Retro Television Review: St. Elsewhere 4.7 “Close Encounters”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

This week, John Doe No. 6 returns.

Episode 4.7 “Close Encounters”

(Dir by Eric Laneuville, originally aired on November 20th, 1985)

This episode begins with a jolt. Dr. Victor Ehrlich is actually choosing to be ethical as opposed to just kissing up. Ehrlich is currently doing a rotation in plastic surgery, where he’s working with Bobby Caldwell. Caldwell already disliked Ehrlich before Ehrlich even joined the department. Caldwell’s opinion is not improved when he discovers that Ehrlich has talked a patient out of getting an eye tuck that Caldwell recommended. When Caldwell confronts him, Ehrlich argues that the surgery wasn’t necessary and that Caldwell manipulated the man into agreeing because Caldwell’s department is currently on the chopping block. When Ehrlich threatens to go to Dr. Craig, Caldwell sneers. Dr. Craig is the one who personally recruited Caldwell to come to St. Eligius. Ehrlich, on the other hand, is just “the hospital clown.”

Yikes. When Bobby Caldwell was introduced two seasons ago, he was mild-mannered and likable and clearly on the show because Mark Harmon looked good without a shirt on. This season, Caldwell has been arrogant and self-destructive. The fresh scar on his face has become a symbol for the scar on his soul. Personally, I think Bobby is a much more interesting character now. Every soap opera needs a villain and, by the time the fourth season started, St. Elsewhere had definitely become a soap opera.

As for Dr. Craig, he’s not there to talk to Ehrlich because he’s accompanied his daughter-in-law to her hometown in Clinton, New York. Yvonne (Suzanne Lederer) has been in a coma ever since Stephen Craig flipped their car. In this episode, she finally opens her eyes but she still isn’t speaking or mobile. Along with helping to transfer Yvonne to a new hospital, Craig has another reason for going to New York. He’s promised Ellen that he will return with their granddaughter, Barbara. However, when Dr. Craig spends the night there, he discovers that Yvonne’s parents aren’t the backward monsters that he assumed they were. He sees that they love Barbara and that they are taking care of her. Though he doesn’t say it, one gets the feeling that Dr. Craig realizes that Ellen mostly just wants custody of Barbara so she can have a part of Stephen. In New York, Dr. Craig finally starts to understand why Stephen and Yvonne designated Yvonne’s parents as Barbara’s legal guardians. Dr. Craig returns to Boston without Barbara. “I hate you for this, Mark,” Ellen says.

Meanwhile, astronaut Col. Chuck Cochrane (David Ackroyd) has decided that his seizure and subsequent dream were all signs from God telling him not to return to space. NASA, concerned that Cochrane is going to give the program a bad name, sends Captain Gloria Neal (Betty White) to the hospital. (Gloria mentions that she was sent by Major Healey, which is undoubtedly a reference to Roger Healey from I Dream of Jeannie.) Because Gloria went to medical school with Dr. Westphall, NASA thinks that she’ll be able to influence him to discharge Cochrane from the hospital so that he can be taken back to Walter Reed and forced to rejoin the space program. Westphall, however, decides to support Dr. Morrison’s decision not to discharge Cochrane. Westphall goes on to tell Gloria that she’s not much of a doctor anymore. She’s just a PR agent for the government. “So, I guess we won’t be sleeping together,” Gloria replies.

Ugh, Westphall. I know that I spent a lot of time complaining about Dr. Westphall, but this episode really epitomized everything that I dislike about the character. When he’s not depressed, he’s self-righteous. Whenever anyone disagrees with him, he starts talking about his experiences volunteering at a clinic in Ethiopia, as if that experience automatically makes his opinion superior to anyone else’s. In this episode, he decides that it’s his place to judge Gloria’s life decisions. Seriously, Westphall is the worst!

Finally, John Doe No. 6 (Oliver Clark) is back. He’s recovered from the surgery that initially left him comatose. He can speak and move again but he still has amnesia. He’s back in the psych ward. While watching television, he suddenly realizes who he is. He’s Mary Richards from The Mary Tyler Moore Show! He decides that a fellow patient, Mr. Carlin (Jack Riley), is Mary’s friend Rhoda. Dr. Auschlander is Mary’s co-worker, Murray. He tries to throw a party in the psych ward and it’s awful because Mary’s parties are always awful! When he sees Gloria Neal walking down the hospital hallway, he thinks that she’s Sue Ann Nivens, the happy homemaker! “Excuse me?” Gloria asks, confused.

Of course, Betty White did play Sue Ann Nivens on The Mary Tyler Moore Show. (St. Elsewhere itself was produced by Mary Tyler Moore’s production company.) Even more interesting, however, is that Jack Riley previously played Mr. Carlin on The Bob Newhart Show. Oliver Clark also appeared on The Bob Newhart Show, playing Mr. Herd, who was a member of the same therapy group as Mr. Carlin. As such, viewers who had previously seen The Bob Newhart Show (whether during its original run or, if you’re like me, via reruns) would have known that John Doe No. 6 was actually Mr. Herd. The episode’s biggest mystery is easily solved by those with a knowledge of television history. At the same time, it’s also interesting to note that Mr. Carlin presumably recognizes John Doe No. 6 but has yet to let anyone know.

It makes for a bizarre but enjoyable episode. Bobby is turning into a monster. The Craigs are headed for divorce. Dr. Westphall just insulted Betty White. But even with all that, it’s hard not to get caught up in John Doe No. 6’s joy. He’s going to make it after all!

Retro Television Review: St. Elsewhere 4.6 “Lost and Found In Space”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

This week, it’s not just the patients who need to be stitched up.

Episode 4.6 “Lost and Found In Space”

(Dir by Robert Becker, originally aired on November 13th, 1985)

Bobby Caldwell lives!

Things were looking pretty bad for Bobby last week.  As you may remember, he picked up a waitress, took her to his Cape Cod home, and then ended up getting slashed across the face when she pulled a razor blade out from under her tongue.  This week, Bobby is wandering around the hospital with a huge bandage on his face and telling everyone that he had an “accident.”  It’s only to Dr. Turner that he confesses that he was attacked by the waitress.  Bobby claims that he responded by punching her and that he then called the police.

Bobby spends this episode in a truly foul mood.  Not only does he have a bandage on his face but he’s also been told that the Hospital Review Board doesn’t feel that he’s performing enough surgeries for the residents to really get the training that they need.  (“We’re a teaching hospital,” Dr. Craig explains.)  Bobby pressures an old man into getting a face lift that he really doesn’t need.  Even Victor thinks that the surgery is unethical.  I mean, when you’ve lost Victor Ehrlich….

Meanwhile, Dr. Westphall is finally released from the hospital after fainting due to the Malaria that he brought back from working abroad.  Westphall is depressed about the whole thing.  Westphall is always depressed.  Even when his daughter comes home to help out, Westphall is depressed to see her.  Cheer up, Westphall!

After weeks of trying to lose weight, Elliot discovers that he’s actually gained three pounds.  What’s worse is that his girlfriend, Marcy (Jeannie Elias), lost weight at the same time that Elliot was gaining weight and, when she sees that he’s just as heavy as ever, she dumps him.

Amongst the patients, Pru Dowler (Amanda Wyss) and Buddy Askew (Mark Baker) are two developmentally challenged teenagers who end up “procreating” (as Luther puts it) in Pru’s hospital room.  Dr. Craig takes it upon himself to discuss what happened when Pru and it’s just as awkward as you might expect.

Col. Chuck Cochrane (David Ackroyd) is an astronaut who collapses while giving a speech.  In the hospital, he has nightmares about being trapped in space.  The whole storyline brought to mind The Ninth Configuration, a film that perhaps not coincidentally starred the future Donald Westphall himself, Ed Flanders.

The highlight of this episode was undoubtedly William Daniels’s performance as Dr. Craig.  With Dr. Westphall recovering his illness, the day-to-day tasks of running the hospital fell on Dr. Craig and he was not at all happy about it.  On this show, William Daniels is always at his best when Dr. Craig is in a bad mood.  Before going on rounds, Dr. Craig predicted that Dr. Morrison would show up late and have some overly complicated excuse.  Morrison did just that and it was hard not to smile at Craig’s exasperation.  At the same time, it is made clear that the main reason that Craig is upset is because his granddaughter has been taken away from him.  It was hard not to feel bad for him, even when he was biting everyone’s heads off.

This was not a happy episode.  No one in the hospital seems to be doing well.  Bobby is bitter.  Dr. Craig is angry.  Elliott is feeling defeated.  And Westphall …. well, he’s just Westphall.  Fortunately, the strong cast and the smart writing made up for the fact that St. Eligius isn’t a happy place right now.

Seriously, I could watch William Daniels yell at people all day.

Retro Television Review: St. Elsewhere 4.5 “Slice O’Life”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

This week, it’s a busy few days in Boston.

Episode 4.5 “Slice O’Life”

(Dir by Eric Laneuville, originally aired on November 6th, 1985)

Oh, the drama!

Elliot is still struggling to lose weight.

Fiscus is having an early midlife crisis, especially when a cancer patient (Todd Susman) philosophically accepts that the treatment is going to leave him impotent.  The patient has lived a life with meaning.  What has Fiscus done?

Dr. Craig finally admits to Ellen that he knows he was too hard on their now dead son.  They are both preparing to raise their granddaughter, Barbara, in their home.  However, Yvonne’s parents (Ramon Bieri and K Callan) arrive in Boston for a visit.  They are so blue collar and, in Dr. Craig’s eyes, unsophisticated that they almost seems like caricatures of what the rich think the poor are like.  They reveal that Stephen and Yvonne asked them to serve as Barbara’s legal guardians in case anything happened.  At first, Ellen refuses to let them take Barbara.  “Get your wife in check,” Yvonne’s father says.  “I’ll see you in court,” Dr. Craig replies.

After complaining about feeling like he has a cold and then getting upset about the Hospital Board not immediately approving all of his projects, Dr. Westphall collapses in the St. Eligius stairwell.  It turns out that he has Malaria.  Apparently, a self-righteous attitude and a bunch of impractical ideas were not the only things Westphall brought home from Ethiopia.

Finally, Bobby spends another weekend up at Cape Cod.  He picks up a local woman.  They have what Bobby is probably expecting to be just another one night stand.  The woman, however, has a razor blade that she’s hidden under her tongue (yikes!) and proceeds to slice Bobby across his face.

AGCK!

Up until that ending, this was a fairly typical episode of St. Elsewhere.  It looked like the big drama was going to be the Craigs temporarily losing Barbara.  Instead, the drama is that Bobby might be dead!

Oh, poor Mark Harmon.  When he first started playing the role on this show, Bobby was portrayed as being a nice guy who was a little boring.  The show really had no idea what to do with him, other than have him occasionally take his shirt off.  For the fourth season, the show’s writers turned him into an arrogant hedonist.  On the one hand, I’m sure there are a lot of doctors like Bobby Caldwell.  On the other hand, the change really does seem to have come out of nowhere.  And now, he might be dead.  I guess the lesson here is to stay away from Cape Cod!

The attack on Bobby ultimately overshadows everything else that happened in this episode.  I will say that, before Bobby got attacked, I was enjoying Dr. Craig’s rather snobbish reaction to Yvonne’s parents.  As for Dr. Westphall …. eh.  Westphall’s kind of become a one trick pony.  He’s depressed and he wants the world to know it.  I know quite a few people like Dr. Westphall in real life, which is probably why I get so annoyed with his character on the show.

Seriously, Westphall, cheer up!

 

Retro Television Review: St. Elsewhere 4.4 “The Naked and the Dead”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

Life is getting dark in Boston!

Episode 4.4 “The Naked and the Dead”

(Dir by Leo Penn, originally aired on October 30th, 1985)

This episode opens with Dr. Craig in an even worse mood than usual.  There’s two newspapers in Boston and they each have a totally different weather forecast.  One says that the day is going to be warm and sunny.  The other says to expect rain.  How is Dr. Craig supposed to know whether or not take an umbrella to the hospital!?  Ellen, meanwhile, is preparing for Stephen’s funeral, which is going to be held later in the day.

Yes, Dr. Craig does go to the hospital on the day of his son’s funeral.  He says that he has no choice because his patients need him but it’s obvious that the hospital is his way of avoiding the grief and guilt that he feels over the death of his son.  Ellen worries about whether or not Stephen will be buried in a comfortable suit.  Dr. Craig yells at a post-op patient for smoking and eating too much.  They’re both dealing with their sadness.

Dr. Westphall, meanwhile, deals with his nonstop depression by coming up with new (and impractical) community projects for the hospital.  In this episode, he leaves Tommy with a babysitter so that he can try to persuade the Board of Directors to fund his latest project, a clinic devoted to battling malnutrition.  The Board turns him down.  Westphall returns home a depressed.  That’s nothing new.  Westphall is always depressed.  That said, this was the first episode in which I really felt as if I understood Westphall’s depression.  Westphall feels guilty because, for all of his medical training, he still doesn’t understand his son’s autism.  So, instead of dealing with Tommy, Westphall throws himself into the hospital.  He’s really not that much different from Dr. Craig.

While that’s going on, Bobby hooks up with a physical therapist at the hospital.  Nurse Lucy (Jennifer Savidge) steals his scrubs and we get the sight of a half-naked Mark Harmon running through the hospital.  Meanwhile, an aspiring teenage photographer (Robert Romanus — DAMONE FROM FAST TIMES AT RIDGEMONT HIGH!) is beaten up when he sells some bad drugs to the other inhabitants of the group home where he lives.  The photographer is dead by the end of the episode.  It’s just that type of day.

This episode ends with Dr. Craig and his wife going to the funeral.  It’s raining, of course.

Wow, what a depressing episode!  Fortunately, the strong ensemble cast kept things bearable, even though there wasn’t much happiness to be found over the course of the hour.  Still, I worry about Dr. Craig.  He really does seem like he’s just a few days away from snapping.  Hopefully, he’ll express his grief at some point.  It’s not good to hold all that in.  We know there’s a bar near the hospital and Dr. Craig seems like he’s on the verge of becoming a regular.

Are things going to continue to get dark or is Boston going to see happier day?  We’ll find out next week!

Retro Television Review: St. Elsewhere 4.3 “Haunted”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

I apologize for the delay in posting this review.  I was feeling under the weather last week.  This week, I feel well enough to share this review of one of the most emotional hours of television that I’ve ever watched.

Episode 4.3 “Haunted”

(Dir by Mark Tinker, originally aired on October 23rd, 1985)

This episode begins where the previous one ended.  After crashing his car, Stephen Craig and his wife, Yvonne, are rushed to the Emergency Room.  Despite the best efforts of Drs. Chandler and Axelrod, Stephen dies in the ER.  Yvonne goes into labor, eventually giving birth to Dr. Craig’s granddaughter.  Dr. Mark Craig and Ellen show up shortly after Stephen has been pronounced dead.  While Ellen immediately slips into denial (“That’s not Stephen!”), Dr. Craig calmly tells Chandler that he knows Chandler did everything that he could.

Throughout the episode, Ellen struggles with her grief while Mark holds back his emotions.  He suspects that Stephen was once again using drugs and he even goes to the autopsy to see for himself.  While Stephen’s organs are being weighed, Dr. Craig starts to talk about how he was never close to his son but how, when Stephen was young, they used to read Dr. Seuss together.  “Thank you Sam I Am,” Dr. Craig recites under his breath, right before hearing that Stephen had used cocaine shortly before dying.

For Dr. Craig, Stephen’s renewed drug use is an excuse to refuse to mourn for him.  For Ellen, Stephen’s drug use is proof that his father was too critical and pushed him too hard.  Ellen tells Mark that he never cared about Stephen except for when Stephen said he wanted to be a doctor.  As the episode ends, Dr. Craig sits in his office and thinks about the words of Dr. Seuss and finally, he starts to cry.

I cried too.  I cried a lot while watching this episode.  This was the most emotional episode of St. Elsewhere that I’ve watched so far.  Both William Daniels and Bonnie Bartlett were heartbreaking as a couple who each dealt with their grief in their own way.  It was hard to watch Ellen fall apart in the Emergency Room but it was even harder to watch Dr. Craig fall apart as he realized that his wife was right.  When Stephen was young, the only time they were close was when they read that Dr. Seuss book.  And now, that memory is all Dr. Craig has left.

There were other things that happened in this episode, of course.  One thing about St. Elsewhere is that there are always several stories going on at once.  Elliot worried about his weight, even after discovering that his girlfriend liked the fact that he wasn’t thin.  Dr. Caldwell spent the weekend at a recently purchased house in Cape Cod and Fiscus showed up unannounced.  Dr. Morrison encouraged the other male residents to donate sperm.  Dr. Westphall continued to try to push through his efforts to make St. Eligius a community-centered hospital.  But none of the other stories could match the power of Mark and Ellen Craig losing their son.  In fact, I found myself resenting being taken away from the Craigs.  “Who cares about Cape Cod!?” I said, “The Craigs have lost their son!”

This was not an easy episode to watch but, in the end, it was powerful, it was touching, and it made me cry.

 

Retro Television Review: St. Elsewhere 4.2 “Fathers and Sons”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

This week, Dr. Craig’s son returns home.

Episode 4.2 “Fathers and Sons”

(Dir by Mark Tinker, originally aired on September 25th, 1985)

In this episode, we discover what Dr. Westphall did after he left St. Eligius.  After checking Tommy into a special school for autistic children, Westphall went to Africa and volunteered his time at a clinic.  Now that he’s returned to Boston, he wants St. Eligius and its residents to follow his example.  In fact, he’s requiring it.  He wants to set up a free clinic.  He wants to set up a charity.  He tells the residents that they will now be required to volunteer in the community.  He’s planning on shaking things up.  Auschlander tells Westphall that not all of his plans are practical.  Westphall says that he doesn’t care.

Westphall also proceeds to move back into his old house and he retrieves Tommy from the school.  (Tommy responds by hitting Westphall.)  It’s actually pretty easy to see what’s happening here.  At the end of the previous season, Westphall was determined to move on with his life.  He was going to leave his depressing house.  He was going to admit that he couldn’t raise Tommy by himself.  However, now that he’s returned to Boston, Westphall is returning to his old life while expecting St. Eligius to change.  Westphall is channeling his personal frustrations into the hospital.  I don’t think this is going to go well.

Speaking of change, Luther is training to become a paramedic.  In this episode, he rides around in an ambulance with two bickering paramedics who are also a couple (played by Adam Arkin and Melanie Chartoff).  This storyline allowed the action to move beyond the confines at the hospital and, at times, it almost played like a parody of a more traditional medical show.  Luther becomes a stand-in for the viewer, watching as the domestic drama unfolds in  between medical emergencies.

The majority of the episode revolves around Dr. Craig, who is not happy that his son, Stephen (Scott Paulin), is visiting with his very pregnant wife, Yvonne (Suzanne Lederer).  When we last saw Stephen, he was a hotshot Ivy League medical student with a bright future ahead of him.  Then he got busted for drug possession and Dr. Craig stopped speaking about him.  In this episode, we learn that Stephen is now a student at Ohio State.  Stephen claims that he’s no longer on drugs but it’s obvious that Dr. Craig is never going to be able to forgive Stephen for letting him down.  That said, Dr. Craig does soften a bit when he talks to Yvonne and she lets him feel the baby kicking.

At the end of the episode, Stephen is driving down a street in Boston.  He’s just had dinner with his parents.  Yvonne is in the passenger’s seat.  A quick shot of Stephen’s eyes reveal that he’s high on something.  Yvonne screams as Stephen crashes the car.  Yikes!  That’s a frightening way to end things!

This was a good episode.  It appears that, with the start of season four, the showrunners finally figured out that Dr. Craig was the most interesting character on the show.  William Daniels and Bonnie Bartlett are both excellent in this episode.

I just hope the baby will be okay.

Retro Television Review: St. Elsewhere 4.1 “Remembrance Of Things Past”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

This week, we begin season 4 of St. Elsewhere!

Episode 4.1 “Remembrance of Things Past”

(Dir by Bruce Paltrow, originally aired on September 18th, 1985)

This week, we start a new season of St. Elsewhere!

Dr. Cavenero is no longer listed in the opening credits.  She’s not even mentioned in this episode, leaving her absence as a mystery.  The last time we saw her during the third season, she was suffering from a cold so maybe she died.  From what I’ve read, the real reason that she’s gone is because Cynthia Sikes, the actress who played her, objected to a season three storyline that would have featured her coming out as a lesbian.

From the start of this epiosde, St. Eligius seems like a happier place.  A lot of that is because Dr. Westphall is gone.  (That said, he’s still listed in the opening credits so we know, from the start, that will return.)  Doctors Craig and Aushlander are a bit overworked having to cover Westphall’s duties but still, the residents seem to be a bit more hopeful than usual in this episode.  Westphall’s perpetual glumness is no longer there to drag everyone down.

Morrison and Chandler have a conflict over a Vietnamese patient.  Morrison wants to give the patient the best care possible.  Chandler is upset because his older brother died in Vietnam and he feels like the patient doesn’t appreciate the sacrifice that Americans made during the Vietnam War.  Morrison, of course, was an anti-war teenager.  (There’s a reason why Helen Hunt calls him “boomer.”)

The whole Morrison/Chandler storyline felt a bit too heavy-handed to be effective.  While I can believe that Chandler would have his own strongly-held opinions about the war, I have a hard time believing he would be as unprofessional as he was in this episode.  Still, all of this does lead to a great scene where Morrison goes to Craig for the type of advice that he would usually get from Westphall and Craig responds by telling Morrison to get over it and concentrate on his job.

Seriously, I’ve been waiting for three seasons for someone to tell Morrison that.

Alfre Woodward joins the cast as Dr. Roxanne Turner, an OB-GYN.  In this episode, she counsels an infertile couple.  Dr. Turner wasn’t in much of the episode (and Alfre Woodard is not included in the opening credits) but I get the feeling that both she and the couple she was counseling are going to be around for a while.

The episode’s main storyline featured an amnesiac known as Joe Doe No. 6 (Oliver Clark).  After John Doe escapes from the psychiatric ward and steals a suit, he’s mistaken for Dr. Jonas Wisner, who has beent sent to St. Eligius to evaluate its teaching program.  John Doe No. 6 has a great time pretending to be Dr. Wisner and the doctors enjoy spending time with him.  Unfortunately, the real Dr. Wisner (Joseph Ruskin) shows up and the fun ends.

Oh, how I loved watching John Doe No. 6 interact with the staff.  Not only did it allow me to see the show’s characters through someone else’s eyes but it was also just an enjoyable storyline.  It was a reminder that the hospital can be an entertaining place when Westpall isn’t wandering around the hallways.

However, towards the end of this episode, Westphall showed up at the hospital.  Craig and Auschlander were happy to see him.  Westphall asked if he could have his old job back.  Of course, he can!  Really?  Didn’t Westphall walk off the job?  But apparently, he can just wander back into the hospital while wearing his hobo cap and all is forgiven.

The episode ends with Chandler taking an impromptu trip to Washington D.C. and visiting the Vietnam War Memorial.  As I watched this, it occuured to me that the memorial was still fairly new when this episoe aired.  Once I realized that, I understood why the show included the Morrison/Chandler storyline.  It pays to know history.

Season 4 is off to a good start!  I just hope Dr. Westphall doesn’t drag everyone back down.

 

Horror Film Review: Salem’s Lot (dir by Gary Duberman)


The new version of Salem’s Lot, which has finally been released on Max after sitting on the shelf for nearly three years, is not very good.

At the same time, it’s definitely not terrible.  There are a few effective scenes.  The finale, which is a bit different from what happens in the book, is enjoyably berserk.  The film made good use of Gordon Lightfoot’s Sundown and, as a history nerd, I appreciated the fact that the movie used the book’s original 70s setting as opposed to trying to update the whole thing.  When writer Ben Mears (Lewis Pullman) wants to investigate the history of the old Marsten House, he has to go to the library.  People looking up stuff on microfiche is always, from a cinematic point of view, more compelling than them pulling up Wikipedia.

Ultimately, the movie is just kind of forgettable.  It’s mediocre in the bland way that so many recent horror films have tended to be.  The movie’s style has far more in common with David Gordon Green’s unfortunate forays into horror than to anything done by Mike Flanagan.  While it may not have originally been meant for a streaming release, streaming is where it begins because it feels like something that would get dumped on Netflix without much fanfare.

It’s a shame because Salem’s Lot really is one of Stephen King’s better novels, written at a time when King was still embracing his pulpy side and without any of the self-important commentary that’s come to mar some of King’s more recent works.  The novel is essentially a small town soap opera, documenting the often sordid lives of the citizens of Jerusalem’s Lot.  King introduces a vampire to the mix and most of the town’s problems are solved by folks dying and then coming back from the dead.  Ben Mears is a typical King protagonist, a writer from Maine who is trying to deal with a childhood trauma and who discovers that ‘Salem’s Lot has a long and apparently cursed history.  In both the book and the movie, Ben teams up with a group of vampire hunters to battle Kurt Barlow (played here by Alexander Ward) and his human servant, Straker (Pilou Asbaek).

The book works because it takes the time to turn Salem’s Lot into a vivid community and, as such, it’s hard not to feel the loss as the town dies off as a result of Barlow’s vampiric invasion.  Clocking in at less than two hours, the movie really doesn’t have time to do that.  The movie’s version of the town just comes across as being another stereotypical New England town, full of flinty characters and mudrooms.  The community never comes to life and, as such, there’s not much emotional resonance as the community dies off.  (It’s not a coincidence that the most successful adaptation of Salem’s Lot was a miniseries.)  Add to that, the 2024 film features some truly unfortunate acting, which again makes it difficult to accept the town as a community with its own traditions and culture.

There are certain character types and themes that seem to appear in all of Stephen King’s novels and the subsequent adaptations.  At its worst, the new Salem’s Lot feels like it’s quickly going through a checklist of all of the expected Stephen King elements.  It’s like, “Main setting — check!  Writer protagonist — check!  Schoolyard bully — check!  Child in danger — check!”  The end result is a film that feels almost like a parody Stephen King, containing all of his familiar tropes without any of the literary flair that made the original book a classic of vampire literature.

The good thing is that the Tobe Hooper adaptation holds up well and it’s also available on Max.  Check it out this weekend.

The Women Film Critics Circle Honors Portrait of a Lady on Fire!


The Hollywood Foreign Press Association weren’t the only ones making an announcement today!  The Women Film Critics Circle also announced their picks for the best of 2019!

And here they are:

BEST MOVIE ABOUT WOMEN

  • Portrait of a Lady on Fire (dir. Céline Sciamma)
    Runner-up: Little Women (dir. Greta Gerwig)

BEST MOVIE BY A WOMAN

  • Harriet (dir. Kasi Lemmons)
    Runner-up: Portrait of a Lady on Fire (dir. Céline Sciamma)

BEST WOMAN STORYTELLER (Screenwriting Award)

  • Greta Gerwig (Little Women)
    Runner-up: Céline Sciamma (Portrait of a Lady on Fire)

BEST ACTRESS

  • Tie: Cynthia Erivo (Harriet) and Lupita Nyong’o (US)
    Runner-up: Renée Zellweger (Judy)

BEST ACTOR

  • Adam Driver (Marriage Story)
    Runner-up: Joaquin Phoenix (Joker)

BEST FOREIGN FILM BY OR ABOUT WOMEN

  • Portrait of a Lady on Fire (dir. Céline Sciamma)
    Runner-up: Atlantics (dir. Mati Diop)

BEST DOCUMENTARY BY OR ABOUT WOMEN

  • Varda by Agnès (dir. Agnès Varda)
    Runner-ups: Maiden (dir. Alex Holmes) and Honeyland (dir. Tamara Kotevska, Ljubo Stefanov)

BEST EQUALITY OF THE SEXES

  • Marriage Story
    Runner-up: The Aeronauts

BEST ANIMATED FEMALE

  • Anna (Frozen 2)
    Runner-up: Bo Peep (Toy Story 4)

BEST SCREEN COUPLE

  • (TIE) Portrait of a Lady on Fire (Noémie Merlant/Adèle Haenel) and Marriage Story (Scarlett Johansson/Adam Driver)
    Runner-up: Hustlers (Jennifer Lopez/Constance Wu)

ADRIENNE SHELLY AWARD – For a film that most passionately opposes violence against women

  • (TIE) Bombshell (dir. Jay Roach) and The Nightingale (dir. Jennifer Kent)
    Runner-up: Hustlers (dir. Lorene Scafaria)

JOSEPHINE BAKER AWARD – For best expressing the woman of color experience in America

  • Harriet (dir. Kasi Lemmons)
    Runner-up: Queen & Slim (dir. Melina Matsoukas)

KAREN MORLEY AWARD – For best exemplifying a woman’s place in history or society, and a courageous search for identity

  • Harriet (dir. Kasi Lemmons)
    Runner-up: Little Women (dir. Greta Gerwig)

ACTING AND ACTIVISM AWARD
Jane Fonda

LIFETIME ACHIEVEMENT AWARD
Alfre Woodard

The Satellites Really Like Ford V Ferrari


The Satellite Nominations were announced earlier today and they appear to really, really like Ford v. Ferrari.

Now, you may be asking yourself, “Who gives out the Satellites?”  They are awarded by the International Press Academy.  They should not be mistaken for the Golden Globes, which are given out the Hollywood Foreign Press Association.  Instead, the Satellites should probably be considered the Golden Globes’s less popular cousins.  Unlike the Globes, they haven’t really proven themselves to be reliable as a precursor.

Anyway, here are the Satellite Film Nominations.  If you want to see their television nominations, click here!

ACTRESS IN A MOTION PICTURE DRAMA

  • Alfre Woodard, “Clemency”
  • Charlize Theron, “Bombshell”
  • Cynthia Erivo, “Harriet”
  • Helen Mirren, “The Good Liar”
  • Renee Zellweger, “Judy”
  • Scarlett Johansson, “Marriage Story”

ACTOR IN A MOTION PICTURE DRAMA

  • Adam Driver, “Marriage Story”
  • Antonio Banderas, “Pain and Glory”
  • Christian Bale, “Ford v Ferrari”
  • George MacKay, “1917″
  • Joaquin Phoenix, “Joker”
  • Mark Ruffalo, “Dark Waters” 

ACTRESS IN A MOTION PICTURE, COMEDY OR MUSICAL

  • Awkwafina, “The Farewell”
  • Ana De Armas, “Knives Out”
  • Constance Wu, “Hustlers”
  • Julianne Moore, “Gloria Bell”

ACTOR IN A MOTION PICTURE, COMEDY OR MUSICAL

  • Adam Sandler, “Uncut Gems”
  • Daniel Craig, “Knives Out”
  • Eddie Murphy, “Dolemite Is My Name”
  • Leonardo DiCaprio, “Once Upon a Time in Hollywood”
  • Taron Egerton, “Rocketman”
  • Taika Waititi, “Jojo Rabbit”

ACTRESS IN A SUPPORTING ROLE

  • Jennifer Lopez, “Hustlers”
  • Laura Dern, “Marriage Story”
  • Margot Robbie, “Bomshell”
  • Penelope Cruz, “Pain and Glory”
  • Nicole Kidman, “Bombshell”
  • Zhao Shuzhen, “The Farewell”

ACTOR IN A SUPPORTING ROLE

  • Anthony Hopkins, “The Two Popes”
  • Brad Pitt, “Once Upon a Time in Hollywood”
  • Joe Pesci, “The Irishman”
  • Tom Hanks, “A Beautiful Day in The Neighborhood”
  • Willem Dafoe, “The Lighthouse”
  • Wendell Pierce, “Burning Cane”

MOTION PICTURE, DRAMA

  • 1917 Universal Pictures
  • Bombshell Lionsgate
  • Burning Cane Array Releasing
  • Ford v Ferrari Twentieth Century Fox
  • Joker Warner Bros.
  • The Lighthouse A24
  • Marriage Story Netflix
  • Two Popes Netflix

MOTION PICTURE, COMEDY OR MUSICAL

  • Hustlers STX Entertainment
  • Knives Out Lionsgate
  • Once Upon a Time in Hollywood Columbia Pictures
  • Rocketman Paramount
  • The Farewell A24
  • Uncut Gems A24

MOTION PICTURE, INTERNATIONAL

  • Atlantics, Senegal
  • Beanpole, Russia
  • Les Miserables, France
  • Pain and Glory, Spain
  • Parasite, Korea
  • Truth and Justice, Estonia
  • Portrait of a Lady on Fire, France
  • The Painted Bird, Czech Republic

MOTION PICTURE, ANIMATED OR MIXED MEDIA

  • A Shaun the Sheep Movie: Farmageddon Netflix
  • Alita: Battle Angel Twentieth Century Fox
  • Buñuel in the Labyrinth of the Turtles GKIDS
  • How to Train Your Dragon 2: The Hidden World Universal Pictures
  • The Lion King Walt Disney Studios Motion Pictures
  • Toy Story 4 Walt Disney Studios Motion Pictures
  • Weathering With You GKIDS

MOTION PICTURE, DOCUMENTARY

  • 63 Up BritBox
  • Apollo 11 Neon
  • Citizen K Greenwich Entertainment
  • Honeyland KJ Films
  • One Child Nation Amazon Studios
  • The Apollo HBO Documentary
  • The Cave National Geographic Documentary Films
  • FOR SAMA PBS

DIRECTOR

  • Bong Joon Ho, “Parasite”
  • James Mangold, “Ford v Ferrari”
  • Noah Baumbach, “Marriage Story”
  • Pedro Almodóvar, “Pain and Glory”
  • Sam Mendes, “1917″
  • Quentin Tarantino, “Once Upon a Time… in Hollywood”

SCREENPLAY, ORIGINAL

  • Bong Joon Ho, “Parasite”
  • Jez Butterworth, John-Henry Butterworth, and Jason Keller, “Ford v Ferrari”
  • Lulu Wang, “The Farewell”
  • Noah Baumbach, “Marriage Story”
  • Pedro Almodóvar, “Pain and Glory”
  • Quentin Tarantino, “Once Upon a Time… in Hollywood”

SCREENPLAY, ADAPTED

  • Anthony McCarten, “The Two Popes”
  • Edward Norton, “Motherless Brooklyn”
  • Matthew Michael Carnahan, Mario Correa, Nathaniel Rich, “Dark Waters”
  • Steven Zaillian, “The Irishman”
  • Taika Waititi, “Jojo Rabbit”
  • Todd Phillips & Scott Silver, “Joker”

ORIGINAL SCORE

  • Thomas Newman, “1917″
  • Marco Beltrami & Buck Sanders, “Ford v Ferrari”
  • Randy Newman, “Marriage Story”
  • Robbie Robertson, “The Irishman”
  • Terence Blanchard, “Harriet”
  • Hildur Guonadottir, “Joker”

ORIGINAL SONG

  • Don’t Call Me (Angel), “Charlie’s Angels”
  • Into the Unknown, “Frozen II”
  • (I’m Gonna) Love Me Again, “Rocketman”
  • Spirit, “Lion King”
  • The Ballade of the Lonesome Cowboy, “Toy Story 4”
  • Swan Song, “Alita: Battle Angel”

CINEMATOGRAPHY

  • Dick Pope, “Motherless Brooklyn”
  • George Richmond, “Rocketman”
  • Lawrence Sher, “Joker”
  • Phedon Papamichael, ASC, GSC, “Ford v Ferrari”
  • Rodrigo Prieto, “The Irishman”
  • Roger Deakins, “1917”

FILM EDITING

  • 1917
    Lee Smith, ACE
  • Ford v Ferrari
    Michael McCusker, ACE
    Andrew Buckland
  • Joker
    Jeff Groth
  • Marriage Story
    Jennifer Lame, ACE
  • Rocketman
    Chris Dickens
  • The Irishman
    Thelma Schoonmaker

SOUND (EDITING AND MIXING)

  • 1917
    Oliver Tarney
    Stuart Wilson
    Scott Millan
    Mark Taylor
  • Avengers: Endgame
    Shannon Mills
    Daniel Laurie
    Tom Johnson
    Juan Peralta
    John Pritchett, CAS
  • Ford v Ferrari
    Donald Sylvester
    Paul Massey
    David Giammarco
    Steven A. Morrow, CAS
  • Joker
    Alan Robert Murray
    Tom Ozanich
    Dean Zupancic
  • Once Upon a Time in Hollywood
    Wylie Stateman
    Mark Ulano, CAS
    Michael Minkler, CAS
    Christian P. Minkler, CAS
  • Rocketman
    Matthew Collinge
    John Hayes

VISUAL EFFECTS

  • Alita: Battle Angel
    Joe Letteri
    Eric Saindon
  • Avengers: Endgame
    Dan DeLeeuw
    Matt Aitken
    Russell Earl
    Dan Sudick
  • The Lion King
    Robert Legato, ASC; Andrew R. Jones
    Adam Valdez; Elliot Newman
  • Ford v Ferrari
    Olivier Dumont
    Mark Byers
    Kathy Segal
  • Joker
    Edwin Rivera
    Mathew Giampa
    Bryan Godwin
  • The Irishman
    Pablo Helman

ART DIRECTION & PRODUCTION DESIGN

  • 1917
    Dennis Gassner
    Lee Sandales
  • Ford v Ferrari
    François Audouy
    Peter Lando
  • Joker
    Mark Friedberg
    Laura Ballinger
  • Motherless Brooklyn
    Beth Mickle
    Michael Ahern
  • Once Upon a Time in Hollywood
    Barbara Ling
    Nancy Haigh
  • The Two Popes
    Mark Tildesley
    Saverio Sammali

COSTUME DESIGN 

  • Dolemite Is My Name
    Ruth E. Carter
  • Joker
    Mark Bridges
  • Judy
    Jeny Temime
  • Rocketman
    Julian Day
  • The Two Popes
    Luka Canfora
  • Downton Abbey
    Caroline McCall
    Anna Robbins
    Susannah Buxton
    Rosalind Ebbutt