4 Shots From 4 Texas Films: Dazed and Confused, Primer, Tree of Life, A Ghost Story


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today is Texas Independence Day!

In honor of my home state, here are….

4 Shots From 4 Texas Films

Dazed and Confused (1993, dir by Richard Linklater)

Primer (2004, dir by Shane Carruth)

Tree of Life (2011, dir by Terrence Malick)

A Ghost Story (2017, dir by David Lowery)

6 Good Films That Were Not Nominated For Best Picture: The 1990s


Continuing our look at good films that were not nominated for best picture, here are 6 films from the 1990s.

Dazed and Confused (1993, dir by Richard Linklater)

 An ensemble cast that was full of future stars, including future Oscar winners Matthew McConaughey and Ben Affleck.  A killer soundtrack.  A script full of quotable lines.  Dazed and Confused seemed like it had everything necessary to score a Best Picture nomination and perhaps it would have if the film had been set in Los Angeles instead of the suburbs of Atlanta.  Unfortunately, Richard Linklater’s classic was overlooked.

Casino (1995, dir by Martin Scorsese)

Martin Scorsese’s epic gangster film had all the glitz of Vegas and Joe Pesci to boot!  Despite being one Scorsese’s best, the Academy largely overlooked it, giving a nomination to Sharon Stone and otherwise ignoring the film.

Normal Life (1996, dir by John McNaughton)

Life, love, crime, and death in the suburbs!  John McNaughton’s sadly overlooked film featured award-worthy performances from both Ashley Judd and Luke Perry and it definitely deserves to be better-known.  Unfortunately, the Academy overlooked this poignant true crime masterpiece.

Boogie Nights (1997, dir by Paul Thomas Anderson)

Paul Thomas Anderson first made a splash with this look at the porn industry in the 70s and 80s.  Along the way, he made Mark Wahlberg a star and briefly rejuvenated the career of Burt Reynolds.  Though both Reynolds and Julianne Moore received nominations, the film itself went unnominated.  Oh well.  At least Dirk Diggler got to keep his award for best newcomer.

Rushmore (1998, dir by Wes Anderson)

Though the film was nominated for its screenplay, the Wes Anderson classic missed out on best picture  Even more surprisingly, Bill Murray was not nominated for his funny yet sad performance.  Murray would have to wait until 2003’s Lost In Translation to receive his first nomination.  Meanwhile, a Wes Anderson film would not be nominated for best picture until Grand Budapest Hotel achieved the honor in 2015.  (That same year, Boyhood became the first Richard Linklater film to be nominated.)

10 Things I Hate About You (1999, dir by Gil Junger)

This wonderful take on Shakespeare not only introduced the world to Heath Ledger but it also proved that a teen comedy need not be stupid or misogynistic.  Because it was viewed as being a genre film (and a comedy to boot!), it didn’t get any love from the Academy but it continues to be loved by film watchers like me!

Up next, in an hour or so, the 2000s!

Celebrate Texas Independence Day With My Favorite Scene From Bernie!


Happy Texas Independence Day!

Down here in Dallas, we celebrate Texas Independence Day by going down to Dealy Plaza and laughing at all the northern tourists sweating and talking about how they’re about to faint because they can’t handle a 75 degreee day.

But, if that sounds a little bit too mean-spirited to you, you can celebrate by watching my favorite scene from Richard Linklater’s Bernie!  I know that I’ve probably shared this before but what can I say?  I really love this quick lesson about my home state:

By the way, that line about “Dallas snobs,” always got a big laugh from the audiences at the Dallas Angelika.  It’s important to have a sense of humor.

Don’t worry, Vermont.  You’ll learn how to laugh at yourself someday.

 

What If Awards Season Began And Lisa Totally Missed It? Here Are The Gotham Nominations!


The_Witch_poster

As proof of how busy I’ve been over the past few days, just consider this: On October 20th, awards season kicked off and I totally missed it!

That’s right.  On October 20th, the nominations for the 2016 Gotham Awards were announced.  The Gothams honor independent films and they actually have some pretty strict guidelines regarding what they consider to be independent.  So, a lot of this year’s potential Oscar nominees are not eligible for the Gotham Awards.

That said, over the past few years, the Gothams have slowly emerged as a somewhat helpful precursor.  While getting a Gotham nomination does not guarantee any film an Oscar nomination, it certainly doesn’t hurt.  That may especially be true this year as 2016 has, for the most part, not been the great cinematic year that 2015 was.  With no real favorites having yet to emerge, every precursor counts.

So, with that in mind and just a few days late, here are the Gotham nominations!

Best Feature

Certain Women
Kelly Reichardt, director; Neil Kopp, Vincent Savino, Anish Savjani, producers (IFC Films)

Everybody Wants Some!!
Richard Linklater, director; Megan Ellison, Ginger Sledge, Richard Linklater, producers (Paramount Pictures)

Manchester by the Sea
Kenneth Lonergan, director; Kimberly Steward, Matt Damon, Chris Moore, Lauren Beck, Kevin J. Walsh, producers (Amazon Studios)

Moonlight
Barry Jenkins, director; Adele Romanski, Dede Gardner, Jeremy Kleiner, producers (A24)

Paterson
Jim Jarmusch, director; Joshua Astrachan, Carter Logan, producers (Amazon Studios)

Best Documentary

Cameraperson
Kirsten Johnson, director; Marilyn Ness, producer (Janus Films)

I Am Not Your Negro
Raoul Peck, director; Rémi Grellety, Raoul Peck, Hébert Peck, producers (Magnolia Pictures)

O.J.: Made in America
Ezra Edelman, director; Caroline Waterlow, Ezra Edelman, Tamara Rosenberg, Nina Krstic, Deirdre Fenton, Erin Leyden, producers (ESPN Films)

Tower
Keith Maitland, director; Keith Maitland, Megan Gilbride, Susan Thomson, producers (Kino Lorber, Independent Lens)

Weiner
Josh Kriegman, Elyse Steinberg, directors and producers (Sundance Selects and Showtime Documentary Films)

Weiner_(film)

Bingham Ray Breakthrough Director Award

Robert Eggers for The Witch (A24)

Anna Rose Holmer for The Fits (Oscilloscope Laboratories)

Daniel Kwan & Daniel Scheinert for Swiss Army Man (A24)

Trey Edward Shults for Krisha (A24)

Richard Tanne for Southside with You (Roadside Attractions and Miramax)

Best Screenplay

Hell or High Water, Taylor Sheridan (CBS Films)

Love & Friendship, Whit Stillman (Amazon Studios)

Manchester by the Sea, Kenneth Lonergan (Amazon Studios)

Moonlight, Story by Tarell Alvin McCraney; Screenplay by Barry Jenkins (A24)

Paterson, Jim Jarmusch (Amazon Studios)

Best Actor*

Casey Affleck in Manchester by the Sea (Amazon Studios)

Jeff Bridges in Hell or High Water (CBS Films)

Adam Driver in Paterson (Amazon Studios)

Joel Edgerton in Loving (Focus Features)

Craig Robinson in Morris from America (A24)

Best Actress*

Kate Beckinsale in Love & Friendship (Amazon Studios)

Annette Bening in 20th Century Women (A24)

Isabelle Huppert in Elle (Sony Pictures Classics)

Ruth Negga in Loving (Focus Features)

Natalie Portman in Jackie (Fox Searchlight Pictures)

Breakthrough Actor*

Lily Gladstone in Certain Women (IFC Films)

Lucas Hedges in Manchester by the Sea (Amazon Studios)

Royalty Hightower in The Fits (Oscilloscope Laboratories)

Sasha Lane in American Honey (A24)

Anya Taylor-Joy in The Witch (A24)

* The 2016 Best Actor/Best Actress and Breakthrough Actor nominating panels also voted to award a special Gotham Jury Award for ensemble performance to Moonlight, “in which actors at all levels of experience give outstanding performances that speak eloquently to one another both within and across each chapter of the story.” The awards will go to actors Mahershala Ali, Naomie Harris, Alex Hibbert, André Holland, Jharrel Jerome, Janelle Monáe, Jaden Piner, Trevante Rhodes, and Ashton Sanders.

everybody_wants_some_poster

(AWARDS SEASON HAS BEGUN!!!)

 

Back to School Part II #56: Everybody Wants Some!! (dir by Richard Linklater)


(For the past three weeks, Lisa Marie has been in the process of reviewing 56 back to school films!  She’s promised the rest of the TSL staff that this project will finally wrap up by the end of today, so that she can devote her time to helping to prepare the site for its annual October horrorthon!  Will she make it or will she fail, lose her administrator privileges, and end up writing listicles for Buzzfeed?  Keep reading the site to find out!)

everybody_wants_some_poster

Well, here we are!  It’s taken nearly four weeks but we have reached the conclusion of Back to School Part II!  I started this series by taking a look at Teenage Devil Dolls.  Along the way, I’ve reviewed everything from Andy Warhol’s Vinyl, A Clockwork Orange, Animal House, and Can’t Hardly Wait to Hollywood High and Keith.  I’ve even found an excuse to review four different Degrassi films!  I’ve had a lot of fun but, with October approaching, I’m happy to be finishing up this series of reviews so that I can concentrate on the TSL’s annual horrorthon!

So, without further ado, let’s take a look at Richard Linklater’s Everybody Wants Some!!

Everbody Wants Some!! generated a small flurry of excitement when it was first released back in March.  Not only was it Linklater’s first narrative film since the critically acclaimed Boyhood but it was also advertised as being a spiritual sequel to Dazed and Confused.  Like Dazed and Confused, Everybody Wants Some!! was a period piece that would follow an ensemble of Texas teenagers over the course of one long weekend, the big difference being that Everybody Wants Some!! would take place in 1980 (as opposed to 1976) and it would deal with college freshmen (instead of high school juniors).  There were even a few articles that pointed out that several of the actors in Everybody Wants Some!! physically resembled some of the actors in Dazed and Confused.

(Seriously, Glen Powell looks like he could be Matthew McConaughey’s younger brother.)

The film was well-reviewed by critics, even though few of the reviews were as rapturous as the reviews that greeted previous Linklater films like Boyhood and Before Midnight.  As for the audience reaction … well, Everybody Wants Some!! was not exactly embraced by audiences.  I saw it at the Alamo Drafthouse and the theater was nearly deserted.  (Considering that the Alamo’s audience prides itself on embracing independent film, a near-empty theater for a showing of a Linklater film is not a good sign.)  The few people in the theater seemed to feel that the film went on for too long and that it needed a stronger plot.  That’s a complaint that I’ve heard a lot of people make against Everybody Wants Some!!

It’s not a complaint that I agree with.  Those who complained that Everybody Wants Some!! was essentially plotless obviously haven’t seen many Richard Linklater films.  Though Linklater has made his share of commercial films, his more personal work — like Everybody Wants Some!! — is often plotless.  That’s actually one the keys to Linklater’s aesthetic.  He’s more interested in recreating a specific time and place and observing how different characters react to their environment than he is in telling conventional stories.  A film like Everybody Wants Some!! is less about telling a story with a definite beginning and end and more about capturing a very specific experience.

And, on that level, the film definitely succeeds.  Watching Everybody Wants Some!!, you literally do feel as if you’ve stepped into a time machine and you’ve been transported to the past.  Jake (Blake Jenner), a college freshman who is attending fictional Southeast Texas College on a scholarship, may be the main character but, ultimately, he’s not that important.  More important is seeing how people lived, interacted, and thought in 1980.  Everybody Wants Some!! is a time capsule film.

(Apparently, it’s a bit of an autobiographical film as well.  Cinema snobs like me tend to forget that, before he became a filmmaker, Linklater was a jock who, like Jake, attended college on a baseball scholarship.  As much as we may not want to admit it, not all artistic geniuses spent high school writing angsty poetry about eating disorders.  Some of them played sports.)

Everybody Wants Some!! follows Jake and his fellow baseball players over the course of the weekend before classes begin.  One night, they end up in a redneck bar.  Another night, they end up at a punk club.  They go to a drama department party.  They practice baseball.  They all drink.  Some of them smoke weed.  Some of them get laid.  And, at the end of the weekend, two of them sit down in their first class of the semester and promptly fall asleep.

One problem that I did have with Everybody Wants Some!! is that, as good as job as it does of creating a time and place, it didn’t necessarily convince me that it was a time in which I would want to live in.  As I stated earlier, Everybody Wants Some!! was promoted as being a spiritual sequel to Dazed and Confused.  However, Dazed and Confused featured a greater variety of characters.  Practically everyone of note in Everybody Wants Some!! is a member of the school’s baseball team.  True, some of them are smarter than others.  Some of them smoke weed.  Some of them are ultra religious.  But, ultimately, they’re all jocks and they’re all frat boys.  How much you enjoy hanging out with these characters will depend on how much tolerance you have for jocks, frat boys, and their hyper-masculine rituals.  Whenever I’ve seen Dazed and Confused, I’ve thought to myself that if I had been alive and in high school in 1976, I would have wanted to be friends with at least a few of the characters.  On the other hand, if I had been alive and in college in 1980, I would have gone out of my way to avoid that baseball team.

(And, as a result, I probably would have missed a chance to meet Richard Linklater!  There’s a lesson to be learned there.)

Ultimately, though, Everybody Wants Some!! succeeds because, even if the characters aren’t particularly likable, the film itself does capture the feeling and the excitement of having your entire future ahead of you.  Admittedly, there’s a hint of melancholy running through the film.  One character is revealed to be a 30-something imposter who regularly uses a false identity to enroll in different colleges because he loves to play baseball but he knows that he’ll never succeed in the major leagues.  Throughout the film, there are hints that none of these baseball players are ever going to be as successful as they are during that one particular weekend.  But, ultimately, the film tells us that the future doesn’t matter.  What matters is that, for that one weekend, they had their entire future ahead of them and it seemed like anything was possible.

Everybody Wants Some!! may not be Linklater’s best but it definitely deserves to be seen!

(And that concludes Back to School!  Thank you everyone for reading!  Love you!)

 

4 Shots From 4 Films: Watership Down, The Lord of the Rings, When The Wind Blows, A Scanner Darkly


I’m in the mood for animation.

4 Shots From 4 Films

Watership Down (1978, directed by Martin Rosen)

Watership Down (1978, directed by Martin Rosen)

The Lord of the Rings (1978, directed by Ralph Bakshi)

The Lord of the Rings (1978, directed by Ralph Bakshi)

When the Window Blows (1986, directed by Jimmy Murakami)

When the Wind Blows (1986, directed by Jimmy Murakami)

A Scanner Darkly (2006, directed by Richard Linklater)

A Scanner Darkly (2006, directed by Richard Linklater)

Lisa Tries To Predict The Oscars!


Oscars

Well, it’s almost here!

Tomorrow night, the Oscars will be handed out!  Now, I have to admit that, despite all of the time that I spent keeping up with all of the guild awards and the critics award and all the other precursors, I kinda lost interest in the Oscar race after the actual nominations were announced.  I took one look at Jeff Wells claiming to be solely responsible for the success of Birdman and Sasha Stone going on and on about Selma and Ryan Adams doing whatever the Hell it is that he supposedly does over at Awards Daily and I just found myself saying, “Fuck it, who cares?”

Seriously, 2015 will be remembered as the year that Oscar punditry jumped the shark.  Hopefully, within the next few years, new voices will emerge and we’ll be spared from having to deal with Jeff Wells, Sasha Stone, and all the rest.

The Oscar commentary this year has been so negative and so toxic and so predictably strident and so tediously bitter that I did get a little bit burned out.  It just hasn’t been as much fun this year.  When, earlier this week, I was reminded that the Oscars were this Sunday, I have to admit that I was taken a little bit by surprise.  For some reason, I had gotten into my head that the Oscars were next week.

But anyway, they’re not next week.  They’re tomorrow and that means that it is now time for me to try to predict who and what will win tomorrow night.  A lot of people are saying that this is the closest Oscar race in years.  But you know what?  They say that every year.

Remember how there were going to be a lot of upsets last year?

And, in the end, exactly what everyone thought would win did win.

I imagine the same thing will happen this year.

Here are my predictions!  I will be listing both what I think will win and what I think should win.

Need to kill some time?  Look through all the posts since November and count up how many times this picture has appeared on the site!

Need to kill some time? Look through all the posts since November and count up how many times this picture has appeared on the site!

Best Picture: 

Will Win: Birdman

Should Win: Boyhood

Best Director:

Will Win: Alejandro Gonzalez Inarritu for Birdman

Should Win: Richard Linklater for Boyhood

Best Actor

Will Win: Eddie Redmayne for The Theory of Everything

Should Win: Michael Keaton for Birdman

Best Actress

Will Win: Julianne Moore for Still Alice

Should Win: Reese Witherspoon for Wild

Best Supporting Actor

Will and Should Win: J.K. Simmons for Whiplash

Best Supporting Actress

Will and Should Win: Patricia Arquette for Boyhood

Best Original Screenplay

Will Win: Birdman

Should Win: Boyhood

Best Adapted Screenplay

Will and Should Win: Whiplash

Best Animated Feature:

Will Win: How to Train Your Dragon 2

Should Win: Big Hero 6

Best Foreign Language Film

Will Win: Leviathan

Should Win: Ida

Best Documentary Feature

Will Win: CitizenFour

Should Win: Finding Vivian Maier

Best Documentary Short Subject:

Will Win (random guess): Crisis Hotline: Veterans Press 1

Should Win: ???

Best Live Action Short Film:

Will Win (random guess): The Phone Call

Should Win: ???

Best Animated Short Film:

Will and Should Win: My Moulton

Best Original Score:

Will and Should Win: The Theory of Everything

Best Original Song:

Will Win: “Glory” from Selma

Should Win: “Hooray for Everything” from The Lego Movie

Best Sound Editing

Will and Should Win: American Sniper

Best Sound Mixing

Will Win: American Sniper

Should Win: Whiplash

Best Production Design

Will and Should Win: The Grand Budapest Hotel

Best Cinematography

Will Win: Unbroken

Should Win: Ida

Best Makeup and Hairstyling

Will Win: Foxcatcher

Should Win: Guardians of the Galaxy

Best Costume Design

Will Win: The Grand Budapest Hotel

Should Win: Inherent Vice

Best Film Editing

Will and Should Win: Boyhood

Best Visual Effects

Will Win: Interstellar

Should Win: Guardians of the Galaxy

Guardians of the Galaxy

Well, those are my predictions!  Will I be right or will I be wrong?  We’ll find out tomorrow!