As a Texan who loves movie, I have to say that 2025 will always be a special year for me.  2025 was the year that Richard Linklater, the godfather of modern Texas filmmaking, was responsible for directing two of the best films of the year.

Blue Moon opens with famed American lyricist Lorenz Hart (Ethan Hawke) collapsing in an alley and cursing under his breath as he dies.  The film then flashes back a few weeks to Hart arriving at Sardi’s and waiting for the crowd to arrive from the Broadway premiere of Oklahoma!  Hart is dismissive of Oklahoma!, largely because it’s the product of a collaboration between his former partner, Richard Rodgers (Andrew Scott) and Oscar Hammerstein II (Simon Delaney).  Hart dismisses it as being simplistic, a crowd pleaser with no depth.  But as Hart speaks, it’s easy to see that his disdain has more to do with his own hurt feelings than the actual show.

(That said, he’s still right about Oklahoma!)

Hart talks.  He talks a lot.  Perhaps the simplest way to describe Blue Moon would be to say that it’s a film about one man who won’t stop talking to the people around him.  Bobby Cannavale plays the friendly bartender who has obviously heard all of Hart’s stories before.  Patrick Kennedy (not the former Congressman) plays author E.B. White, who politely listens as Hart pours his heart out and takes note when Hart talks about a mouse named Stuart.  Margaret Qualley plays Elizabeth Weiland, a twenty year-old acting student who Hart feels might be the love of his life despite the fact it soon becomes obvious that Elizabeth is smitten with a student her own age and that she views Hart as being just a potential mentor.  Hart is the type who will talk nonstop, even if no one is actually listening.  The only time that Hart stop speaking is when he’s alone with Elizabeth.

Blue Moon largely plays out in real time.  It’s essentially a theatrical piece, with Ethan Hawke delivering what amounts to a monologue in which he portrays Lorenz Hart as being witty, self-destructive, and ultimately painfully lonely.  Everyone he talks to appreciates his talent but it’s obvious that they’ve had their fill of his addictions and his fragile ego.  Even when Hart is at his most vulnerable, it’s obvious that he’s burned too many bridges to ever make it back to where he once was.

Hawke gives a wonderful performance as Hart, playing him as being a natural performer.  Like all great actors, Hawke is willing to be annoying.  Hart can be witty but he can also be corrosive.  There’s a mean-streak behind some of his comments  But your heart still breaks for him when he begs Rodgers to collaborate on a new show or when he talks about the people from his past who loved him but “not in that way.”  The film definitely has a stagey feel to it but, as a director, Linklater has the confidence to allow his actors to truly dig into their characters.  The end result is a rather touching movie about a talented man who could not get out of his own way.

In 2025, Linklater also gave us Nouvelle Vague, a French-language film about the early days of the French New Wave.  Featuring gorgeous black-and-white cinematography, Nouvelle Vague follows Jean-Luc Godard (Guillaume Marbeck) as he directs Breathless and changes cinema forever.  Aubry Dullin plays Jean-Paul Belmondo while Zoey Deutch plays Jean Seberg.  Nouvelle Vague is a both a tribute to and an homage to the French New Wave.  It’s also a film about the joy of creation and the excitement of working on a film.  Nouvelle Vague may be about the shooting of Breathless but it’s also Linklater’s Day For Night.

It’s a fun movie to watch, especially if you know about the history of the French New Wave.  (This film helpfully includes title cards to let us know who is who.  Everyone from Roberto Rossellini to Francois Truffaut to Agnes Varda to Claude Chabrol and Jean Cocteau makes an appearance.)  If Blue Moon was about the tendency towards self-destruction that haunts so many artists, Nouvelle Vague is a celebration of creativity, cinematic revolution, and being young and idealistic enough to break all of the established rules without a second thought.  Linklater keeps the story moving and he directs with a clear eye for detail.  Zoey Deutch is perfect as Seberg, playing her as a Hollywood survivor who is alternately thrilled and annoyed with Godard’s unorthodox style of directing.

I have to admit that I did get a little bit sad as I watched the movie.  In real life, Seberg committed suicide in 1979 and Godard followed over forty years later.  While Godard and Seberg both made good films after Breathless, none of them were quite as transformative as their one collaboration.  No other director seemed to understand Seberg’s unique persona quite as well as Godard did.  Godard, meanwhile, fell into the trap of placing ideology before creativity.  At least Jean-Paul Belmondo seemed to go on to have a happy life.

Blue Moon received Oscar nominations for Ethan Hawke and its screenplay.  Nouvelle Vague was ignored by the Academy but Richard Linklater did become the first Texan to win the Cesar Award for Best Director and for that, I certainly applaud him.  Getting the French to honor someone from Texas?  That takes talent!

Blue Moon and Nouvelle Vague, two of the best films of 2025, can currently be found on Netflix.