Here Are The Golden Globe Nominations!


Here are the Golden Globe Nominees!  Oddly, no one seems to have much respect for the people who give out the Golden Globes and the show itself is always kind of a drag but, for whatever reason, the Globes have become perhaps the biggest of the non-guild precursors.  Getting a Golden Globe nomination will definitely help those who are trying to get the Academy’s attention right now.

My main thought on the nominees: Joker did really well.  Uncut Gems went unmentioned, which will probably be the end of Adam Sandler’s Oscar campaign, unless he manages to snag a SAG nomination.  It’s nice to see Dolemite Is My Name getting some attention.  That’s a film that gets better the more that I think about it.

I don’t know — there’s not any terrible nominations or anything like that.  I’m sorry that a few films and people were overlooked but it’s been a strong year for film and there’s a lot of legitimate contenders so there’s just not going to be room for everyone.  It happens.  There’s no outrageously terrible nominations, like when The Tourist was nominated several years ago.  At the same time, the Golden Globes always leave me with feelings of malaise and ennui.  I guess it’s because we are now leaving the “what if” phase of awards season and starting to get to the, “So, these are going to be our nominees” phase.

Here are the Golden Globe film nominations.  If you want to see the TV nominees, do a freaking Google search …. or just click on this link to a full list of nominees!

Best Motion Picture – Drama
The Irishman
Joker
The Two Popes
Marriage Story
1917

Best Motion Picture – Musical or Comedy
Once Upon a Time in Hollywood
Knives Out
Dolemite Is My Name
Jojo Rabbit
Rocketman

Best Motion Picture – Foreign Language
The Farewell
Pain and Glory
Parasite
Portrait of a Lady on Fire
Les Misérables

Best Director – Motion Picture
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time in Hollywood
Bong Joon-ho, Parasite
Sam Mendes, 1917
Todd Phillips, Joker

Best Screenplay – Motion Picture
Quentin Tarantino, Once Upon a Time in Hollywood
Noah Baumbach, Marriage Story
Anthony McCarten, The Two Popes
Bong Joon-ho and Han Jin-won, Parasite
Steven Zaillian, The Irishman

Best Performance by an Actress in a Motion Picture – Drama
Renée Zellweger, Judy
Charlize Theron, Bombshell
Saoirse Ronan, Little Women
Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story

Best Performance by an Actor in a Motion Picture – Drama
Christian Bale, Ford v Ferrari
Joaquin Phoenix, Joker
Antonio Banderas, Pain and Glory
Jonathan Pryce, The Two Popes
Adam Driver, Marriage Story

Best Performance by an Actress in a Motion Picture – Musical or Comedy
Awkwafina, The Farewell
Beanie Feldstein, Booksmart
Ana de Armas, Knives Out
Emma Thompson, Late Night
Cate Blanchett, Where’d You Go, Bernadette?

Best Performance by an Actor in a Motion Picture – Musical or Comedy
Leonardo DiCaprio, Once Upon a Time in Hollywood
Eddie Murphy, Dolemite Is My Name
Daniel Craig, Knives Out
Taron Egerton, Rocketman
Roman Griffin Davis, Jojo Rabbit

Best Performance by an Actress in a Supporting Role in any Motion Picture
Jennifer Lopez, Hustlers
Laura Dern, Marriage Story
Margot Robbie, Bombshell
Kathy Bates, Richard Jewell
Annette Bening, The Report

Best Performance by an Actor in a Supporting Role in any Motion Picture
Brad Pitt, Once Upon a Time in Hollywood
Al Pacino, The Irishman
Tom Hanks, A Beautiful Day in the Neighborhood
Joe Pesci, The Irishman
Anthony Hopkins, The Two Popes

Best Motion Picture – Animated
Frozen 2
Toy Story 4

How to Train Your Dragon: The Hidden World
Missing Link
The Lion King

Best Original Score – Motion Picture
Thomas Newman, 1917
Hildur Guonadottir, Joker
Randy Newman, Marriage Story
Alexandre Desplat, Little Women
Daniel Pemberton, Motherless Brooklyn

Best Original Song – Motion Picture
“(I’m Gonna) Love Me Again,” Rocketman
“Spirit,” The Lion King
“Into the Unknown,” Frozen 2
“Stand Up,” Harriet
“Beautiful Ghosts,” Cats

Lisa Marie Picks The 50 Best Films of The Past 3 Years


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As of this month, I have been reviewing films here at the Shattered Lens for 3 years.  In honor of that anniversary, I thought I’d post my picks for the 50 best films that have been released in the U.S. since 2010.

Without further ado, here’s the list!

  1. Black Swan (directed by Darren Aronofsky)
  2. Exit Through The Gift Shop (directed by Banksy)
  3. Hanna (directed by Joe Wright)
  4. Fish Tank (directed by Andrea Arnold)
  5. Higher Ground (directed by Vera Farmiga)
  6. Shame (directed by Steve McQueen)
  7. Anna Karenina (directed by Joe Wright)
  8. The Cabin In The Woods (directed by Drew Goddard)
  9. 127 Hours (directed by Danny Boyle)
  10. Somewhere (directed by Sofia Coppola)
  11. Life of Pi (directed by Ang Lee)
  12. Hugo (directed by Martin Scorsese)
  13. Inception (directed by Christopher Nolan)
  14. Animal Kingdom (directed by David Michod)
  15. Winter’s Bone (directed by Debra Granik)
  16. The Artist (directed by Michel Hazanavicius)
  17. The Guard (directed by John Michael McDonagh)
  18. Bernie (directed by Richard Linklater)
  19. The King’s Speech (directed by Tom Hooper)
  20. Bridesmaids (directed by Paul Feig)
  21. Tinker, Tailor, Soldier, Spy (directed by Thomas Alfredson)
  22. Django Unchained (directed by Quentin Tarantino)
  23. Never Let Me Go (directed by Mark Romanek)
  24. Toy Story 3 (directed by Lee Unkrich)
  25. The Girl With the Dragon Tattoo (directed by Niels Arden Oplev)
  26. Young Adult (directed by Jason Reitman)
  27. Sucker Punch (directed by Zack Snyder)
  28. The Master (directed by Paul Thomas Anderson)
  29. Incendies (directed by Denis Villeneuve)
  30. Melancholia (directed by Lars Von Trier)
  31. Super (directed by James Gunn)
  32. Silver Linings Playbook (directed by David O. Russell)
  33. Scott Pilgrim Vs. The World (directed by Edgar Wright)
  34. The Last Exorcism (directed by Daniel Stamm)
  35. Skyfall (directed by Sam Mendes)
  36. Easy A (directed by Will Gluck)
  37. Harry Potter and the Deathly Hallows Parts 1 and 2 (directed by David Yates)
  38. The Avengers (directed by Joss Whedon)
  39. How To Train Your Dragon (directed by Chris Sanders and Dean DeBois)
  40. Win Win (directed by Thomas McCarthy)
  41. Les Miserables (directed by Tom Hooper)
  42. Take This Waltz (directed by Sarah Polley)
  43. Cave of Forgotten Dreams (directed by Werner Herzog)
  44. Rust and Bone (directed by Jacques Audiard)
  45. Cosmopolis (directed by David Cronenberg)
  46. Ruby Sparks (directed by Jonathan Dayton and Valarie Faris)
  47. Brave (directed by Mark Andrews and Brenda Chapman)
  48. Martha Marcy May Marlene (directed by Sean Durkin)
  49. Jane Eyre (directed by Cary Fukunaga)
  50. Damsels in Distress (directed by Whit Stillman)

Here Are The Oscar Winners


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Best Picture — Argo

Best Director — Ang Lee for Life of Pi

Best Actor — Daniel Day-Lewis in Lincoln

Best Actress — Jennifer Lawrence in Silver Linings Playbook

Best Supporting Actor — Christoph Waltz in Django Unchained

Best Supporting Actress — Anne Hathaway in Les Miserables

Best Adapted Screenplay — Argo

Best Original Screenplay — Django Unchained

Best Animated Feature Film — Brave

Best Documentary Feature — Searching For Sugar Man.

Best Foreign Language Film — Amour

Best Cinematography — Life of Pi

Best Costuming — Anna Karenina

Best Editing — Argo

Best Makeup and Hair-Styling — Les Miserables

Best Original Score — Life of Pi

Best Original Song — “Skyfall” in Skyfall

Best Production Design — Lincoln

Best Sound Editing — Zero Dark Thirty and Skyfall

Best Sound Mixing — Les Miserables

Best Visual Effects — Life of Pi

Best Live-Action Short Film — Curfew

Best Animated Short Film — Paperman

Best Documentary Short Film — Innocente


By the numbers:

Life of Pi — 4

Argo — 3

Les Miserables — 3

Django Unchained — 2

Lincoln — 2

Skyfall — 2

Amour — 1

Anna Karenina — 1

Brave — 1

Curfew — 1

Innocente — 1

Paperman — 1

Searching for Sugar Man — 1

Silver Linings Playbook — 1

Zero Dark Thirty — 1

No Guts, No Glory: Lisa Marie’s Oscar Predictions


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Today is the last day for the members of the Academy to vote for the 86th Annual Academy Awards.  With that in mind, here are my predictions as to what’s going to win next Sunday.  Please note: this is not necessarily who I think should win.

Best Picture — Argo

Best Director — Ang Lee for Life of Pi

Best Actor — Daniel Day-Lewis in Lincoln

Best Actress — Jennifer Lawrence in Silver Linings Playbook

Best Supporting Actor — Alan Arkin in Argo

Best Supporting Actress — Anne Hathaway in Les Miserables

Best Adapted Screenplay — Argo

Best Original Screenplay — Amour

Best Foreign Language Film — Amour

Best Animated Feature — Frankenweenie

Best Documentary Feature — Searching For Sugar Man

Best Production Design — Anna Karenina

Best Cinematography — Life of Pi

Best Costume Design — Anna Karenina

Best Editing — Argo

Best Makeup — The Hobbit

Best Score — Life of Pi

Best Original Song — “Skyfall” from Skyfall

Best Sound Editing — Zero Dark Thirty

Best Sound Mixing — Les Miserables

Best Visual Effects — Life of Pi

Best Animated Short — Paperman

Best Documentary Short — Open Heart

Best Live Action Short — Curfew

Song of the Day: Stars from Les Miserables (Alain Boubil & Claude-Michel Schönberg)


Tom Hooper’s film adaptation of the stage musical Les Misérables is now out in the theaters and people seem to really be enjoying the production. Even site co-founder Lisa Marie wrote a review of the film which she really enjoyed despite it’s flaws. Even those who love the film version will have to admit that some of the actors cast in the film were not up to the task vocally once it was time for them to sing their signature songs. One such person who seem to have gotten the brunt of this would be Russell Crowe in the role of Inspector Javert. To say his rendition of Javert’s first major song as being somewhat lacking would be an understatement. This is why I chose what I think is the best rendition of the song “Stars” as the latest Song of the Day.

This version was from the Original Broadway Cast production and had singer and actor Terrence Mann in the role of the dogged and zealous inspector. This was the very first version I ever heard and was fortunate enough to see live and continues to be my favorite version. Mann’s baritone voice is not so deep and overwhelming that we lose much of the emotions in the song as they’re sung. There’s still a strong sense of duty and zealous tone in Mann’s voice but also a hint of the character’s religious conviction by way of awe for having been given the opportunity to chase down one who has sinned.

While some prefer Phillip Quast from the London production of the musical I will always believe that Mann’s version of “Stars” is the best version out there.

 

Stars

There, out in the darkness
A fugitive running
Fallen from Grace
Fallen from grace
God be my witness
I never shall yield
Till we come face to face
Till we come face to face

He knows his way in the dark
But mine is the way of the Lord
And those who follow the path of the righteous
Shall have their reward
And if they fall
As Lucifer fell
The flame
The sword!

Stars
In your multitudes
Scarce to be counted
Filling the darkness
With order and light
You are the sentinels
Silent and sure
Keeping watch in the night
Keeping watch in the night

You know your place in the sky
You hold your course and your aim
And each in your season
Returns and returns
And is always the same
And if you fall as Lucifer fell
You fall in vain!

And so it must be
And so it is written
On the doorway to paradise
That those who falter and those who fall
Must pay the price!

Lord let me find him
That I may see him
Safe behind bars
I will never rest
Till then, this I swear
This I swear by the stars!

Film Review: Les Miserables (dir. by Tom Hooper)


I was recently talking to one of my fellow film bloggers when the subject of this year’s Oscar nominees came up.  After I told her that I thought that Beasts of the Southern Wild was the worst of this year’s nominees, she rather vigorously shook her head and said, “No film this year was less deserving of a nomination than Les Mis.”

Now, I have to admit that it’s rare that her and I ever agree on anything.  For instance, she thinks that Barack Obama is going to save the world whereas I … well, let’s just say that I don’t.  She watches Glee and I would watch Community if it would ever come back on the air.  However, we do usually agree about films and, in fact, our friendship was initially the result of our shared loathing for Avatar.  So, I was curious why her reaction to Les Miserables was so different from mine.

In her own words, Les Miserables was “bombastic” and over-directed by Tom Hooper.  She complained about Russell Crowe’s singing and she felt that Sacha Baron Cohen appeared to be acting in a totally different film from everyone else.  The term “style over substance” came up more than a few times and she felt that even the things that did work — like Anne Hathaway’s draining performance as Fantine, Samantha Barks’ poignant work as Eponine, and Aaron Tveit’s charismatic performance as Enjorlas — simply served to highlight how uneven the film was when taken as a whole.  Finally — and I think that this is actually the key behind a lot of the online backlash against Les Miserables — she admitted that a part of her reaction was due to the fact that she still resented the fact that Hooper’s previous film, The King’s Speech, defeated The Social Network for Best Picture way back in 2010.

What’s ironic is that I found myself agreeing with a lot of what she was saying.  The fact of the matter is that Hooper does over-direct Les Miserables and the frequent jump cuts do tend to detract from the film’s performances.  It’s not a coincidence that the film’s best performance is given by one of the few performers (Anna Hathaway, of course) who is actually allowed to sing an entire song in close-up without Hooper cutting away to distract us with something else.  And yes, Sacha Baron Cohen does feel out-of-place and yes, Russell Crowe is a bit miscast in the role of Javert.

And yet, despite those not minor complaints, I still loved Les Miserables and I think it’s more than deserving of its nomination for Best Picture of the year.

Les Miserables in an adaptation of the Broadway musical that was itself an adaptation of Victor Hugo’s classic novel.  The plot will be familiar to anyone who has ever taken an English class.  In 19th century France, Jean Valjean (Hugh Jackman) serves 19 years in prison for stealing bread.  When he’s paroled from prison, he adopts a new identity and starts a new life.  Eventually, he becomes a factory owner and a local politician and is known for his kindness and honesty.  When the tragic prostitute Fantine (Anne Hathaway) dies, Valjean adopts her daughter, Cosette.  However, when the obsessive Inspector Javert (Russell Crowe) learns of Valjean’s true identity, Valjean and Cosette are forced to go into hiding.  Many years later, the now grown Cosette (Amanda Seyfried) has fallen in love with the revolutionary Marius (Eddie Redmayne, who gives a performance that is just as good as Hathaway’s much more lauded work). As France descends into revolution, Javert again discovers Valjean, much blood is shed on the streets of Paris, and Sacha Baron Cohen keeps popping up and offering some awkward comedic relief.

Yes, Les Miserables is all about style and yes, it is a bit bombastic but is that necessarily a bad thing?  I loved Les Mis specifically because it was such an old school spectacle.  There have been several very serious, very sober-minded adaptations of Les Miserables and most of them, especially the nearly 5 hour French version from 1934, deserve to be seen.  Both the Broadway musical and Hooper’s adaptation play up the story’s inherent melodrama and the resulting show is one that is designed to get more of an emotional response than an intellectual one.  Tom Hooper’s Les Miserables is a film that has specifically been made for those of us who aren’t ashamed to shed a few tears at the movies.  When I walked out of the theater after watching Les Miserables, I had mascara everywhere and I can’t think of a higher compliment to pay this uneven but ultimately triumphant film.

Here are the DGA Nominations!


The Director’s Guild of America announced their five nominees for director of the year today.  The DGA is traditionally the last of the precursors to make their opinion known before the actual Oscar nominations are announced.

Traditionally, it seems that four of the DGA nominees are honored with an Oscar nomination while one is usually snubbed.  For instance, last year, all of the self-proclaimed “experts” were all excited when David Fincher was nominated for his shot-for-shot remake of The Girl With The Dragon Tattoo but then had their little hearts broken when the Academy declined to nominate either Fincher or his remake.

Who, if anyone, will be snubbed this year?  I’m not even going to venture a guess because, honestly, this year has the potential to be one of the more unpredictable Oscar years.  (Of course, I say that every year and every year, I’m disappointed by how predictable everything eventually turns out to be.)

For now, here are the five directors nominated by the DGA:

Ben Affleck for Argo

Kathryn Bigelow for Zero Dark Thirty

Tom Hooper for Les Miserables

Ang Lee for Life of Pi

Steven Spielberg for Lincoln

Unlike some people, I’m not surprised to see that Quentin Tarantino was snubbed.  Django Unchained might be a difficult sell to the Academy, especially considering that gun control is currently Hollywood’s favorite political cause.  I’m a bit more shocked to see that David O. Russell’s work on Silver Linings Playbook was not nominated.

The Oscar nominations will be announced on Thursday morning.