4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps we usually post, 4 Shots From 4 Films lets the visuals do the talking.
Let’s celebrate cats!
4 Shots From 4 Films
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps we usually post, 4 Shots From 4 Films lets the visuals do the talking.
Let’s celebrate cats!
4 Shots From 4 Films
76 years ago, in Fawcett’s Captain Marvel Adventures #79, Tawky Tawny made his first appearance.
Who was Tawky Tawny? He was a humanoid Bengal tiger from India who spoke perfect English and who simply wanted to come to the United States so that he could learn about American culture. Though Tawky Tawny is friendly and intelligent, everyone panics when they see him because he’s a humanoid tiger who talks. It falls to Captain Marvel (in the days before D.C. bought the character and changed his name became Shazam) to track down the Tawky Tawny and discover what is going on with him.
Luckily, Captain Marvel discovers that Tawky Tawny means well and just wants to get to know people. Captain Marvel gets him a job as a tour guide at a local museum.
Created by writer Otto Binder and artist C.C. Beck, Tawky Tawny soon became one of Captain Marvel’s most important supporting characters. He even got his own origin story when it was revealed that Tawky Tawny was a normal tiger until he was framed for murder. A local shaman gave Tawny a serum that allowed him to stand upright and verbally defend himself. For the rest of Captain Marvel’s run, Tawky Tawny was the hero’s best friend. While Captain Marvel was the beloved hero, Tawky Tawny was the outsider who never lost his positive outlook and his intellectual curiosity.
Fawcett subsequently sold Captain Marvel and all of his supporting characters to DC Comics. Unfortunately, DC has consistently proven themselves to be inept when it comes to bringing Tawky Tawny into their continuity. Still, Tawky Tawny endures as a symbol of hope and optimism.
Previous Great Moments In Comic Book History:
The Costume Design Guild has announced their nominees for the best of 2019.
And here they are:
Excellence in Contemporary Film
Excellence in Period Film
Excellence in Sci-Fi / Fantasy Film
For those of you trying to perfect your Oscar nominations before they’re announced in January, here are the 20 semi-finalists for the Best Visual Effects Oscar! So, if you were planning on predicting a nomination for Godzilla or Shazam!, drop them from your list because they didn’t make it. Instead, the nominees will come from the list below:
The Hollywood Critics Association was, up until a few days ago, known as the Los Angeles Online Film Critics Society. Perhaps realizing that HCA just plans looks better than LAOFCS, they announced yesterday that they were changing their name.
They also announced their nominees for the best of films and performances of 2019! While the HCA may not be one of the major precursors of awards season, their nominations do give a fairly good picture of which films and performances are currently being touted as possible Oscar nominees.
And here they are:
BEST PICTURE
BEST ACTOR
BEST ACTRESS
BEST SUPPORTING ACTOR
BEST SUPPORTING ACTRESS
BEST MALE DIRECTOR
BEST FEMALE DIRECTOR
ORIGINAL SCREENPLAY
ADAPTED SCREENPLAY
BEST PERFORMANCE BY AN ACTOR OR ACTRESS 23 AND UNDER
BREAKTHROUGH PERFORMANCE
BEST CAST
BEST FIRST FEATURE
BEST INDEPENDENT FILM
BEST ACTION/WAR FILM
BEST ANIMATED FILM
BEST BLOCKBUSTER
BEST COMEDY/MUSICAL
BEST DOCUMENTARY
BEST FOREIGN LANGUAGE FILM
BEST HORROR FILM
BEST ANIMATED OR VFX PERFORMANCE
BEST CINEMATOGRAPHY
BEST COSTUME DESIGN
BEST EDITING
BEST HAIR AND MAKEUP
BEST ORIGINAL SONG
BEST SCORE
BEST STUNT WORK
BEST VISUAL EFFECTS
The winners will announced in December!
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps we usually post, 4 Shots From 4 Films lets the visuals do the talking.
Happy International Cat Day!
4 Shots From 4 Films
Captain Marvel was …. well, it was okay.
I know that’s potentially a controversial opinion. Since the movie was released last week, I’ve seen it described as being the greatest comic book movie ever made. I’ve also seen it described as being, if not the worst film of all time, than certainly the worst chapter in the Marvel Cinematic Universe. Really, it depends on who you ask and how they voted in 2016. Myself, I would argue that both sides are incorrect. Captain Marvel is neither the greatest nor the worst movie ever made. Instead …. it’s okay. It’s a middle of the road MCU film, one that has more in common with the first Thor, Ant-Man, and The Incredible Hulk than with Black Panther or Doctor Strange. It has its moments but there’s a reason why everyone’s favorite character is a cat who only has about 15 minutes of screen time.
Brie Larson plays Vers, who is an elite warrior for the Kree Empire. The Kree are an alien race. We know they’re aliens because they have blue blood and their planet looks like a more cheerful version of Blade Runner. The Kree are at war with another group of aliens, the Skrulls. The Skrulls are green shape-shifters and, for some reason, they have Australian accents.
Anyways, Vers can’t remember anything about her past but she’s haunted by nightmares that suggest that she might not be a Kree at all. Instead, she might be an Earthling! Vers gets a chance to investigate that possibility when, while escaping the forces of the Skrull general Talos (Ben Mendelsohn), Vers plummets to Earth and ends up crashing into a Blockbuster Video. Working with a youngish Nick Fury (Samuel L. Jackson), Vers sets out to discover the truth about her past.
Ever since this film was first announced, Brie Larson has been the target of a lot of unfair criticism. A lot of it has centered around the fact that Larson rarely smiles in the film but you know what? Brie Larson’s resting bitch face is the most empowering thing about Captain Marvel. Vers is a warrior and she’s on a mission. She has no reason to smile and giggle and jump around like some sort of manic pixie dream girl. When Vers responded to a man telling her to smile by stealing his motorcycle, I wanted to jump up and cheer. I mean, hell yeah! Not only did she refuse to be pushed around but she also got a sweet ride out of it! Seriously, the next guy who tells me that I need to smile more is losing his car.
Actually, regardless of what some people on twitter seem to believe, Vers does smile in the film. She smiles when she’s talking to her best friend, Maria Rambeau (Lashanna Lynch). She smiles when she’s talking to Maria’s daughter, Monica (Akira Akbar). She smiles when there aren’t any men — or Skrulls — around, demanding all of the attention. Both Maria and Vers are smiling because, finally, they can both be themselves. It’s a scene that, like Vers stealing that motorcycle, feels far more honest and empowering than some of the film’s other more obvious and on-the-nose girl power moments. Maria is a rather underused character, which is a shame because the brief scenes between Maria and Vers are some of the best scenes in the film.
That said, I still had mixed feelings about Brie Larson’s overall performance. As good as Larson has been in so many other films, she often comes across as rather wooden and awkward here. Larson delivers almost all of her lines in a rather flat monotone and she’s not helped by some painfully clunky dialogue. Larson’s awkwardness is painfully obvious whenever she shares a scene with more experienced co-stars like Jackson, Mendelsohn, Jude Law, or Annette Bening. Bening practically steals the entire film, to the extent that I would have preferred the film has been about her rather than Vers.
(Again, it’s easy to compare this film to the first Thor. Just as it took the MCU a while to figure out what to do with Thor, one gets the feeling that they’re still not quite sure who Captain Marvel is supposed to be.)
The film’s main weakness is that, when compared to the more recent MCU films. there’s no sense of wonder to Captain Marvel. Compare the blandness of the Kree homeworld to the vivid worlds of Guardians of the Galaxy or Thor: Ragnarok. Ben Mendelsohn brings a little bit of depth to General Talos but, beyond the shape-shifting, there’s not much to the Skrulls, either. When Captain Marvel flies into space, there’s nothing transcendent about the moment. It’s actually kind of boring. Whereas previous MCU films made space feel alive, the universe feels flat in Captain Marvel.
To cite just one example, one of the film’s biggest battle scenes is over the possession of a lunchbox. The villains think that there’s something important in the lunchbox. However, what they don’t know is that Vers has already emptied the lunchbox and is just using it to distract them. For some reason, directors Ryan Fleck and Anna Bolden show Captain Marvel emptying the lunchbox before the big battle. As a result, there’s no stakes to the battle and, from the start, we know that it doesn’t matter who wins. When, after a lengthy fight, the lunchbox is revealed to be empty, Brie Larson mutters a weak one liner that has no impact because there was never any suspense to begin with. This is pretty basic stuff and it’s somewhat shocking that this film manages to screw it up.
Despite those flaws, Captain Marvel is occasionally diverting. Samuel L. Jackson brings flair to even the lamest of lines and Clark Gregg has a welcome cameo as Phil Coulson. Annette Bening plays two different roles and she kicks major ass in both of them. (One of her characters is named Intelligence, which leads to this hilariously awkward exchange of dialogue between Larson and Bening: “Vers.” “Intelligence.”) Despite being buried under a ton of makeup and prosthetics, Ben Mendelsohn does a good job and Jude Law is amusingly arrogant as Vers’s mentor. Hopefully, Lashawn Lynch will get a bigger role in a future MCU film.
And then there’s the cat.
The cat is named Goose and …, well, look, I won’t spoil it. Let’s just say that he’s a very special cat and he steals every scene. In this film, we discover that Nick Fury loves cats, as well he should!
Anyway, Captain Marvel is okay. There’s a few good scenes and there’s a few clunky ones and finally, there’s Goose and that stolen motorcycle. One gets the feeling that the most remembered scenes will probably be the ones that were inserted during the end credits. Captain Marvel will return in Avengers: Endgame and I hope that she doesn’t smile once.
Well, with the 2018 Oscars finally out of the way, we can now shift our focus to the 2019 race.
As of February, that race is totally cloudy. The predictions below should be taken with a grain of salt because 1) they’re mostly wild guesses and 2) the Oscar race never starts to become clear until after the summer. You could probably argue that doing predictions this early in the year is a pointless exercise but here we are!
Best Picture
A Beautiful Day In The Neighborhood
Call of the Wild
Captain Marvel
Harriet
The Irishman
The Last Thing He Wanted
Little Women
Once Upon A Time In Hollywood
The Report
Toy Story 4
Best Director
Greta Gerwig for Little Women
Kassi Lemmons for Harriet
Chris Sanders for Call of the Wild
Martin Scorsese for The Irishman
Quentin Tarantino for Once Upon A Time In Hollywood
Best Actor
Christian Bale in Ford v Ferrari
Robert De Niro in The Irishman
Taron Egerton in Rocketman
Tom Hanks in A Beautiful Day In The Neighborhood
Ian McKellen in The Good Liar
Best Actress
Amy Adams in The Woman In The Window
Cynthia Erivo in Harriet
Saoirse Ronan in Little Women
Emma Thompson in Late Night
Alfre Woodard in Clemency
Best Supporting Actor
Willem DaFoe in The Last Thing He Wanted
Matt Damon in Ford v Ferrari
Harrison Ford in Call of the Wild
Al Pacino in The Irishman
Brad Pitt in Once Upon A Time In Hollywood
Best Supporting Actress
Annette Bening in The Report
Nicole Kidman in The Goldfinch
Janelle Monae in Harriet
Margot Robbie in Once Upon A Time in Hollywood
Meryl Streep in Little Women
After checking out my pointless predictions for February, be sure to check out my even more pointless predictions for January!
Marvel Studios is being a little bit mean this Super Bowl, offering us intriguing hints of what’s to come, as opposed to full scale trailers. Earlier, they gave us about 19 seconds of Avengers: Endgame. And now, here’s 30 seconds of Captain Marvel.
If you don’t have 30 seconds to spare, this teaser features Brie Larson being a badass and Samuel L. Jackson with hair and two eyes.
What could inspire the entire world to obsess over 30 seconds of video?
Why, it must be the latest installment in the MCU!
A new 30-second TV spot for Captain Marvel was released earlier today. It’s …. well, to be honest, it’s pretty much more of the same. Hopefully, Captain Marvel will be as powerful as everyone says she is because 50% of the universe was wiped out at the end of the last two MCU films. Seriously, someone needs to do something about that.
Anyway, here’s the new Captain Marvel TV spot, Born Free!