Lisa Marie Picks The 50 Best Films of The Past 3 Years


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As of this month, I have been reviewing films here at the Shattered Lens for 3 years.  In honor of that anniversary, I thought I’d post my picks for the 50 best films that have been released in the U.S. since 2010.

Without further ado, here’s the list!

  1. Black Swan (directed by Darren Aronofsky)
  2. Exit Through The Gift Shop (directed by Banksy)
  3. Hanna (directed by Joe Wright)
  4. Fish Tank (directed by Andrea Arnold)
  5. Higher Ground (directed by Vera Farmiga)
  6. Shame (directed by Steve McQueen)
  7. Anna Karenina (directed by Joe Wright)
  8. The Cabin In The Woods (directed by Drew Goddard)
  9. 127 Hours (directed by Danny Boyle)
  10. Somewhere (directed by Sofia Coppola)
  11. Life of Pi (directed by Ang Lee)
  12. Hugo (directed by Martin Scorsese)
  13. Inception (directed by Christopher Nolan)
  14. Animal Kingdom (directed by David Michod)
  15. Winter’s Bone (directed by Debra Granik)
  16. The Artist (directed by Michel Hazanavicius)
  17. The Guard (directed by John Michael McDonagh)
  18. Bernie (directed by Richard Linklater)
  19. The King’s Speech (directed by Tom Hooper)
  20. Bridesmaids (directed by Paul Feig)
  21. Tinker, Tailor, Soldier, Spy (directed by Thomas Alfredson)
  22. Django Unchained (directed by Quentin Tarantino)
  23. Never Let Me Go (directed by Mark Romanek)
  24. Toy Story 3 (directed by Lee Unkrich)
  25. The Girl With the Dragon Tattoo (directed by Niels Arden Oplev)
  26. Young Adult (directed by Jason Reitman)
  27. Sucker Punch (directed by Zack Snyder)
  28. The Master (directed by Paul Thomas Anderson)
  29. Incendies (directed by Denis Villeneuve)
  30. Melancholia (directed by Lars Von Trier)
  31. Super (directed by James Gunn)
  32. Silver Linings Playbook (directed by David O. Russell)
  33. Scott Pilgrim Vs. The World (directed by Edgar Wright)
  34. The Last Exorcism (directed by Daniel Stamm)
  35. Skyfall (directed by Sam Mendes)
  36. Easy A (directed by Will Gluck)
  37. Harry Potter and the Deathly Hallows Parts 1 and 2 (directed by David Yates)
  38. The Avengers (directed by Joss Whedon)
  39. How To Train Your Dragon (directed by Chris Sanders and Dean DeBois)
  40. Win Win (directed by Thomas McCarthy)
  41. Les Miserables (directed by Tom Hooper)
  42. Take This Waltz (directed by Sarah Polley)
  43. Cave of Forgotten Dreams (directed by Werner Herzog)
  44. Rust and Bone (directed by Jacques Audiard)
  45. Cosmopolis (directed by David Cronenberg)
  46. Ruby Sparks (directed by Jonathan Dayton and Valarie Faris)
  47. Brave (directed by Mark Andrews and Brenda Chapman)
  48. Martha Marcy May Marlene (directed by Sean Durkin)
  49. Jane Eyre (directed by Cary Fukunaga)
  50. Damsels in Distress (directed by Whit Stillman)

If Lisa Marie Determined The Oscar Nominees….


The Oscar nominations are due to be announced on Tuesday morning so I figured now would be a good time to play a little game that I like to call: “What if Lisa had all the power?”  Below, you will find my personal Oscar nominations.  These are the films and the performers that would be nominated if I was solely responsible for selecting the nominees and the winners. 

For those who are interested, you can check out my picks for last year by clicking on this sentence.

Please understand, as you look over this lengthy list of deserving films and performers, that these are not necessarily the films I expect to see nominated on Tuesday morning.  In fact, I would be hard pressed to think of a year in which I have disagreed more with the critical establishment than I have this year.  For whatever reason, the films that truly touched and moved me in 2011 appear to be the films that are totally and completely off the Academy’s radar.  These are not my predictions.  Instead, they are my personal choices and they should not be interpreted as representing the opinion on anyone else affiliated with this site.  So, if you’re angry that David Fincher’s Girl With The Dragon Tattoo didn’t receive a single imaginary nomination, direct your anger at me and me alone. 

Best Picture

The Artist

Bridesmaids

The Guard

Hanna

Higher Ground

Hugo

Shame

Sucker Punch

Tinker, Tailor, Soldier, Spy

Young Adult

Best Actor

Michael Fassbender for Shame

Brendan Gleeson for The Guard

Gary Oldman for Tinker, Tailor, Soldier, Spy

Michael Shannon for Take Shelter

Rainn Wilson for Super

Best Actress

Kirsten Dunst for Melancholia

Vera Farmiga for Higher Ground

Elizabeth Olsen for Martha Marcy May Marlene

Saoirse Ronan for Hanna

Charlize Theron for Young Adult

Best Supporting Actor

Albert Brooks for Drive

Bobby Cannivale for Win Win

Jonah Hill for Moneyball

Patton Oswalt for Young Adult

Andy Serkis for Rise of the Planet of the Apes

Best Supporting Actress

Anna Kendrick for 50/50

Melissa McCarthy for Bridesmaids

Carey Mulligan for Shame

Ellen Page for Super

Amy Ryan for Win Win

Best Director

Vera Farminga for Higher Ground

Michel Hazanavicius for The Artist

Steve McQueen for Shame

Martin Scorsese for Hugo

Joe Wright for Hanna

Best Original Sreenplay

Bridesmaids

The Guard

Hanna

Shame

Young Adult

Best Adapted Screenplay

Higher Ground

Hugo

Incendies

One Day

Tinker, Tailor, Soldier, Spy

Best Animated Feature

Kung Fu Panda 2

Puss in Boots

Rango

Rio

Winnie the Pooh

Best Foreign Language Film

(Please note that I do this category a bit differently than the Academy.  Whereas the Academy asks nations across the world to submit a nominee, I’m simply nominating the best foreign language films that I saw in a theater last year.  Those who follow the Oscars will note that I’ve both nominated and awarded the brilliant Canadian films Incendies, which actually was nominated for a real Oscar in this same category last year.)

The Double Hour

Incendies

Of Gods and Men

The Skin I Live In

13 Assassins

Best Documentary Feature

Bill Cunningham New York

Buck

The Cave of Forgotten Dreams

Jig

Resurrect Dead: The Mystery of the Toynbee Tiles

Best Original Score

The Artist

A Better Life

The Guard

Hanna

The Tree Of Life

Best Original Song

“The Star-Spangled Man” from Captain America: The First Avenger

“Mujhe Chod Ke” from DAM999

“The Keeper” from Machine Gun Preacher

“Man or Muppet” from The Muppets

“Pop” from White Irish Drinkers

Best Sound Editing

Drive

Harry Potter and the Deathly Hallows, Part 2

Hugo

Sucker Punch

The Tree of Life

Best Sound Mixing

Drive

Harry Potter and the Deathly Hallows, Part 2

Hugo

Sucker Punch

The Tree of Life

Best Art Direction

Bunraku

Harry Potter and the Deathly Hallows, Part 2

Hugo

Sucker Punch

Tinker, Tailor, Soldier, Spy

Best Cinematography

The Artist

Hugo

Melancholia

Shame

The Tree of Life

Best Makeup

Beastly

Harry Potter and the Deathly Hallows, Part 2

Insidious

Sucker Punch

X-Men: First Class

Best Costume Design

Bunraku

The Help

Hugo

Sucker Punch

Tinker, Tailor, Soldier, Spy

Best Editing

The Artist

The Guard

Hanna

Hugo

Shame

Best Visual Effects

Harry Potter and the Deathly Hallows, Part 2

Hugo

Rise of the Planet of the Apes

Sucker Punch

The Tree of Life

List of Films By Number of Nominations:

10 Nominations – Hugo

7 Nominations – Shame, Sucker Punch

6 Nominations – Hanna

5 Nominations – The Artist; The Guard; Harry Potter and the Deathly Hallows Part 2; Tinker, Tailor, Solider, Spy; The Tree of Life

4 Nominations – Higher Ground, Young Adult

3 Nominations – Bridesmaids, Drive

2 Nominations – Bunraku, Incendies, Melancholia, Rise of the Planet of the Apes, Super, Win Win

1 Nomination – Beastly, A Better Life, Bill Cunningham New York, Buck, Captain America: The First Avenger, The Cave of Forgotten Dreams, DAM999, The Double Hour, 50/50, The Help, Insidious, Jig, Kung Fu Panda 2, Machine Gun Preacher, Martha Marcy May Marlene, Moneyball, The Muppets, Of Gods and Men, One Day, Puss in Boots, Rango, Ressurect Dead, Rio, The Skin I Live In, Take Shelter, 13 Assassins, X-Men: First Class, White Irish Drinkers, Winnie the Pooh

List of Films By Number of Oscars Won:

3 Oscars – Hanna

2 Oscars – Bunraku, Shame, Sucker Punch

1 Oscar – Beastly, Bridesmaids, The Cave of Forgotten Deams, Dam999, Higher Ground, Hugo Incendies, Melancholia, Puss in Boots, Rise of the Planet of the Apes, Super, Young Adult

So, will the Academy agree with my picks?  Well, probably not.  Indeed, it’s probable that they won’t agree at all.  And to that, I say, “Oh well.” 

The Academy Award nominations will be announced Tuesday morning.

Lisa Marie’s Picks For The Best 26 Films of 2011


Here’s the final post in my “Best of 2011” series, my picks for the best 26 films of 2011.  I’m just going to let this list stand for itself but I do want to make clear that these are MY picks and they do not necessarily reflect the opinions of the writers and editors on this site.  You can read Leon’s picks right here and I’m sure that my fellow writers will be posting their own picks over the upcoming weeks.  I’d also like to point out that I have limited my picks to films that I’ve actually seen this year — as opposed to just blindly jumping on the bandwagon of assumption as so many other film bloggers have done this year.* I have yet to see War Horse, Albert Nobbs, The Iron Lady, or We Need To Talk About Kevin, for instance.  However, I have seen both The Descendants and The Girl With The Dragon Tattoo and no, neither one of them is on my list because, regardless of what the jack-booted thugs of professional criticism may insist, I didn’t feel either one of them deserved to be listed as one of the best films of the year.  Ultimately, watching a movie is an individual experience and every individual opinion is legitimate.

(By the way, I’m doing a Top 26 list because Lisa doesn’t do odd numbers.)

Without further ado, here are my top 26 films of 2011:

1)      Hanna

2)      Higher Ground

3)      Shame

4)      Hugo

5)      The Artist

6)      The Guard

7)      Bridesmaids

8)      Tinker, Tailor, Soldier, Spy

9)      Young Adult

10)  Sucker Punch

11)  Incendies

12)  Melancholia

13)  Super

14)  Harry Potter and the Deathly Hallows, Part 2

15)  Win Win

16)  The Cave of Forgotten Dreams

17)  Martha Marcy May Marlene

18)  Jane Eyre

19)  Terri

20)  50/50

21)  Take Shelter

22)  Drive

23)  Soul Surfer

24)  Bunraku

25)  One Day

26)  Like Crazy

Hopefully, I should be posting reviews of Tinker, Tailor, Soldier, Spy and Incendies sometime next week.

—-

* You’d have to be made of Stone to claim to be a film critic and yet not realize how unethical that type of behavior is.

The WAFCA Has Spoken


I don’t know much about the Washington Area Film Critics Association but, just judging from the films that they chose to nominate for being the best of 2011, they would appear to have better taste than most film critics. 

(Seriously, film critics are the worst.)

They announced their picks for the best of 2011 earlier today and here’s a complete list of their nominees and winners.  If nothing else, this year’s Oscar race is certainly shaping up to be a bit more interesting than last years. 

Best Film:
*The Artist
The Descendants
Drive
Hugo
Win Win

Best Director:
Woody Allen (Midnight in Paris)
Michel Hazanavicius (The Artist)
Alexander Payne (The Descendants)
Nicolas Winding Refn (Drive)
*Martin Scorsese (Hugo)

Best Actor:
*George Clooney (The Descendants)
Jean Dujardin (The Artist)
Michael Fassbender (Shame)
Brad Pitt (Moneyball)
Michael Shannon (Take Shelter)

Best Actress:
Viola Davis (The Help)
Elizabeth Olsen (Martha Marcy May Marlene)
Meryl Streep (The Iron Lady)
Tilda Swinton (We Need to Talk About Kevin)
*Michelle Williams (My Week with Marilyn)

Best Supporting Actor:
Kenneth Branagh (My Week with Marilyn)
*Albert Brooks (Drive)
John Hawkes (Martha Marcy May Marlene)
Christopher Plummer (Beginners)
Andy Serkis (Rise of the Planet of the Apes)

Best Supporting Actress:
Bérénice Bejo (The Artist)
Melissa McCarthy (Bridesmaids)
Carey Mulligan (Shame)
*Octavia Spencer (The Help)
Shailene Woodley (The Descendants)

Best Acting Ensemble:
*Bridesmaids
Harry Potter and the Deathly Hallows Part 2
The Help
Hugo
Margin Call

Best Adapted Screenplay:
*Alexander Payne and Nate Faxon & Jim Rash (The Descendants)
Tate Taylor (The Help)
John Logan (Hugo)
Steven Zaillian and Aaron Sorkin (Moneyball)
Bridget O’Connor & Peter Straughan (Tinker, Tailor, Soldier, Spy)

Best Original Screenplay:

Woody Allen (Midnight in Paris)
Michel Hazanavicius (The Artist)
Tom McCarthy (Win Win)
Annie Mumolo & Kristen Wiig (Bridesmaids)
*Will Reiser (50/50)

Best Animated Feature:
The Adventures of Tintin
Arthur Christmas
Puss in Boots
*Rango
Winnie the Pooh

Best Documentary:
Being Elmo: A Puppeteer’s Journey
Buck
*Cave of Forgotten Dreams
Into the Abyss: A Tale of Death, A Tale of Life
Project Nim

Best Foreign Language Film:
13 Assassins
Certified Copy
I Saw the Devil
Pina
*The Skin I Live In

Best Art Direction:
Lawrence Bennett, Production Designer, and Gregory S. Hooper, Art Director (The Artist)
Stuart Craig, Production Designer, and Stephenie McMillan, Set Decorator (Harry Potter and the Deathly Hallows Part 2)
*Dante Ferretti, Production Designer, and Francesca Lo Schiavo, Set Decorator (Hugo)
Jack Fisk, Production Designer, and Jeanette Scott, Set Decorator (The Tree of Life)
Rick Carter, Production Designer, and Lee Sandales, Set Decorator (War Horse)

Best Cinematography:
Guillaume Schiffman (The Artist)
Robert Richardson (Hugo)
Manuel Alberto Claro (Melancholia)
*Emmanuel Lubezki (The Tree of Life)
Janusz Kaminski (War Horse)

Best Score:
*Ludovic Bource (The Artist)
Cliff Martinez (Drive)
Trent Reznor & Atticus Ross (The Girl with the Dragon Tattoo)
Howard Shore (Hugo)
John Williams (War Horse)

The Toadsuckers Have Spoken: 15 Semi-Finalists for Best Documentary And Still No Room for Werner Herzog


Yesterday, the Academy of Motion Picture Arts and Sciences released the titles of the 15 semi-finalists for the Best Feature Length Documentary Oscar.  This list will, of course, be narrowed down to the 5 final nominees.

Without further ado, here’s the 15 semi-finalists:

  • Battle for Brooklyn(RUMER Inc.)
  • Bill Cunningham New York(First Thought Films)
  • Buck(Cedar Creek Productions)
  • Hell and Back Again(Roast Beef Productions Limited)
  • If a Tree Falls: A Story of the Earth Liberation Front(Marshall Curry Productions, LLC)
  • Jane’s Journey(NEOS Film GmbH & Co. KG)
  • The Loving Story(Augusta Films)
  • Paradise Lost 3: Purgatory(@radical.media)
  • Pina(Neue Road Movies GmbH)
  • Project Nim(Red Box Films)
  • Semper Fi: Always Faithful(Tied to the Tracks Films, Inc.)
  • Sing Your Song(S2BN Belafonte Productions, LLC)
  • Undefeated(Spitfire Pictures)
  • Under Fire: Journalists in Combat(JUF Pictures, Inc.)
  • We Were Here (Weissman Projects, LLC)

My response as I look at this list is: “Huh?”  Which is to be expected because I live in Flyover country and, as a result, our local theaters don’t get sent all that many documentaries.  Still, I have to say that, as someone who tries her darndest to keep up with these things, I’m not familiar with a lot of these films.  I saw Buck in the theaters and I watched Bill Cunningham New York via OnDemand after my sister recommended it to me.  I meant to see Project Nin when it briefly played at the Dallas Angelika but, for whatever reason, I missed it.  (I may have been burned out on movies about chimpanzees after seeing Rise of the Planet of the Apes.)  I’ll definitely see Paradise Lost 3 if it ever manages to get down to my part of the world.

If anything surprises and disappoints me, it’s that Werner Herzog’s Cave of Forgotten Dreams isn’t on the semi-finalist list.  Neither are two other documentaries that I loved — Jig and Resurrect Dead.  (I have to admit that I’m not sure if those two films were submitted for consideration or if they would have even been eligible to be considered.  I just know that I enjoyed them when I saw them OnDemand.)  I’m also surprised that The Paper isn’t on the list of semi-finalists.  I haven’t actually seen The Paper but just judging from the trailer and the subject matter (The New York Times struggling to remain relevent), it seemed like the type of documentary that traditionally seems to get nominated.

Finally, despite the fact that I haven’t seen it, I would kinda like to see Paradise Lost 3 win the award if just to honor the entire Paradise Lost series.  After all, if not for those films, the West Memphis 3 would still be sitting in prison.  Every year, during the Academy Awards ceremony, we have to sit through some pompous speech about how documentaries can change the course of history.  Well, the Paradise Lost films actually did and, again taking into consideration that I haven’t seen the actual film yet, it seems like that deserves to be honored, no?

(And before any of you excitable types start bitching and whining — and you know who you are — Undefeated is a documentary about a high school football team and should not be mistaken for The Undefeated, the documentary about Sarah Palin that also came out this year.)

Review: The Cave of Forgotten Dreams (directed by Werner Herzog)


Do you ever wonder why and how the great artists of the past first decided to become artists in the first place?  Have you ever thought about why, since before recorded history, humanity has always had the same desire to record and recreate their existence in the form of art?  I know I do and that’s why I was excited to see the new 3-D documentary The Cave of Forgotten Dreams.

The Cave of Forgotten Dreams is probably the only chance that most of us will ever get to see the oldest, preserved art created by our ancestors.  The Chauvet Cave in Southern France was first discovered in 1994 and it is believed to contain the oldest known cave paintings in existence.  (Some of the paintings are estimated to have first been created 32,000 years ago.)  The Chauvet Cave has been very carefully preserved by the French government and the interior of the cave has remained so fresh and undisturbed that ancient footprints can still be seen on the cave’s floor.

For this documentary, German director Werner Herzog was allowed to film in the cave but, as he shows us, he had to work under several restrictions to preserve the cave.  He could only work with a three-man film crew, he had to stay on a 2-foot metal walkway the entire time, and, because of the high levels of carbon dioxide in the caves, no one was allowed to stay in the cave for more than a few hours at a time.  Once you see the film, you realize that all the restrictions are worth it to preserve the cave.

The paintings in the cave are so well-preserved that they seem as if they could have been painted just a year ago.  While most prehistoric cave art sites have focused on paintings of animals that could be easily hunted — like horses and reindeer, the Chauvet Cave also features paintings of more dangerous animals, like lions, bears, and especially rhinos.  What really struck me was how these paintings were created with a clear aesthetic purpose.  Several of the animals are painted in such a way that creates the illusion of movement.  The most famous of the Chauvet Cave paintings appears to feature a stampede of horses.

As Herzog makes clear in his narration, the perfectly preserved cave paintings show that “cave men” weren’t the simpletons we always assume they were.  Instead, the paintings reveal that they were observant and actually had personality.  One of my favorite parts of the movie was when Herzog and a paleontologist look at one wall that is covered with ancient hand prints.  The paleontologist points out that we can tell one person made all the handprints because the hand has a crooked little finger.  That hand print is also found throughout the entire cave and allows us, 32,000 years later, to follow the man with the crooked finger as he walks through the cave.

Because of the restrictions he had to film under, Herzog had to have his 3-D cameras custom-built and he and his 3-man crew had to put the cameras together inside of the cave.  It was all worth the trouble because the 3-D effects truly make you feel as if you’re standing there in the cave with Herzog.  Unfortunately, we probably won’t ever be able to see the world’s oldest paintings in person but The Cave of Forgotten Dreams is the next best thing.