The New York Film Critics Circle just voted on and announced their picks for the best of 2019! (It took about four and a half hours, which is quick by NYFCC standards.) The Irishman winning Best Picture isn’t a shock but just check out some of the other winners! The Safdie Brothers for best director! Lupita Nyong’o and Antonio Banderas for best lead performances! Check out all the love given to international films!
Now, just because a critics group embraces a film or performance, that doesn’t mean the Oscars will do the same. (Last year, for instance, Regina Hall was deservedly named best actress but was snubbed by the Academy.) Still, these awards will keep these names in the conversation and both Banderas and Nyong’o — who, despite their acclaimed performances, have been overshadowed by Adams Driver and Sandler and Renee Zellweger — will probably see at least a little renewed interest as a result of these wins.
Here are the NYFCC winners!
- Best Picture: The Irishman
- Best Director: The Safdie Brothers for Uncut Gems
- Best Screenplay: Quentin Tarantino for Once Upon A Time In Hollywood
- Best Actress: Lupita Nyong’o in Us
- Best Actor: Antonio Banderas in Pain & Glory
- Best Supporting Actress: Laura Dern in Marriage Story and Little Women
- Best Supporting Actor: Joe Pesci in The Irishman
- Best Cinematography: Claire Mathon, Portrait of a Lady on Fire
- Best Non-fiction Film: Tamara Kotevska, Ljubomir Stefanov, “Honeyland” (NEON)
- Best Foreign Language Film: “Parasite” (South Korea)
- Best Animated Feature: Jérémy Clapin, “I Lost My Body” (Netflix)
- Best First Film: Mati Diop, “Atlantics”
- Special Award For Career Achievement: Randy Newman
- Special Award: Indie Collect
New York in the 1940s. Leon “Bernzy” Bernstein (Joe Pesci) is nearly a legend in the city, a freelance news photographer with a police radio in his car and a darkroom in his trunk. Bernzy is a solitary man who lives for his work, the type who has many acquaintances but few friends. He gets the pictures that no one else can get but his dream of seeing a book published of his photographs seems to be unattainable. As more than one snobbish publisher tells him, tabloid photographs are not art.
Jerry Bolanti (Joe Cortese) is a cocky loud-mouth who has just returned to New Jersey after serving a prison sentence. Jerry needs a work so a mid-level gangster named Tony (Lou Criscuolo) hires Jerry as a debt collector. The problem is that Jerry is just not very good at his job. His attempt to collect money from Bernie Feldshuh (Frank Vincent) leads to Bernie hiring a legendary hitman (Keith Davis) to kill Jerry. Despite working with two experienced enforcers, Joe (Joe Pesci) and Serge (Bobby Alto), Jerry’s next job is just as unsuccessful and leads to even more unnecessary deaths. Tony starts to wonder if maybe he made a mistake giving a job to Jerry and, unfortunately, no one simply gets fired from the Mafia.
Rodney Dangerfield. He didn’t get no respect but he did smoke a lot of weed.
Through the Shattered Lens 