18 Days of Paranoia #16: Lost Girls (dir by Liz Garbus)


Lost Girls tells the true and infuriating story of Mari Gilbert and her search for her oldest daughter, Shannan.

Mari Gilbert is a single mother who is works as a waitress and struggles to give her children the best life that she can.  She’s still haunted by a decision that she made years ago to temporarily put her three daughters into foster care.  Though she eventually reclaimed two of her daughters, her eldest — Shannan — has basically been on her own since she was sixteen.  Shannan, who is now 24, visits her mother and her sisters on a semi-regular basis.  Despite the fact that Shannan claims that she’s just a waitress (like her mother), Shannan always seems to have a lot of money on her.  Mari has her suspicions about what Shannan’s doing to make that money but she keeps them to herself.

Then, one day in May, Shannan disappears.  Mari can’t get the police to take her seriously when she says her oldest daughter has vanished.  They say that Shannan left on her own and will probably return at some point.  They dismiss Mari’s concerns, telling her that her daughter was a prostitute and therefore, by their logic, unreliable.  Even when Mari gets strange phone calls from a doctor who lives in a gated community in Long Island, the police refuse to take her seriously.

However, Mari then discovers that Shannan called 911 the night that she disappeared.  Despite the fact that Shannan sounded panicked, the police waited an hour before responding to her call and, by the time they arrived, Shannan had disappeared.  It’s only when Mari goes to the media that the police actually start to search the area of Long Island where Shannan disappeared.  The police discover the bodies of several sex workers, all murdered by the same unknown killer.

However, they still don’t find Shannan’s body.  Though Mari and her daughter, Sherre (Thomasin McKenzie), are convinced that Shannan is one of the killer’s victims, the police continue to insist that Shannan probably just ran off on her own.  In fact, the local police commissioner (Gabriel Byrne) finds himself being pressured to do something about Mari because her now constant presence on TV is making the entire community look bad.

Meanwhile, Mari finds herself caught up in a personal feud between two men who live in the gated community, an amateur investigator (Kevin Corrigan) and a shady doctor (Reed Birney) who has a history of making inappropriate phone calls….

Lost Girls is an interesting but frustrating film.  Some of that is because the story on which the film is based did not have a happy ending.  The Long Island serial killer has never been identified or captured.  The most obvious suspect was never charged with anything and subsequently moved down to Florida.  Mari never got justice for Shannan and, sadly, was eventually murdered by her youngest daughter.  (The murder is acknowledged via a title card but it is not actually depicted in the film.)  As a result, the film itself doesn’t really offer up any of the payoff that you would normally expect to get after devoting 90 minutes of your life to it.  It’s frustrating but, at the same time, its understandable.

Amy Ryan gives a great performance as Mari.  That shouldn’t shock anyone.  She makes you feel Mari’s pain, fury, and guilt.  To its credit, the film does shy away from the fact that Mari often looked the other way when it came to how exactly Shannan was making the money that she regularly sent back to her family and Amy Ryan perfectly captures Mari’s struggle to not only get justice for her daughter but also to forgive herself.  Unfortunately, the film is a bit less convincing when it deals with the police and the suspects.  The film, for instance, can’t seem to decide whether or not Gabriel Byrne’s character is indifferent, incompetent, or just overwhelmed by a bad situation.  By that same token, the doctor and his neighbor both seem oddly underwritten and underplayed.  Obviously, the film can’t just come out and accuse a real, living person of murder (especially when that person hasn’t been charged with anything) but it still makes for a frustrating viewing experience.

Where Lost Girls succeeds is at creating a properly ominous atmosphere.  Every scene seems to be filled with dread and, from the minute that Mari starts her investigation, you feel nervous for her.  She’s taking a true journey into the heart of darkness.  The film leaves you angry that the police refused to search for Shannan.  Sex workers are regularly preyed upon and, because of what they do for a living, society often looks the other way.  That’s how you end up with killers like The Green River Killer and the Long Island serial killer.  They don’t get away with their crimes because they’re clever.  They get away with it because, far too often, society refuses to care about their victims.  Lost Girls is an imperfect film but its heart is in the right place and its message is an important one.

Other Entries In The 18 Days Of Paranoia:

  1. The Flight That Disappeared
  2. The Humanity Bureau
  3. The Private Files of J. Edgar Hoover
  4. The Falcon and the Snowman
  5. New World Order
  6. Scandal Sheet
  7. Cuban Rebel Girls
  8. The French Connection II
  9. Blunt: The Fourth Man 
  10. The Quiller Memorandum
  11. Betrayed
  12. Best Seller
  13. They Call Me Mister Tibbs
  14. The Organization
  15. Marie: A True Story

Here Are The 2019 Nominations of the San Diego Film Critics Society!


On December 6th, the San Diego Film Critics Society announced their nominees for the best of 2019 and here they are!

Best Picture
1917
THE IRISHMAN
JOKER
MARRIAGE STORY
ONCE UPON A TIME… IN HOLLYWOOD

Best Director
Noah Baumbach, MARRIAGE STORY
Sam Mendes, 1917
Benny Safdie, Josh Safdie, UNCUT GEMS
Martin Scorsese, THE IRISHMAN
Quentin Tarantino, ONCE UPON A TIME… IN HOLLYWOOD

Best Actor
Christian Bale, FORD V FERRARI
Adam Driver, MARRIAGE STORY
Eddie Murphy, DOLEMITE IS MY NAME
Joaquin Phoenix, JOKER
Adam Sandler, UNCUT GEMS

Best Actress
Awkwafina, THE FAREWELL
Scarlett Johansson, MARRIAGE STORY
Lupita Nyong’o, US
Saoirse Ronan, LITTLE WOMEN
Renée Zellweger, JUDY

Best Supporting Actor
Willem Dafoe, THE LIGHTHOUSE
Al Pacino, THE IRISHMAN
Joe Pesci, THE IRISHMAN
Brad Pitt, ONCE UPON A TIME… IN HOLLYWOOD
Wesley Snipes, DOLEMITE IS MY NAME

Best Supporting Actress
Laura Dern, MARRIAGE STORY
Thomasin McKenzie, JOJO RABBIT
Florence Pugh, LITTLE WOMEN
Zhao Shuzhen, THE FAREWELL
Octavia Spencer, LUCE

Best Comedic Performance
Daniel Craig, KNIVES OUT
Eddie Murphy, DOLEMITE IS MY NAME
Sam Rockwell, JOJO RABBIT
Wesley Snipes, DOLEMITE IS MY NAME
Taika Waititi, JOJO RABBIT

Best Original Screenplay
Noah Baumbach, MARRIAGE STORY
Bong Joon Ho, Jin Won Han, PARASITE
Rian Johnson, KNIVES OUT
Benny Safdie, Josh Safdie, UNCUT GEMS
Quentin Tarantino, ONCE UPON A TIME… IN HOLLYWOOD

Best Adapted Screenplay
Greta Gerwig, LITTLE WOMEN
J.C. Lee, Julius Onah, LUCE
Todd Phillips, Scott Silver, JOKER
Taika Waititi, Christine Leunens, JOJO RABBIT
Steven Zaillian, THE IRISHMAN

Best Documentary
APOLLO 11
THE BIGGEST LITTLE FARM
LOVE, ANTOSHA
ONE CHILD NATION
THEY SHALL NOT GROW OLD

Best Animated Film
ABOMINABLE
HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD
I LOST MY BODY
MISSING LINK
TOY STORY 4

Best Foreign-language Film
THE FAREWELL
PAIN & GLORY
PARASITE
PORTRAIT OF A LADY ON FIRE
TRANSIT

Best Costume Design
Ruth E. Carter, DOLEMITE IS MY NAME
Julian Day, ROCKETMAN
Jacqueline Durran, LITTLE WOMEN
Arianne Phillips, ONCE UPON A TIME… IN HOLLYWOOD
Anna Robbins, DOWNTON ABBEY

Best Editing
Andrew Buckland, Michael McCusker & Dirk Westervelt, FORD V FERRARI
Jennifer Lame, MARRIAGE STORY
Fred Raskin, ONCE UPON A TIME… IN HOLLYWOOD
Benny Safdie, Ronald Bronstein, UNCUT GEMS
Thelma Schoonmaker, THE IRISHMAN

Best Cinematography
Jarin Blaschke, THE LIGHTHOUSE
Roger Deakins, 1917
Hoyte Van Hoytema, AD ASTRA
Rodrigo Prieto, THE IRISHMAN
Phedon Papamichael, FORD V FERRARI

Best Production Design
Dennis Gassner, 1917
Jess Gonchor, LITTLE WOMEN
Clay A. Griffith, DOLEMITE IS MY NAME
Barbara Ling, ONCE UPON A TIME… IN HOLLYWOOD
Bob Shaw, THE IRISHMAN
Donal Woods, DOWNTON ABBEY

Best Visual Effects
1917
AD ASTRA
THE AERONAUTS
AVENGERS: ENDGAME
THE IRISHMAN

Best Use of Music
JOJO RABBIT
JOKER
ONCE UPON A TIME… IN HOLLYWOOD
ROCKETMAN
YESTERDAY

Best Ensemble
DOWNTON ABBEY
THE IRISHMAN
KNIVES OUT
MARRIAGE STORY
ONCE UPON A TIME… IN HOLLYWOOD

Breakthrough Artist
Jessie Buckley, JUDY, WILD ROSE
Julia Butters, ONCE UPON A TIME… IN HOLLYWOOD
Roman Griffin Davis, JOJO RABBIT
Kelvin Harrison Jr., LUCE, WAVES
Florence Pugh, LITTLE WOMEN, MIDSOMMAR

Here Are The Hollywood Critics Association’s Nominations For The Best of 2019


The Hollywood Critics Association was, up until a few days ago, known as the Los Angeles Online Film Critics Society.  Perhaps realizing that HCA just plans looks better than LAOFCS, they announced yesterday that they were changing their name.

They also announced their nominees for the best of films and performances of 2019!  While the HCA may not be one of the major precursors of awards season, their nominations do give a fairly good picture of which films and performances are currently being touted as possible Oscar nominees.

And here they are:

BEST PICTURE

  • “1917”
  • “Booksmart”
  • “The Farewell”
  • “The Irishman”
  • “Joker”
  • “Jojo Rabbit”
  • “Parasite”
  • “Marriage Story”
  • “Once Upon a Time in Hollywood”
  • “Waves

BEST ACTOR

  • Adam Driver, “Marriage Story”
  • Eddie Murphy, “Dolemite Is My Name”
  • Joaquin Phoenix, “Joker”
  • Leonardo DiCaprio, “Once Upon a Time in Hollywood”
  • “Taron Egerton, “Rocketman”

BEST ACTRESS

  • Awkwafina, “The Farewell”
  • “Charlize Theron, “Bombshell”
  • Lupita Nyong’o, “Us”
  • Renée Zellweger, “Judy”
  • Scarlett Johansson, “Marriage Story”

BEST SUPPORTING ACTOR

  • Brad Pitt, “Once Upon a Time in Hollywood”
  • Joe Pesci, “The Irishman”
  • Shia LaBeouf, “Honey Boy”
  • Sterling K. Brown, “Waves”
  • Tom Hanks, “A Beautiful Day in the Neighborhood”

BEST SUPPORTING ACTRESS

  • Jennifer Lopez, “Hustlers”
  • Laura Dern, “Marriage Story”
  • Margot Robbie, “Once Upon a Time in Hollywood”
  • Taylor Russell, “Waves”
  • Zhao Shuzhen, “The Farewell”

BEST MALE DIRECTOR

  • Bong Joon-ho, “Parasite”
  • Martin Scorsese, “The Irishman”
  • Noah Baumbach, “Marriage Story”
  • Quentin Tarantino, “Once Upon a Time in Hollywood”
  • Taika Waititi, “Jojo Rabbit”

BEST FEMALE DIRECTOR

  • Alma Har’el, “Honey Boy”
  • Greta Gerwig, “Little Women”
  • Lorene Scafaria, “Hustlers”
  • Lulu Wang, “The Farewell”
  • Olivia Wilde, “Booksmart”

ORIGINAL SCREENPLAY

  • Bong Joon-ho & Han Jin-won, “Parasite”
  • Emily Halpern, Sarah Haskins, Susanna Fogel, & Katie Silberman, “Booksmart”
  • Lulu Wang, “The Farewell”
  • Noah Baumbach, “Marriage Story”
  • Rian Johnson, “Knives Out”

ADAPTED SCREENPLAY

  • Anthony McCarten, “The Two Popes”
  • Lorene Scafaria, “Hustlers”
  • Scott Silver and Todd Phillips, “Joker”
  • Steven Zailian, “The Irishman”
  • Taika Waititi, “Jojo Rabbit”

BEST PERFORMANCE BY AN ACTOR OR ACTRESS 23 AND UNDER

  • Kaitlyn Dever, “Booksmart”
  • Julia Butters, “Once Upon a Time in Hollywood”
  • Noah Jupe, “Honey Boy”
  • Roman Griffin Davis, “Jojo Rabbit”
  • Thomasin McKenzie, “Jojo Rabbit”

BREAKTHROUGH PERFORMANCE

  • Jessie Buckley, “Wild Rose”
  • Kelvin Harrison Jr., “Waves”
  • Paul Walter Hauser, “Richard Jewell”
  • Taylor Russell, “Waves”
  • Zack Gottsagen, “The Peanut Butter Falcon”

BEST CAST

  • “Avengers: Endgame”
  • “The Irishman”
  • “Knives Out”
  • “Once Upon a Time in Hollywood”
  • “Waves”

BEST FIRST FEATURE

  • “Brittany Runs a Marathon”
  • “Booksmart”
  • “Honey Boy”
  • “The Peanut Butter Falcon”
  • “Queen & Slim”

BEST INDEPENDENT FILM

  • “Booksmart”
  • “The Farewell”
  • “Honey Boy”
  • “Luce”
  • “Waves”

BEST ACTION/WAR FILM

  • “1917”
  • “Avengers: Endgame”
  • “Captain Marvel”
  • “Fast & Furious Presents: Hobbs & Shaw”
  • “John Wick: Chapter 3 — Parabellum”

BEST ANIMATED FILM

  • “Abominable”
  • “Frozen II”
  • “How to Train Your Dragon: The Hidden World”
  • “Missing Link”
  • “Toy Story 4”

BEST BLOCKBUSTER

  • “Avengers: Endgame”
  • “Captain Marvel”
  • “Once Upon a Time in Hollywood”
  • “Shazam!”
  • “Spider-Man: Far from Home”

BEST COMEDY/MUSICAL

  • “Booksmart”
  • “Blinded by the Light”
  • Dolemite Is My Name”
  • “Long Shot”
  • “Rocketman”

BEST DOCUMENTARY

  • “American Factory”
  • “Apollo 11”
  • “Hail Satan?”
  • “The Kingmaker”
  • “Love, Antosha”

BEST FOREIGN LANGUAGE FILM

  • “The Farewell”
  • “Monos”
  • “Pain & Glory”
  • “Parasite”
  • “Portrait of a Lady on Fire”

BEST HORROR FILM

  • “Crawl”
  • “Doctor Sleep”
  • “Midsommar”
  • “Ready or Not”
  • “Us”

BEST ANIMATED OR VFX PERFORMANCE

  • Josh Brolin, “Avengers: Endgame”
  • Robert De Niro, “The Irishman”
  • Rosa Salazar, “Alita: Battle Angel”
  • Ryan Reynolds, “Detective Pikachu”
  • Tom Hanks, “Toy Story 4”

BEST CINEMATOGRAPHY

  • Drew Daniel, “Waves”
  • Jarin Blaschke, “The Lighthouse”
  • Lawrence Sher, “Joker”
  • Robert Richardson, “Once Upon a Time in Hollywood”
  • Roger Deakins, “1917”

BEST COSTUME DESIGN

  • Arianne Phillips, “Once Upon a Time in Hollywood”
  • Julian Day, “Rocketman”
  • Jacqueline Durran, “Little Women”
  • Ruth E. Carter, “Dolemite Is My Name”
  • Mark Bridges, “Joker”

BEST EDITING

  • Fred Raskin, “Once Upon a Time in Hollywood”
  • Lee Smith, “1917”
  • Michael McCusker, “Ford v Ferrari”
  • Thelma Schoonmaker, ‘The Irishman”
  • Yang Jin-mo, “Parasite”

BEST HAIR AND MAKEUP

  • “Bombshell”
  • “Joker”
  • “Judy”
  • “Rocketman”
  • “The Irishman”

BEST ORIGINAL SONG

  • “Catchy Song” from “The Lego Movie: The Second Part”
  • “Glasgow” from “Wild Rose”
  • “(I’m Gonna) Love Me Again” from “Rocketman”
  • “Into the Unknown” from “Frozen II”
  • “Speechless” from “Aladdin”

BEST SCORE

  • Alexandre Desplat, “Little Women”
  • Hildur Guðnadóttir, “Joker”
  • Michael Abels, “Us”
  • Thomas Newman, “1917”
  • Trent Reznor and Atticus Ross, “Waves”

BEST STUNT WORK

  • “1917”
  • “Avengers: Endgame”
  • “Captain Marvel”
  • “Fast & Furious Presents: Hobbs & Shaw”
  • “John Wick: Chapter 3 — Parabellum”

BEST VISUAL EFFECTS

  • “1917”
  • “Ad Astra”
  • “Avengers: Endgame”
  • “Alita: Battle Angel”
  • “The Irishman”

The winners will announced in December!

Lisa Marie’s Oscar Predictions For November


Well, here we are!

We’re on the verge of the official start of Oscar season.  The Spirit Nominations have been announced.  The National Board of Review will be announcing their picks on December 3rd (I believe).  In just about a week from now, we’re going to be flooded by hundreds of different guilds and critics groups handing out awards and it will be a struggle to keep up.  With so many strong contenders this year, it’ll be interesting to see who actually emerges with the momentum.

(For instance, I don’t think anyone really took Mad Max: Fury Road seriously as an Oscar contender until it started sweeping all the critics groups in December.  And then we were all like, “Well, of course it’s going to be nominated for best picture….”)

With all that in mind, I’m going to go out on a limb with a few of my predictions below.  I mean, why not?  At this point, anything could happen.

To see how my thinking has evolved over time, be sure to check out my predictions for January, February, March, April, May, June, July, August, September, and October!

Without further ado, here are my predictions for November:

Best Picture

1917

Bombshell

The Irishman

Joker

Little Women

Marriage Story

Once Upon A Time In Hollywood

Parasite

Richard Jewell

Uncut Gems

Best Director

Noah Baumbach for Marriage Story

Joon-Ho Bong for Parasite

Clint Eastwood for Richard Jewell

Jay Roach for Bombshell

Martin Scorsese for The Irishman

Best Actor

Paul Walter Hauser in Richard Jewell

Eddie Murphy in Dolemite is My Name

Joaquin Phoenix in Joker

Jonathan Pryce in The Two Popes

Adam Sandler in Uncut Gems

Best Actress

Scarlett Johansson in Marriage Story

Saoirse Ronan in Little Women

Charlize Theron in Bombshell

Alfre Woodard in Clemency

Renee Zellweger in Judy

Best Supporting Actor

Jamie Foxx in Just Mercy

Anthony Hopkins in The Two Popes

Al Pacino in The Irishman

Joe Pesci in The Irishman

Brad Pitt in Once Upon A Time In Hollywood

Best Supporting Actress

Kathy Bates in Richard Jewell

Jennifer Lopez in Hustlers

Thomasin McKenzie in JoJo Rabbit

Margot Robbie in Bombshell

Zhao Shuzhen in The Farewell

 

Film Review: The King (dir by David Michod)


Imagine a version of Shakespeare’s Henry V where Prince Hal is a lot less regal but a lot more whiny.  Also imagine a version where Falstaff is never publicly rejected by Henry but instead becomes one of his leading generals.  Furthermore, imagine that Robert Pattinson shows ups and does his best imitation of the obnoxious Frenchmen from Monty Python and The Holy Grail.  Also, finally, imagine a film that’s based on three of Shakespeare’s most popular plays but which does’t include any lines from those plays.  Imagine all of that and you’ve got The King.

Yes, The King is an odd film indeed.  It’s also a very long film.  You might expect that from a film based on three Shakespearean plays but, then again, since the film actually doesn’t feature any of Shakespeare’s celebrated language, you have to kind of wonder if it can actually claim to be a Shakespearean adaptation.  For instance, if I made a film about a sullen prince named Hamlet but totally leave out “To be or not to be” or the part where he sees his father’s ghost, am I truly adapting Shakespeare or am I just making a film about a guy named Hamlet?  Interestingly enough, while The King isn’t faithful to Shakespeare, it’s also not faithful to actual historical records.  It’s not Shakespeare and, despite using the name of actual kings and nobles from the 15th Century, it’s not really historical.  It could just as easily be about King Kevin and his struggle to lead the Land of Homily to victory over Possum Kingdom.  It’s hard to really understand what the point of this film is.

Timothee Chalamet plays Prince Hal, who will eventually become King Henry V.  Considering just how acclaimed Chalamet’s previous work has been (including receiving an Oscar nomination for Call Me By Your Name and probably coming close to getting a second one for Beautiful Boy as well), it’s a bit strange just how dull Chalamet is in this film.  As played by Chalamet, the future King of England is alternatively petulant and whiny.  He’s not happy about becoming king.  He’s even less happy about having to behead those who have been accused of conspiring against him.  He hopes to avoid war, even after the King of France taunts him by giving him a ball as an coronation present.  Chalamet wanders through the film with an eternally glum expression on his face.  When he has to rally the troops, he is unpleasantly shrill in a way that will remind viewers of one of Leonardo DiCaprio’s lesser performances.

Joel Edgerton, who also co-wrote the script, is a bit more convincing in the role of Falstaff.  Instead of the cowardly (but wise) buffoon who appeared in Shakespeare’s plays, The King portrays Falstaff as being a great warrior who merely likes to drink too much.  This, of course, means that Hal doesn’t have to publicly rebuke Falstaff or any of his friends but it also makes Falstaff a bit of a pointless character.  In Shakespeare’s plays, both the rebuke of Falstaff and the subsequent hanging of Bardolph were meant to show that the once irresponsible Hal was now placing his role of king above all else.  By removing that aspect of the tale, The King also removes the entire heart of the narrative.  That said, Edgerton is at least convincing as a warrior.

As usually happens when it comes to British historical epics, the film leads up to an eventual battle between the British and the French.  Robert Pattinson plays The Dauphin and gives one of the most brilliantly strange performances of 2019.  Wearing a blonde wig and speaking in an exaggerated French accent, Pattison gets all of the dirtiest lines and he has fun with them.  (“You have zee big balls,” The Dauphin says at one point, “and zee little cock!”)  In fact, Robert Pattinson seems to be the only person in the film having any fun whatsoever.  Chalamet looks miserable.  Edgerton comes across like a professional.  But Pattinson appears to be having the time of his life and you’re happy to see him if just because he provides a (too brief) respite from the film’s otherwise dour atmosphere.

As I said, The King is a strange film.  I’m not really sure what the point of it was.  The battle scenes are effectively bloody and the sets are all convincingly 15th century.  But otherwise, this movie is too pointless and too long.  Just because it’s about the 100 Years War doesn’t mean that film has to feel like a 100 hours.

Lisa Marie’s Oscar Predictions for October


Well, the Oscar season is finally here and it looks like the competition is going to be fierce!  It seems like every day, a new contender is being crowned at yet another festival.  Below, you’ll find my predictions for October but, honestly, it’s still difficult to narrow down all of the possible contenders to just 10 films, 5 directors, and 20 actors.

But let’s give it a shot, anyways!

To see how my thinking has (or has not) evolved, be sure to check out my predictions for January, February, March, April, May, June, July, August, and September!

Best Picture

1917

Bombshell

The Irishman

JoJo Rabbit

Little Women

Marriage Story

Once Upon A Time In Hollywood

Parasite

The Two Popes

Waves

Best Director

Noah Baumbach for Marriage Story

Bong Joon-ho for Parasite

Sam Mendes for 1917

Martin Scorsese for The Irishman

Quentin Tarantino for Once Upon A Time In Hollywood

Best Actor

Antonio Banderas in Pain & Glory

Leonardo DiCaprio in Once Upon A Time In Hollywood

Taron Egerton in Rocketman

Eddie Murphy in Dolemite Is My Name

Joaquin Phoenix in Joker

Best Actress

Scarlett Johansson in Marriage Story

Saoirse Ronan in Little Women

Charlize Theron In Bombshell

Alfre Woodard in Clemency

Renee Zellweger in Judy

Best Supporting Actor

Sterling K. Brown in Waves

Jamie Foxx in Just Mercy

Anthony Hopkins in The Two Popes

Al Pacino in The Irishman

Brad Pitt in Once Upon A Time In Hollywood

Best Supporting Actress

Laura Dern in Little Women

Jennifer Lopez in Hustlers

Thomasin McKenzie in JoJo Rabbit

Margot Robbie in Bombshell

Zhao Shuzhen in The Farewell

 

What If Lisa Picked The Oscar Nominees: 2018 Edition


With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are starred and listed in bold.

(You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.)

(Click on the links to see my nominations for 2017201620152014201320122011, and 2010!)

Best Picture

Avengers: Infinity War

The Ballad of Buster Scruggs

Blindspotting

*Eighth Grade

The Favourite

Leave No Trace

The Other Side of the Wind

Roma

A Simple Favor

Support the Girls

 

Best Director

*Bo Burnham for Eighth Grade

The Coen Brothers for The Ballad of Buster Scruggs

Alfonso Cuaron for Roma

Debra Granik for Leave No Trace

Yorgos Lanthimos for The Favourite

Orson Welles for The Other Side of the Wind

 

Best Actor

John Cho in Searching

Jason Clarke in Chappaquiddick

Bradley Cooper in A Star is Born

Daveed Diggs in Blindspotting

*Ethan Hawke in First Reformed

Joaquin Phoenix in You Were Never Really Here

 

Best Actress

Yalitza Aparicio in Roma

Elsie Fisher in Eighth Grade

Lady Gaga in A Star is Born

*Regina Hall in Support the Girls

Anna Kendrick in A Simple Favor

Thomason McKenzie in Leave No Trace

 

Best Supporting Actor

Peter Bogdonavich in The Other Side of the Wind

*Ben Foster in Leave No Trace

Michael B. Jordan in Black Panther

Josh Hamilton in Eighth Grade

Tim Blake Nelson in The Ballad of Buster Scruggs

Michael Palin in The Death of Stalin

 

Best Supporting Actress

Emily Blunt in A Quiet Place

*Olivia Colman in The Favourite

Zoe Kazan in The Ballad of Buster Scruggs

Blake Lively in A Simple Favor

Emma Stone in The Favourite

Rachel Weisz in The Favourite

 

Best Voice Over or Motion-Capture Performance

*Josh Brolin in Avengers: Infinity War

Jake Johnson in Spider-Man: Into the Spider-Verse

Holly Hunter in The Incredibles 2

Shamiek Moore in Spider-Man: Into the Spider-Verse

John C. Reilly in Ralph Breaks The Internet

Ben Whishaw in Paddington 2

 

Best Original Screenplay

Blindspotting

The Death of Stalin

*Eighth Grade

The Favourite

Game Night

Support the Girls

 

Best Adapted Screenplay

Avengers: Infinity War

The Ballad of Buster Scruggs

If Beale Street Could Talk

Leave No Trace

*A Simple Favor

A Star is Born

 

Best Animated Feature

Early Man

Have A Nice Day

The Incredibles 2

Isle of Dogs

Ralph Breaks the Internet

*Spider-Man: Into the Spider-Verse

 

Best Documentary Feature

Avicii: True Stories

Recovery Boys

Shirkers

They’ll Love Me When I’m Dead

*Three Identical Strangers

Won’t You Be My Neighbor?

 

Best Foreign Language Film

Battle

Gun City

Happy as Lazzaro

Have A Nice Day

The Most Assassinated Woman In The World

*Roma

 

Best Casting

Blindspotting

Eighth Grade

Mandy

Mid90s

Roma

*Support the Girls

 

Best Cinematography

Aquaman

Avengers: Infinity Wars

The Ballad of Buster Scruggs

Black Panther

*Mandy

Roma

Best Costume Design

The Ballad of Buster Scruggs

*Black Panther

The Favourite

Lizzie

Mary, Queen of Scots

A Simple Favor

 

Best Film Editing

Avengers: Infinity Wars

Eighth Grade

Mission Impossible: Fallout

*The Other Side of the Wind

Roma

Searching

Best Makeup and Hair Styling

*The Favourite

Lizzie

Mandy

Mary, Queen of Scots

A Simple Favor

Support the Girls

Best Original Score

Avengers: Infinity War

The Ballad of Buster Scruggs

The Death of Stalin

If Beale Street Could Talk

*Mandy

The Other Side of the Wind

Best Original Song

*“When a Cowboy Trades His Spurs For Wings” from The Ballad of Buster Scruggs

“All the Stars” from Black Panther

“Limitless” from Second Act

“I’ll Never Love Again” from A Star is Born

“Is that Alright” from A Star is Born

“Shallow” from A Star is Born

 

Best Overall Use of Music

Bohemian Rhapsody

Eighth Grade

Mamma Mia: Here We Go Again

Mid90s

*A Star is Born

Three Identical Strangers

 

Best Production Design

Avengers: Infinity War

Black Panther

The Commuter

*The Favourite

Mary, Queen of Scots

A Quiet Place

Best Sound Editing

Annihilation

*Avengers: Infinity War

Mission Impossible: Fallout

The Other Side of the Wind

Roma

12 Strong

Best Sound Mixing

Annihilation

Avengers: Infinity War

Mission Impossible: Fallout

The Other Side of the Wind

Roma

*A Star is Born

Best Stuntwork

Avengers: Infinity War

Beirut

Black Panther

*Mission Impossible: Fallout

12 Strong

Upgrade

Best Visual Effects

Annihilation

Ant-Man and the Wasp

Aquaman

*Avengers: Infinity War

Black Panther

First Man

Films Listed By Number of Nominations:

11 Nominations – Avengers: Infinity War

9 Nominations – The Ballad of Buster Scruggs, The Favourite, Roma

8 Nominations – Eighth Grade, A Star is Born

7 Nominations – Black Panther, The Other Side of the Wind

6 Nominations – A Simple Favor

5 Nominations – Leave No Trace, Support the Girls

4 Nominations – Blindspotting, Mandy, Mission Impossible: Fallout

3 Nominations – Annihilation, The Death of Stalin, Mary Queen of Scots, Spider-Man: Into the Spider-Verse

2 Nominations – Aquaman, Have A Nice Day, If Beale Street Could Talk, The Incredibles 2, Lizzie, Mid90s, A Quiet Place, Ralph Breaks the Internet, Searching, Three Identical Strangers, 12 Strong

1 Nomination – Ant-Man and the Wasp, Avicii: True Stories, Battle, Beirut, Bohemian Rhapsody, Chappaquiddick, The Commuter, Early Man, First Man, First Reformed, Game Night, Gun City, Happy as Lazzaro, Isle of Dogs, Mamma Mia 2: Here We Go Again, The Most Assassinated Woman In The World, Paddington 2, Recovery Boys, Second Act, Shirkers, They’ll Love Me When I’m Dead, Upgrade, Won’t You Be My Neighbor?, You Were Never Really Here

Films Listed By Number of Oscars Won:

3 Oscars – Eighth Grade, The Favourite

2 Oscars – Mandy, A Star is Born, Support the Girls

1 Oscar – The Ballad of Buster Scruggs, Black Panther, First Reformed, Leave No Trace, Mission Impossible: Fallout, The Other Side of the Wind, Roma, Spider-Man: Into the Spider-Verse, Three Identical Strangers

As for the real nominations, they’ll be announced on Tuesday morning!

Lisa Marie’s Oscar Predictions for December


Well, it’s that time of the month!

It’s time for me to post my Oscar predictions.  With precursor season in full swing, the Oscar picture has become a lot clearer.

If you want to see how my thinking has evolved over the year, be sure to check out my predictions of January, February, March, April, May, June, July, August, September, October, and November!

Also, keep in mind — these are not necessarily my picks for the best of the year.  I’ll be posting those during the second week of January.  Instead, these predictions are based on the precursor awards and just my own guesses based on the Academy’s past picks.

Best Picture

BlackKklansman

Black Panther

The Favourite

Green Book

If Beale Street Could Talk

Roma

A Star is Born

Vice

Best Director

Ryan Coogler for Black Panther

Bradley Cooper for A Star is Born

Alfonso Cuaron for Roma

Yorgos Lanthimos for The Favourite

Adam McKay for Vice

Best Actor

Christian Bale in Vice

Bradley Cooper in A Star is Born

Ethan Hawke in First Reformed

Rami Malek in Bohemian Rhapsody

Viggo Mortensen in Green Book

Best Actress

Yalitza Aparicio in Roma

Glenn Close in The Wife

Olivia Colman in The Favourite

Lady Gaga in A Star is Born

Melissa McCarthy in Can You Ever Forgive Me?

Best Supporting Actor

Mahershala Ali in Green Book

Timothee Chalamet in Beautiful Boy

Sam Elliott in A Star is Born

Richard E. Grant in Can You Ever Forgive Me?

Michael B. Jordan in Black Panther

Best Supporting Actress

Amy Adams in Vice

Regina King in If Beale Street Could Talk

Thomasin McKenzie in Leave No Trace

Emma Stone in The Favourite

Rachel Weisz in The Favourite

 

The Kansas City Film Critics Circle Announces Their Picks For The Best of 2018


And here they are!

Best Picture: ROMA and The Favourite (tie)

Robert Altman Award for Best Director: Alfonso Cuarón, ROMA
Runner-up: Paul Schrader, First Reformed

Best Actor: Christian Bale, Vice and Ethan Hawke, First Reformed (tie)

Best Actress: Olivia Colman, The Favourite
Runner-up: Yalitza Aparicio, Roma

Best Supporting Actor: Richard E. Grant, Can You Ever Forgive Me?
Runner-up: Timothée Chalamet, Beautiful Boy

Best Supporting Actress: Amy Adams, Vice
Runner-up: Thomasin Harcourt McKenzie, Leave No Trace

Best Adapted Screenplay: BlacKkKlansman
Runner-up: Can You Ever Forgive Me?

Best Original Screenplay: The Favourite
Runner-up: Eighth Grade

Best Animated Feature: Spider-Man Into the Spider-Verse
Runners-up: Incredibles 2 and Isle of Dogs (tie)

Best Foreign-Language Film: ROMA
Runner-up: Cold War

Best Documentary: Won’t You Be My Neighbor?
Runner-up: Free Solo

Vince Koehler Award for Best Science Fiction, Fantasy or Horror Film: A Quiet Place
Runner-up: Sorry to Bother You

Tom Poe Award for Best LGBTQ Film: Can You Ever Forgive Me?
Runner-up: Love, Simon

Here Are The 2018 Women Film Critics Circle Nominations!


BEST MOVIE ABOUT WOMEN
Mary Shelley
Roma
The Favourite
Widows

BEST MOVIE BY A WOMAN
Can You Ever Forgive Me?
Leave No Trace
The Kindergarten Teacher
You Were Never Really Here

BEST WOMAN STORYTELLER [Screenwriting Award]

Sara Colangelo: The Kindergarten Teacher
Debra Granik: Leave No Trace
Tamara Jenkins: Private Life
Audrey Wells: The Hate U Give

BEST ACTRESS
Toni Collette, Hereditary
Olivia Colman, The Favourite
Viola Davis, Widows
Maggie Gyllenhaal, The Kindergarten Teacher

BEST ACTOR
Ben Foster, Leave No Trace
Ethan Hawke, First Reformed
Viggo Mortensen, Green Book
Hugo Weaving, Black 47

BEST COMEDIC ACTRESS
Helena Bonham Carter, 55 Steps
Olivia Colman, The Favourite
Kathryn Hahn, Private Life
Melissa McCarthy, Can You Ever Forgive Me?

BEST YOUNG ACTRESS
Elle Fanning, Mary Shelley
Elsie Fisher, Eighth Grade
Thomasin McKenzie, Leave No Trace
Amandla Stenberg, The Hate U Give

BEST FOREIGN FILM BY OR ABOUT WOMEN
Capernaum
Happy As Lazzaro
Roma
Zama

BEST DOCUMENTARY BY OR ABOUT WOMEN
RBG
Say Her Name: The Life And Death Of Sandra Bland
Seeing Allred
Shirkers

WOMEN’S WORK/BEST ENSEMBLE
55 Steps
Ocean’s Eight
The Favourite
Widows

SPECIAL MENTION AWARDS

COURAGE IN FILMMAKING
Haifaa Al-Mansour, Mary Shelley
Sara Colangelo, The Kindergarten Teacher
Sandra Luckow, That Way Madness Lies
Jennifer Fox, The Tale

COURAGE IN ACTING [Taking on unconventional roles that radically redefine the images of women on screen]Helena Bonham Carter: 55 Steps
Viola Davis: Widows
Nicole Kidman: Destroyer
Melissa McCarthy: Can You Ever Forgive Me?

ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women
Call Her Ganda
I Am Not A Witch
On Her Shoulders
Say Her Name: The Life And Death Of Sandra Bland

JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America
If Beale Street Could Talk
Life And Nothing More
The Hate U Give
Widows

KAREN MORLEY AWARD: For best exemplifying a woman’s place in history or society, and a courageous search for identity
93 Queen
On The Basis Of Sex
Roma
Woman Walks Ahead

THE INVISIBLE WOMAN AWARD: [Performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored]

Yalitza Aparicio, Roma
Glenn Close, The Wife
Andrea Riseborough, Nancy
The Women Of Widows

BEST SCREEN COUPLE
A Star Is Born
Crazy Rich Asians
Disobedience
If Beale Street Could Talk

BEST FEMALE ACTION HEROES
Adrift
55 Steps
Black Panther
RBG

MOMMIE DEAREST WORST SCREEN MOM OF THE YEAR AWARD
Krista Allen, Party Mom
Toni Collette, Hereditary
Nicole Kidman, Destroyer
Jacki Weaver, Widows

BEST EQUALITY OF THE SEXES
Black Panther
Like Me
On The Basis Of Sex
Widows

BEST ANIMATED FEMALES
Incredibles 2
Liyana
Mary And The Witch’s Flower
Mirai No Mirai

BEST FAMILY FILM
Eighth Grade
Incredibles 2
Science Fair
The Hate U Give

WFCC HALL OF SHAME
Bryan Singer