I love this scene from the 2011 Best Picture winner The Artist because, to me, it perfectly captures both the wonder of film and the beauty of dance. If watching Jean Dujardin and Berenice Bejo dance doesn’t make you happy, then there is no hope for you.
Tag Archives: The Artist
Lisa Marie Picks The 50 Best Films of The Past 3 Years
As of this month, I have been reviewing films here at the Shattered Lens for 3 years. In honor of that anniversary, I thought I’d post my picks for the 50 best films that have been released in the U.S. since 2010.
Without further ado, here’s the list!
- Black Swan (directed by Darren Aronofsky)
- Exit Through The Gift Shop (directed by Banksy)
- Hanna (directed by Joe Wright)
- Fish Tank (directed by Andrea Arnold)
- Higher Ground (directed by Vera Farmiga)
- Shame (directed by Steve McQueen)
- Anna Karenina (directed by Joe Wright)
- The Cabin In The Woods (directed by Drew Goddard)
- 127 Hours (directed by Danny Boyle)
- Somewhere (directed by Sofia Coppola)
- Life of Pi (directed by Ang Lee)
- Hugo (directed by Martin Scorsese)
- Inception (directed by Christopher Nolan)
- Animal Kingdom (directed by David Michod)
- Winter’s Bone (directed by Debra Granik)
- The Artist (directed by Michel Hazanavicius)
- The Guard (directed by John Michael McDonagh)
- Bernie (directed by Richard Linklater)
- The King’s Speech (directed by Tom Hooper)
- Bridesmaids (directed by Paul Feig)
- Tinker, Tailor, Soldier, Spy (directed by Thomas Alfredson)
- Django Unchained (directed by Quentin Tarantino)
- Never Let Me Go (directed by Mark Romanek)
- Toy Story 3 (directed by Lee Unkrich)
- The Girl With the Dragon Tattoo (directed by Niels Arden Oplev)
- Young Adult (directed by Jason Reitman)
- Sucker Punch (directed by Zack Snyder)
- The Master (directed by Paul Thomas Anderson)
- Incendies (directed by Denis Villeneuve)
- Melancholia (directed by Lars Von Trier)
- Super (directed by James Gunn)
- Silver Linings Playbook (directed by David O. Russell)
- Scott Pilgrim Vs. The World (directed by Edgar Wright)
- The Last Exorcism (directed by Daniel Stamm)
- Skyfall (directed by Sam Mendes)
- Easy A (directed by Will Gluck)
- Harry Potter and the Deathly Hallows Parts 1 and 2 (directed by David Yates)
- The Avengers (directed by Joss Whedon)
- How To Train Your Dragon (directed by Chris Sanders and Dean DeBois)
- Win Win (directed by Thomas McCarthy)
- Les Miserables (directed by Tom Hooper)
- Take This Waltz (directed by Sarah Polley)
- Cave of Forgotten Dreams (directed by Werner Herzog)
- Rust and Bone (directed by Jacques Audiard)
- Cosmopolis (directed by David Cronenberg)
- Ruby Sparks (directed by Jonathan Dayton and Valarie Faris)
- Brave (directed by Mark Andrews and Brenda Chapman)
- Martha Marcy May Marlene (directed by Sean Durkin)
- Jane Eyre (directed by Cary Fukunaga)
- Damsels in Distress (directed by Whit Stillman)
What Lisa Watched Last Night: The 84th Annual Academy Awards
Last night, me and my BFF Evelyn watched the 84th Annual Academy Awards.
Why Was I Watching It?
As if you had to ask.
What Was It About?
It was about honoring some good films and making a lot of catty comments about rich people who don’t know how to dress themselves.
What Worked?
You know who is adorable? Bret McKenzie, who all good people as a member of The Flight of the Conchords. He won an Oscar last night for best original song for Man or Muppet and he gave exactly the type of wonderfully sincere acceptance speech that you would expect from Bret McKenzie.
You know who else is adorable? Jim Rash. The script he co-wrote for The Descendants is overrated but it was still good to see Community’s Dean up there accepting an Oscar.
And you know who is really, really adorable? The little Emma Stone. Loved her dress and loved her whole little skit with Ben Stiller.
Jean Dujardin, Christopher Plummer, and Octavia Spencer all gave wonderful acceptance speeches and Uggie got to go on stage when The Artist won best picture! That was so cute!
What Didn’t Work?
Much like the Golden Globes last month, the Academy Awards were a rather somber affair, It was as if everyone couldn’t get over the fact that they had actually nominated Incredibly Loud and Extremely Close and everyone was muttering under their breath, “Let’s get this over with before anyone remembers that we nominated a film that not even those people at the Golden Globes were impressed by!”
As much as I enjoyed two of the nominees for best picture (The Artist and Hugo), respected one of them (The Tree of Life), and enjoyed another almost despite myself (The Help), the majority of the nominations this year went to movies that we will probably never watch again and to performers who will probably never have a year as good as this one. Perhaps that is why the various Academy montages all seemed to feature scenes taken from films that received not a single Oscar nomination. (More time was devoted to the latest Mission Impossible than to Extremely Loud and Incredibly Close.) It just gave the whole ceremony a rather odd feel. It reminded me of when I was in high school and the drama club would give out little trophies and certificates at the end of the year. I received a little trophy for being the Best Actress in Advanced Theatre during my junior year. I also got a certificate for “Biggest Flirt.” (My acceptance speech, by the way, was: “Couldn’t it have been for best lay?” Ahhh, High School.)
As host, Bill Crystal was pretty bleh and he kinda looked like Robert Blake from Lost Highway.
Whenever Rooney Mara popped up on screen, me and Evelyn would yell, “You need boobs to wear that dress, honey!”
Meryl Streep’s acceptance speech was long-winded and she came across as being a bit full of herself, I think. Now I know that you’re saying, “Well, gee, Lisa, she’s the greatest actress ever so she’s earned the right to be full of herself!” Actually, if you really pay attention to Streep’s performances, you’ll see that the main reason she has a reputation for being a great actress is because she never allows you to forget that she’s acting.
I missed James Franco.
“OMG! Just like me!” Moments
As I mentioned on twitter, Evelyn and I have decided that we were the Jennifer Lopez and Cameron Diaz of my living room. We’re still debating on just who exactly was Cameron and who was J.Lo.
Lessons Learned
Everything is better with James Franco!
No Guts, No Glory, Part II: Lisa Marie Goes Down Into The Oscar Pool And Gets Wet
Since every other film blogger and wannabe Awards diva is doing so, I figured I might as well post my predictions as to who and what will actually win when the Oscars are handed out on Sunday. Please remember, these are not the films and performers that I personally would choose to honor. (Indeed, I’ve never disagreed with the Oscar nominations more than I have this year.) These are just my predictions and random guesses at what will be honored on Sunday.
Best Picture: The Descendants
Best Director: Michel Hazanavicius for The Artist
Best Actor: George Clooney in The Descendants
Best Actress: Viola Davis in The Help
Best Supporting Actor: Christopher Plummer in Beginners
Best Supporting Actress: Octavia Spencer in The Help
Best Original Screenplay: Woody Allen for Midnight in Paris
Best Adapted Screenplay: The Descendants
Best Animated Feature Film: Rango
Best Foreign Language Film: In Darkness (Poland)
Best Documentary Feature: Paradise Lost 3: Purgatory
Best Original Score: War Horse
Best Original Song: “Man or Muppet” from The Muppets
Best Sound Editing: Hugo
Best Sound Mixing: Hugo
Best Art Direction: The Artist
Best Cinematography: The Tree Of Life
Best Makeup: Albert Nobbs
Best Costume Design: The Artist
Best Film Editing: The Descendants
Best Visual Effects: Hugo
Agree? Disagree? Confused as to what just the Hell I was thinking when I made some of these predictions? Please let me know in the comments section below.
If Lisa Marie Determined The Oscar Nominees….
The Oscar nominations are due to be announced on Tuesday morning so I figured now would be a good time to play a little game that I like to call: “What if Lisa had all the power?” Below, you will find my personal Oscar nominations. These are the films and the performers that would be nominated if I was solely responsible for selecting the nominees and the winners.
For those who are interested, you can check out my picks for last year by clicking on this sentence.
Please understand, as you look over this lengthy list of deserving films and performers, that these are not necessarily the films I expect to see nominated on Tuesday morning. In fact, I would be hard pressed to think of a year in which I have disagreed more with the critical establishment than I have this year. For whatever reason, the films that truly touched and moved me in 2011 appear to be the films that are totally and completely off the Academy’s radar. These are not my predictions. Instead, they are my personal choices and they should not be interpreted as representing the opinion on anyone else affiliated with this site. So, if you’re angry that David Fincher’s Girl With The Dragon Tattoo didn’t receive a single imaginary nomination, direct your anger at me and me alone.
Best Picture
The Artist
Bridesmaids
The Guard
Hanna
Higher Ground
Hugo
Shame
Sucker Punch
Tinker, Tailor, Soldier, Spy
Young Adult
Best Actor
Michael Fassbender for Shame
Brendan Gleeson for The Guard
Gary Oldman for Tinker, Tailor, Soldier, Spy
Michael Shannon for Take Shelter
Rainn Wilson for Super
Best Actress
Kirsten Dunst for Melancholia
Vera Farmiga for Higher Ground
Elizabeth Olsen for Martha Marcy May Marlene
Saoirse Ronan for Hanna
Charlize Theron for Young Adult
Best Supporting Actor
Albert Brooks for Drive
Bobby Cannivale for Win Win
Jonah Hill for Moneyball
Patton Oswalt for Young Adult
Andy Serkis for Rise of the Planet of the Apes
Best Supporting Actress
Anna Kendrick for 50/50
Melissa McCarthy for Bridesmaids
Carey Mulligan for Shame
Ellen Page for Super
Amy Ryan for Win Win
Best Director
Vera Farminga for Higher Ground
Michel Hazanavicius for The Artist
Steve McQueen for Shame
Martin Scorsese for Hugo
Joe Wright for Hanna
Best Original Sreenplay
Bridesmaids
The Guard
Hanna
Shame
Young Adult
Best Adapted Screenplay
Higher Ground
Hugo
Incendies
One Day
Tinker, Tailor, Soldier, Spy
Best Animated Feature
Kung Fu Panda 2
Puss in Boots
Rango
Rio
Winnie the Pooh
Best Foreign Language Film
(Please note that I do this category a bit differently than the Academy. Whereas the Academy asks nations across the world to submit a nominee, I’m simply nominating the best foreign language films that I saw in a theater last year. Those who follow the Oscars will note that I’ve both nominated and awarded the brilliant Canadian films Incendies, which actually was nominated for a real Oscar in this same category last year.)
The Double Hour
Incendies
Of Gods and Men
The Skin I Live In
13 Assassins
Best Documentary Feature
Bill Cunningham New York
Buck
The Cave of Forgotten Dreams
Jig
Resurrect Dead: The Mystery of the Toynbee Tiles
Best Original Score
The Artist
A Better Life
The Guard
Hanna
The Tree Of Life
Best Original Song
“The Star-Spangled Man” from Captain America: The First Avenger
“Mujhe Chod Ke” from DAM999
“The Keeper” from Machine Gun Preacher
“Man or Muppet” from The Muppets
“Pop” from White Irish Drinkers
Best Sound Editing
Drive
Harry Potter and the Deathly Hallows, Part 2
Hugo
Sucker Punch
The Tree of Life
Best Sound Mixing
Drive
Harry Potter and the Deathly Hallows, Part 2
Hugo
Sucker Punch
The Tree of Life
Best Art Direction
Bunraku
Harry Potter and the Deathly Hallows, Part 2
Hugo
Sucker Punch
Tinker, Tailor, Soldier, Spy
Best Cinematography
The Artist
Hugo
Melancholia
Shame
The Tree of Life
Best Makeup
Beastly
Harry Potter and the Deathly Hallows, Part 2
Insidious
Sucker Punch
X-Men: First Class
Best Costume Design
Bunraku
The Help
Hugo
Sucker Punch
Tinker, Tailor, Soldier, Spy
Best Editing
The Artist
The Guard
Hanna
Hugo
Shame
Best Visual Effects
Harry Potter and the Deathly Hallows, Part 2
Hugo
Rise of the Planet of the Apes
Sucker Punch
The Tree of Life
List of Films By Number of Nominations:
10 Nominations – Hugo
7 Nominations – Shame, Sucker Punch
6 Nominations – Hanna
5 Nominations – The Artist; The Guard; Harry Potter and the Deathly Hallows Part 2; Tinker, Tailor, Solider, Spy; The Tree of Life
4 Nominations – Higher Ground, Young Adult
3 Nominations – Bridesmaids, Drive
2 Nominations – Bunraku, Incendies, Melancholia, Rise of the Planet of the Apes, Super, Win Win
1 Nomination – Beastly, A Better Life, Bill Cunningham New York, Buck, Captain America: The First Avenger, The Cave of Forgotten Dreams, DAM999, The Double Hour, 50/50, The Help, Insidious, Jig, Kung Fu Panda 2, Machine Gun Preacher, Martha Marcy May Marlene, Moneyball, The Muppets, Of Gods and Men, One Day, Puss in Boots, Rango, Ressurect Dead, Rio, The Skin I Live In, Take Shelter, 13 Assassins, X-Men: First Class, White Irish Drinkers, Winnie the Pooh
List of Films By Number of Oscars Won:
3 Oscars – Hanna
2 Oscars – Bunraku, Shame, Sucker Punch
1 Oscar – Beastly, Bridesmaids, The Cave of Forgotten Deams, Dam999, Higher Ground, Hugo Incendies, Melancholia, Puss in Boots, Rise of the Planet of the Apes, Super, Young Adult
So, will the Academy agree with my picks? Well, probably not. Indeed, it’s probable that they won’t agree at all. And to that, I say, “Oh well.”
The Academy Award nominations will be announced Tuesday morning.
What Lisa Marie Watched Last Night: The 69th Annual Golden Globe Awards
Last night, I watched the 69th Annual Golden Globe Awards. I also got on twitter and made a lot of snarky comments. People seemed to enjoy it and for that reason, I say, “Yay!”
Why Was I Watching It?
Because I am an awards show junkie! Seriously, those glue sniffers on Intervention don’t have anything on me when it comes to craving the excess, glamour, and foolishness of a big, silly Hollywood awards show! Add to that, this is still a fairly wide open Oscar season and the Golden Globes are, as they always say on E!, a “precursor to the Oscars.” Winning a Golden Globe usually guarantees at least an Oscar nomination. Plus — Ricky Gervais was back to host and like a lot of people last night, I spent the minutes before the ceremony asking myself, “What ever will he say!?” in feverish anticipation.
What Was It About?
For the past 69 years, the members of the Hollywood Foreign Press Association have thrown a big banquet in January and given out a lot of awards to various TV and movie stars. Nobody’s really sure who the members of the Hollywood Foreign Press Association are and, to be honest, the Golden Globes always have a slightly unsavory air to them. There’s always more than a few nominations that mostly seem to be designed to get famous people to show up at the ceremony, Last year, they nominated the Tourist, this year they nominated The Ides of March. Anyway, the Golden Globes are distinguished by the Oscars by the fact that they serve alcohol during the show and, in the past, someone’s always ended up giving a drunken acceptance speech or launching into an incoherent political rant and, for the past few weeks, we’ve been told that with Ricky Gervais returning to host the 69th annual banquet, anything could happen and probably would! Yay!
What Worked
Last night, I mentioned on twitter that if nothing interesting happened on the Globes or if Ricky somehow failed to deliver the expected amount of snark then I would devote this section of my review to talking about my boobs.
With that in mind, what can I say except that they’re a little big and heavy and they pretty much ended my dreams of being a ballerina but I like my boobs, or as I call them Pride and Joy. They go great with every outfit I own and I’m pretty sure that they’re also the reason why I’ve never had to pay a speeding ticket. Plus, they allowed me to say stuff like, “I should be Ms. Golden Globes!” while I was watching the show last night…
Actually, I’m being a little bit unfair to the Golden Globes (the awards ceremony, not my boobs). The tribute to Morgan Freeman was well-done and was probably the high point of the ceremony but then again, how can you go wrong with Morgan Freeman? Seriously, when I’m on the verge of doing something silly (like using a review of the Golden Globes to show off my boobs) , I imagine Morgan Freeman saying, “Now, do you really think that’s a good idea?”
Fashion-wise, I saw a lot of red dresses last night and that made me happy because I look really good in red.
Among the winners, Christopher Plummer (Best Supporting Actor for Beginners), Jean Dujardin (Best Actor In A Comedy Motion Picture for The Artist), Martin Scorsese (Best Director for Hugo), and Claire Danes (Best Actress In A Dramatic TV Show for Homeland) all gave good and classy acceptance speeches that made me feel good to be alive. And Uggie the dog was so adorable up there on stage when The Artist won Best Motion Picture Comedy. Actually, speaking of The Artist, it was kinda nice to see so many French people accepting awards last night. (Oh, stop it! I love France!)
I enjoyed it when Madonna won for best song because she was so shocked that she forgot to speak in her fake accent.
On an admittedly petty note, Rooney Mara did not win Best Actress for David Fincher’s The Girl With The Dragon Tattoo and that amused me greatly because I knew that all the little AwardsDaily Fincherites were torn about how to whine about Mara losing with coming across as if they were criticizing Meryl Streep for winning.
What Did Not Work
So, let’s start with the main problem. Last night’s Golden Globes ceremony was so respectable and predictable and slow that it might as well have just been the Oscars. Ricky Gervais started out the ceremony by telling us that he had signed an agreement to not make any offensive or outrageous statements and then he did just that. What’s especially annoying is that Ricky didn’t seem to be neutering himself as an act of protest or anything of the sort. Instead, he just came across like he was too smug and sure-of-himself to realize that he was bombing. It was as if he just expected his reputation to convince us that he was being funny and outrageous without actually being funny and outrageous. Last year, Ricky Gervais skewered Hollywood phonies. This year, Ricky Gervais was a Hollywood phony. I sat there waiting for him to say just one thing that could potentially end his career and he refused to do it.
But Ricky wasn’t alone. Seriously, where were the drunk winners launching into incoherent politically themed rants. I mean, it’s an election year for God’s sake. People on twitter were using the occasion to make all sorts of silly and naive political statements but the actual celebrities — the people who we depend on to act like a bunch of dumbasses — just sat there in this sort of placid anxiety like they were waiting for someone to show up for an intervention.
BLEH!
The majority of the night’s acceptance speeches were neither good nor bad. They were just boring. Listen, Meryl Streep is a great actress and I have no problem with her being recognized and awarded for her talent but oh my God, I nearly fell asleep trying to listen to her. Now, if Meryl (or any other winner) had gotten up on stage and started slurring her words or making dirty jokes or something like that, it would have made for great television. (Though I do have to give Meryl some credit for being the only winner to get bleeped.)
The Descendants won Best Motion Picture Drama but seriously, it’s hard for me to accept that this well-made but essentially unchallenging and rather forgettable film is now the Oscar front-runner. Seriously. Much as with every other award it has won, The Descendants felt like something of a compromise choice and, considering that Scorsese won best director, it’s hard to gauge just how much momentum the Descendants is going to get from this victory.
Oh! And another thing that sucked — how did George Clooney win a Golden Globe for essentially playing the same character he always plays while Michael Fassbender’s brilliant work in Shame was ignored? What type of game is that?
“Oh my God! Just like me!” Moments
Lessons Learned
This is shaping up to be one of the worst Oscar seasons in recent history. Seriously, if just one deserving film or performance wins in February, I will be amazed.
Lisa Marie’s Picks For The Best 26 Films of 2011
Here’s the final post in my “Best of 2011” series, my picks for the best 26 films of 2011. I’m just going to let this list stand for itself but I do want to make clear that these are MY picks and they do not necessarily reflect the opinions of the writers and editors on this site. You can read Leon’s picks right here and I’m sure that my fellow writers will be posting their own picks over the upcoming weeks. I’d also like to point out that I have limited my picks to films that I’ve actually seen this year — as opposed to just blindly jumping on the bandwagon of assumption as so many other film bloggers have done this year.* I have yet to see War Horse, Albert Nobbs, The Iron Lady, or We Need To Talk About Kevin, for instance. However, I have seen both The Descendants and The Girl With The Dragon Tattoo and no, neither one of them is on my list because, regardless of what the jack-booted thugs of professional criticism may insist, I didn’t feel either one of them deserved to be listed as one of the best films of the year. Ultimately, watching a movie is an individual experience and every individual opinion is legitimate.
(By the way, I’m doing a Top 26 list because Lisa doesn’t do odd numbers.)
Without further ado, here are my top 26 films of 2011:
1) Hanna
3) Shame
4) Hugo
5) The Artist
6) The Guard
7) Bridesmaids
8) Tinker, Tailor, Soldier, Spy
9) Young Adult
10) Sucker Punch
11) Incendies
12) Melancholia
13) Super
14) Harry Potter and the Deathly Hallows, Part 2
15) Win Win
16) The Cave of Forgotten Dreams
18) Jane Eyre
19) Terri
20) 50/50
21) Take Shelter
22) Drive
23) Soul Surfer
24) Bunraku
25) One Day
26) Like Crazy
Hopefully, I should be posting reviews of Tinker, Tailor, Soldier, Spy and Incendies sometime next week.
—-
* You’d have to be made of Stone to claim to be a film critic and yet not realize how unethical that type of behavior is.
A Quickie With Lisa Marie: The Artist (dir. by Michel Hazanavicius)
I was concerned before I saw Michel Hazanavicius’s critically acclaimed, silent film The Artist. This is the film that’s currently being touted as an Oscar front runner and has been acclaimed by critics the world over. Whenever I see this type of acclaim, I usually end up disappointed in the actual film because hype that positive is very difficult to live up to. (Case in point: The Descendants.) However, having seen The Artist, I can now say that this is the rare film that actually is almost as good as the critics say it is.
Starting out in a highly stylized Hollywood in the 1920s, The Artist introduces us to silent film star George Valentin (played Jean Dujardin who shows the same charm and style that he used to ironic effect in the director’s previous OSS 117 films). Valentin is the biggest star in the world and he is cheerfully dismissive of the idea of “talking” film. However, once the age of the talkies begins, Valentin finds his star on the descent while his protegé, former extra Peppy Miller (Berenice Bejo), becomes a star in talking films. Defiantly, Valentin continues to make silent films but is there anybody around still willing to watch them? Obviously, the storyline of The Artist is a familiar one but the film is more about how Hazanavicius tells this story than the story itself. The Artist is ultimately a triumph in pure and exuberant style.
At first, I have to admit that I was a little bit dubious about The Artist being a silent film. It sounded rather ominously like a gimmick and I was worried that The Artist would turn out to be one of those films that I felt obligated to enjoy as opposed to actually enjoying. Having seen the film, I can say that it is indeed a gimmick but it’s that rare gimmick that actually works extremely and genuinely well. Director Hazanavicius both pays homage to the conventions of silent cinema while also contrasting them against the harsher reality of loneliness and depression.
Much like the best of the old silent actors, both Dujardin and Bejo have amazingly expressive faces and they can say as much with their eyes as they could say with dialogue. Familiar character actors like John Goodman, James Cromwell, and Malcolm McDowell are also perfectly cast and used throughout the film’s narrative. Ultimately, however, the film is really stolen by Uggie, who plays Dujardin’s little dog and is just about the most talented canine I’ve ever seen on-screen. Seriously, he was adorable (and I say this as someone who is terrified of dogs both big and small) and he gets a chance to shine in a compelling sequence where he desperately tries to save his master from a fire. Seriously, Uggie gives such a great performance that I was surprised to discover that he wasn’t actually Andy Serkis under heavy CGI.
Technically, of course, The Artist isn’t really a silent film. It has a very rich and expressive musical score and there are two scenes in which Hazanavicius allows a few sound effects to be heard. Only towards the end of the film do we get to hear anybody speak and its truly jarring in the best way possible. If nothing else, The Artist makes us realize how much we take for granted the blaring soundtracks of most films. We’re so used to hearing things that we’ve forgotten how to listen. Luckily, The Artist is here to remind us.
Lisa Marie Is Kinda Mad At The Screen Actors Guild
The Screen Actors Guild nominations were announced on Wednesday morning and I’m just going to be honest. I am not happy. The SAG nominations have a pretty good track record as an Oscar precursor, largely because the Actors’ Branch is the largest branch of the Academy. The Actors Branch, of course, is totally made up of members of the SAG though not every member of SAG is in the Actors’ Branch. As such, there’s usually one or two SAG nominations who don’t get an Oscar nomination but, on the whole, SAG is a pretty good precursor of who is ultimately going to receive an Oscar nomination next January.
So, why am I upset?
Well, the SAG nominated some very good and deserving performers this year but somehow, they did not nominate Michael Shannon for Take Shelter. They did not nominate Carey Mulligan for Shame. They did not nominate Andy Serkis for Rise of the Planet of the Apes. They did not nominate The Guard’s Brendan Gleeson. And, worst of all, they did not nominate Michael Fassbender for Shame.
My personal theory is that Fassbender’s brave performance left the other members of the SAG feeling small, in more ways than one.
Here’s what did get nominated:
Outstanding Performance By A Cast In A Motion Picture
Bridesmaids
The Artist
The Descendants
The Help
Midnight in Paris
Outstanding Performance By A Male Actor In A Leading Role
George Clooney, The Descendants
Demian Bichir, A Better Life
Leonardo DiCaprio, J. Edgar
Jean Dujardin, The Artist
Brad Pitt, Moneyball
Outstanding Performance By A Female Actor In A Leading Role
Michelle Williams, My Week With Marilyn
Glenn Close, Albert Nobbs
Viola Davis, The Help
Meryl Streep, The Iron Lady
Tilda Swinton, We Need to Talk About Kevin
Outstanding Performance By A Male Actor In A Supporting Role
Nick Nolte, Warrior
Kenneth Branagh, My Week With Marilyn
Armie Hammer, J. Edgar
Jonah Hill, Moneyball
Christopher Plummer, Beginners
Outstanding Performance By A Female Actor In A Supporting Role
Octavia Spencer, The Help
Berenice Bejo, The Artist
Jessica Chastain, The Help
Melissa McCarthy, Bridesmaids
Janet McTeer, Albert Nobbs
On the plus side, the SAG showed absolutely no love for David Fincher’s rip-off of The Girl With The Dragon Tattoo. Also, it’s nice to see Jonah Hill’s performance in Moneyball hasn’t been totally overshadowed by Brad Pitt’s more showy performance. Also, it’s looking more and more like Bridesmaids is going to be a factor in this year’s Oscar race and the more I think about it, the more I like the idea of that.
Here Are The 2012 Critics’ Choice Movie Award Nominees
Earlier today, the Broadcast Film Critics Association announced their nominations for the 17th Annual Critics’ Choice Awards. The BFCA is the largest of the so-called “major” critics’ groups (and, interestingly enough, it’s also the newest and the least prestigious) and it has a fairly good track record of predicting the actual Oscar nominations. The awards themselves will be handed out on January 12th, 2012 in a self-important, kinda seedy ceremony that will be broadcast on VH-1.
BEST PICTURE
The Artist
The Descendants
Drive
Extremely Loud & Incredibly Close
The Help
Hugo
Midnight in Paris
Moneyball
The Tree of Life
War Horse
BEST ACTOR
George Clooney – The Descendants
Leonardo DiCaprio – J. Edgar
Jean Dujardin – The Artist
Michael Fassbender – Shame
Ryan Gosling – Drive
Brad Pitt – Moneyball
BEST ACTRESS
Viola Davis – The Help
Elizabeth Olsen – Martha Marcy May Marlene
Meryl Streep – The Iron Lady
Tilda Swinton – We Need to Talk About Kevin
Charlize Theron – Young Adult
Michelle Williams – My Week With Marilyn
BEST SUPPORTING ACTOR
Kenneth Branagh – My Week With Marilyn
Albert Brooks – Drive
Nick Nolte – Warrior
Patton Oswalt – Young Adult
Christopher Plummer – Beginners
Sir Andrew Serkis – Rise of the Planet of the Apes
BEST SUPPORTING ACTRESS
Berenice Bejo – The Artist
Jessica Chastain – The Help
Melissa McCarthy – Bridesmaids
Carey Mulligan – Shame
Octavia Spencer – The Help
Shailene Woodley – The Descendants
BEST YOUNG ACTOR/ACTRESS
Asa Butterfield – Hugo
Elle Fanning – Super 8
Thomas Horn – Extremely Loud & Incredibly Close
Ezra Miller – We Need to Talk About Kevin
Saoirse Ronan – Hanna
Shailene Woodley – The Descendants
BEST ACTING ENSEMBLE
The Artist
Bridesmaids
The Descendants
The Help
The Ides of March
BEST DIRECTOR
Stephen Daldry – Extreme Loud & Incredibly Close
Michel Hazanavicius – The Artist
Alexander Payne – The Descendants
Nicolas Winding Refn – Drive
Martin Scorsese – Hugo
Steven Spielberg – War Horse
BEST ORIGINAL SCREENPLAY
The Artist – Michel Hazanavicius
50/50 – Will Reiser
Midnight in Paris – Woody Allen
Win Win – Screenplay by Tom McCarthy, Story by Tom McCarthy & Joe Tiboni
Young Adult – Diablo Cody
BEST ADAPTED SCREENPLAY
The Descendants – Alexander Payne and Nat Faxon & Jim Rash
Extremely Loud & Incredibly Close – Eric Roth
The Help – Tate Taylor
Hugo – John Logan
Moneyball – Steven Zaillian and Aaron Sorkin, Story by Stan Chervin
BEST CINEMATOGRAPHY
The Artist – Guillaume Schiffman
Drive – Newton Thomas Sigel
Hugo – Robert Richardson
Tree of Life – Emmanuel Lubezki
War Horse – Janusz Kaminski
BEST ART DIRECTION
The Artist – Production Designer: Laurence Bennett, Art Director: Gregory S. Hooper
Harry Potter and the Deathly Hallows Part 2 – Production Designer: Stuart Craig, Set Decorator: Stephenie McMillan
Hugo – Production Designer: Dante Ferretti, Set Decorator: Francesca Lo Schiavo
The Tree of Life – Production Designer: Jack Fisk, Art Director: David Crank
War Horse – Production Designer: Rick Carter, Set Decorator: Lee Sandales
BEST EDITING
The Artist – Michel Hazanavicius and Anne-Sophie Bion
Drive – Matthew Newman
The Girl With the Dragon Tattoo – Kirk Baxter and Angus Wall
Hugo – Thelma Schoonmaker
War Horse – Michael Kahn
BEST COSTUME DESIGN
The Artist – Mark Bridges
The Help – Sharen Davis
Hugo – Sandy Powell
Jane Eyre – Michael O’Connor
My Week With Marilyn – Jill Taylor
BEST MAKEUP
Albert Nobbs
Harry Potter and the Deathly Hallows Part 2
The Iron Lady
J. Edgar
My Week With Marilyn
BEST VISUAL EFFECTS
Harry Potter and the Deathly Hallows Part 2
Hugo
Rise of the Planet of the Apes
Super 8
The Tree of Life
BEST SOUND
Harry Potter and the Deathly Hallows Part 2
Hugo
Super 8
The Tree of Life
War Horse
BEST ANIMATED FEATURE
The Adventures of Tintin
Arthur Christmas
Kung Fu Panda 2
Puss in Boots
Rango
BEST ACTION MOVIE
Drive
Fast Five
Hanna
Rise of the Planet of the Apes
Super 8
BEST COMEDY
Bridesmaids
Crazy, Stupid, Love
Horrible Bosses
Midnight in Paris
The Muppets
BEST FOREIGN LANGUAGE FILM
In Darkness
Le Havre
A Separation
The Skin I Live In
Where Do We Go Now
BEST DOCUMENTARY FEATURE
Buck
Cave of Forgotten Dreams
George Harrison: Living in the Material World
Page One: Inside the New York Times
Project Nim
Undefeated
BEST SONG
“Hello Hello” – performed by Elton John and Lady Gaga/written by Elton John and Bernie Taupin – Gnomeo & Juliet
“Life’s a Happy Song” – performed by Jason Segel, Amy Adams and Walter/written by Bret McKenzie – The Muppets
“The Living Proof” – performed by Mary J. Blige/written by Mary J. Blige, Thomas Newman and Harvey Mason, Jr. – The Help
“Man or Muppet” – performed by Jason Segel and Walter/written by Bret McKenzie – The Muppets
“Pictures in My Head” – performed by Kermit and the Muppets/written by Jeannie Lurie, Aris Archontis and Chen Neeman – The Muppets
BEST SCORE
The Artist – Ludovic Bource
Drive – Cliff Martinez
The Girl With the Dragon Tattoo – Trent Reznor & Atticus Ross
Hugo – Howard Shore
War Horse – John Williams
The BFCA has obviously made a lot of nominations and some of them are interesting but I have to be honest: the BFCA as an organization annoys me with how they’re always bragging about how big they are and how they’re so good at celebrating the conventional establishment wisdom. So, I’ll just say that its nice to see Hanna getting at least some sort of recognition (even if that recognition is kinda minor.)