The Music City Film Critics Honor Promising Young Woman

Posted on January 12, 2021 by Lisa Marie Bowman

Awards season continues!

Yesterday, the Music City Film Critics (that’s Nashville) announced their picks for the best of 2020! They honored Promising Young Woman as Best Picture and Carey Mulligan for Best Actress. Otherwise, the awards pretty much went to the usual suspects. Chloe Zhao for Best Director. Sacha Baron Cohen for Best Supporting Actor and Chadwick Boseman for Best Actor. (I’m not looking forward to having to sit through any Oscar speeches from Sacha Baron Cohen so let’s hope the Academy is more impressed by either Boseman, Paul Raci, or Bill Murray.) Aaron Sorkin picked up an award for his screenplay. Same old, same old. But at least the great Carey Mulligan got some recognition.

Here are the winners!

BEST FILM
Da 5 Bloods
First Cow
I’m Thinking of Ending Things
Ma Rainey’s Black Bottom
Mank
Nomadland
Promising Young Woman
Sound of Metal
The Father
The Trial of the Chicago 7

BEST DIRECTOR
Aaron Sorkin – The Trial of the Chicago 7
Chloé Zhao – Nomadland
David Fincher – Mank
Emerald Fennell – Promising Young Woman
Florian Zeller – The Father
Spike Lee – Da 5 Bloods

BEST ACTOR
Anthony Hopkins – The Father
Chadwick Boseman – Ma Rainey’s Black Bottom
Delroy Lindo – Da 5 Bloods
Gary Oldman – Mank
Riz Ahmed – Sound of Metal

BEST ACTRESS
Carey Mulligan – Promising Young Woman
Elisabeth Moss – The Invisible Man
Frances McDormand – Nomadland
Vanessa Kirby – Pieces of a Woman
Viola Davis – Ma Rainey’s Black Bottom

BEST SUPPORTING ACTOR
Bill Burr – The King of Staten Island
Bill Murray – On the Rocks
Leslie Odom, Jr. – One Night in Miami…
Paul Raci – Sound of Metal
Sacha Baron Cohen – The Trial of the Chicago 7

BEST SUPPORTING ACTRESS (TIE)
Amanda Seyfried – Mank
Glenn Close – Hillbilly Elegy
Maria Bakalova – Borat Subsequent Moviefilm (TIE)
Olivia Colman – The Father
Yuh-Jung Youn – Minari (TIE)

BEST ACTING ENSEMBLE
Da 5 Bloods
I’m Thinking of Ending Things
Ma Rainey’s Black Bottom
One Night in Miami…
The Trial of the Chicago 7

BEST ANIMATED FEATURE
Onward (dir. Dan Scanlon)
Over the Moon (dir. Glen Keane)
Scoob! (dir. Tony Cervone)
Soul (dir. Pete Docter)
Wolfwalkers (dir. Tomm Moore & Ross Stewart)

BEST FOREIGN LANGUAGE FILM
Another Round (dir. Thomas Vinterberg)
Bacurau (dir. Kleber Mendonça Filho & Juliano Dornelles)
Collective (dir. Alexander Nanau)
I’m No Longer Here (dir. Fernando Frías)
The Platform (dir. Galder Gaztelu-Urrutia)

BEST DOCUMENTARY
Collective (dir. Alexander Nanau)
Dick Johnson is Dead (dir. Kirsten Johnson)
The Social Dilemma (dir. Jeff Orlowski)
Time (dir. Garrett Bradley)
You Cannot Kill David Arquette (dir. David Darg & Price James)

BEST SCREENPLAY
I’m Thinking of Ending Things (Charlie Kaufman)
Mank (Jack Fincher)
Minari (Lee Isaac Chung)
Promising Young Woman (Emerald Fennell)
The Trial of the Chicago 7 (Aaron Sorkin)

BEST SONG
The Trial of the Chicago 7 – “Hear My Voice”
Eurovision Song Contest – “Husavik (My Hometown)”
Trolls: World Tour – “Just Sing”
Over the Moon – “Rocket to the Moon”
One Night in Miami… – “Speak Now”
Tenet – “The Plan”

BEST SCORE
Minari (Emile Mosseri)
Tenet (Ludwig Göransson)
Da 5 Bloods (Terence Blanchard)
Mank (Trent Reznor & Atticus Ross)
Soul (Trent Reznor & Atticus Ross)

BEST CINEMATOGRAPHY
Da 5 Bloods (Newton Thomas Sigel)
Mank (Erik Messerschmidt)
News of the World (Dariusz Wolski)
Nomadland (Joshua James Richards)
Tenet (Hoyte van Hoytema)

BEST EDITING
Nomadland (Chloé Zhao)
Mank (Kirk Baxter)
Tenet (Jennifer Lame)
The Father (Yorgos Lamprinos)
The Invisible Man (Andy Canny) (TIE)
The Trial of the Chicago 7 (Alan Baumgarten) (TIE)

BEST PRODUCTION DESIGN
Mank (Donald Graham Burt)
Emma. (Kave Quinn)
Ma Rainey’s Black Bottom (Mark Ricker)
Da 5 Bloods (Wynn Thomas)
The Personal History of David Copperfield (Christina Casali)

The Jim Ridley Award
Awarded to Nashville musician William Tyler for his score for First Cow

Here Are The 2020 Music City Film Critics Association!

Posted on December 21, 2020 by Lisa Marie Bowman

So, just in case anyone is wondering, the Music City Film Critics Association is based out of Nashville. Personally, I like the fact that they used a nickname for their city in the name of their group. The DFW Film Critics need to change their name to the Big D Film Critics. I’ve been saying this for years.

Anyway, the winners won’t be announced until January 11th so you’ve got a lot of time to think about these nominees! I’m happy to see that they nominated I’m Thinking of Ending Things.

BEST FILM
Da 5 Bloods
First Cow
I’m Thinking of Ending Things
Ma Rainey’s Black Bottom
Mank
Nomadland
Promising Young Woman
Sound of Metal
The Father
The Trial of the Chicago 7

BEST DIRECTOR
Aaron Sorkin – The Trial of the Chicago 7
Chloé Zhao – Nomadland
David Fincher – Mank
Emerald Fennell – Promising Young Woman
Florian Zeller – The Father
Spike Lee – Da 5 Bloods

BEST ACTOR
Anthony Hopkins – The Father
Chadwick Boseman – Ma Rainey’s Black Bottom
Delroy Lindo – Da 5 Bloods
Gary Oldman – Mank
Riz Ahmed – Sound of Metal

BEST ACTRESS
Carey Mulligan – Promising Young Woman
Elisabeth Moss – The Invisible Man
Frances McDormand – Nomadland
Vanessa Kirby – Pieces of a Woman
Viola Davis – Ma Rainey’s Black Bottom

BEST SUPPORTING ACTOR
Bill Burr – The King of Staten Island
Bill Murray – On the Rocks
Leslie Odom, Jr. – One Night in Miami…
Paul Raci – Sound of Metal
Sacha Baron Cohen – The Trial of the Chicago 7

BEST SUPPORTING ACTRESS
Amanda Seyfried – Mank
Glenn Close – Hillbilly Elegy
Maria Bakalova – Borat Subsequent Moviefilm
Olivia Colman – The Father
Yuh-Jung Youn – Minari

BEST ACTING ENSEMBLE
Da 5 Bloods
I’m Thinking of Ending Things
Ma Rainey’s Black Bottom
One Night in Miami…
The Trial of the Chicago 7

BEST ANIMATED FEATURE
Onward (dir. Dan Scanlon)
Over the Moon (dir. Glen Keane)
Scoob! (dir. Tony Cervone)
Soul (dir. Pete Docter)
Wolfwalkers (dir. Tomm Moore & Ross Stewart)

BEST FOREIGN LANGUAGE FILM
Another Round (dir. Thomas Vinterberg)
Bacurau (dir. Kleber Mendonça Filho & Juliano Dornelles)
Collective (dir. Alexander Nanau)
I’m No Longer Here (dir. Fernando Frías)
The Platform (dir. Galder Gaztelu-Urrutia)

BEST DOCUMENTARY
Collective (dir. Alexander Nanau)
Dick Johnson is Dead (dir. Kirsten Johnson)
The Social Dilemma (dir. Jeff Orlowski)
Time (dir. Garrett Bradley)
You Cannot Kill David Arquette (dir. David Darg & Price James)

BEST SCREENPLAY
I’m Thinking of Ending Things (Charlie Kaufman)
Mank (Jack Fincher)
Minari (Lee Isaac Chung)
Promising Young Woman (Emerald Fennell)
The Trial of the Chicago 7 (Aaron Sorkin)

BEST SONG
The Trial of the Chicago 7 – “Hear My Voice”
Eurovision Song Contest – “Husavik (My Hometown)”
Trolls: World Tour – “Just Sing”
Over the Moon – “Rocket to the Moon”
One Night in Miami… – “Speak Now”
Tenet – “The Plan”

BEST SCORE
Minari (Emile Mosseri)
Tenet (Ludwig Göransson)
Da 5 Bloods (Terence Blanchard)
Mank (Trent Reznor & Atticus Ross)
Soul (Trent Reznor & Atticus Ross)

BEST CINEMATOGRAPHY
Da 5 Bloods (Newton Thomas Sigel)
Mank (Erik Messerschmidt)
News of the World (Dariusz Wolski)
Nomadland (Joshua James Richards)
Tenet (Hoyte van Hoytema)

BEST EDITING
Nomadland (Chloé Zhao)
Mank (Kirk Baxter)
Tenet (Jennifer Lame)
The Father (Yorgos Lamprinos)
The Invisible Man (Andy Canny)
The Trial of the Chicago 7 (Alan Baumgarten)

BEST PRODUCTION DESIGN
Mank (Donald Graham Burt)
Emma. (Kave Quinn)
Ma Rainey’s Black Bottom (Mark Ricker)
Da 5 Bloods (Wynn Thomas)
The Personal History of David Copperfield (Christina Casali)

Here Are The Nominees of the 2020 Indiana Film Journalists Assosciation!

Posted on December 15, 2020 by Lisa Marie Bowman

Bad Education

The Indiana Film Journalists Association (IJA) has announced their nominees for the best of 2020! They’ll be announcing the winners on December 21st!

What I like about these nominations is that there’s a lot of them. 2020 may have been a difficult year for many but there were a lot of good films released and it does seem kind of silly (as it does every year) to limit things to some sort of arbitrary number. Why only nominate 10 films when you could nominate 20 or 30? Many of the nominees below will appear on my own personal best lists in January.

The other thing that I like about these nominees is that the include films like Bad Education and Mangrove. There’s some debate as to whether or not these films should be considered Oscar eligible. I feel that they should be so it’s nice to see that the folks in Indiana agree with me!

Here are the nominees:

BEST FILM
Da 5 Bloods
Another Round
The Assistant
Athlete A
Bad Education
Crip Camp: A Disability Revolution
Dick Johnson is Dead
Emma.
The Father
First Cow
I’m Thinking of Ending Things
Ma Rainey’s Black Bottom
Minari
The Nest
Never Rarely Sometimes Always
Nomadland
One Night in Miami
Palm Springs
The Personal History of David Copperfield
Possessor
Promising Young Woman
Small Axe: Mangrove
Song Without a Name
Soul
Sound of Metal
The Trial of the Chicago 7
The Twentieth Century
The Vast of Night

BEST ANIMATED FEATURE
Onward
Soul
Wolfwalkers

BEST FOREIGN LANGUAGE FILM
76 Days
Another Round
Bacurau
Beanpole
La Dosis
Song Without a Name

BEST DOCUMENTARY
76 Days
All In: The Fight for Democracy
Athlete A
Boys State
Crip Camp: A Disability Revolution
Desert One
Dick Johnson is Dead
Disclosure
John Lewis: Good Trouble
The Last Out
Miss Americana
MLK/FBI
Time
Totally Under Control
Welcome to Chechnya

BEST ORIGINAL SCREENPLAY
Lee Isaac Chung – Minari
Brandon Cronenberg – Possessor
Pete Docter, Mike Jones and Kemp Powers – Soul
Sean Durkin – The Nest
Emerald Fennell – Promising Young Woman
Kitty Green – The Assistant
Eliza Hittman – Never Rarely Sometimes Always
Tobias Lindholm and Thomas Vinterberg – Another Round
James Montague and Craig W. Sanger – The Vast of Night
Matthew Rankin – The Twentieth Century
Andy Siara – Palm Springs
Aaron Sorkin – The Trial of the Chicago 7
Alice Wu – The Half of It

BEST ADAPTED SCREENPLAY
Christopher Hampton and Florian Zeller – The Father
Armando Iannucci and Simon Blackwell – The Personal History of David Copperfield
Charlie Kaufman – I’m Thinking of Ending Things
Mike Makowsky – Bad Education
Kemp Powers – One Night in Miami
Jonathan Raymond and Kelly Reichardt – First Cow
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Chloé Zhao – Nomadland

BEST DIRECTOR
Lee Isaac Chung – Minari
Brandon Cronenberg – Possessor
Pete Docter – Soul
Sean Durkin – The Nest
Emerald Fennell – Promising Young Woman
Kitty Green – The Assistant
Eliza Hittman – Never Rarely Sometimes Always
Kirsten Johnson – Dick Johnson is Dead
Charlie Kaufman – I’m Thinking of Ending Things
Regina King – One Night in Miami
Spike Lee – Da 5 Bloods
Melina Léon – Song Without a Name
Steve McQueen – Small Axe: Mangrove
Matthew Rankin – The Twentieth Century
Kelly Reichardt – First Cow
Aaron Sorkin – The Trial of the Chicago 7
George C. Wolfe – Ma Rainey’s Black Bottom
Alice Wu – The Half of It
Chloé Zhao – Nomadland

BEST ACTRESS
Haley Bennett – Swallow
Jessie Buckley – I’m Thinking of Ending Things
Carrie Coon – The Nest
Viola Davis – Ma Rainey’s Black Bottom
Sidney Flanigin – Never Rarely Sometimes Always
Julia Garner – The Assistant
Han Ye-ri – Minari
Leah Lewis – The Half of It
Rachel McAdams – Eurovision Song Contest: The Story of Fire Saga
Frances McDormand – Nomadland
Pamela Mendoza – Song Without a Name
Cristin Milioti – Palm Springs
Elisabeth Moss – The Invisible Man
Carey Mulligan – Promising Young Woman
Aubrey Plaza – Black Bear
Margot Robbie – BIrds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
Anya Taylor-Joy – Emma.

BEST SUPPORTING ACTRESS
Jane Adams – She Dies Tomorrow
Maria Bakalova – Borat Subsequent Moviefilm
Toni Collette – I’m Thinking of Ending Things
Olivia Colman – The Father
Olivia Cooke – Sound of Metal
Allison Janney – Bad Education
Margo Martindale – Blow the Man Down
Talia Ryder – Never Rarely Sometimes Always
Youn Yuh-jung – Minari

BEST ACTOR
Christopher Abbott – Possessor
Ben Affleck – The Way Back
Riz Ahmed – Sound of Metal
Kingsley Ben-Adir – One Night in Miami
Paul Bettany – Uncle Frank
Chadwick Boseman – Ma Rainey’s Black Bottom
Eli Goree – One Night in Miami
Anthony Hopkins – The Father
Hugh Jackman – Bad Education
Jude Law – The Nest
Delroy Lindo – Da 5 Bloods
Mads Mikkelsen – Another Round
Jesse Plemons – I’m Thinking of Ending Things
Eddie Redmayne – The Trial of the Chicago 7
Steven Yeun – Minari

BEST SUPPORTING ACTOR
Chadwick Boseman, Da 5 Bloods
Bo Burnham – Promising Young Woman
Bill Burr – The King of Staten Island
Peter Capaldi – The Personal History of David Copperfield
Colman Domingo – Ma Rainey’s Black Bottom
Aldis Hodge – One Night in Miami
Caleb Landry Jones – The Outpost
Alan Kim – Minari
Frank Langella – The Trial of the Chicago 7
Orion Lee – First Cow
Ewan McGregor – BIrds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
Bill Murray – On the Rocks
Leslie Odom, Jr. – One Night in Miami
Paul Raci – Sound of Metal
J.K. Simmons – Palm Springs
Dan Stevens – Eurovision Song Contest: The Story of Fire Saga
David Strathairn – Nomadland
David Thewlis – I’m Thinking of Ending Things

BEST VOCAL / MOTION CAPTURE PERFORMANCE
Sean Bean – Wolfwalkers
Tina Fey – Soul
Jamie Foxx – Soul
Oliver Platt – I’m Thinking of Ending Things
Donald Ray Pollock – The Devil All the Time
Ben Schwartz – Sonic the Hedgehog

BEST ENSEMBLE ACTING
Da 5 Bloods
Another Round
The Devil All the Time
I’m Thinking of Ending Things
The King of Staten Island
Ma Rainey’s Black Bottom
Minari
One Night in Miami
The Personal History of David Copperfield
She Dies Tomorrow
The Trial of the Chicago 7
Uncle Frank

BEST MUSICAL SCORE
Erick Alexander and Jared Bulmer – The Vast of Night
Terence Blanchard – One Night in Miami
Ludovico Einaudi – Nomadland
Ludwig Göransson – Tenet
Emile Mosseri – Minari
Richard Reed Parry – The Nest
Trent Reznor and Atticus Ross – Soul
William Tyler – First Cow
Jay Wadley – I’m Thinking of Ending Things
Isobel Waller-Bridge and David Schweitzer – Emma.
Benjamin Wallfisch – The Invisible Man
Jim Williams – Possessor

BREAKOUT OF THE YEAR
Maria Bakalova (actress) – Borat Subsequent Moviefilm
Max Barbakow (director) – Palm Springs
Emerald Fennell (writer / director) – Promising Young Woman
Sidney Flanigin (actress) – Never Rarely Sometimes Always
Alan Kim (actor) – Minari
Orion Lee (actor) – First Cow
Leah Lewis (actress) – The Half of It
Darius Marder (writer / director) – Sound of Metal
Andrew Patterson (director) – The Vast of Night
Tayarisha Poe (writer / director) – Selah and the Spades
Kemp Powers – co-writer / co-director for Soul and writer for One Night in Miami
Matthew Rankin (writer / director) – The Twentieth Century
Andy Siara (writer) – Palm Springs
Autumn de Wilde (director) – Emma.

HOOSIER AWARD
Athlete A
Eliza Hittman, writer / director of Never Rarely Sometimes Always and graduate of Indiana University

ORIGINAL VISION AWARD
After Midnight
Assassin 33 A.D.
Dick Johnson is Dead
I’m Thinking of Ending Things
Possessor
Promising Young Woman
She Dies Tomorrow
The Twentieth Century
The Vast of Night
Vivarium

Mangrove

The Sunset Film Circle Honors Promising Young Woman

Posted on December 1, 2020 by Lisa Marie Bowman

So, as we all know, December is typically the start of Awards Season but this year, things are up in the air. With the Academy extending the eligibility window (don’t even get me started on how annoyed I am about that), a lot of critics groups have also pushed back their selection date. For instance, the National Board of Review will not be announcing their picks until January. The Golden Globe nominations will not be announced until February. Things are going to be a bit messed up.

At the same time, some critics groups are still going to be announcing their picks for the best of the year in December, which is the way it should be. (When it comes time for me to make my annual “best of” list, I will only be considering films that were actually released in 2020.) With that in mind, the Sunset Film Circle is a new group that, earlier today, announced their picks for the best of 2020!

And here they are (winners in bold):

BEST FILM

Promising Young Woman

(Runner-up: Mank)

TOP FILMS

The Father

The King of Staten Island

Ma Rainey’s Black Bottom

Mank

Minari

Nine Days

Nomadland

Promising Young Woman

Saint Maud

Sound of Metal

BEST DIRECTOR

Lee Isaac Chung – Minari

David Fincher – Mank

Darius Marder – Sound of Metal

Florian Zeller – The Father

Chloe Zhao – Nomadland (Runner-up)

BEST ACTOR

Ben Affleck – The Way Back

Riz Ahmed – Sound of Metal

Chadwick Boseman – Ma Rainey’s Black Bottom

Winston Duke – Nine Days

Anthony Hopkins – The Father (runner-up)

BEST ACTRESS

Morfydd Clark – Saint Maud

Glenn Close – Hillbilly Elegy (runner up)

Viola Davis – Ma Rainey’s Black Bottom

Vanessa Kirby – Pieces of a Woman

Carey Mulligan – Promising Young Woman

BEST SUPPORTING ACTOR

Bill Burr – The King of Staten Island (runner up)

Bill Murray – On The Rocks

Leslie Odom Jr. – One Night in Miami

Paul Raci – Sound of Metal

Stanley Tucci – Supernova

BEST SUPPORTING ACTRESS

Amy Adams – Hillbilly Elegy (runner-up)

Zazie Beetz – Nine Days

Olivia Colman – The Father

Amanda Seyfried – Mank

Youn Yuh-jung – Minari

BEST ENSEMBLE

Hillbilly Elegy (runner-up)

The King of Staten Island

Ma Rainey’s Black Bottom

Minari

The Prom

BEST SCREENPLAY

The Father – Christopher Hampton & Florian Zeller

Minari – Lee Isaac Chung

Nine Days – Edson Oda

Promising Young Woman – Emerald Fennell (runner-up)

Sound of Metal – Derek Cianfrance & Darius Marder

BEST CINEMATOGRAPHY

Gretel & Hansel – Galo Olivares

Mank – Erik Messerschmidt

Nomadland – Joshua James Richards (runner up)

Sound of Metal – Daniël Bouquet

Tenet – Hoyte Van Hoytema

BEST SCORE

First Cow – William Tyler

Gretel & Hansel – Robin Coudert

Minari – Emile Mosseri (runner-up)

Soul – Trent Reznor & Atticus Ross

Tenet – Ludwig Göransson

BEST BREAKTHROUGH

Kiera Allen – Run (runner-up)

Nicole Beharie – Miss Juneteenth

Joe Kerry – Spree

Orion Lee – First Cow

Jo Ellen Pellman – The Prom

SCENE STEALER

Michael Keaton – The Trial of the Chicago 7

Yahya Abdul-Mateen II – The Trial of the Chicago 7 (runner-up)

Gabourey Sidibe – Antebellum

Toby Wallace – Babyteeth

Wil Wheaton – Rent-A-Pal

DIRECTORS TO WATCH

Radha Blank – The 40-Year-Old Version

Emerald Fennell – Promising Young Woman

Rose Glass – Saint Maud (runner-up)

Edson Oda – Nine Days

Jon Stevenson – Rent-A-Pal

Zombeavers Is The Best Zombie Beaver Film Ever!!!!

Posted on June 19, 2015 by Lisa Marie Bowman

Of the many deliberately ludicrous and over-the-top nature-gone-made films to be released in the wake of Sharknado, Zombeavers is one of the most impressive. Certainly, it’s probably the best film that will ever made about zombie beavers.

The film takes place in one of those isolated areas of rural America where cell phones don’t work, everyone drives a pickup truck, and nobody would dare be seen without a shotgun in his hands. Of course, if you’ve ever seen a horror movie before than you know that any area this isolated is going to inevitably be ground zero in a mutant beaver attack.

Perhaps not surprisingly, it’s all John Mayer’s fault. Yes, that’s right, John “Your Body Is A Wonderland” Mayer. He makes his feature film acting debut here, playing a dumbass trucker who, after his truck collides with a deer, ends up losing a barrel of toxic waste. That barrel rolls into a nearby lake where it turns the local beaver population into zombeavers!

(Whenever I watch anything on Netflix, I always turn on the closed captioning. One of the joys of watching Zombeavers came from getting to read sentences like “Zombeavers growl,” at the bottom of the screen.)

Meanwhile, three sorority sisters are spending the weekend at a nearby cabin. Jenn (Lexi Atkins) is depressed because she caught her boyfriend cheating on her. Zoe (Cortney Palm) is sarcastic, uses “bitch” as a term of affection, and owns a puppy named Gosling. (I related to Zoe, despite being a cat person.) Mary (Rachel Melvin) owns the cabin and is determined to have the perfect girls weekend. Unfortunately, those plans are ruined by both the surprise arrival of their boyfriends and a sudden zombeaver attack…

Fortunately, there is a potentially crazy but helpful hunter wandering around the woods. His name is Smyth (“Smyth with a y,” he says upon introducing himself) and he’s played by veteran character actor Rex Linn. Linn doesn’t get much dialogue but he still manages to make every line memorable as he gives a performance that strikes a perfect balance between drama and parody. At one point, Linn delivers a monologue about how, in the 1970s, everyone in the county got “beaver fever.” It’s ludicrous and the joke is so obvious but Linn bring so much commitment to the monologue and to his performance that he sells it.

And really, the same can be said for Zombeavers as a movie. It’s ludicrous. It’s silly. There’s not a single beaver joke that doesn’t, at some point, get made. And yet, the film works. It’s a parody that somehow manages to remain credible. Yes, the zombeavers are intentionally designed to look fake but you still would not necessarily want to come across one at the foot of your bed in the middle of the night. Yes, the characters say a lot of silly things but the cast delivers those lines with both a straight face and a lot of conviction. (In fact, all three of the lead actresses are totally natural and convincing in their roles.) Everyone involved with the film — from the cast to crew — is so committed to the material that it works even when it shouldn’t.

Zombeavers is currently available on Netflix and should be watched by anyone who loves insane monster movies. It’s the best movie about zombie beavers ever made.

Guilty Pleasure No. 24: Walk of Shame (dir by Steven Brill)

Posted on January 1, 2015 by Lisa Marie Bowman

I was recently looking over what some of my fellow movie bloggers consider to be the worst films of 2014 and imagine my surprise when I saw that almost all of them had found room to list a little comedy called Walk of Shame.

Now, don’t get me wrong. I’m not going to argue that Walk of Shame was a great movie or anything like that. Essentially, it was a dumb comedy that was full of plot holes. For the most part, it was a film that was specifically designed to appeal to neurotic white people from the suburbs. Then again, I am a neurotic white girl from the suburbs so maybe that’s why, despite all of the critical disdain and moralistic posturing that was directed towards Walk of Shame, I actually liked it.

In Walk of Shame, Elizabeth Banks plays Meghan, a local TV new correspondent who is being considered for a job with the national network. However, soon after being informed of this, Meghan returns to her apartment and discovers that her boyfriend has left her. Then she gets a call informing her that the network is leaning towards another candidate. Depressed, Meghan puts on a skin-tight yellow dress, goes out to a club with her best friend (Gillian Jacobs), ends up drinking way too much (much like me, Meghan doesn’t have much of a tolerance when it comes to alcohol), and finally ends up meeting an aspiring writer named Gordon (Jason Marsden) and going back to his apartment with him.

The scenes where Meghan and Gordon drunkenly fool around before eventually having sex are actually surprisingly fun. Marsden and Banks have a really playful chemistry throughout this entire film. You like both of their characters and it’s fun to see them together. In fact, Jason Marsden, who I had previously assumed was a bad actor on the basis of his work in The Butler and Straw Dogs, gives a truly charming performance in his film, turning Gordon into both the ideal one night stand and the ideal boyfriend.

The next morning, Meghan gets a call informing her that the network has decided against the other candidate and they want to interview her for the job. She’s told that she only has a few hours to get down to the station. After sneaking out of Gordon’s apartment, Meghan discovers that not only has her car been towed but her purse and all of her money was also in the backseat. (Not to mention the fact that she left her phone back in Gordon’s apartment…) So now, still wearing that yellow dress, Meghan has to try to make her way across Los Angeles, get back her car, and get to her interview in time.

And, of course, this means that Meghan has to deal with drug dealers, simple-minded policemen, and snooty bus drivers. Admittedly, there’s not a single problem that Meghan couldn’t have solved through the use of common sense but sometimes you have to be willing to cut a film a little slack.

Walk of Shame has a lot of flaws but I still enjoyed it, mostly because I’ve been there. I may not have been there to the extreme that Meghan finds herself being there but I’ve still been there. Elizabeth Banks is one of my favorite actresses and her chemistry with Jason Marsden generates enough good will to help the film get over a few rough patches.

And, for that reason, Walk of Shame is my favorite guilty pleasure of 2014.

Previous Guilty Pleasures