
Eliza Hittman – Never Rarely Sometimes Always
Kirsten Johnson – Dick Johnson is Dead
Charlie Kaufman – I’m Thinking of Ending Things
Regina King – One Night in Miami
Spike Lee – Da 5 Bloods
Melina Léon – Song Without a Name
Steve McQueen – Small Axe: Mangrove
Matthew Rankin – The Twentieth Century
Kelly Reichardt – First Cow
Aaron Sorkin – The Trial of the Chicago 7
George C. Wolfe – Ma Rainey’s Black Bottom
Alice Wu – The Half of It
Chloé Zhao – Nomadland

BEST ACTRESS
Haley Bennett – Swallow
Jessie Buckley – I’m Thinking of Ending Things
Carrie Coon – The Nest
Viola Davis – Ma Rainey’s Black Bottom
Sidney Flanigin – Never Rarely Sometimes Always
Julia Garner – The Assistant
Han Ye-ri – Minari
Leah Lewis – The Half of It
Rachel McAdams – Eurovision Song Contest: The Story of Fire Saga
Frances McDormand – Nomadland
Pamela Mendoza – Song Without a Name
Cristin Milioti – Palm Springs
Elisabeth Moss – The Invisible Man
Carey Mulligan – Promising Young Woman
Aubrey Plaza – Black Bear
Margot Robbie – BIrds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
Anya Taylor-Joy – Emma.

BEST SUPPORTING ACTRESS
Jane Adams – She Dies Tomorrow
Maria Bakalova – Borat Subsequent Moviefilm
Toni Collette – I’m Thinking of Ending Things
Olivia Colman – The Father
Olivia Cooke – Sound of Metal
Allison Janney – Bad Education
Margo Martindale – Blow the Man Down
Talia Ryder – Never Rarely Sometimes Always
Youn Yuh-jung – Minari

BEST ACTOR
Christopher Abbott – Possessor
Ben Affleck – The Way Back
Riz Ahmed – Sound of Metal
Kingsley Ben-Adir – One Night in Miami
Paul Bettany – Uncle Frank
Chadwick Boseman – Ma Rainey’s Black Bottom
Eli Goree – One Night in Miami
Anthony Hopkins – The Father
Hugh Jackman – Bad Education
Jude Law – The Nest
Delroy Lindo – Da 5 Bloods
Mads Mikkelsen – Another Round
Jesse Plemons – I’m Thinking of Ending Things
Eddie Redmayne – The Trial of the Chicago 7
Steven Yeun – Minari

BEST SUPPORTING ACTOR
Chadwick Boseman, Da 5 Bloods
Bo Burnham – Promising Young Woman
Bill Burr – The King of Staten Island
Peter Capaldi – The Personal History of David Copperfield
Colman Domingo – Ma Rainey’s Black Bottom
Aldis Hodge – One Night in Miami
Caleb Landry Jones – The Outpost
Alan Kim – Minari
Frank Langella – The Trial of the Chicago 7
Orion Lee – First Cow
Ewan McGregor – BIrds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
Bill Murray – On the Rocks
Leslie Odom, Jr. – One Night in Miami
Paul Raci – Sound of Metal
J.K. Simmons – Palm Springs
Dan Stevens – Eurovision Song Contest: The Story of Fire Saga
David Strathairn – Nomadland
David Thewlis – I’m Thinking of Ending Things

BEST VOCAL / MOTION CAPTURE PERFORMANCE
Sean Bean – Wolfwalkers
Tina Fey – Soul
Jamie Foxx – Soul
Oliver Platt – I’m Thinking of Ending Things
Donald Ray Pollock – The Devil All the Time
Ben Schwartz – Sonic the Hedgehog

BEST ENSEMBLE ACTING
Da 5 Bloods
Another Round
The Devil All the Time
I’m Thinking of Ending Things
The King of Staten Island
Ma Rainey’s Black Bottom
Minari
One Night in Miami
The Personal History of David Copperfield
She Dies Tomorrow
The Trial of the Chicago 7
Uncle Frank

BEST MUSICAL SCORE
Erick Alexander and Jared Bulmer – The Vast of Night
Terence Blanchard – One Night in Miami
Ludovico Einaudi – Nomadland
Ludwig Göransson – Tenet
Emile Mosseri – Minari
Richard Reed Parry – The Nest
Trent Reznor and Atticus Ross – Soul
William Tyler – First Cow
Jay Wadley – I’m Thinking of Ending Things
Isobel Waller-Bridge and David Schweitzer – Emma.
Benjamin Wallfisch – The Invisible Man
Jim Williams – Possessor

BREAKOUT OF THE YEAR
Maria Bakalova (actress) – Borat Subsequent Moviefilm
Max Barbakow (director) – Palm Springs
Emerald Fennell (writer / director) – Promising Young Woman
Sidney Flanigin (actress) – Never Rarely Sometimes Always
Alan Kim (actor) – Minari
Orion Lee (actor) – First Cow
Leah Lewis (actress) – The Half of It
Darius Marder (writer / director) – Sound of Metal
Andrew Patterson (director) – The Vast of Night
Tayarisha Poe (writer / director) – Selah and the Spades
Kemp Powers – co-writer / co-director for Soul and writer for One Night in Miami
Matthew Rankin (writer / director) – The Twentieth Century
Andy Siara (writer) – Palm Springs
Autumn de Wilde (director) – Emma.

HOOSIER AWARD
Athlete A
Eliza Hittman, writer / director of Never Rarely Sometimes Always and graduate of Indiana University

ORIGINAL VISION AWARD
After Midnight
Assassin 33 A.D.
Dick Johnson is Dead
I’m Thinking of Ending Things
Possessor
Promising Young Woman
She Dies Tomorrow
The Twentieth Century
The Vast of Night
Vivarium

Mangrove

Here’s The Super Bowl Spot For Sonic The Hedgehog


I guess the point of this trailer is that Sonic The Hedgehog is really, really fast.

At least he doesn’t look no longer looks like he’s going to kill someone, so that’s an improvement.  Seriously, film twitter takes a lot of criticism but this is one of those rare cases where the folks at Paramount should be thanking everyone who complained online.

Sonic gets a makeover in the 2nd Sonic the Hedgehog Trailer


Earlier in the year, when Paramount released the trailer for the Sonic The Hedgehog movie, audiences were up in arms over Sonic’s look. It was so bad that the production team shelved the film for a bit and reworked the CGI. Six months later, we have a vastly improved Hedgehog, and everything appears to be looking better for the film. The character has more expressive eyes, the classic sneakers and what seems like a new voiceover.

Now we just have to hope that all of that extra work by the effects team is rewarded by moviegoers when the film comes out. Here’s hoping, anyway.

Sonic the Hedgehog, starring Jim Carrey, James Marsden and Ben Schwartz as the voice of Sonic, premieres in time for Valentine’s Day of 2020.

NMY vs The World Video Game Hall of Fame Class of 2015


The Strong, an educational institution in Rochester specializing in the study of games, announced the six inaugural inductees of their World Video Game Hall of Fame yesterday. So what? Well, it made its way onto a lot of major news sites, which means it is probably going to resurface again next year and, in time, become the closest we’ve got to an “official” Hall of Fame.

My gut reaction was “my what a pretentious title”, because the “World” VG HoF looks incredibly U.S.-centric. Their game history timeline pretty much completely ignores the fact that the U.S. did not control the international gaming market for the vast majority of the 20th century. I mean, this timeline is crazy. 1982, the year that the bloody Commodore 64 was released, they feature Chicago-based Midway’s Tron instead. 1986, the year that Dragon Quest set the standard for the next two decades of role-playing games, they are at such a loss to find anything novel that they dig up Reader Rabbit by Boston-based developers The Learning Company. In spite of devoting 1992 to Las Vegas-based Westwood Studios’ Dune II, LA-based Blizzard Entertainment steals 1994 with Warcraft: Orcs and Humans. Does the invention of RTS gaming really deserve two years? Well, it’s not like it was competing with the release of the Sony Playstation or anything. Oh that’s alright, we’ll feature it in 1995, since that’s when it came to America. This list also devotes 1993 to the development of the ESRB rating system (which only applies in America), 1996 to Lara Croft’s tits (seriously, does anyone actually give a shit about Tomb Raider?), and 2002 to the U.S. Army, because uh, freedom!

So yeah, World Video Game Hall of Fame my ass. But that doesn’t mean they got the first six wrong:

Pong (1972)

“Ladies and gentlemen, you have been hand selected to choose the five games which will accompany Pong into the Hall of Fame.” It had to go something like that. Pong invented gaming like Al Gore invented the internet. Could you imagine a Hall of Fame without Pong? I mean, it’s Pong! Really though, wasn’t computer gaming kind of inevitable? Was it the first game? Nope. Did it stand the test of time? Not really. Did it usher in the age of arcade gaming? I guess it did, but the game itself had little to do with that. It was a novelty. Replace it with anything else, and that other game would be just as famous, regardless of its content. I don’t like that. There is a reason why Pong is the only game of the six Hall of Famers that I never played as a kid or else upon release, and that has nothing to do with my age. I think we get hung up on its simplicity, its catchy name, this idea that it all began with two paddles and a ball, and the desire to point to something and say “this started it all”. Pong deserves recognition in any gaming hall of fame eventually, but top 6? We can do better.

NMY gives this selection a 5/10

Pac-Man (1980)

What are Pac-Man‘s claims to fame? Well, it was the first video game to be a major social phenomenon, generating a huge market for spin-offs, toys, animated cartoons, and all sorts of other consumer products. It was the first video game with a really memorable theme song. It remains the best-selling arcade game of all time. It generated a chart-topping shitty pop song. It even destroyed the gaming industry. (E.T. the Extra-Terrestrial has absolutely nothing on the devastating consequences of Pac-Man‘s abysmal Atari port.) And sure, it’s pretty boring, but it still lasted well into the 90s. I had a pirated DOS copy as a kid. Do you think anyone bothered to pirate Pong? Uh, no.

NMY gives this selection a 10/10

Tetris (1984)

Tetris is a game that we all agree to love because it is Russian, and like Russia, it is really evil and kind of a dick. Four Z blocks in a row? Really? I didn’t double tap that button. Go back! Ugh…. Tetris annoyed the hell out of me as a kid, but I certainly did play it. It also spawned a ton of cheap rip-offs, novel improvements, and largely unrelated block puzzle games that stole its name for publicity, and a lot of these vastly outclassed the original. If I look back on all the fun I had playing Tetris Attack for the Super Nintendo, or hosting TetriNET tournaments online in the late 90s, or the amount of time my wife wastes on Candy Crush Saga, it is hard for me to pretend that Tetris was not significant. It was the mother of all “endless puzzle” games, and it deserves credit for that, even if I hated the original Alexey Pajitnov Tetris, with its never-ending tiers of frustration.

NMY gives this selection a 9/10

Super Mario Bros (1985)

This is the real shoe-in. Nintendo was able to turn Mario into (I am assuming) the most recognizable fictional character in the world because the original Super Mario Bros was so great. A game released in 1985 is not supposed to still be this much fun 30 years later, but from novel settings and mechanics to outstanding control, this game ran the gamut of what a great side-scroller was supposed to be. This, at a time when there was very little in the way of quality competition to take inspiration from. The game’s lasting legacy is so pervasive in our culture that I would feel silly even bothering to summarize it.

NMY gives this selection a 10/10

Doom (1993)

“Why an FPS, World Video Game Hall of Fame?” Because “it also pioneered key aspects of game design and distribution that have become industry standards“, according to the official induction explanation. Design-wise, they laud it for “a game ‘engine’ that separated the game’s basic functions from other aspects such as artwork.” That might be an interesting point. I don’t know much about it, though I have to imagine that anything Doom did, Wolfenstein 3D did first. Distribution-wise, they talk about how id Software marketed downloadable expansions and encouraged multi-player, online gaming. That point fails to impress me. Doom launched in 1993, which means no games before it really had the option to market themselves in this way. “First” only counts for me if the move is innovative, not inevitable. So we are left with some sort of novel modular processing system and the fact that it was the first really successful FPS. Those are fine points. I might not like FPS games, but I can’t deny that they have had a more lasting impact than say, fighting or sports games. Placing so much weight on the play style does, however, open up the doors for a lot of why nots. Why not Diablo? Why not Dragon Quest? Why not Command & Conquer?

NMY gives this selection a 7/10

World of Warcraft (2004)

I am not entirely sure why the World Video Game Hall of Fame chose World of Warcraft, because they aren’t telling. Their write-up goes into detail on what makes MMORPGs so revolutionary, but none of it is really unique to WoW. They throw out some numbers about WoW’s player base and monthly profit, and then bam, inaugural hall of fame induction. I am probably the last person to give an accurate assessment of how World of Warcraft changed gaming, because I still actively play it, but I have to believe that its enormous popularity had a lot to do with its place in time. Coming in to the 21st century, we all knew someone who played EverQuest, and we all (all of us, right guys?) secretly wanted to abandon our real lives and nerd out in 24/7 multiplayer fantasy immersion. I never played EverQuest, however, or Final Fantasy XI for that matter, because I still had dial-up internet. World of Warcraft launched right around the time that the majority of gamers were becoming equipped to play something of its magnitude. That being said, WoW is going on 11 years now, and still going strong. I’ve never seriously considered canceling my subscription. Blizzard landed on a market ripe for the picking, but they have carefully cultivated it ever since.

NMY gives this selection an 8/10

Over all, I think the World Video Game Hall of Fame is off to a good start. Pong is the only inaugural entry I strongly disagree with, but were it missing, would people still take the organization seriously? Doom is a bit sketchy to me, because its only claim seems to be “first popular FPS”. I think GoldenEye 007 was the game to push FPS into the mainstream and really reach beyond the genre, while Blizzard clearly dominated online gaming with Diablo and Starcraft, whatever id Software happened to do “first”. Doom is a good candidate, no doubt, but I feel like it belongs in another class. It would have fit in more nicely in a 2016 school that pushed genre-standardizing games like Dragon Quest, The Legend of Zelda, Street Fighter II, and Space Invaders.

Is that what we have to look forward to in 2016? Well, based on the runners-up from 2015, maybe not. The list did include Space Invaders and The Legend of Zelda, along with worthy contenders Pokémon Red and Blue and The Oregon Trail. Beyond that, it got a bit dicey. It is hard to imagine that Angry Birds, for instance, almost made the top 6. Sonic the Hedgehog would be long forgotten if not marketed as Sega’s response to Mario, yet it was a contender. FIFA International Soccer was the only sports entry–an odd choice, given that I have never heard of it, it only came out in 1993, and Tecmo Super Bowl exists. The other options were Minecraft–a bit young yet, don’t you think?–and oddly, The Sims, which I am sure was quite fun to play and left no lasting impact on gaming whatsoever. Well, they’ve got another year to straighten things out.

VGM Entry 48: Streets of Golden Hedgehogs


VGM Entry 48: Streets of Golden Hedgehogs
(Thanks to Tish at FFShrine for the banner)

With the new higher standards brought on by the Super Nintendo, Sega Genesis/Mega Drive composers would have to start trying a little harder if they wanted to compete. Some certainly did pick up the pace, and 1991 might be considered the first year with a decent selection to choose from.

There were a couple famous soundtracks in the mix. Streets of Rage (Sega) by Yuzo Koshiro is certainly one of them. I do not possess the patience to listen to each and every Genesis/Mega Drive soundtrack like I’ve been doing with the Game Boy, nor did I ever own the system as a kid. I can only really pick and choose these titles based on my perception of popular opinion. But the one series that popped up more consistently than any other on people’s lists was Streets of Rage.

It’s a chill, laid back score that I could listen to all day without ever really tiring of, and the gritty melodies make it a lot more down to earth and appropriate for a street fighting game than the more airy sounds I tend to associate with this sort of musical style. And perhaps more importantly, the music I associate with this style was mostly written long after Streets of Rage.

I mean, Koshiro deserves a lot of additional credit for being the first game musician to really try this–or else, the first to really pull it off. It’s a style I take for granted today, and perhaps that’s why Streets of Rage doesn’t strike me as immediately as it ought to, but in 1991 games just didn’t ever sound like this. A lot of them couldn’t, really. You couldn’t do this on the SNES. The bass and drum tones just weren’t good enough. You certainly couldn’t do it on anything earlier outside of the arcade. Koshiro did an outstanding job of acknowledging and exploiting the Genesis’s best sound qualities, and perhaps a lot of the best system scores to follow are a bit in debt to him.

We’ve all heard “Green Hill Zone”. As a game intended to compete with the Mario series, the music of Sonic the Hedgehog (Sega), composed by Masato Nakamura, definitely falls a little short, but that doesn’t make it bad. The songs were sufficiently catchy, and for a high-speed game they provided a pleasant counterweight.

One of the distinct features of Sonic the Hedgehog is the bass lines. Songs like “Spring Yard Zone” (1:58) are really made by them, and even such hopelessly generic tracks as “Labyrinth Zone” (2:49) maintain a distinct Sonic the Hedgehog flavor through the bass.

I could post a lot of other also-rans that are much better than previous Genesis music yet stil leave something to desire. Jewel Master by Motoaki Takenouchi and Zero Wing by Tatsuya Uemura, Toshiaki Tomisawa, and Masahiro Yuge certainly fall into this category. But I just don’t feel that they’re all that valuable in the larger picture. With so many unconditionally great scores out there by 1991, being the best for a particular system simply no longer mattered all that much.

The real Genesis winner for me this year is Golden Axe II (Sega), by Naofumi Hataya, and you’ll hear why in the very first sound in the game. What that crushing drum beat is doing here is beyond me, but I love it. It makes absolutely no sense in what is ultimately a bluesy jam title track, but I couldn’t care less. From start to finish, the soundtrack to Golden Axe II is underwritten by a restrained desire to be heavy metal.

This shines on some tracks more than others. “Ravaged Village”, for instance, lacks the heavy drumming, but the highly distorted bass tones do the job. Maybe not ‘metal’ in this instance, it still retains quite an edge. The bass feels like a pool of lava bubbling beneath you. There’s something very familiar sounding about this sort of bass with that snake-like melody on top, but I can’t quite put my finger on it–perhaps a coincidental similarity in a later game.

This was Naofumi Hataya’s first game score by the way, as far as I can tell. He joined Sega in 1990, and would go on to play a major role in the Sonic the Hedgehog franchise up through the present day. If his future works were as good as this one, I have a lot to look forward to.

“Castle” is completely ridiculous, accenting a slow, foreboding song which meets all of the stereotype standards for a fantasy game with a crushing mechanical drum line that I’m pretty sure is trying to punch me in my face through my headphones.

Thank you for being awesome, Naofumi Hataya.