Today’s scene that I love comes from 2012’s The Master, written and directed by Paul Thomas Anderson (who is celebrating his birthday today).
Philip Seymour Hoffman and Joaquin Phoenix were never better than they were in Anderson’s enigmatic story of two very different men who become unlikely friends. Phoenix plays Freddie Quill, a World War II veteran who has never figured out how to adjust to life during peacetime. Hoffman plays Lancaster Dodd, a writer who claims to have all the answers but who is actually a charlatan. In this scene, Freddie and Dodd meet for one last time and, though they are both characters about who most viewers will have mixed feelings, there’s something undeniably poignant about their final moments together. Both of them realize that the time they had is over. And indeed, watching this scene today is all the more difficult because it reminds us of what a talent we lost when we lost Philip Seymour Hoffman.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
Today is the birthday of one of our greatest filmmakers, Paul Thomas Anderson! This edition of 4 Shots From 4 Films is dedicated to him and his brilliant career!
4 Shots From 4 Paul Thomas Anderson Films
Boogie Nights (1997, dir by Paul Thomas Anderson, DP: Robert Elswit)
The Will Be Blood (2007, dir by Paul Thomas Anderson, DP: Robert Elswit)
The Master (2012, dir by Paul Thomas Anderson, DP: Mihai Mălaimare Jr.)
Phantom Thread (2017, dir by Paul Thomas Anderson)
Today’s scene that I love comes from 2012’s The Master, written and directed by Paul Thomas Anderson (who celebrated his birthday yesterday).
Philip Seymour Hoffman and Joaquin Phoenix were never better than they were in Anderson’s enigmatic story of two very different men who become unlikely friends. Phoenix plays Freddie Quill, a World War II veteran who has never figured out how to adjust to life during peacetime. Hoffman plays Lancaster Dodd, a writer who claims to have all the answers but who is actually a charlatan. In this scene, Freddie and Dodd meet for one last time and, though they are both characters about who most viewers will have mixed feelings, there’s something undeniably poignant about their final moments together. Both of them realize that the time they had is over. And indeed, watching this scene today is all the more difficult because it reminds us of what a talent we lost when we lost Philip Seymour Hoffman.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
Yesterday was the birthday of one of our greatest filmmakers, Paul Thomas Anderson! It’s never too late for….
4 Shots From 4 Paul Thomas Anderson Films
Boogie Nights (1997, dir by Paul Thomas Anderson, DP: Robert Elswit)
The Will Be Blood (2007, dir by Paul Thomas Anderson, DP: Robert Elswit)
The Master (2012, dir by Paul Thomas Anderson, DP: Mihai Mălaimare Jr.)
Phantom Thread (2017, dir by Paul Thomas Anderson)
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing The Master, which ran on NBC from January to August of 1984. The show can be found on Tubi!
This week, The Master comes to an end.
Episode 1.13 “A Place To Call Home”
(Dir by Gordon Hessler, originally aired on August 31st, 1984)
The Master ends in much the same way that it began, with Max and John Peter McAllister in a small town that is controlled by an evil businessman. In this case, land developer Mark Richards (Jock Mahoney) wants to run the local orphanage out of town so that he can steal the land and expand his uranium mine. Max and McAllister not only help Kim Anderson (Susan Woollen) save her orphanage but they also provide some much-needed mentoring to two of the orphans, Mike (Doug Toby) and Bobby (played by Kane Kosugi). Bobby, it turns out, has some martial arts skills of his own! It’s amazing how McAllister and Max were always traveling to small towns that just happened to be home to other people who knew karate.
Though his son plays Bobby, Sho Kosugi does not appear in this episode, which is a shame considering that it would be turn out to be the show’s finale. For that matter, the show ends with McAllister having yet to find his daughter. In fact, Terri McAllister is only mentioned briefly at the end of the episode, when McAllister says that he and Max have to get back on the road because “I’m looking for my daughter.” Considering that the whole premise of the show was that McAllister was searching for Terri while Okassa was searching for McAllister, it seems like neither was really in a hurry to accomplish their goals.
A Place To Call Home feels like a greatest hits package, duplicating the plot of the pilot while tossing in a bit of the union episode‘s political subtext. Even the scene where McAllister attempts to hop onto a helicopter feels a bit reminiscent of the ghost town episode. The Master ended with an episode that resolved nothing and didn’t really bring anything new to show’s format.
Why did The Master end after thirteen episodes? When taken as a whole, the show wasn’t as bad as its reputation. While the stunt doubles did most of the work, Lee Van Cleef and Tim Van Patten still managed to develop a likable chemistry over the course of 13 episodes. At first, the show’s writer stried too hard to play up the idea of Max Keller being a rebel with a chip on his shoulder but, after the first few episodes, it appears that they realized that Van Patten’s greatest strength as an actor was that he had a sort of amiable goofiness to him. The stories were predictable but the fight scenes were usually (if not always) well-choreographed and entertaining. The stunt people earned their paycheck.
In the end, though, I think The Master never quite figured what it wanted to be. Did it want to be a straight action show? Did it want to be a goofy buddy comedy? In some episodes, McAllister was apparently a famous and well-known figure. In others, he was a total unknown. In some episodes, finding Terri was the most important thing in his life. In others, he really didn’t seem to care. The best episodes were the ones that winked at the audience and acknowledged just how ludicrous the whole thing was. But, far too often, The Master became a generic crime show that just happened to feature martial arts.
The Master is finished and, to my surprise, I’m going to kind of miss it. It had potential. But, it’s time to move on to a new series. Get ready because next week, it’s time for T & T!
Big Brother starts next week and I’m going to have a lot less free time. (I probably should have made better use of my free time this week!) That said, I skipped the Big Brother special that CBS aired this week because I knew there wouldn’t be anything interesting revealed. Big Brother is a show that I both love and hate in equal measures. I never find myself looking forward to it but I always watch once it starts.
Anyways, here some thoughts on what I did watch this week!
I have to admit that Cole was one of the players who I thought had a really good chance of winning the game so I was a little surprised to see him leave the show this week. For the record, he was Alicia Keys’s brother. At this point, I’m just rooting for Olivia.
Degrassi High (YouTube)
I watched an episode on Sunday. Everyone was smoking weed.
Degrassi: The Next Generation (Tubi)
I watched a few random episodes on Sunday. Most of them were from the superlong tenth season, which isn’t really Degrassi’s best season but it is one that I occasionally like to revisit just because it’s not one of those seasons that really demands that you put a lot of effort into concentrating on what was happening on-screen. The tenth season of Degrassi is perfect for background noise.
The episode that I watched on Thursday was entitled “I Want My Child To Stop Listening To Marilyn Manson.” The kids loved Marilyn and the parents were panicking. Jenny Jones told her audience, “Now, you know, Marilyn Manson is a guy, right? He’s a male.” One of Jenny’s guests was a cutter. The audience booed her, which I doubt helped. “He is far from being one of the beautiful people!” one parent said, “He is a sadistic pig!” I think this episode was from 1996.
On Friday, I watched an episode in which Jenny revealed the results of DNA tests. As a host, Jenny Jones was so flustered and spent so much time stumbling over her words that I actually got a headache while watching her.
On Thursday, I watched an episode about young people with lovers who were old enough to be their grandparents. Many of them had angry family members who wanted to yell at them on national television. The audience did a lot of booing.
I followed this up with an episode in which women were encouraged to dump their “cheating boyfriends.” One of the boyfriends had cheated on his girlfriend with a 13 year-old! Hopefully, they broke up after the show.
I then watched a third episode, in which bratty teenagers talk about how much they disliked the men that their mother dated. I cringed as I was flooded by memories of my own bratty behavior whenever my mom started to date someone new.
On Friday, for reasons that even I can’t quite fathom, I watched another episode in which Sally gave updates on out-of-control teens, the majority of whom were still out-of-control. The boot camps did not work.
Stars on Mars (Monday Night, Fox)
The silliest reality show on television right now continued this week, with Rhonda Rousey asking to be sent back to Earth. Fortunately, since no one on the show had actually left Earth to begin with, it was a quick journey home. As for who I hope wins Stars on Mars …. eh, whatever the prize is, give it to William Shatner. I know he’s the host and he probably only had to spend a day or two pre-taping all of his scenes but he’s still the most entertaining part of the show.
The Steve Wilkos Show (YouTube)
I watched an episode on Thursday. Two brothers with really deep acne scars were on the show, trying to figure out which one was the father of a baby. Their annoying mother came out and screamed at everyone. It was so incredibly trashy that it become oddly fascinating.
I followed this with a second episode, in which Steve tossed an abusive boyfriend off of his stage. That was satisfying to see. Believe it or not, I do think that Steve was perhaps a bit more sincere than his fellow daily talk show hosts. The dislike that he felt towards abusers and cheaters always seemed real in a way that Maury Povich’s similar outrage did not.
On Friday morning, I watched two episodes while doing some work in my office. The first episode featured a woman with a scummy, abusive boyfriend. She dumped him at the end of the episode and the entire audience chanted her name. This was followed by an episode featuring a woman who claimed that her ex-boyfriend had stolen the ashes of her deceased and cremated child. That was weird and depressing.
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing The Master, which ran on NBC from January to August of 1984. The show can be found on Tubi!
Max and McAllister continue their trip through California!
Episode 1.12 “Rogues”
(Dir by Gordon Hessler, originally aired on August 10th, 1984)
This week’s episode finds Max and McAllister on Los Angeles’s famed Rodeo Drive. We know that this episode takes place on Rodeo Drive because every single establishing shot opens with a close-up of the street sign. It’s as if someone in production said, “Do not let them forget that this episode is not only set on Rodeo Drive but we filmed it there as well!”
Wow, a television program filmed in Los Angeles! The Master was all about spoiling their audience.
Here’s my thing with Rodeo Drive — the word is pronounced Ro-Dee-O. Get out of here with all that Roe-Day-O nonsense, you yankees.
Anyway, this episode continues last week’s theme of McAllister and Max dropping in on people from Max’s past. Apparently, the hunt for John Peter McAllister’s long lost daughter has been abandoned so that Max can drop in on his old high school buddies. Seeing as how it hasn’t even been ten years since Max graduated from high school whereas McAllister has never even met his daughter and it’s totally possible that McAllister’s ninja rivals may be trying to kill her, it seems a bit odd that this is what Max and McAllister are concentrating on but whatever. We’re nearly done with this show anyway.
Max visits his ex-girlfriend, Talia (Cindy Harrell), at the health club where she works. Talia is an aerobics instructor, which means that there’s a lot of spandex in this episode. While McAllister deals with a trainer who takes one look at him and declares him to be in terrible shape (and she has a point because, unlike his stunt double, Lee Van Cleef was noticeably overweight and often seemed to be winded on The Master), Max talks to Talia and discovers that Talia’s brother, Jerry (Paul Tulley), became a cop and is now missing! Max promises to help her find Jerry.
However, it turns out that Jerry is just hiding outside the health club. When he sees Max’s van, he tosses a note inside of it, asking Max and McAllister to meet him. (How exactly did Jerry know that Max and McAllister would be able to help him?) It turns out that, while investigating a series of Rodeo Drive robberies, Jerry discovered that the culprits were rogue cops who had been hired by a local gallery owner. Now, the crooked policemen are after Jerry! Needless to say, it’s time for McAllister to put on his black ninja outfit so that Lee Van Cleef’s stunt double can beat up some corrupt law enforcers!
This was not a particularly memorable episode. The corrupt cops were generic villains and even the fight scenes, which were usually The Master‘s saving grace, felt sloppy and rushed. While it was always obvious that this show was dependent on stunt doubles, it was especially obvious in this episode as the stand-ins for both Van Cleef and Van Patten didn’t even resemble their respective actors. There was a brief moment of hope when the action moved to one of those police academy shooting ranges, full of fake buildings and cardboard targets but the show never really took advantage of the location’s potential. This was one of those episodes where it felt like the basic plot could have been used for a dozen other shows without having to make anything more than a few cosmetic changes. It could have just as easily been an episode of Half Nelson.
(L.A. — you belong to me! No, no, we’ve moved on….)
Next week …. The Master ends! Will McAllister even mention his missing daughter during the show’s final episode? We’ll find out!
Claim to Fame is a show where 12 relatives of celebrities compete to be the last relative standing. If someone guesses who you are related to, then you’re out of the show. If someone incorrectly guesses who you are related to, they are out of the show. It’s all really, really silly but it’s also a lot more fun than it probably has any right to be. It helps that the show is hosted by the totally charming duo of Kevin and Frankie Jonas.
I watched the first three episodes of the second season on Sunday morning. The highlight, of course, was the epic meltdown of Tom Hanks’s niece, who really only had herself to blame for being eliminated because she literally had a panic attack whenever anyone mentioned that someone on the show might be related to Tom Hanks. As I finished the third episode, I decided that Olivia and Chris were my two favorite players and that Hugo was least favorite, largely due to the fact that Hugo just seemed awfully impressed with himself.
I watched the latest episode on Monday night. Eddie Murphy’s daughter was finally sent out of the house. I say finally because everyone pretty much figured out who she was during the second episode. That said, she seemed to be a nice person.
Degrassi High (YouTube)
Old school Degrassi! As much as I hate to admit, I haven’t seen much of either Degrassi Junior High or Degrassi High but I intend to remedy that soon. On the two episodes I watched, the school bully discovered that he was HIV+ and Joey’s attempt to raise money for a new car failed. It was interesting seeing Joey when he was younger and still had hair.
I watched the 2nd episode of this old 90s game show on Saturday morning. Dweezil and Ahmet Zappa hosted. Ahemt had a bit too much energy for his own good but at least Mario Lopez was one of the contestants. There was an extremely creepy moment when a woman was brought out of the audience and talked about how obsessed she was with Mario. Also interesting was to note that this episode was nearly 30 years old but Mario Lopez looked exactly the same as he does today. The man seriously does not age.
I watched an episode of this 90s late night music show on Friday night. Bootsy Collins performed and it was very entertaining.
The Simpsons (Weekdays, FXX)
I watched two episodes of this long-running show on Thursday afternoon. In the first episode, Bart was expelled from Springfield Elementary but, fortunately, he was allowed to re-enroll after he exposed the truth about whacking day and saved the lives of a bunch of snakes. This was followed by an episode in which Marge forgot to pay for a bottle of whiskey and was sent to jail for 30 days. Needless to say, the entire town fell apart without her and was forced to settle for a Jimmy Carter statue when they couldn’t afford one of Lincoln. This led to riots, as one would naturally expect.
Stars on Mars (Monday Night, Fox)
I binged and got up-to-date with this stupid, stupid show throughout the week. As dumb as it is, it’s compulsively watchable. On the one hand, it was great to see William Shatner hamming it up as the host. On the other hand, is it really time for Lance Armstrong redemption tour?
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing The Master, which ran on NBC from January to August of 1984. The show can be found on Tubi!
This week, we meet Max Keller’s father!
Episode 1.11 “Failure to Communicate”
(Dir by Sidney Hayers, originally aired on May 4th, 1984)
This week’s episode of TheMaster opens with McAllister (Lee Van Cleef) teaching Max (Tim Van Patten) how to fight even while blindfolded. McAllister explains that, when one’s sight is taken away, the other senses become even stronger. Hmmm…. I wonder if this will prove to be relevant to their next adventure?
Having apparently given up on trying to find McAllister’s daughter (not that they ever seemed to be trying that hard to begin with), Max and McAllister head to Los Angeles so that Max can visit his father. Max’s father, Patrick (Doug McClure), has been estranged from Max ever since the death of Max’s mother and older brother. However, under McAllister’s guidance, Max has learned the importance of forgiveness.
However, before Max can drop in on his father, he and McAllister have to rescue Kathy Hunter (Ashley Ferrare), who is being chased by three men in a cemetery. McAllister is impressed when Kathy uses some martial arts skills of her own to fight off the men. (Kathy explains that she has been in training for six years.) McAllister takes Kathy home to her father, a wealthy bunker named Jason Hunter (J.D. Cannon). Max, meanwhile, goes to his father’s law office.
However, Patrick is not at his office. Instead, Max meets Patrick’s administrative assistant, Laura Crane (Rebecca Holden). Laura is blind but, as we saw at the start of the program, that just means that all of her other senses are now superhuman. As soon as she meets Max, she knows that he recently stopped off at a gas station and that he drives a van. All it takes is for her to touch his face for her to realize that she is Patrick’s son.
Patrick, unfortunately, is not doing too well. He is now an alcoholic and he’s more likely to be found in the local cocktail lounge than in court. He’s in danger of losing his license and he’s also struggling financially. In fact, at the cocktail bar, Patrick is meeting with Straker (Marc Alaimo), one of the men who previously tried to abduct Kathy in the cemetery. Straker is blackmailing Patrick into helping with Staker’s next attempt to kidnap Kathy. Of course, when Max arrives at the bar looking for his father, all Hell breaks loose when Max sees the men from the cemetery. Patrick can only watch as Max and a late-arriving McAllister chase the men out of the bar.
After the bar fight, Max and Patrick have a tense meeting at Patrick’s office. Max accuses his father of being a bitter drunk. Patrick says that Max is irresponsible. Patrick tells Max to get out of his life. Meanwhile, McAllister escorts Laura back to her apartment. Okassa (Sho Kosugi) shows up and we get yet another fight, this time between Sho Kosugi and Lee Van Cleef’s very busy stunt double.
The next day, Patrick, Laura, McAllister, and Max all end up at a reception for Kathy. Patrick spots the three kidnappers at the reception and, having had a change of heart, attempts to lead Kathy outside to safety. However, this just leads to both Patrick and Kathy being kidnapped. Straker calls Kathy’s father and demands a $3,000,000 ransom but, fortunately, Laura smelled cemetery dirt on the men who grabbed Kathy so Max and McAllister head back to the cemetery, break into a church, and manage to rescue both Kathy and Patrick!
Yay! I guess the episode’s over, right?
Nope, not even close.
While Max and McAllister are rescuing Patrick and Kathy, Straker is busy kidnapping Laura. Straker then calls Kathy’s father and announces that he still expects to get his 3 million or “your lawyer’s secretary gets it!” Kathy’s father is like, “Why would I pay 3 million dollars for someone who I don’t even know?,” which is kind of a fair question even if it’s not a popular one. McAllister, however, tells Kathy’s father that it’s important to take care of everyone, even the strangers.
Patrick finally breaks down and admits that he was a part of the plot to kidnap Kathy. He tells Max and McAllister that the man behind the plot is actually Paul Stillwell (Mark Goddard), who is Jason Hunter’s head of security. (This seems familiar….) Patrick also explains that Stillwell is holding Laura prisoner on the Princess Louise, a decommissioned cruise ship that has been turned into a floating restaurant.
Accompanied by Patrick, Max and McAllister go to the ship. Unfortunately, Okassa pops up out of nowhere and gets into another fight with Lee Van Cleef’s stunt double so it falls to Patrick and Max to rescue Laura. (Patrick suddenly turns out to have some martial arts skills as well, which is a bit odd considering that Patrick is a middle-aged, overweight, out-of-shape, alcoholic attorney.) The bad guys try to outsmart Max by turning out all the lights on the boat but Laura is able to use her supersenses to help Max beat up Straker’s men in the dark. Laura is rescued and the bad guys are sent to prison!
As for Patrick, the Hunter family decides not to press charges because they understand that Patrick was being blackmailed. Swearing that he’s going to live his life the right way from now on, Patrick pours out his last remaining liquor bottle. Hooray!
This was one of those episodes that was a bit too busy for its own good. Rather than have Max and McAllister fight against worthy opponents, this episode just had Max and McAllister continually defeat the same three idiots over and over again and you have to wonder why it never seemed to occur to the bad guys to change their strategy when it came to whole kidnapping thing as opposed to repeating the same thing over and over again. With all of those kidnappings and rescues, there really wasn’t much time left for the emotional heart of the story, which should have been Max mending his relationship with his father. Considering how much of this series has focused on Max and McAllister’s family issues, it was a bit anti-climatic that Max’s real father just turned out to be some drunk who was being blackmailed. At least some of the fight scenes were well-choreographed and Rebecca Holden did a good job as Laura Crane, even if the character herself was occasionally too flawless and perfect to be believed.
Next week, maybe McAllister will finally remember that he’s supposed to be looking for his daughter. We’ll see!
I devoted most of this week to movies so I didn’t really watch a lot of television. But here’s some thoughts on what I did watch!
All You Need Is Love (Nightflight Plus)
On Saturday morning, I watched the 2nd episode of this 70s docuseries about the history of rock and roll music. For the most part, the episode took place in Africa and featured interviews with African musicians who discussed how their traditional music was later transformed into both the blues and rock and roll. It was an interesting documentary. Needless to say, there was a lot of good music.
The Ashley Madison Affair (Hulu)
I watched this enjoyably tawdry docuseries on Monday morning. It was a bit too heavy on the talking heads. I mean, I’m not sure that I really needed to hear every single thought Sunny Hostin ever had on the Ashley Madison hack. But the visuals were often so over-the-top and literal-minded that it was impossible not to smile at how overwrought it all was.
Early Sunday morning, I watched a special episode of this 80s sitcom on YouTube. Arnold and his adopted sister Kimberly were kidnapped by a weirdo who tied-up Arnold and threatened to kill Kimberly. That was pretty creepy but what really made it bad was that this was a sitcom so there was a laugh track that just felt totally wrong for the episode. It reminded me a bit of David Lynch’s Rabbits.
Fantasy Island (YouTube)
Fantasy Island has been removed from Tubi! Fortunately, quite a few episodes are available on YouTube but it still bothers me that I’m probably not going to be able to review every single episode for Retro Television Reviews now. Read my thoughts here!
Geraldo (YouTube)
I came across an episode of this 90s talk show on Saturday. In 1993, Geraldo Rivera interviewed “Girls In Hate Groups.” The girls were dating skinheads and Klansmen. The audience was full of people wearing Klan robes and National Socialist uniforms. It was thoroughly icky. Geraldo, I got the feeling, was more concerned with bringing in ratings than actually battling the forces of hate.
Gimme A Break (YouTube)
After he read this week’s review of Hang Time, my friend Mark suggested that I watch an episode of this 80s sitcom. The episode was called “Joey’s Hero” and it featured a 10 year-old Joey Lawrence discovering that his hero — a television host named Captain Jerk (played by Paul Williams) — was not only a real-life jerk but an outright racist as well! It was very 80s but I did smile at the fact that all of the co-stars of the Captain Jerk Show still wore their television costumes even when they went to visit Captain Jerk in the hospital.
Jenny Jones (YouTube)
On this 90s talk show, Jenny Jones gave polygraph tests to self-declared playas.
Lifestories: Families in Crisis
I watched an episode of the 90s HBO anthology show on Thursday. A young Ben Affleck played a high school football player who get hooked on steroids and went crazy.
I watched an episode of this 90s musical anthology show on Friday. Host Tom Juarez took a look at “eclectic female singers.” I was happy because they showed a video from Souixsie and the Banshees.
Pretty Baby: Brooke Shields (Hulu)
I watched this two-part docuseries on Sunday. The first part, which focused on the young Brooke Shields as a symbol and explored how the culture sexually objectifies women while also expecting us to remain chaste and innocent, was far more interesting than the second part, which got bogged down in people insisting that Shields was a better actress than she actually seems to be.
Through the Shattered Lens 