Daily Archives: June 2, 2026

Musical Film Review: Eagles: Hell Freezes Over (dir by Beth McCarthy-Miller)

Posted on by Lisa Marie Bowman

Thank God for Joe Walsh, I thought as I watched 1994’s Eagles: Hell Freezes Over.

The Eagles were one of my Dad’s favorite bands, along with Lynard Skynard and the Steve Miller Band.  I can still remember being little and sitting in the back of our van and hearing Hotel California playing as we actually drove through California.  It’s a nice memory.  When I went away to college, I heard the rumor that the band was named after the mascot of the University of North Texas.  It’s true that Don Henley attended UNT (or North Texas State University as it was known back then) but none of the other members of the band did.  For whatever reason, I doubt that the quintessential California band decided to pay homage to a Texas college when they were selecting their name.

The band was formed in 1971 and they had several hits through the 70s.  The members of the band were as famous for their fights as their music and the Eagles broke up in 1980.  The members of band spent 14 years pursuing solo careers and Don Henley famously said that “Hell will freeze over” before they ever all played on the same stage again.  In 1994, it appears that Hell did just that because the Eagles reunited.  They toured.  They released a live album.  Most importantly, they made some money.  MTV produced a special, Eagles: Hell Freezes Over, which featured the band performing in a Burbank film studio.

Earlier today, while sitting out on a deck overlooking Lake Texoma, I watched the special on YouTube.  Watching the members of the band perform with each other for the first time in 14 years, I could understand why they broke up.  Each member of the band was undeniably talented.  They sounded good.  But they didn’t have much onstage chemistry.  Everyone did their part and they did it professionally and they got through the show without cursing each other out but, at the same time, there was very little warmth to be found on the stage.  No one seemed particularly enthused about being on stage with his former and current bandmates.  They came across like a group of people who didn’t particularly like each other and who had mostly shown up for the paycheck.

The other thing that I noticed is that the music itself, when taken as a whole, was kind of boring.  I hate to say that because my dad loved this band.  And the songs certainly weren’t bad.  They were good songs but, when heard one after another, it was hard not to notice that the mellow California sounds got dull after a while.  Heard on its own, Desperado is a classic piece of Americana.  Unfortunately, if you hear it immediately after listening to New York Minute, In The City, and Get Over It, Desperado loses its edge.  Even the opening performance of Hotel California was a bit of a slog.  By the time this special was recorded, it was obvious that the members of the band had decided they were fine with nearly leaving the Hotel California.

And that’s why I’m thankful for Joe Walsh, the guitarist and not the self-important jackass former congressman.  Because Walsh, almost alone amongst the group, still seemed to be having fun on stage.  The performance of Life In The Fast Lane is one of the rare moments when this special really comes to life and it’s almost entirely due to Joe Walsh and his guitar.  Life In The Fast Lane was also my Dad’s favorite Eagles song so, on his behalf, I’ll just say, “Thank you, Joe Walsh.”

Lifetime Film Review: The Wrong Baby Daddy (dir by David DeCoteau)

Posted on by Lisa Marie Bowman

Lila (Ciarra Carter) has just broken up with her boyfriend and desperately needs a new job to take her mind off of things.  Luckily, her friend Robin (Vivica A. Fox) comes to the rescue.  Robin not only tells off Lila’s ex but she also gives Lila a job.  At work, Lila meets Mark (Matthew Pohlkamp).  One one night stand later, Lila is pregnant and moving into Mark’s surprisingly large house.  (It’s a David DeCoteau film.  All of the houses are surprisingly large.) Mark’s ex-wife, Julia (Jamie Bernadette), shows up and is surprisingly helpful.  Meanwhile, it seems like everyone who questions Mark’s motives either disappears or is discovered dead.  Is it all a coincidence or should Lila be worried?

Oh, you just have to love the Wrong films.  A lot has changed over the past few years and Lifetime’s programming and movies have changed as well.  Whether they’ve changed for the better or for the worse depends on how you look at things and what you prioritize.  For someone like me, who detests change and wishes that time could be frozen for just a few years or so, it can be difficult to accept that it’s not the 2010s anymore.  But the Wrong films have remained consistent for ten years.  David DeCoteau directs.  Handsome men of a certain age are not to be trusted.  Everyone lives in a big house that there’s no way they would be able to afford in real life.  The melodrama is embraced.  The violence is often bloodless.  The main character is usually a woman who really should know better.  Vivica A. Fox plays the no-nonsense authority figure who, in most cases, says the film’s title.

It’s impossible to overstate the importance of Vivica A. Fox to these films.  Along with serving as an executive producer, she also serves as the voice of reason.  That she is usually as frustrated with the characters as the viewers is a very important thing.  Watching these films, it’s easy to wish that you could step into Vivica’s stylish and expensive shoes and say, “Girl, looks like you hired The Wrong Landscaper.”  Or, “Girl, looks you paid The Wrong Bill.  The lights are going to be off for a while.”  The secret is the way that Vivica delivers the line.  When Vivica says that someone was “the wrong whatever,” she leaves with you with little doubt that there’s no point in arguing.  Vivica knows wrong when she sees it and you don’t.

As for 2026’s The Wrong Baby Daddy, it has one of the best titles but it’s also actually a bit mild when compared to some of the other Wrong films.  It goes through the motions without ever going as gloriously over-the-top as some of the other installments in the series.  That said, it’s still a fun movie.  At this point, the familiarity of the plot is kind of the point.  The Wrong films are comfort food for the soul.  It doesn’t matter how bad of a day you’ve had or how negatives the news may be.  If hearing Vivica A. Fox call someone “the wrong baby daddy” doesn’t bring some light to your life, you have no soul.

Brad’s 4 Shots From 4 Films Celebrates Las Vegas!

Posted on by Bradley Crain

My wife and I love going to Las Vegas. As a matter of fact, as I type this, I’m sitting in my hotel room looking out the window at the Sphere and Paris Vegas! We gamble very little, but we enjoy the shows, the lights, the food and the people watching. You never know what you might see on the Strip or on Fremont Street. 

We only started going a few years backs, so I’ve been watching movies set here. I enjoy revisiting the places I’ve now been. To celebrate Sin City, I present 4 Shots from 4 Films, live from Las Vegas! 

Casino (1995)
Leaving Las Vegas (1995)
Vegas Vacation (1997)
The Hangover (2009)

And one bonus shot…

At the Elara Hotel in 2025

Explore The Covers Of Venture Science Fiction!

Posted on by Dazzling Erin

by Bert Tanner

Venture Science Fiction was a pulp magazine that ran from 1957 to 1958 and was later revived for six issues in 1969.  Despite its relatively brief run, it featured stories from some of the most prominent names in science fiction.

Here are a few of the covers of Venture Science Fiction!

by Edmund Emswhiller

by Dick Shelton

by Edmund Emshwiller

by Edmund Emshwiller

by Edmund Emshwiller

by Edmund Emshwiller

by Edmund Emshwiller

by Edmund Emshwiller

A Scene That I Love: Jackie Robinson Hits A Homerun in 42

Posted on by Dazzling Erin

I nearly shared the “there’s no crying in baseball” scene from A League Of Their Own as a reminder to myself not to cry, no matter what the Rangers’s final record is.

But then I decided that I would rather share this scene from 42, in which Jackie Robinson (Chadwick Boseman) takes his team to the World Series!  Forget about Black Panther and Da 5 Bloods.  This was Boseman’s greatest performance.

Film Review: Is This Thing On? (dir by Bradley Cooper)

Posted on by Lisa Marie Bowman

As I watched 2025’s Is This Thing On?, I found myself making a special plea to the Academy.

Dear Academy, I wrote in my head,

Please, please, please hurry up and give Bradley Cooper an Oscar so he’ll stop directing these depressing movies.  Love, Lisa Marie

Is This Thing On? is technically a dramedy.  Will Arnett and Laura Dern star as Alex and Tess Novak, a separated couple who try to learn how to be friends and parents while in the process of splitting up.  Both of them find fulfilment in activities that they couldn’t necessarily pursue while being married.  Tess once again starts coaching volleyball and dating Peyton Manning.  (Technically, Peyton Manning plays a character named Laird but, for all intents and purposes, he’s Peyton Manning.)  And Alex becomes a stand-up comedian, performing a routine about his failing marriage.

Casting Will Arnett as a comedian with a dark side isn’t that much of a stretch and Arnett does do a good job in the role, even if he sometimes seems to be doing a bit of a Bradley Cooper imitation himself.  (Of course, Cooper himself also appears in the movie, playing Arnett’s best friend.)  Arnett is not only plays the lead role but he also co-wrote the script.  Both Arnett and Cooper have been open about their past struggles with alcoholism and Is This Thing On?, with its muted color scheme and its nervous camera work, is very much a 12-step film.  It’s a movie where people talk and talk and talk about their problems and their past mistakes and their regrets.  The scenes of Alex performing stand-up have an AA feeling to them.  One could just as easily imagine Alex taking the stage and saying, “Hi, I’m Alex and I’m an alcoholic.”  The support that he gets from the audience feels very much like the applause that one would get upon announcing they had gone a week, a month, or a year without taking a drink.

And that’s not necessarily a bad thing.  Many stand-up comedians have attested to the fact that their sets often double as therapy.  I used to be pretty cynical about programs like AA but then I saw how it helped my Dad not only get sober but also stay sober.  Cooper and Arnett are smart enough to not focus too much time on Arnett’s stand-up.  We see enough to convince us that people would find him to be funny but the movie seems to understand that humor is subjective and, unlike other stand-up films like The Comedian, it doesn’t beg us to laugh at Alex’s act.  I appreciated the fact that the laughter in the club scenes sounded like actual laughter, as opposed to sounding like a bunch of extra being ordered to make a joyful noise no matter what.

Is This Thing On? is well-acted and, though he leans a bit too much on the jittery hand-held camera thing, Cooper’s direction gets better as it goes but ultimately, Alex and Tess never really come across as if they are worth all the trouble.  They come across as being the self-absorbed friends that everyone secretly hopes won’t be able to make it to the party.  Unlike Cooper’s A Star Is Born, the film never quite convinces us that we’re watching real relationship.  It’s easy to believe that Tess could get back into coaching volleyball after she splits up with Alex but when Tess announces that she’s been offered a spot coaching the Olympic team, it’s hard not to roll your eyes just a little.  Being offered a chance to coach the high school team or maybe the community center team would have worked just as well.  Instead, it has to be the Olympics.  It’s one of those things, like quitting your job and using your homemade cupcakes to open a bakery, that only happens in Hollywood films.

Music Video of the Day: I Won’t Forget You by Poison (1987, directed by John Jopson)

Posted on by Jedadiah Leland

It’s the sensitive side of Poison.

I’ve been reading Nothin’ But A Good Time, an oral history of the 80s “hair metal” scene.  Poison emerges as unlikely heroes in the narrative, a band that worked hard to put on a good show and managed to avoid a lot of the excesses that plagued other bands of the era.  Before he landed his spot with Guns ‘N’ Roses, Slash reluctantly auditioned out for Poison.  Bret Michaels wanted to hire him but the rest of the band preferred CC Deville.  It turned out to be the right choice for both the band and Slash.

This video was directed by John Jopson, who also directed videos for The Hooters, Icehouse, and everyone’s favorite, Air Supply.