Spring Breakdown: Eureka (dir by Nicolas Roeg)


 

In this 1983 film, Gene Hackman plays Jack McCann, a prospector who is determined to either get rich or freeze to death as he wanders around Alaska in the 1920s.  When he’s not having sex and philosophical discussions with the local witch, Freida (Helena Kallianiotes), Jack desperately searches for gold.  Jack is convinced that gold is all that he needs to be happy, though Freida counsels him that it’s also important to pursue more Earthly delights.  Everywhere Jack looks, he sees people dying in the snow.  In fact, Jack nearly dies himself until he stumbles across a mountain full of gold.  As gold dust pours down on him, he celebrates while having flashbacks to Freida writhing in ecstasy.  It’s just that type of film.  When Jack tells Freida about his claim, he asks what’s going to happen next.  Freida tells him that it’s both the end and the beginning.  Once again, it’s just that type of film.

At this point, Eureka jumps ahead 20 years.  The year is 1945.  World War II is coming to an end.  Jack is no longer freezing and starving to death in Alaska.  Now, he is one of the world’s richest men.  He even owns his own island in the Caribbean.  Jack has a huge house, a beautiful view of the ocean, and all the money in the world.  One could even say that his life has become an exclusive beach vacation, an eternal Spring Break, if you will.  And yet, even with all of his money, Jack has fallen victim to ennui.  He was happier when he was poor and starving and seeking warmth from Freida.  Now, he’s got an alcoholic wife (Jane LaPotaire) and his daughter, Tracy (Theresa Russell), is in love with a dissolute aristocrat named Claude (Rutger Hauer), to whom Jack takes an instant dislike.  Claude claims that Jack has stolen his wealth from the Earth.  Claude is the type who eats gold and then promises to return it to Jack as soon as he can.  That’s something that actually happens.  It’s kind of silly but Rutger Hauer is such a charmer that he nearly pulls it off.

Claude and Tracy aren’t the only thing that Jack has to worry about.  An American gangster named Mayakofsky (Joe Pesci) wants to take over Jack’s island so that he can build a casino on it.  However, despite the best efforts of Mayakofsky’s attorney (Mickey Rourke), Jack is still not willing to sell.  When hitman Joe Spinell shows up outside the estate, are Jack’s days of ennui numbered?

Of course, they are!  That’s not really a spoiler.  Eureka is (loosely) based on the real-life murder of Sir Harry Oakes, an American-born prospector who was thought to be one of the world’s richest men when he was brutally murdered in the 40s.  Jack is, of course, a stand-in for Oakes while Mayakofsky is based on Meyer Lansky, the mobster who many people suspect ordered Oakes’s murder.  Lansky was never charged with the crime.  Instead, Oakes’s son-in-law, Count Alfred de Marigny, was arrested and charged with the crime.  After a trial that made international news and was described as being “the trial of the century,” de Marigny was acquitted and the murder of Harry Oakes remains officially unsolved.

It’s an interesting story and it seems like one that should perfectly translate to film.  Surprisingly though, Eureka doesn’t really do it justice.  The film was directed by one of the masters of cinematic surrealism, Nicolas Roeg.  Roeg, of course, is probably best remembered for films like Performance, Don’t Look Now, Walkabout, and The Man Who Fell To Earth.  As one might expect from a Roeg film, Eureka is visually stunning but, as a director, Roeg can’t seem to decide whether he’s more interested in Jack’s ennui or in all the soapy melodrama surrounding Jack’s murder.  As such, neither element of the film gets explored with any particular depth and the resulting film, while always watchable, still feels rather shallow and disjointed.  (After taking forever to reach the end of Jack’s story, Eureka then turns into a rather conventional courtroom drama.  Theresa Russell does get to utter the immortal line, “Did you cut off my father’s head?” but otherwise, it’s kind of dry.)  The film is at its strongest when Jack is just a prospector in Alaska.  The harsh landscape and the crazed dialogue is perfect for Roeg’s dream-like style.  Once the film moves to the Caribbean, it suffers the same fate that befell Jack when he become rich.  It loses its spark.

That said, Eureka has its moments.  Any film that features Gene Hackman, Mickey Rourke, Joe Pesci, Rutger Hauer, and Joe Spinell all acting opposite of each other is going to have at least a few scenes worth watching.  I particularly liked Pesci’s surprisingly subdued performance as Mayakofsky.  With everyone else in the film chewing every piece of scenery on the island, Pesci wisely underplays and is all the more menacing for it.  While Eureka ultimately doesn’t add up too much, it’s worth watching at least once for the cast.

Finally, my personal theory is that Harry Oakes’s murder had more to do with the Duke and Duchess of Windsor (formerly King Edward VIII and Wallis Simpson) than it did with Meyer Lansky.  (The Duke was the governor of the Bahamas at the time of Oakes’s murder.)  But that’s just my opinion.

Here’s What Lisa Wants To Win At The Oscars


Once Upon A Time In Hollywood (2019, dir by Quentin Tarantino)

Yesterday, I posted my list of the film and performers that I believe will win Oscars tonight.

Below is a different list.  This is what I wish would win tonight.  These are the nominees that I would vote for if I was a member of the Academy.  Now, to be honest, there were a lot of films and performances that I liked that were not nominated.  My favorite film of 2019 was The Souvenir.  It received zero Oscar nominations.  But, for the purposes of this list, I’ve limited my choice to the actual nominees.

So, here we go:

Best Picture — 1) Once Upon A Time In Hollywood 2) The Irishman 3) Parasite 4) 1917 5) Joker 6) JoJo Rabbit 7) Little Women 8) Ford v Ferrari 9) Marriage Story

Best Director — Quentin Tarantino, Once Upon A Time In Hollywood

Best Actor — Joaquin Phoenix, Joker

Best Actress — Scarlett Johansson, Marriage Story

Best Supporting Actor — Joe Pesci, The Irishman

Best Supporting Actress — Laura Dern, Marriage Story

Best Original Screenplay — Parasite

Best Adapted Screenplay — The Irishman

Best Animated Feature Film — I Lost My Body

Best International Feature Film — Parasite

Best Documentary Feature Film — The Edge of Democracy (which I didn’t even really like, it’s just the only nominee that I’ve seen)

Best Documentary Short Subject — Learning to Skateboard in a War Zone (If you’re a girl)

Best Live Action Short Subject — Nefta Football Club (that’s for you, Jason)

Best Animated Short Film — Sister

Best Original Score — 1917

Best Original Song — I Can’t Let You Throw Yourself Away from Toy Story 4

Best Sound Editing — 1917

Best Sound Mixing — 1917

Best Production Design — Parasite

Best Cinematography — The Lighthouse

Best Makeup and Hairstyling — Judy

Best Costume Design — Once Upon A Time In Hollywood

Best Editing — The Irishman

Best Visual Effects — Avengers: Endgame

Lisa Reviews An Oscar Nominee: Raging Bull (dir by Martin Scorsese)


This is not my favorite Martin Scorsese film.

I feel like I have to make that clear from the start because, for many people, this is their favorite Scorsese film.  Though it may have gotten mixed reviews when it was first released, it is now regularly described as being the high point of Scorsese’s fabled collaboration with Robert De Niro.  This was also the first film that Scorsese made with not only Joe Pesci but at also Frank Vincent as well.  (In fact, the whole scene in Goodfellas where Pesci and De Niro nearly stomp Vincent to death is a bit of an homage to a scene in Raging Bull.  Of course, Vincent got his revenge on Pesci in Casino.)  This film earned Martin Scorsese his first Oscar nomination for best director and it’s regularly cited as being one of the greatest film ever made.

Even more importantly, 1980’s Raging Bull has been described — by none other than the director himself — as the film that saved Martin Scorsese’s life.  Like a lot of his contemporaries, Scorsese got hooked on cocaine during the 70s.  He even nearly died of an overdose.  De Niro, who has been on Scorsese to direct Raging Bull for years, visited him in the hospital, brought him the script, told him to clean up his act, and make the film.  When Scorsese started to work on the film, he assumed it would be his last.  Whether Scorsese thought he would be dead or if he just thought he’d retire, I’m not sure.  Still, if Raging Bull had not rejuvenated Scorsese’s love of cinema, he wouldn’t have subsequently directed some of the greatest films ever made.  So, regardless of anything else, we have to be thankful that De Niro kept pushing Scorsese to direct Raging Bull.

The film itself is a biopic of Jake LaMotta (Robert De Niro), a brutal boxer who destroys opponents in the ring while destroying everyone who loves him outside of the ring.  He’s the type of guy who takes joy in destroying one opponent’s face just because his wife, Vicki (Cathy Moriarty), said that the guy was handsome.  When he’s forced to take a dive in order to win a title shot, he sobs in the locker room and it’s as close to being sympathetic as Jake gets.  The rest of the movie, he spends his time terrorizing his wife and taking out his frustrations on his loyal brother, Joey (Joe Pesci).

Most boxing films tend to present boxers as being lovable lugs, guys who might not be too smart but who have found the one thing that they’re good at.  (Think of the pre-Creed Rocky films.)  In Raging Bull, there’s nothing lovable about Jake.  He’s an animal, an angry man who fights because that’ the only way that he knows how to relate to the world.  He’s the type of guy who spends all of his time looking for an excuse to get mad and throw a punch.  The most dangerous thing you can do is make a joke in the presence of Jake LaMotta because, as portrayed in this film, he’s such an idiot that his reaction will always be to see it as a provocation.  From beginning to end, he’s a loathsome figure but the young De Niro was such a charismatic actor that you keep watching because — much like Vicki — you keep hoping that you’ll see some glimmer of humanity and some chance of redemption.

Reportedly, Scorsese and De Niro feel that the end of Raging Bull does provide Jake with some redemption.  Having lost everyone that ever loved him, an overweight Jake runs a sleazy nightclub and makes a fool of himself reciting dramatic monologues.  The production actually shut down so that De Niro could overeat and gain all the extra weight and it is shocking to see him go from being a handsome, athletic man to a fat slob whose shirt can’t even cover his belly.  No longer a boxer, Jake is now a faded D-list celebrity.  Now that he can’t fight and he can’t make money for the mob and the gamblers, no one cares about him.  That’s unfortunate for Jake but I have to say that I’ve never seen much redemption in Jake’s fate.  If anything, I was just happy that Vicki finally got away from him.

Raging Bull is a film that’s easier to admire than to actually like.  It’s impossible not to appreciate the black-and-white cinematography or the performances of De Niro, Pesci, and Cathy Moriarty.  As directed by Scorsese, the boxing scenes are horrifying brutal, to the extent that you find yourself wondering how anyone could enjoy the sport.  (When a spray of Jake’s blood hits the people in the first row, you can’t help but think that they’re all getting what they deserved.)  That said, the film’s never been a favorite of mine because, as well done as it is, Jake LaMotta never seems like he’s worth spending two hours with.

Obviously, a lot of people disagree with me on that.  Raging Bull received 8 Oscar nominations.  Robert De Niro won Best Actor.  Raging Bull, itself, lost Best Picture to Robert Redford’s Ordinary People.

Lisa Marie’s Oscar Predictions For December


Well, here we go!

This is my last set of Oscar predictions for the year.  With the critics groups and some of the guilds having now announced their picks for the best of 2019, the Oscar picture is now a lot more clear.  Once Upon A Time In Hollywood, Parasite, The Irishman, 1917, and Marriage Story all seem to be guaranteed to pick up a nomination.    

I am going to go out on a limb and predict that, despite being ignored at SAG and by the Golden Globes, Uncut Gems will get some nominations as well.  Right now, the film just seems to have momentum on its side.  Realistically, I’m not a 100% convinced that it’ll be nominated, not the way I am with some other films.  It’s divisive film and I’m sure that some people think that rewarding Adam Sandler will just lead to him using his newfound respect to get a theatrical release for the next Grown Ups sequel.  But I’m going to take a chance and go with it.

(Of course, Nightcrawler and Jake Gyllenhaal also had a lot of momentum a few years ago and ended up getting totally shut out of the Oscars.)

Below are my predictions for December.  If you want to see how my thinking has evolved, be sure to check out my predictions for January, February, March, April, May, June, July, August, September, October, and November!

Best Picture

1917

Bombshell

The Irishman

JoJo Rabbit

Little Women

Marriage Story

Once Upon A Time In Hollywood

Parasite

Uncut Gems

Best Director

Bong Joon-ho for Parasite

Sam Mendes for 1917

The Safdie Brothers for Uncut Gems

Martin Scorsese for The Irishman

Quentin Tarantino for Once Upon A Time In Hollywood

Best Actor

Leonardo DiCaprio for Once Upon A Time In Hollywood

Adam Driver for Marriage Story

Taron Egerton for Rocketman

Joaquin Phoenix for Joker

Adam Sandler for Uncut Gems

Best Actress

Scarlett Johansson for Marriage Story

Luptia Nyong’o for Us

Saoirse Ronan for Little Women

Charlize Theron for Bombshell

Renee Zellweger for Judy

Best Supporting Actor

Willem DaFoe in The Lighthouse

Tom Hanks in A Beautiful Day In The Neighborhood

Al Pacino for The Irishman

Joe Pesci for The Irishman

Brad Pitt for Once Upon A Time In Hollywood

Best Supporting Actress

Laura Dern in Marriage Story

Scarlett Johansson in JoJo Rabbit

Jennifer Lopez in Hustlers

Florence Pugh in Little Women

Margot Robbie in Once Upon A Time In Hollywood

 

The Oscar nominations will be announced on January 13th!

Happy New Year, everyone!

Oscar, in happier times

The Nevada Film Critics Society Name Marriage Story As The Best of 2019!


Here’s a full list of the winners in Nevada:

Best Film: Marriage Story

Best Director: Noah Baumbach – Marriage Story

Best Actor: Adam Driver – Marriage Story
Best Actress (tie): Scarlett Johansson – Marriage Story & Charlize Theron – Bombshell
Best Supporting Actor: Joe Pesci – The Irishman
Best Supporting Actress: Jennifer Lopez – Hustlers

Best Original Screenplay: Quentin Tarantino – Once Upon a Time in Hollywood
Best Adapted Screenplay: Taika Waititi – Jojo Rabbit

Best Animated Movie: Toy Story 4
Best Documentary: Apollo 11

Best Production Design: Once Upon a Time in Hollywood
Best Cinematography: 1917
Best Visual Effects: Avengers: Endgame

 

The Utah Film Critics Association honors Parasite and 1917!


On Sunday, the Utah Film Critics Association announced their picks for the best of 2019 and it was another good showing for Parasite!  The film picked up awards for best picture, best screenplay, and best non-English language film.  Meanwhile, 1917 took awards for direction and cinematography while Adam Driver and Scarlett Johansson took home the acting awards for Rise of Skywalker and Avengers: Endgame …. just kidding!  They both won for Marriage Story.

Here are the winners!

Best Picture: Parasite. Runner-up: Once Upon a Time … in Hollywood.

Best Achievement in Directing: Sam Mendes, 1917. Runner-up: Quentin Tarantino, Once Upon a Time … in Hollywood.

Best Lead Performance, Male: Adam Driver, Marriage Story. Runner-up: Joaquin Phoenix, Joker.

Best Lead Performance, Female: Scarlett Johansson, Marriage Story. Runner-up: Lupita Nyong’o, Us.

Best Supporting Performance, Female: Florence Pugh, Little Women. Runner-up: Rebecca Ferguson, Doctor Sleep.

Best Supporting Performance, Male: Joe Pesci, The Irishman. Runner-up: Willem Dafoe, The Lighthouse.

Vice/Martin Award for Performance in a Science-Fiction, Fantasy or Horror Film: Robert Downey, Jr., Avengers: Endgame. Runner-up: Lupita Nyong’o, Us.

Best Original Screenplay: Bong Joon-ho and Jin Won Han, Parasite. Runner-up: Rian Johnson, Knives Out.

Best Adapted Screenplay: Greta Gerwig, Little Women. Runner-up: Taika Waititi, Jojo Rabbit.

Best Cinematography: Roger Deakins, 1917. Runner-up: Jarin Blaschke, The Lighthouse.

Best Original Score: Matt Morton, Apollo 11. Runner-up: Dan Levy, I Lost My Body.

Best Film Editing: Todd Douglas Miller, Apollo 11. Runner-up: Andrew Buckland, Michael McCusker and Dirk Westervelt, Ford v Ferrari.

Best Documentary Feature: Apollo 11. Runner-up: Hail Satan?

Best Animated Feature: I Lost My Body. Runners-up: How to Train Your Dragon: The Hidden World and Toy Story 4.

Best Non-English Language Feature: Parasite. Runner-up: Portrait of a Lady on Fire.

 

The Dallas-Ft. Worth Film Critics Association Names 1917 As The Best of 2019!


Reunion Tower (picture by Erin Nicole)

Here are the winners in Dallas!

BEST PICTURE

Winner: 1917

Runners-up: MARRIAGE STORY (2); PARASITE (3); THE IRISHMAN (4); ONCE UPON A TIME IN HOLLYWOOD (5); JOJO RABBIT (6); LITTLE WOMEN (7); THE FAREWELL (8); THE TWO POPES (9); KNIVES OUT (10)

BEST ACTOR

Winner: Adam Driver, MARRIAGE STORY

Runners-up: Joaquin Phoenix, JOKER (2); Antonio Banderas, PAIN AND GLORY (3); Leonardo DiCaprio, ONCE UPON A TIME IN HOLLYWOOD (4); Robert De Niro, THE IRISHMAN (5)

BEST ACTRESS

Winner: Scarlett Johansson, MARRIAGE STORY

Runners-up: Renée Zellweger, JUDY (2); Charlize Theron, BOMBSHELL (3); Saoirse Ronan, LITTLE WOMEN (4); Awkwafina, THE FAREWELL (5, tie); Lupita Nyong’o, US (5, tie)

BEST SUPPORTING ACTOR

Winner: Brad Pitt, ONCE UPON A TIME IN HOLLYWOOD

Runners-up: Willem Dafoe, THE LIGHTHOUSE (2); Joe Pesci, THE IRISHMAN (3); Al Pacino, THE IRISHMAN (4); Shia LaBeouf, HONEY BOY (5)

BEST SUPPORTING ACTRESS

Winner: Laura Dern, MARRIAGE STORY

Runners-up: Margot Robbie, BOMBSHELL (2); Florence Pugh, LITTLE WOMEN (3); Jennifer Lopez, HUSTLERS (4); Annette Bening, THE REPORT (5)

BEST DIRECTOR

Winner: Sam Mendes, 1917

Runners-up: Bong Joon-ho, PARASITE (2); Martin Scorsese, THE IRISHMAN (3); Quentin Tarantino, ONCE UPON A TIME IN HOLLYWOOD (4); Noah Baumbach, MARRIAGE STORY (5)

BEST FOREIGN LANGUAGE FILM

Winner: PARASITE

Runners-up: PAIN AND GLORY (2); THE FAREWELL (3); LES MISÉRABLES (4); PORTRAIT OF A LADY ON FIRE (5)

BEST DOCUMENTARY

Winner: APOLLO 11

Runners-up: ONE CHILD NATION (2); AMERICAN FACTORY (3); HONEYLAND (4); FOR SAMA (5)

BEST ANIMATED FILM

Winner: TOY STORY 4

Runner-up: I LOST MY BODY

BEST SCREENPLAY

Winner: Noah Baumbach, MARRIAGE STORY

Runner-up: Steven Zaillian, THE IRISHMAN

BEST CINEMATOGRAPHY

Winner: Roger Deakins, 1917

Runner-up: Hong Kyung-pyo, PARASITE

BEST MUSICAL SCORE

Winner: Thomas Newman, 1917

Runner-up: Alexandre Desplat, LITTLE WOMEN

RUSSELL SMITH AWARD (best low-budget or cutting-edge independent film)

Winner: THE LIGHTHOUSE

The North Texas Film Critics Association Selects The Irishman As The Best of 2019!


The North Texas Film Critics Association announced their picks for the best of 2019 earlier today.  Speaking as a North Texas film critic, I’m a bit annoyed that I wasn’t consulted but oh well!  (To quote King of the Hill, “North Texas?  More like South Oklahoma!”)  Here are their winners:

BEST FILM

Winner: THE IRISHMAN

Runners-up: 1917; PARASITE; THE FAREWELL; MARRIAGE STORY; JOJO RABBIT; THE PEANUT BUTTER FALCON; A BEAUTIFUL DAY IN THE NEIGHBORHOOD; ONCE UPON A TIME…IN HOLLYWOOD; FORD V FERRARI; JOKER

BEST ACTOR

Winner: Joaquin Phoenix, JOKER

Runners-up: Robert De Niro, THE IRISHMAN; Adam Driver, MARRIAGE STORY; Adam Sandler, UNCUT GEMS and Leonardo DiCaprio, ONCE UPON A TIME…IN HOLLYWOOD

BEST ACTRESS

Winner: Charlize Theron, BOMBSHELL

Runners-up: Scarlett Johansson, MARRIAGE STORY; Renée Zellweger, JUDY; Awkwafina, THE FAREWELL and Lupita Nyong’o, US

BEST SUPPORTING ACTOR

Winner: Tom Hanks, A BEAUTIFUL DAY IN THE NEIGHBORHOOD

Runners-up: Joe Pesci, THE IRISHMAN; Brad Pitt, ONCE UPON A TIME…IN HOLLYWOOD; Al Pacino, THE IRISHMAN and Song Kang-Ho, PARASITE

BEST SUPPORTING ACTRESS

Winner: Zhao Shuzhen, THE FAREWELL

Runners-up: Laura Dern, MARRIAGE STORY; Scarlett Johansson, JOJO RABBIT; Kathy Bates, RICHARD JEWELL and Annette Bening, THE REPORT

BEST DIRECTOR

Winner: Sam Mendes, 1917

Runners-up: Martin Scorsese, THE IRISHMAN; Quentin Tarantino, ONCE UPON A TIME…IN HOLLYWOOD; Noah Baumbach, MARRIAGE STORY and Lulu Wang, THE FAREWELL

BEST FOREIGN LANGUAGE FILM

Winner: PARASITE (South Korea)

Runners-up: PAIN AND GLORY (Spain) and LES MISÉRABLES (France)

BEST DOCUMENTARY

Winner: APOLLO 11

Runners-up: AMERICAN FACTORY; ONE CHILD NATION; DAVID CROSBY: REMEMBER MY NAME and ROLLING THUNDER REVUE: A BOB DYLAN STORY

BEST ANIMATED FILM

Winner: TOY STORY 4

Runners-up: ABOMINABLE and HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD

BEST CINEMATOGRAPHY

Winner: Roger Deakins, 1917,

Runner-ups: Jarin Blaschke, THE LIGHTHOUSE; Rodrigo Prieto, THE IRISHMAN; Hoyte Van Hoytema, AD ASTRA; Robert Richardson, ONCE UPON A TIME…IN HOLLYWOOD and Phedon Papamichael, FORD V FERRARI

BEST NEWCOMER

Winner: Roman Griffin Davis was awarded Best Newcomer for JOJO RABBIT

GARY MURRAY AWARD (Best Ensemble)

Winner: KNIVES OUT

The Boston Society of Film Critics Names Little Women As The Best of 2019!


The Boston Society of Film Critics today named their picks for the best of 2019 and they did not pick Parasite or The Irishman for best picture.  Nor did the pick Once Upon A Time In Hollywood, 1917, or Knives Out.  Instead, the BSFC picked Greta Gerwig’s Little Women, which has — so far — been flying a bit under the awards season radar.

Will this provide a boost to Little Women’s chances or will this be an outlier?  We’ll find out soon enough!  For now, here are the winners:

Best Picture: LITTLE WOMEN
Runner-up: PORTRAIT OF A LADY ON FIRE

Best Director: Bong Joon Ho, PARASITE
Runner-up: Greta Gerwig, LITTLE WOMEN

Best Actor: Adam Sandler, UNCUT GEMS
Runner-up: Joaquin Phoenix, JOKER

Best Actress: Saoirse Ronan (LITTLE WOMEN)
Runners up: TIE – Elisabeth Moss (HER SMELL) and Mary Kay Place (DIANE)

Best Supporting Actor: Brad Pitt (ONCE UPON A TIME IN HOLLYWOOD)
Runner up: Joe Pesci (THE IRISHMAN)

Best Supporting Actress LAURA DERN (MARRIAGE STORY)
Runner up: Florence Pugh for (LITTLE WOMEN)

Best Ensemble Cast: LITTLE WOMEN
Runners-up: ONCE UPON A TIME IN HOLLYWOOD and PARASITE

Best Screenplay: ONCE UPON A TIME IN HOLLYWOOD
Runners-up: MARRIAGE STORY and LITTLE WOMEN

Best Cinematography: PORTRAIT OF A LADY ON FIRE
Runner up: ONCE UPON A TIME IN HOLLYWOOD

Best Editing: THE IRISHMAN
Runner-up: UNCUT GEMS

Best Original Score: LITTLE WOMEN
Runner-up: THE LAST BLACK MAN IN SAN FRANCISCO

Best Foreign Language Film: PARASITE
Runner-up: PORTRAIT OF A LADY ON FIRE

Best Animated Film: I LOST MY BODY
Runner up: TOY STORY 4

Best Documentary: HONEYLAND
Runners-up: APOLLO 11 and HAIL, SATAN?

Best New Filmmaker: Joe Talbot for THE LAST BLACK MAN IN SAN FRANCISCO
Runner up: Mati Diop for ATLANTICS

The St. Louis Film Critics Association Names Once Upon A Time In Hollywood The Best of 2019!


Here are the winners!

Best Picture

1917 (Runner-up)
Dolemite Is My Name
The Irishman
Jojo Rabbit
Little Women
Long Day’s Journey Into Night
Marriage Story
Once Upon a Time in Hollywood – WINNER
The Two Popes
Waves

Best Director

Sam Mendes, 1917
Martin Scorsese, The Irishman
Taika Waititi, Jojo Rabbit
Quentin Tarantino, Once Upon a Time in Hollywood – WINNER
Bong Joon Ho, Parasite (Runner-up)

Best Actress

Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story – WINNER
Saoirse Ronan, Little Women
Charlize Theron, Bombshell
Renée Zellweger, Judy (Runner-up)

Best Actor

Adam Driver, Marriage Story
Eddie Murphy, Dolemite Is My Name
Joaquin Phoenix, Joker (Runner-up)
Jonathan Pryce, The Two Popes
Adam Sandler, Uncut Gems – WINNER

Best Supporting Actress

Annette Bening, The Report
Laura Dern, Marriage Story (Runner-up)
Scarlett Johansson, Jojo Rabbit
Florence Pugh, Little Women
Margot Robbie, Bombshell and Once Upon a Time in Hollywood – WINNER

Best Supporting Actor

Anthony Hopkins, The Two Popes
Al Pacino, The Irishman
Joe Pesci, The Irishman (Runner-up)
Brad Pitt, Once Upon a Time in Hollywood – WINNER
Wesley Snipes, Dolemite Is My Name

Best Original Screenplay

Booksmart
Marriage Story – WINNER (tie)
Once Upon a Time in Hollywood – WINNER (tie)
Parasite
Queen & Slim

Best Adapted Screenplay

The Irishman – WINNER
Jojo Rabbit (Runner-up)
Joker
Little Women (Runner-up)
The Two Popes

Best Cinematography

1917 – WINNER
The Irishman
Joker
The Lighthouse (Runner-up)
Once Upon a Time in Hollywood

Best Editing

1917 (Runner-up)
Ford v Ferrari
The Irishman (Runner-up)
Marriage Story
Once Upon a Time in Hollywood – WINNER

Best Production Design

1917 (Runner-up)
The Irishman
Little Women (Runner-up)
Once Upon a Time in Hollywood – WINNER
Parasite

Best Visual Effects

1917 (Runner-up)
Ad Astra (Runner-up)
Alita: Battle Angel
Avengers: Endgame – WINNER
The Irishman

Best Music Score

1917 – WINNER
Ad Astra
Avengers: Endgame
How to Train Your Dragon: The Hidden World
Marriage Story (Runner-up)

Best Music Soundtrack

Frozen II (Runner-up)
Once Upon a Time in Hollywood – WINNER
Rocketman
Waves (Runner-up)
Yesterday

Best Action Film

1917 – WINNER
Alita: Battle Angel
Avengers: Endgame (Runner-up)
Captain Marvel
John Wick 3: Parabellum

Best Animated Feature

Frozen II (Runner-up)
How to Train Your Dragon: The Hidden World
Klaus (Runner-up)
Missing Link
Toy Story 4 – WINNER

Best Comedy

Booksmart – WINNER
Dolemite Is My Name
The Farewell
Jojo Rabbit (Runner-up)
Knives Out

Best Documentary Feature

Apollo 11 – WINNER
The Biggest Little Farm
Honeyland
Linda Ronstadt: The Sound of My Voice (Runner-up)

Best Horror Film

The Lighthouse
Midsommar
Parasite (Runner-up)
Ready Or Not
Us – WINNER

Best International Feature Film (Foreign Film)

By the Grace of God
Long Day’s Journey Into Night (Runner up)
Pain and Glory
Parasite – WINNER
Portrait of a Lady on Fire

Best Scene

“Avengers Assemble,” Avengers: Endgame
Apartment fight, Marriage Story
Charlie sings, Marriage Story
Spahn Ranch, Once Upon a Time in Hollywood – WINNER
Jack visits cottage, Yesterday (Runner-up)