Here’s The Trailer for Zack Snyder’s Justice League!


Another trailer that premiered this weekend was the trailer for Zack Snyder’s cut of Justice League.

Since hardly anyone wants to be associated with Joss Whedon anymore, I assume that this will be the new, official version of Justice League.  I never saw the original release version so I can’t really tell you if this trailer looks like an improvement or not.  (Seriously, I was so annoyed with Batman v Superman that I pretty much just looked at Justice League and said, “No way.”  Not even the presence of Gal Gadot could change my mind)

That said, a lot of people online are really excited about the Snyder cut so here’s the trailer:

 

Horror Film Review: Buffy the Vampire (dir by Fran Rubel Kuzui)


Watching this movie was such a strange experience.

Now, of course, I say that as someone who grew up watching and loving the television version of Buffy the Vampire Slayer.  Back when Buffy was on TV, I was always aware that the character had first been introduced in a movie but every thing I read about Buffy said that the movie wasn’t worth watching.  It was a part of the official Buffy mythology that Joss Whedon was so unhappy with what was done to his original script that he pretty much ignored the film when he created the show.

So, yes, the 1992 movie version of Buffy the Vampire Slayer showed how Buffy first learned that she was a slayer, how she fought a bunch of vampires in Los Angeles, and how her first watcher met his end.  But still, Joss Whedon was always quick to say that the film should not be considered canonical.  Whenever anyone on the TV show mentioned anything from Buffy’s past, they were referencing Joss Whedon’s original script as opposed to the film that was eventually adapted from that script.  (For instance, on the tv series, everyone knew that Buffy’s previous school burned down.  That was from Whedon’s script.  However, 20th Century Fox balked at making a film about a cheerleader who burns down her school so, at the end of the film version, the school is still standing and romance is in the air.)  In short, the film existed but it really didn’t matter.  In fact, to be honest, it almost felt like watching the movie would somehow be a betrayal of everything that made the televisions series special.

Myself, I didn’t bother to watch the film version of Buffy the Vampire Slayer until several years after the television series was canceled and, as I said at the start of the review, it was a strange experience.  The movie is full of hints of what would make the television series so memorable but none of them are really explored.  Yes, Buffy (played here by Kristy Swanson) has to balance being a teenager with being a vampire slayer but, in the film, it turns out to be surprisingly easy to do.  Buffy is just as happy to be a vampire slayer as she is to be a cheerleader.  In fact, one of the strange things about the film is just how quickly and easily Buffy accepts the idea that there are vampires feeding on her classmates and that it’s her duty to destroy them.  Buffy’s watcher is played by Donald Sutherland and the main vampire is played by Rutger Hauer, two veteran actors who could have played these roles in their sleep and who appear to do so for much of the film.  As for Buffy’s love interest, he’s a sensitive rebel named Oliver Pike (Luke Perry).  On the one hand, it’s fun to see the reversal of traditional gender roles, with Oliver frequently helpless and needing to be saved by Buffy.  On the other hand, Perry and Swanson have next to no chemistry so it’s a bit difficult to really get wrapped up in their relationship.

I know I keep coming back to this but watching the movie version of Buffy is a strange experience.  It’s not bad but it’s just not Buffy.  It’s like some sort of weird, mirror universe version of Buffy, where Buffy starts her slaying career as a senior in high school and she never really has to deal with being an outcast or anything like that.  (One gets the feeling that the movie’s Buffy wouldn’t have much to do with the Scooby Gang.  Nor would she have ever have fallen for Angel.)  Kristy Swanson gives a good performance as the film version of Buffy, though the character is not allowed to display any of the nuance or the quick wit that made the television version a role model for us all.  Again it’s not that Buffy the movie is terrible or anything like that.  It’s just not our Buffy!

Horror on TV: Buffy the Vampire Slayer 3.18 “Earshot”


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In this episode of Buffy the Vampire Slayer, Buffy gets infected with the blood of a demon and develops the ability to hear other people’s thoughts. Along with allowing her to discover that Xander is obsessed with sex (like she needed telepathy for that) and that Giles and her mom did it twice on the hood of a police car, it also allows her to discover that one of her classmates might be planning on doing something violent.

This is one of my favorites episodes of Buffy, largely because it uses the paranormal as a way to expose a very real issue and to explore everyone’s shared humanity. Plus, I’ve always felt that, even after playing Buffy and starring in the wonderful guilty pleasure Ringer, Sarah Michelle Gellar remains a sadly underrated actress. This episode features her at her best.

Horror on TV: Buffy the Vampire Slayer 3.16 “Doppelgangland”


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Let’s continue our look at Horror on TV with another classic episode of Buffy the Vampire Slayer! Just as yesterday’s episode focused on a supporting character (Xander), this episode focuses on Willow!

I was going to say that Doppelgangland was one of my favorite episodes of Buffy the Vampire Slayer but then I realized that everyone would probably say that. This is an episode that truly shows why countless fans continue to love the show after all these years.

Film Review: The Avengers: Age of Ultron (dir by Joss Whedon)


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In some ways, I think I may be both the worst and the best possible person to review the latest installment of the Marvel Cinematic Universe, largely because I’ve seen all the films but I don’t know much about the comics on which they are based. As a result, I can judge each film solely by what is on screen but, at the same time, I know that there are a lot of references that go straight over my head. For instance, when we saw Avengers: Age of Ultron earlier tonight, I had to get my boyfriend to explain to me why certain members of the audience got so excited when Iron Man mentioned an African country called Wakanda. But what’s important is that I would have still enjoyed Age of Ultron even if I had never known why Wakanda was important. The MCU has, so far, managed to maintain a balance between keeping the Marvel fans happy while also remaining accessible to viewers like me. The MCU has created its own separate reality, one that even someone like me can feel comfortable exploring and reviewing.

However, before I get around to giving you my feelings on Age of Ultron, let’s be honest about something.

There are a lot of critics out there who have been waiting for a chance to attack the latest installment of the Marvel Cinematic Universe. Some of them have disliked the MCU since the very first Iron Man film. They have been lone voices in the wilderness, arguing that the entire franchise is overrated and, in some cases, creatively destructive. Much like the Old Testament prophets, they continue to warn of the future while other filmgoers ignore the pillar of fire forming over the nearest theater. And then there are other critics who have praised previous MCU efforts but have never really been comfortable about it. These are the critics who resent having to write positively about a mere genre film. These are the critics who still haven’t gotten over just how good Guardians of the Galaxy truly was. They have been waiting for an MCU misfire so that they can do their penance for suggesting that Robert Downey, Jr. deserved Oscar consideration for Iron Man 3.

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These critics are going to watch The Avengers: Age of Ultron and they are going to pounce. They are going to point out that Age of Ultron puts too much emphasis on action over nuance and, as impressive as the CGI may be, it’s impossible to deny that Age of Ultron almost robotically follows the classic action movie formula. They’ll point out that none of The Avengers really develop as characters over the course of the film. Depending on how they’ve felt about the MCU up to this point, some of them will point out that Age of Ultron feels a bit like a step backwards. It doesn’t have the political subtext of Iron Man 3 or Captain America: The Winter Soldier. It lacks the satiric edge of Guardians of the Galaxy. And, ultimately, it’s just not as much fun as the first Avengers film.

And they won’t necessarily be wrong. I mean, let’s be honest. I write this as someone who has enjoyed (and, in some cases, loved) the previous MCU films. Avengers: Age of Ultron is not going to be remembered as one of the best of the MCU films. This is a flawed film that never reaches the heights of the original Avengers. All of the criticisms listed above are perfectly valid.

But, with all that in mind, I still enjoyed Avengers: Age of Ultron and I happily recommend it without a bit of hesitation.

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Age of Ultron opens with the Avengers attacking a HYDRA base and we quickly discover that the Avengers are exactly the same as we remembered them. Iron Man (Robert Downey, Jr.) is cocky, self-destructive, and torn by guilt over his past as a weapons manufacturer. Captain America (Chris Evans) is earnest and idealistic. Thor (Chris Hemsworth) is … well, he’s a God. Bruce Banner (Mark Ruffalo) is scared of what he becomes when he transforms into the Hulk. Clint Barton (Jeremy Renner) is still shooting arrows and feeling out-of-place. Natasha (Scarlett Johansson) is still flirty, enigmatic, and apparently in love with Bruce Banner.

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One of the reoccurring themes of the MCU is that whenever Iron Man tries to make the world a better place, he instead ends up nearly destroying it. His latest attempt leads him to create Ultron (voiced quite chillingly by James Spader), a robot who has Tony’s personality and who has decided that the only way to bring about “peace in our time” is to destroy all of humanity. Ultron’s motives are as close as this film gets to any sort of thematic subtext. Ultron stands in for every ideology that would take away a person’s individual freedom in the name of the greater good. Age of Ultron doesn’t explore this subtext as much as I would have liked it to but, at the same time, I appreciated that it was at least there. That’s more than you can say for a film like Man of Steel.

Ultron is not the only new character to show up. Andy Serkis has a small role as a character that will undoubtedly be a villain in a future MCU film. After voicing JARVIS in several films, Paul Bettany finally gets to actually appear onscreen. I can’t talk too much about his character without spoiling the film but Bettany makes good use of his limited screen time.

And then there’s Aaron Taylor-Johnson and Elizabeth Olsen. Previously, they played lovers in Godzilla. In Age of Ultron, they play siblings who just seem like lovers. Taylor-Johnson is Pietro, who can move at super speeds. Elizabeth Olsen is Wanda, whose powers are a bit less defined but mostly seem to consist of being able to do whatever the script needs her to do at the time. (As the film explains it, “He’s fast, she’s strange.”) In the past, I’ve had mixed feeling about Taylor-Johnson. I thought he was brilliant in Nowhere Boy and Anna Karenina but, in other films, I found him to be excessively mannered and a little dull. But, in the role of Pietro, Taylor-Johnson really shines, achieving a good balance of arrogance and vulnerability. As for Elizabeth Olsen, she is perfectly cast as the angry but sensitive Wanda. At the very least, Age of Ultron better serves both of them than they were served by Godzilla.

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(Add to that, Wanda and I share similar tastes in fashion, which will make it easy for me to dress up as her for Halloween.)

Director Joss Whedon does a good job with the film’s many battle scenes, especially the final one. And, as someone who hated the mindless destruction of Man of Steel, I appreciated that, as characters, the Avengers spent as much time trying to protect innocent bystanders as they did battling Ultron and his henchrobots. At the same time, it was hard not to feel that the film’s emphasis on action did sacrifice some of the character moments that have made other MCU films so memorable. Early on in the film, there’s a great scene where the Avengers simply hang out at a party. They dance, they dink, they laugh, and eventually, they all take turns attempting to pick up Thor’s hammer. It’s a fun scene because it brings these heroes back down to Earth and, for a few minutes, we get to relate to them in the way that we would relate to our best friends. Age of Ultron could have used more scenes like that.

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That said, the cast of Age of Ultron provides enough old fashioned movie star charisma that they overcome the script’s shallow characterization. In many ways, it’s like one of the old Frank Sinatra rat pack movies, where you forgive a lot because you enjoy hanging out with the cast. They’re just fun to watch. Robert Downey, Jr., Chris Evans, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, and Mark Ruffalo; at this point they are so identified with these characters that the actors and their roles might as well be interchangeable.

(And, at this point, if it were revealed the Robert Downey, Jr. owned a suit of armor, would you really be surprised?)

Ultimately, Age of Ultron feels a lot like one of the less acclaimed James Bond films. It’s flawed, it’s imperfect, but fans of the franchise will find a lot to enjoy. Much as you wouldn’t introduce someone to James Bond by showing him Moonraker, you probably wouldn’t want to introduce someone to the MCU by showing him or her Age of Ultron. If, somehow, you’ve managed to exist without ever seeing any other MCU films, then Age of Ultron will leave you confused and wondering what the big deal is. But, if you’re already a fan of the franchise, you’ll find a lot to enjoy here.

And, flaws and all, you’ll walk out of the theater looking forward to the next installment.

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A Vision of the Avengers: Age of Ultron for the Third Time


 

 

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The third and, hopefully, final trailer for Avengers: Age of Ultron was unlocked today after a Twitter event which had millions of people tweeting the hashtag #AvengersAssemble. One has to give it up to the Marvel marketing machine. They know how to get the public clamoring for more when it comes to their films.

All that could be said has been said about this film. Just sit back and enjoy (or critique) one of the most highly-anticipated films of the year.

Avengers: Age of Ultron (2nd Trailer)


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“Everyone creates the thing they dread.” — Ultron

New Avengers: Age of Ultron trailer has dropped during the inaugural College Football Playoff Championship game between Oregon and Ohio State.

For all the underwhelming reaction that the Ant-Man teaser trailer got after it premiered last week it looks like this latest trailer for Avengers: Age of Ultron just builds on the immense buzz and hype created by the leaked trailer from November 2014.

No need to say more. Just watch the new hotness as we wait for May 1, 2015 when Avengers: Age of Ultron shows us something beautiful.

Trailer: Avengers: Age of Ultron (Extended)


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“I know you mean well. You want to protect the world, but you don’t want it to change. There’s only one path to peace…your extinction.” — Ultron

Marvel has released a new extended version of the teaser trailer they released a couple weeks ago. While it’s pretty much similar to the first teaser trailer this extended version has a new intro with Ultron in his initial form confronting the partying Avengers in Avengers Tower. The voice-over by James Spader as Ultron also sounds much different in this trailer than the first. We also get more lingering shots of all the Avengers from Iron Man all the way to Hawkeye rather than the rapid-fire cuts we saw in the first teaser.

May 2015 cannot come soon enough.

Avengers: Age of Ultron is set for a May 1, 2015 release date in North America.

Here’s Your Chance To Tell Lisa Marie What To Watch!


So, guess what I did this morning?  That’s right — I put on a blindfold, a stumbled over to my ever-growing Blu-ray, DVD, and even VHS collection and I randomly selected 12 films!

Why did I do this?

I did it so you, the beloved readers of Through the Shattered Lens, could once again have a chance to tell me what to do.  At the end of this post, you’ll find a poll.  Hopefully, between now and next Monday (that’s March 24th), a few of you will take the time to vote for which of these 12 films I should watch and review.  I will then watch the winner on Tuesday and post my review on Wednesday night.  In short, I’m putting the power to dominate in your hands.  Just remember: with great power comes great … well, you know how it goes.

Here are the 12 films that I randomly selected this morning:

The Baader Meinhof Complex (2008) — This German film was nominated for Best Foreign Language Film.  It tells the true life story of the left-wing German terrorist group, The RAF.

The Cat’s Meow (2001) — From director Peter Bogdonavich, this film speculates about the events that led to the shooting of silent film director Thomas H. Ince.  Starring Kirsten Dunst as Marion Davies, Edward Herrmann as William Randolph Hearst, and Eddie Izzard as Charlie Chaplin.

Heavenly Creatures (1994) — The close relationship between two teenage girls (Melanie Lynesky and Kate Winslet) leads to both a vibrant fantasy world and real-life murder.  Directed by Peter Jackson.

In A Lonely Place (1950) — In this film noir from director Nicholas Ray, Humphrey Bogart plays a screenwriter who may (or may not) be a murderer.

Liquid Sky (1983) — In this low-budget, independent science fiction film, an alien lands in New York and soon several members of the city’s underground art scene are vaporized.  Not surprisingly, it all has to do with heroin.

Made in Britain (1983) — A very young Tim Roth makes his debut in this British film.  Roth plays Trevor, a Neo-Nazi who — despite being intelligent and charismatic — also seems to be intent on destroying himself and everything that he sees.

Much Ado About Nothing (2013) — In between The Avengers and Agents of SHIELD, Joss Whedon found the time to direct this adaptation of Shakespeare’s play.

Peyton Place (1957) — In this Oscar-nominated film, the sordid secrets of an outwardly idyllic New England town are exposed.

Pretty Poison (1968) — Having just been released from a mental institution, Dennis (Anthony Perkins) finds himself involved with teenager Sue Anne (Tuesday Weld), who — despite her wholesome appearance — is actually psychotic.

Troll 2 (1990) — A family moves to Nilbog, a small town that is populated by vegetarian goblins.  This movie is widely considered to be one of the worst ever made.

Walkabout (1971) — In this visually stunning Nicolas Roeg film, a teenage girl and her younger brother find themselves stranded and left for dead in the Australian outback.  They try to survive with the help of an Aborigine.

Zabriskie Point (1970) — In this 1970 film, the great Italian director Michelangelo Antonioni takes a look at the 60s counter-culture.  Airplanes are stolen, buildings explode, and orgies magically materialize in the middle of the desert.

The poll will be open until Monday, March 24th.

Happy voting!

Song of the Day: Brand New Day (performed by Neil Patrick Harris)


It’s the first day of a brand new year and that means that it’s time for a new song of the day.  And what better choice could there be than Neil Patrick Harris singing Brand New Day from Joss Whedon’s Dr. Horrible’s Sing Along Blog.

By the way, Dr. Horrible was right.  The keys to shiny new Australia are the perfect way to unlock a girl’s heart…