Lisa Reviews An Oscar Nominee: The Post (dir by Steven Spielberg)


So, I finally sat down and watched the 2017 film, The Post.

The Post is something of an odd film.  Imagine if someone made a film about the production of a movie.  And imagine if, instead of focusing on the actors or the members of the crew or even the director, the film was instead about the studio executives sitting back in Hollywood and debating whether or not they should agree to give the director another million dollars to complete the film.  Imagine dramatic scenes of the execs meeting with their accountants to determine whether they can spare an extra million dollars.  Imagine triumphant music swelling in the background as one of the execs announces that they’ll raise the budget but only in return for getting to pick the title of the director’s next film.  The Post is kind of like that.  It’s a film about journalism that’s more concerned with publishers and editors than with actual journalists.

To be honest, The Post‘s deification of the bosses shouldn’t really be that much of a shock.  This is a Steven Spielberg film and a part of Spielberg’s legend has always been that, of all the young, maverick directors who emerged in the 70s, he was always the one who was the most comfortable dealing with the studio execs.  As opposed to directors like Martin Scorsese, Brian DePalma, and Francis Ford Coppola, Spielberg got along with the bosses and they loved him.  While his contemporaries were talking about burning Hollywood down and transforming the culture, Spielberg was happily joining the establishment and reshaping American cinema.  No one can deny that Spielberg is a talented filmmaker.  It’s just that, if anyone was going to make a movie celebrating management, you just know it would be Steven Spielberg.

Taking place in the early 70s, The Post deals with the decision to publish The Pentagon Papers, which were thirty years worth of classified documents dealing with America’s involvement in the Vietnam War.  Since the Pentagon Papers revealed that the government spent several decades lying to the American people about the situation in Vietnam, there’s naturally a lot of pushback from the government.  It all leads to one of those monumental supreme court decisions, the type that usually ends a movie like this.  And while the film does acknowledge that there were journalists involved in breaking the story, it devotes most of its attention to editor Ben Bradlee (Tom Hanks) and publisher Katharine Graham (Meryl Streep).

Gasp as Ben and Katharine debate whether to publish the story!

Shudder as Katharine tries to figure out how to keep the Post from going bankrupt.

Watch as Ben Bradlee talks to the legal department!

Thrill as Katharine Graham learns that her family friends, John F. Kennedy and Lyndon B. Johnson, weren’t always honest with her!

And listen, I get it.  The Post isn’t as much about Nixon and the Vietnam War as it’s about Trump and the modern-day war on the media.  And yes, we get plenty of scenes of Tom Hanks explaining why freedom of the press is important and the movie ends in typical Spielberg fashion, with triumphant music and all the rest.  But watching The Post, it’s hard not to think about other films that celebrated journalism, films like All The President’s Men and Spotlight.  Both of those films featured scenes of editors supporting their reporters.  In fact, All The President’s Men featured Jason Robards playing the same editor that Tom Hanks plays in The Post.  But Spotlight and All The President’s Men focused on the journalists and the hard work that goes into breaking an important story.  Robards and Spotlight‘s Michael Keaton played editors who were willing to stand up and defend their reporters but, at the same time, those films emphasized that it was the underpaid and underappreciated reporters who were often putting their careers (and sometimes, their lives) on the line to break a story.  Whereas Spotlight and All The President’s Men showed us why journalism is important, The Post is content to merely tell us.

The Post was a famously rushed production.  Shooting started in May of 2017 and was completed in November, all so it could be released in December and receive Oscar consideration.  Production was rushed because Spielberg, Streep, and Hanks all felt that it was important to make a statement about Trump’s treatment of the press.  While I can see their point and I don’t deny that they had noble intentions, a rushed production is still going to lead to a rushed film.  The Post is a sloppy film, full of way too much on-the-nose dialogue and scenes that just seem to be missing Spielberg’s usual visual spark.  It feels less like a feature film and more like a well-made HBO production.  Tom Hanks and Meryl Streep give performances that are all surface.  Streep’s performance is all mannered technique while Hanks occasionally puts his feet up on his desk and furrows his brow.

It gets frustrating because, watching the film, you get the feeling that there’s a great movie to be made about the Pentagon Papers and the struggle to publish them.  I’d love to know what the actual reporters went through to get their hands on the papers.  But The Post is more interested in management than the workers.

All through 2017, The Post was touted as being a sure Oscar front-runner.  When it was released, it received respectful but hardly enthusiastic reviews.  In the end, it only received two nominations — one for best picture and one for Streep.  In a year dominated by Lady Bird, Shape of Water, Get Out, and Three Billboards Outside Ebbing, Missouri, The Post turned to be a nonfactor.  For all the hype and expectations, it’s the film that you usually forget whenever you’re trying to remember everything that was nominated last year.

Here’s The Trailer For Steve McQueen’s Widows!


Widows is one of those films that I’ve been looking forward to seeing since I first read about it.  Based on a BBC miniseries and featuring an amazingly talented cast, Widows is also director Steve McQueen’s first film since the Oscar-winning 12 Years A Slave.

The film deals with four women whose husbands are all killed during a failed heist.  The widows, under the leadership of Viola Davis, join together to pull off the heist themselves.  That may not sound like a typical Oscar movie but Widows has got tremendous buzz.  Plus, you’ve got a cast that’s full of past Oscar nominees and winners (Viola Davis, Robert Duvall, Daniel Kaluuya, Jacki Weaver, Liam Neeson) and actors who seem to be destined to be nominated some day (Colin Farrell, Michelle Rodriguez, Andre Holland, Carrie Coon, Garrett Dillahunt).  All in all, there’s a lot of reasons to get excited for this one!

Here’s the trailer:

Lisa Reviews Avengers: Infinity War (dir by Joe and Anthony Russo)


(Warning: There are spoilers in this review.  They’re not necessarily huge spoilers but they’re there.  Read at your own risk.)

Avengers: Infinity War is a lot of things.  It’s big, it’s thrilling, it’s emotional, it’s colorful, it’s loud, it’s flamboyant, and, clocking in at two and a half hours, it’s occasionally a bit exhausting.  It’s overwhelming but it’s never boring.  It’s a nearly perfect example of pure cinema, where the story is less about what happens and more how it’s told. It’s a tribute to not just the Marvel Cinematic Universe but also to the audiences who have been flocking to each movie since Iron Man was first released way back in 2008.  Avengers: Infinity War is a pop art masterpiece, one that provides the first part of a climax to a saga that’s been unfolding for ten years.

In the days leading up to the release of Avengers: Infinity War, the main selling point was the assumption that this movie would feature every single character that’s been introduced as a citizen of the MCU so far.  Though the film comes close to including everyone, there are still a few characters who are notable for their absence.  Ant-Man and the Wasp are nowhere to be seen.  None of the Marvel Television characters show up, which is a shame because I’m sure Jessica Jones would have had some choice words about the potential end of the universe.  Two familiar SHIELD agents make a brief appearance, though you have to wonder where they were when New York and Wakanda were being invaded.

That said, all of the big heroes show up.  Tony Stark (Robert Downey, Jr.) flies into space with Dr. Strange (Benedict Cumberbatch) and Spider-Man (Tom Holland).  Thor (Chris Hemsworth) teams up with Rocket Racoon and Groot (voiced by Bradley Cooper and Vin Diesel, respectively).  When Wakanda is attacked, Black Panther (Chadwick Boseman), Captain America (Chris Evans), The Falcon (Anthony Mackie), White Wolf (Sebastian Stan), the Hulk (Mark Ruffalo), Rhodey (Don Cheadle), and Natasha (Scarlett Johansson) are all present to defend it.  Meanwhile, Vision (Paul Bettany) and Wanda (Elizabeth Olsen) continue to pursue their odd relationship while Peter Quill (Chris Pratt) and Gamora (Zoe Saldana) search for Gamora’s father, Thanos (Josh Brolin).

It’s a packed film and the fact that it works as well as it does is a testament to the power of perfect casting and movie star charisma.  At this point, we feel as if we know these characters.  We know that Tony Stark is going to be haunted by what happened the last time Thanos’s minions involved New York.  We know that Spider-Man is going to be desperate to prove that he belongs with the adults, just as we know that Dr. Strange isn’t going to be particularly impressed with anyone he meets.  Needless to say, some characters get more screen time than others.  Despite a good deal of the film taking place in Wakanda, Black Panther largely stays in the background.  I personally wish that both Natasha and Captain America had been given a bit more to do.  Considering just how talented both Anthony Mackie and Don Cheadle are, it’s a shame that neither one of them ever gets to do much in these films.  At the same time, Infinity Wars allows both Elizabeth Olsen and Paul Bettany to come into their own and Chris Hemsworth again shows that he may be the most underrated star in the MCU.  I’ve read a lot of criticism of certain actions taken by Peter Quill towards the end of the film but actually, it’s exactly what you would expect his character to do in the situation and, up until that moment, Chris Pratt is a welcome presence.  It’s important to have someone around who appreciates good music and who can make you laugh, especially considering that Thanos is planning to wipe out 50% of the universe’s population…

Oh yes, Thanos.  After spending years lurking in the background, Thanos finally steps forward in Infinity War.  In fact, it can be argued that Avengers: Infinity War is actually much more of a Thanos film than an Avengers film.  While our heroes are continually spending the film trying to catch up to Thanos and reacting to his latest action, Thanos is always one step ahead.  Thanos is the one who steers the narrative and, for once, you really do believe that an MCU villain views the heroes as being mere distractions.  Thanos is the one on a quest and the film follows him through every step of his search.  In fact, the film’s most emotional moments belong to Thanos.  For all the death and destruction to be found in the film’s surprisingly dark narrative, Thanos is the only character to ever shed a tear.  Like all great villains, Thanos doesn’t view himself as being evil.  Instead, Thanos speaks very sincerely of his desire to bring balance to the universe.  The scary thing about Thanos isn’t that he claims that he’s being merciful when he slaughters millions of beings.  The scary thing about Thanos is that believes it.

Thanos, you see, is a bit of an intergalactic environmentalist.  As he explains it, the universe only has a finite number of resources.  By killing half of the universe’s population, he is ensuring that the other half will be able to survive in peace and harmony.  Most people would call Thanos’s actions genocidal but Thanos would probably say that he’s merely making the difficult decisions that others don’t have the courage or intelligence to make.  It may all sound rather far-fetched and melodramatic until you consider that, just last week, bureaucrats and doctors in the UK decided it would be better to starve a sick infant to death rather than allow his parents to take him to be treated in another country.  With his mix of narcissism and absolutely belief in his own moral certitude, Thanos is a far more familiar villain than a lot of viewers might want to admit.  As opposed to the forgettable villains who have appeared in so many MCU films, Thanos is a compelling and complicated figure.  It’s interesting to note that two of the best performances of the year so far were given by actors appearing as villains in MCU films, Michael B. Jordan in Black Panther and Josh Brolin in this one.

As befits the film’s subject matter, Infinity War is a sprawling film, one that skips from world to world.  The visuals are frequently spectacular, as are the many battles.  From the opening attack on New York to the final battles in Wakanda and in space, the action is non-stop and thrilling.  (It helps that, as opposed to some of the previous MCU films, it’s always clear who is fighting who and why they’re fighting.)  For me, though, the most memorable scenes are the scenes where Thanos looks and considers the worlds that he’s destroyed.  There’s a scene where an exhausted Thanos rests on a placid planet and it’s one of the strongest images in the history of the MCU.

I’ve been told that I shouldn’t worry too much about all of the characters who are killed over the course of Infinity War.  From what I’ve been told, it’s apparently something of a tradition in Marvel comics to kill off a bunch of recognizable characters and then have them come back to life an issue or two later.  And the fact that the sequel to Infinity War has already been filmed and is set to released next year leads me to suspect that nothing’s permanent.  I mean, if all of these people are really dead, there aren’t going to be many heroes left to make any more movies about.  That said, I still got far more emotional than I probably should have at some of the unexpected demises.  Especially … well, no.  I won’t say the name.  But seriously, it was upsetting.

2018 is shaping up to be the year of Marvel.  So far, Marvel has released two of the best films of the year.  To be honest, a film as huge as Infinity War shouldn’t have worked and yet, it does.  It’s a masterpiece of pop art.*

* For a totally different response to Avengers: Infinity War, check out Ryan’s review by clicking here!

Here’s What Won At The Emmys Last Night!


Last night, Lisa Marie did not watch the Emmys because she says that, “I’m just not feeling TV this year.”  If Twin Peaks had been eligible to be nominated, I bet it would have been a different story!

Instead, she asked me to watch the ceremony and let everyone know what I thought.  It needed less politics and more cats.

Here’s the list of winners:

COMEDY

BEST COMEDY SERIES
“Atlanta”
“Black-ish”
“Masters of None”
“Modern Family”
“Silicon Valley”
“Unbreakable Kimmy Schmidt”
X — “Veep”

BEST COMEDY ACTRESS
Pamela Adlon, “Better Things”
Jane Fonda, “Grace and Frankie”
Allison Janney, “Mom”
Ellie Kemper, “Unbreakable Kimmy Schmidt”
X — Julia Louis-Dreyfus, “Veep”
Tracee Ellis Ross, “Black-ish”
Lily Tomlin, “Grace and Frankie”

BEST COMEDY ACTOR
Anthony Anderson, “Black-ish”
Aziz Ansari, “Master of None”
Zach Galifianaks, “Baskets”
X — Donald Glover, “Atlanta”
William H. Macy, “Shameless”
Jeffrey Tambor, “Transparent”

BEST COMEDY SUPPORTING ACTRESS
Vanessa Bayer, “Saturday Night Live”
Anna Chlumsky, “Veep”
Kathryn Hahn, “Transparent”
Leslie Jones, “Saturday Night Live”
Judith Light, “Transparent”
X — Kate McKinnon, “Saturday Night Live”

BEST COMEDY SUPPORTING ACTOR
Louie Anderson, “Baskets”
X — Alec Baldwin, “Saturday Night Live”
Tituss Burgess, “Unbreakable Kimmy Schmidt”
Ty Burrell, “Modern Family”
Tony Hale, “Veep”
Matt Walsh, “Veep”

BEST COMEDY DIRECTING
X — “Atlanta” (“B.A.N.”)
“Silicon Valley” (“Intellectual Property”)
“Silicon Valley” (“Server Error”)
“Veep” (“Justice”)
“Veep” (“Blurb”)
“Veep” (“Groundbreaking”)

BEST COMEDY WRITING
“Atlanta” (“B.A.N.”)
“Atlanta” (“Streets on Lock”)
X — “Master of None” (“Thanksgiving”)
“Silicon Valley” (“Success Failure”)
“Veep” (“Groundbreaking”)
“Veep” (“Georgia”)

DRAMA

BEST DRAMA SERIES
“Better Call Saul”
“The Crown”
X — “The Handmaid’s Tale”
“House of Cards”
“Stranger Things”
“This is Us”
“Westworld”

BEST DRAMA ACTRESS
Viola Davis, “How to Get Away with Murder”
Claire Foy, “The Crown”
X — Elisabeth Moss, “The Handmaid’s Tale”
Keri Russell, “The Americans”
Evan Rachel Wood, “Westworld”
Robin Wright, “House of Cards”

BEST DRAMA ACTOR
X — Sterling K. Brown, “This is Us”
Anthony Hopkins, “Westworld”
Bob Odenkirk, “Better Call Saul”
Matthew Rhys, “The Americans”
Liev Schreiber, “Ray Donovan”
Kevin Spacey, “House of Cards”
Milo Ventimiglia, “This is Us”

BEST DRAMA SUPPORTING ACTRESS
Uzo Aduba, “Orange is the New Black”
Millie Bobby Brown, “Stranger Things”
X — Ann Dowd, “The Handmaid’s Tale”
Chrissy Metz, “This is Us”
Thandie Newton, “Westworld”
Samira Wiley, “The Handmaid’s Tale”

BEST DRAMA SUPPORTING ACTOR
Jonathan Banks, “Better Call Saul”
David Harbour, “Stranger Things”
Ron Cephas Jones, “This is Us”
Michael Kelly, “House of Cards”
X — John Lithgow, “The Crown”
Mandy Patinkin, “Homeland”
Jeffrey Wright, “Westworld”

BEST DRAMA DIRECTING
“Better Call Saul” (“Witness”)
“The Crown” (“Hyde Park Corner”)
“The Handmaid’s Tale” (“The Bridge”)
X — “The Handmaid’s Tale” (“Offred”)
“Homeland” (“America First”)
“Stranger Things” (“Chapter One: The Vanishing of Will Byers”)
“Westworld” (“The Bicameral Mind”)

BEST DRAMA WRITING
“The Americans” (“The Soviet Division”)
“Better Call Saul” (“Chicanery”)
“The Crown” (“Assassins”)
X — “The Handmaid’s Tale” (“Offred”)
“Stranger Things” (“Chapter One: The Vanishing of Will Byers”)
“Westworld” (“The Bicameral Mind”)

MOVIE/LIMITED SERIES

BEST LIMITED SERIES
X — “Big Little Lies”
“Fargo”
“Feud: Bette and Joan”
“Genius”
“The Night Of”

BEST TV MOVIE
X — “Black Mirror: San Junipero”
“Christmas of Many Colors”
“The Immortal Life of Henrietta Lacks”
“Sherlock: The Lying Detective”
“The Wizard of Lies”

BEST MOVIE/MINI ACTRESS
Carrie Coon, “Fargo”
Felicity Huffman, “American Crime”
X — Nicole Kidman, “Big Little Lies”
Jessica Lange, “Feud: Bette and Joan”
Susan Sarandon, “Feud: Bette and Joan”
Reese Witherspoon, “Big Little Lies”

BEST MOVIE/MINI ACTOR
X — Riz Ahmed, “The Night Of”
Benedict Cumberbatch, “Sherlock: The Lying Detective”
Robert De Niro, “The Wizard of Lies”
Ewan McGregor, “Fargo”
Geoffrey Rush, “Genius”
John Turturro, “The Night Of”

BEST MOVIE/MINI SUPPORTING ACTRESS
Judy Davis, “Feud: Bette and Joan”
X — Laura Dern, “Big Little Lies”
Jackie Hoffman, “Feud: Bette and Joan”
Regina King, “American Crime”
Michelle Pfeiffer, “The Wizard of Lies”
Shailene Woodley, “Big Little Lies”

BEST MOVIE/MINI SUPPORTING ACTOR
Bill Camp, “The Night Of”
Alfred Molina, “Feud: Bette and Joan”
X — Alexander Skarsgard, “Big Little Lies”
David Thewlis, “Fargo”
Stanley Tucci, “Feud: Bette and Joan”
Michael Kenneth Williams, “The Night Of”

BEST MOVIE/MINI DIRECTING
X — “Big Little Lies”
“Fargo” (“The Law of Vacant Places”)
“Feud: Bette and Joan” (“And the Winner Is”)
“Genius” (“Einstein: Chapter One”)
“The Night Of” (“The Art of War”)
“The Night Of” (“The Beach”)

BEST MOVIE/MINI WRITING
“Big Little Lies”
X — “Black Mirror: San Junipero”
“Fargo” (“The Law of Vacant Places”)
“Feud: Bette and Joan” (“And the Winner Is”)
“Feud: Bette and Joan” (“Pilot”)
“The Night Of” (“Call of the Wild”)

VARIETY/REALITY

BEST REALITY COMPETITION PROGRAM
“The Amazing Race”
“Amercan Ninja Warrior”
“Project Runway”
“RuPaul’s Drag Race”
“Top Chef”
X — “The Voice”

BEST VARIETY TALK SERIES
“Full Frontal with Samantha Bee”
“Jimmy Kimmel Live”
X — “Last Week Tonight with John Oliver”
“Late Late Show with James Corden”
“Late Show with Stephen Colbert”
“Real Time with Bill Maher”

BEST VARIETY SKETCH SERIES
“Billy on the Street”
“Documentary Now”
“Drunk History”
“Portlandia”
X — “Saturday Night Live”
“Tracey Ullman’s Show”

BEST VARIETY SERIES DIRECTING
“Drunk History”
“Jimmy Kimmel Live”
“Last Week Tonight with John Oliver”
“Late Show with Stephen Colbert”
X — “Saturday Night Live”

BEST VARIETY SERIES WRITING
“Full Frontal with Samantha Bee”
X — “Last Week Tonight with John Oliver”
“Late Night with Seth Meyers”
“Late Show with Stephen Colbert

What Do They Like in San Diego? Let’s Find Out…


Jake Gyllenhaal in Nightcrawler

And finally, here are the San Diego Film Critics Nominations!

(Insert your own clever and snarky analysis here because I’m exhausted.  Maybe point out that they nominated Alejandro Inarritu for best director and Michael Keaton, Edward Norton, and Emma Stone but they didn’t nominate Birdman for best film…)

(h/t to awards circuit)

Best Film

  • “Boyhood”
  • “Gone Girl”
  • “The Grand Budapest Hotel”
  • “Nightcrawler”
  • “Selma”
  • “The Theory of Everything”

Best Director

  • Alejandro González Iñárritu, “Birdman”
  • Richard Linklater, “Boyhood”
  • David Fincher, “Gone Girl”
  • Wes Anderson, “The Grand Budapest Hotel”
  • Dan Gilroy, “Nightcrawler”

Best Actor

  • Ralph Fiennes, “The Grand Budapest Hotel”
  • Brendan Gleeson, “Calvary”
  • Jake Gyllenhaal, “Nightcrawler”
  • Tom Hardy, “Locke”
  • Michael Keaton, “Birdman”
  • Eddie Redmayne, “The Theory of Everything”

Best Actress

  • Marion Cotillard, “Two Days, One Night”
  • Felicity Jones, “The Theory of Everything”
  • Rosamund Pike, “Gone Girl”
  • Hilary Swank, “The Homesman”
  • Mia Wasikowska, “Tracks”

Best Supporting Actor

  • Riz Ahmed, “Nightcrawler”
  • Ethan Hawke, “Boyhood”
  • Edward Norton, “Birdman”
  • J.K. Simmons, “Whiplash”
  • Mark Ruffalo, “Foxcatcher”

Best Supporting Actress

  • Patricia Arquette, “Boyhood”
  • Carrie Coon, “Gone Girl”
  • Keira Knightly, “The Imitation Game”
  • Rene Russo, “Nightcrawler”
  • Emma Stone, “Birdman”

Best Original Screenplay

  • “Birdman”
  • “Boyhood”
  • “The Grand Budapest Hotel”
  • “Locke”
  • “Nightcrawler”

Best Adapted Screenplay

  • “The Fault in Our Stars”
  • “Gone Girl”
  • “The Theory of Everything”
  • “Unbroken”
  • “Wild”

Best Foreign Language Film

  • “Force Majeure”
  • “Heli”
  • “Ida”
  • “Two Days, One Night”
  • “Venus in Fur”

Best Documentary

  • “CITIZENFOUR”
  • “Elaine Stritch: Shoot Me”
  • “Glen Campbell: I’ll Be Me”
  • “Last Days in Vietnam”
  • “Life Itself”

Best Animated Film

  • “Big Hero 6″
  • “The Boxtrolls”
  • “How to Train Your Dragon 2″
  • “The LEGO Movie”
  • “The Nut Job”

Best Cinematography

  • “Force Majeure” (Fredrik Wenzel)
  • “Interstellar” (Hoyte van Hoytema)
  • “Gone Girl” (Jeff Cronenweth)
  • “Nightcrawler” (Robert Elswit)
  • “Unbroken” (Roger Deakins)

Best Editing

  • “Boyhood” (Sandra Adair)
  • “Edge of Tomorrow” (James Herbert, Laura Jennings)
  • “Gone Girl” (Kirk Baxter)
  • “The Grand Budapest Hotel” (Barney Pilling)
  • “Nightcrawler” (John Gilroy)

Best Production Design

  • “The Grand Budapest Hotel” (Adam Stockhausen, Anna Pincock)
  • “Into the Woods” (Dennis Gassner & Anna Pinnock)
  • “The Theory of Everything” (John Paul Kelly)
  • “The Imitation Game” (Maria Djurkovic)
  • “Interstellar” (Nathan Crowley)

Best Score

  • “Birdman” (Antonio Sanchez)
  • “Gone Girl” (Trent Reznor and Atticus Ross)
  • “The Grand Budapest Hotel” (Alexandre Desplat)
  • “The Imitation Game” (Alexandre Desplat)
  • “Nightcrawler” (James Newton Howard)

Best Ensemble

  • “Birdman”
  • “Boyhood”
  • “The Grand Budapest Hotel”
  • “The Imitation Game”
  • “Selma”

Here Are the St. Louis Film Critics Nominations!


Birdman

The Golden Globes weren’t the only precursors to be announced today!  Here are the St. Louis Film Critics Nominations.  One thing that I like about the St. Louis Film Critics is that they give out an award for “best scene.”  Personally, I would vote for the prison break from Guardians of the Galaxy.

Here are the nominees:

(h/t to awards circuit)

BEST PICTURE 
Birdman
Boyhood
Gone Girl
The Grand Budapest Hotel
The Imitation Game

BEST DIRECTOR
Wes Anderson, “The Grand Budapest Hotel”
David Fincher, “Gone Girl”
Alejandro Inarritu, “Birdman”
Richard Linklater, “Boyhood”
Morten Tyldum, “The Imitation Game”

BEST ACTOR
Benedict Cumberbatch, “The Imitation Game”
Jake Gyllenhaal, “Nightcrawler”
Tom Hardy, “Locke”
Michael Keaton, “Birdman”
Eddie Redmayne, “The Theory of Everything”

BEST ACTRESS
Marion Cotillard, “Two Days, One Night”
Felicity Jones, “The Theory of Everything”
Julianne Moore, “Still Alice”
Rosamund Pike, “Gone Girl”
Reese Witherspoon, “Wild”

BEST SUPPORTING ACTOR
Josh Brolin, “Inherent Vice”
Ethan Hawke, “Boyhood”
Edward Norton, “Birdman”
Tony Revolori, “The Grand Budapest Hotel”
Mark Ruffalo, “Foxcatcher”
J.K. Simmons, “Whiplash”

BEST SUPPORTING ACTRESS
Patricia Arquette, “Boyhood”
Jessica Chastain, “A Most Violent Year”
Carrie Coon, “Gone Girl”
Mackenzie Foy, “Interstellar”
Kiera Knightley, “The Imitation Game”
Emma Stone, “Birdman”

BEST ORIGINAL SCREENPLAY
Birdman
Boyhood
Locke
The Grand Budapest Hotel
Nightcrawler
Whiplash

BEST ADAPTED SCREENPLAY
Gone Girl
Guardians of the Galaxy
The Imitation Game
The Theory of Everything
Unbroken

BEST CINEMATOGRAPHY
Birdman
Gone Girl
The Grand Budapest Hotel
Interstellar
Nightcrawler
Unbroken

BEST VISUAL EFFECTS 
Birdman
Dawn of the Planet of the Apes
The Grand Budapest Hotel
Guardians of the Galaxy
Interstellar
Noah

BEST ART DIRECTION
Gone Girl
The Grand Budapest Hotel
Mr. Turner
Nightcrawler
Snowpiercer
Under the Skin

BEST MUSIC SCORE
Birdman
Gone Girl
The Grand Budapest Hotel
Inherent Vice
Interstellar
Under the Skin

BEST MUSIC SOUNDTRACK
Begin Again
Boyhood
Get On Up
Guardians of the Galaxy
Into the Woods
Whiplash

BEST FOREIGN FILM 
Force Majeure
Gloria
Human Capital
Ida
Two Days, One Night

BEST ANIMATED FILM
Big Hero 6
The Book of Life
The Boxtrolls
How to Train Your Dragon 2
The Lego Movie
Penguins of Madagascar

BEST DOCUMENTARY
Citizenfour
Finding Vivian Maier
Jodorowsky’s Dune
Life Itself
Red Army
Rich Hill

BEST COMEDY
22 Jump Street
The Grand Budapest Hotel
Guardians of the Galaxy
Obvious Child
St. Vincent

BEST ARTHOUSE
Boyhood
Calvary
Frank
The Grand Budapest Hotel
Locke
Whiplash

BEST SCENE 
22 Jump Street – End Credits
Birdman – Times Square
The Guardians of the Galaxy – Prison Break
Selma – Church Bombing
Whiplash – Finale drum solo
X-Men: Days of Future Past – Quicksilver Pentagon Escape

Guardians-of-the-Galaxy-rocket-with-gun

The Brief Thrill Of The Phoenix Film Critics Nominations


Lego MovieI have to admit that, when I first looked at the just-released Phoenix Film Critics Nominations for 2014, I got really excited.  I saw The LEGO Movie listed among the nominees for best picture and I thought to myself, “Oh my God!  Could The LEGO Movie be set to be the fourth animated film to score a best picture nomination from the Academy!?”

Seriously, my inner movie trivia lover was so excited!

Then, of course, I remembered that critical recognition doesn’t necessarily translate into Oscar nominations.  And I was forced to admit that The LEGO Movie probably will not be nominated for best picture, though it definitely remains a front runner for best animated feature.

But, for a few moments there, I was truly an excited Oscar watcher.

Anyway, here are the Phoenix Film Critics Nominations!

(h/t to Awards Circuit)

BEST PICTURE/ TOP TEN FILMS OF 2014

  • A Most Violent Year
  • Birdman
  • Boyhood
  • Gone Girl
  • The Grand Budapest Hotel
  • Guardians of the Galaxy
  • The Imitation Game
  • The Lego Movie
  • The Theory of Everything
  • Whiplash

BEST DIRECTOR

  • Wes Anderson, The Grand Budapest Hotel
  • Damien Chazelle, Whiplash
  • David Fincher, Gone Girl
  • Alejandro G. Inarritu, Birdman
  • Richard Linklater, Boyhood

BEST ACTOR IN A LEADING ROLE

  • Bradley Cooper, American Sniper
  • Benedict Cumberbatch, The Imitation Game
  • Brendon Gleeson, Calvary
  • Tommy Lee Jones, The Homesman
  • Michael Keaton, Birdman
  • Eddie Redmayne, The Theory of Everything

BEST ACTRESS IN A LEADING ROLE

  • Amy Adams, Big Eyes
  • Felicity Jones, The Theory of Everything
  • Rosamund Pike, Gone Girl
  • Hilary Swank, The Homesman
  • Reese Witherspoon, Wild

BEST ACTOR IN A SUPPORTING ROLE

  • Ethan Hawke, Boyhood
  • Logan Lerman, Fury
  • Edward Norton, Birdman
  • Mark Ruffalo, Foxcatcher
  • J. K. Simmons, Whiplash

BEST ACTRESS IN A SUPPORTING ROLE

  • Patricia Arquette, Boyhood
  • Jessica Chastain, A Most Violent Year
  • Carrie Coon, Gone Girl
  • Keira Knightley, The Imitation Game
  • Emma Stone, Birdman

BEST ENSMEBLE ACTING

  • Birdman
  • The Grand Budapest Hotel
  • Guardians of the Galaxy
  • Into the Woods

BEST SCREENPLAY WRITTEN DIRECTLY FOR THE SCREEN

  • A Most Violent Year
  • Birdman
  • Boyhood
  • The Grand Budapest Hotel
  • Whiplash

BEST SCREENPLAY ADAPTED FROM ANOTHER MEDIUM

  • American Sniper
  • Gone Girl
  • The Imitation Game
  • The Theory of Everything
  • Wild

BEST LIVE ACTION FAMILY FILM

  • Alexander and the Terrible, Horrible, No Good, Very Bad Day
  • Guardians of the Galaxy
  • Into the Woods
  • Maleficent
  • Muppets Most Wanted

BEST ANIMATED FILM

  • Big Hero 6
  • The Boxtrolls
  • The Lego Movie
  • How to Train Your Dragon 2

OVERLOOKED FILM OF THE YEAR

  • Calvary
  • Edge of Tomorrow
  • Obvious Child
  • The Skeleton Twins
  • Snowpiercer

BEST FOREIGN LANGUAGE FILM

  • Force Majeure
  • IDA
  • Mood Indigo
  • The Raid 2

BEST DOCUMENTARY

  • Citizenfour
  • Glen Campbell: I’ll Be Me
  • Jodorowsky’s Dune
  • Life Itself
  • Supermensch: The Legend of Shep Gordon

BEST ORIGINAL SONG

  • Everything is Awesome, The Lego Movie
  • Immortals, Big Hero 6
  • Lost Stars, Begin Again
  • Miracles, Unbroken

BEST ORIGINAL SCORE

  • Birdman
  • Gone Girl
  • The Imitation Game
  • Interstellar
  • The Theory of Everything

BEST CINEMATOGRAPHY

  • A Most Violent Year
  • Birdman
  • Interstellar
  • Into the Woods
  • The Theory of Everything
  • Unbroken

BEST FILM EDITING

  • Birdman
  • Boyhood
  • Gone Girl
  • Interstellar
  • Into the Woods

BEST PRODUCTION DESIGN

  • The Grand Budapest Hotel
  • The Imitation Game
  • Interstellar
  • Snowpiercer

BEST COSTUME DESIGN

  • The Grand Budapest Hotel
  • Inherent Vice
  • Into the Woods
  • Maleficent
  • The Theory of Everything

BEST VISUAL EFFECTS

  • Dawn of the Planet of the Apes
  • Edge of Tomorrow
  • Guardians of the Galaxy
  • The Hobbit: The Battle of the Five Armies
  • Interstellar

BEST STUNTS

  • Dawn of the Planet of the Apes
  • Edge of Tomorrow
  • John Wick
  • Need for Speed
  • The Raid 2

BREAKTHROUGH PERFORMANCE ON CAMERA

  • Ellar Coltrane, Boyhood
  • Rosamund Pike, Gone Girl
  • Jenny Slate, Obvious Child

BREAKTHROUGH PERFORMANCE BEHIND THE CAMERA

  • Damien Chazelle, Whiplash
  • Dan Gilroy, Nightcrawler
  • Gillian Robespierre, Obvious Child
  • Jon Stewart, Rosewater

BEST PERFORMANCE BY A YOUTH – MALE

  • Ellar Coltrane, Boyhood
  • Daniel Huttlestone, Into the Woods
  • Jaeden Lieberber, St. Vincent
  • Ed Oxenbould, Alexander and the Terrible, Horrible, No Good, Very Bad Day
  • Tony Revolori, The Grand Budapest Hotel

BEST PERFORMANCE BY A YOUTH – FEMALE

  • Lilla Crawford, Into the Woods
  • Mackenzie Foy, Interstellar
  • Sterling Jerins, And So It Goes

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