Film Review: Godzilla vs. Kong (dir by Adam Wingard)


From the minute Godzilla vs. Kong was announced, I’ve been rooting for Godzilla.

I’m probably not alone in this. I mean, let’s just be honest. King Kong seems like he means well and certainly, he’s had to deal with enough dumbass humans that it’s impossible not to feel some sympathy for him. But, in the end, King Kong is just a big monkey whereas Godzilla is an atomic, fire-breathing lizard who only protects Earth because he can’t stand the thought of anyone else destroying it before he gets the chance. King Kong is cool but Godzilla is a freaking badass. (It’s not a coincidence that literally everyone hates the fact that the original, Japanese-produced King Kong vs. Godzilla ended with King Kong winning.) One of my main hopes when it came to Godzilla vs Kong was that Godzilla would be declared the rightful winner of this battle of the Titans.

Obviously, I can’t tell you whether or not my hope came true, not without spoiling the film. (That said, it’s probably debatable just how much you can really spoil a film like Godzilla vs. Kong.) I can tell you that the title of the film is accurate. Kong and Godzilla meet and they fight, a total of three times. Buildings are climbed and destroyed. Radioactive fire is spewed across the Earth. The monkey and the lizard do not team up to conquer climate change. The climatic battle takes place in a city and many people are undoubtedly killed as a result but no one ever mentions anything about any of them so you’re free not to worry about them. Though the film doesn’t quite have the same charm as the sight of two men in rubber monster suits tossing miniature trees at each other, the CGI and the fight scenes are all undeniably well-done. As far as the film’s actual story goes, it’s all pretty dumb and it has none of the subversive bite of director Adam Wingard’s pervious films but Godzilla vs Kong is still undeniably entertaining. Those who have commented that there’s not much subtext to Godzilla vs Kong have a point but that’s actually a huge part of the film’s appeal. After a year of pop culture that was marinated in doom and gloom, there’s something undeniably appealing about a film that says, “Sit back, enjoy, and don’t worry about a thing.”

(I saw one negative review of Godzilla vs Kong that complained that the film didn’t have a strong environmental message, as if the filmmakers should have stopped the action so that Greta Thunberg could show up and shout “How dare you!?” at the two monsters.)

Of the two stars, Kong gets the most screentime, despite the fact that Godzilla is the more interesting of the two monsters. There are also humans in the film, played by recognizable performers like Alexandar Skarsgard, Rebecca Hall, Kyle Chandler, Millie Bobby Brown, Demian Bichir, Julian Dennison, and Brian Tyree Henry. All of the humans have their own reasons for being concerned about Kong’s fight with Godzilla but, to be honest, you really won’t care. Regardless of the talent of the individuals playing them, the human characters really aren’t important and the film is at its weakest when it tries to convince us that they are. This is a film you watch because of the monsters and it works best when it focuses on them.

As I sit here writing this, Godzilla vs Kong is on the verge of leaving HBOMax. However, it’s still playing in theaters, which is the idea way to watch an effects-driven film like this one. It’s the first true blockbuster of the post-pandemic era. Hopefully, it’ll be the first of many.

The Washington D.C. Film Critics Honor Wonder Woman 1984!


 

Well, the Washington D.C. Area Film Critics did pick Wonder Woman 1984 as being the best 2020 cinematic depiction of life in Washington D.C.

However, Nomadland won best picture.  Chloe Zhao picked up best director.  Frances McDormand won best actress.  In fact, to be honest, it was pretty much the same films and people who have been winning the majority of the prizes since award season began.  That’s not a complaint, mind you.  It’s just that, when the same film keeps winning over and over again, it makes you appreciate things like Wonder Woman 1984 picking up an award for being the best cinematic depiction of life in Washington D.C.

Here are the winners from our nation’s capital:

Best Film
First Cow
Minari
Nomadland
One Night in Miami…
Promising Young Woman

Best Director
Lee Isaac Chung – Minari
Emerald Fennell – Promising Young Woman
Regina King – One Night in Miami…
Kelly Reichardt – First Cow
Chloé Zhao – Nomadland

Best Actor
Riz Ahmed – Sound Of Metal
Chadwick Boseman – Ma Rainey’s Black Bottom
Anthony Hopkins – The Father
Delroy Lindo – Da 5 Bloods
Steven Yeun – Minari

Best Actress
Viola Davis – Ma Rainey’s Black Bottom
Vanessa Kirby – Pieces Of A Woman
Frances McDormand – Nomadland
Elisabeth Moss – The Invisible Man
Carey Mulligan – Promising Young Woman

Best Supporting Actor
Sacha Baron Cohen – The Trial Of The Chicago 7
Daniel Kaluuya – Judas And The Black Messiah
Bill Murray – On The Rocks
Leslie Odom, Jr. – One Night in Miami…
Paul Raci – Sound Of Metal

Best Supporting Actress
Maria Bakalova – Borat Subsequent Moviefilm
Olivia Colman – The Father
Dominique Fishback – Judas And The Black Messiah
Amanda Seyfried – Mank
Yuh-Jung Youn – Minari

Best Acting Ensemble
Da 5 Bloods
Ma Rainey’s Black Bottom
Minari
One Night in Miami…
The Trial Of The Chicago 7

Best Youth Performance
Millie Bobby Brown – Enola Holmes
Sidney Flanigan – Never Rarely Sometimes Always
Alan Kim – Minari
Talia Ryder – Never Rarely Sometimes Always
Helena Zengel – News Of The World

Best Voice Performance
Tina Fey – Soul
Jamie Foxx – Soul
Tom Holland – Onward
Honor Kneafsey – Wolfwalkers
Octavia Spencer – Onward

Best Original Screenplay
Lee Isaac Chung – Minari
Andy Siara – Palm Springs
Emerald Fennell – Promising Young Woman
Darius Marder & Abraham Marder – Sound Of Metal
Aaron Sorkin – The Trial Of The Chicago 7

Best Adapted Screenplay
Jon Raymond & Kelly Reichardt – First Cow
Charlie Kaufman – I’m Thinking Of Ending Things
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Chloé Zhao – Nomadland
Kemp Powers – One Night in Miami…

Best Animated Feature
The Croods: A New Age
Onward
Over the Moon
Soul
Wolfwalkers

Best Documentary
Boys State
Collective
Crip Camp: A Disability Revolution
Dick Johnson Is Dead
Time

Best International/Foreign Language Film
Another Round
Bacurau
La Llorona
Night of the Kings
The Mole Agent

Best Production Design
Emma.
Mank
Ma Rainey’s Black Bottom
News Of The World
Tenet

Best Cinematography
Newton Thomas Sigel – Da 5 Bloods
Erik Messerschmidt – Mank
Dariusz Wolski – News Of The World
Joshua James Richards – Nomadland
Hoyte van Hoytema – Tenet

Best Editing
Kirk Baxter – Mank
Chloé Zhao – Nomadland
Mikkel E. G. Nielsen – Sound Of Metal
Jennifer Lame – Tenet
Alan Baumgarten – The Trial Of The Chicago 7

Best Original Score
Trent Reznor & Atticus Ross – Mank
Emile Mosseri – Minari
James Newton Howard – News Of The World
Trent Reznor, Atticus Ross & Jon Batiste – Soul
Ludwig Göransson – Tenet

The Joe Barber Award for Best Portrayal of Washington, DC
Crip Camp: A Disability Revolution
The Fight
Jimmy Carter: Rock & Roll President
John Lewis: Good Trouble
Wonder Woman 1984

The London Film Critics Circle Honors Nomadland


Even in London, they love Nomadland!

The London Film Critics Circle named their best of the year yesterday.  I imagine that this will have negligible influence on the Oscar race since some of the films honored have yet to be released in the States and some of the biggest Oscar contenders have yet to be released in the UK.  Still, I think it’s always interesting to see what films are being honored outside of the U.S.  Cinema is an international art form.

Here are the nominees and, in bold, the winners from London:

FILM OF THE YEAR
About Endlessness
Collective
I’m Thinking of Ending Things
Lovers Rock
The Mauritanian
Minari
Nomadland
Promising Young Woman
Rocks
Saint Maud

FOREIGN-LANGUAGE FILM OF THE YEAR
About Endlessness
Another Round
Collective
Les Misérables
Minari

DOCUMENTARY OF THE YEAR
Bloody Nose, Empty Pockets
Collective
Dick Johnson Is Dead
Time
The Truffle Hunters

BRITISH/IRISH FILM OF THE YEAR
The Father
Lovers Rock
Mangrove
Rocks
Saint Maud

DIRECTOR OF THE YEAR
David Fincher – Mank
Rose Glass – Saint Maud
Kevin Macdonald – The Mauritanian
Steve McQueen – Small Axe
Chloé Zhao – Nomadland

SCREENWRITER OF THE YEAR
Jack Fincher – Mank
Rose Glass – Saint Maud
Charlie Kaufman – I’m Thinking of Ending Things
Aaron Sorkin – The Trial of the Chicago 7
Chloé Zhao – Nomadland

ACTRESS OF THE YEAR
Morfydd Clark – Saint Maud
Viola Davis – Ma Rainey’s Black Bottom
Vanessa Kirby – Pieces of a Woman
Frances McDormand – Nomadland
Carey Mulligan – Promising Young Woman

ACTOR OF THE YEAR
Riz Ahmed – Sound of Metal
Chadwick Boseman – Ma Rainey’s Black Bottom
Anthony Hopkins – The Father
Delroy Lindo – Da 5 Bloods
Tahar Rahim – The Mauritanian

SUPPORTING ACTRESS OF THE YEAR
Maria Bakalova – Borat Subsequent Moviefilm
Ellen Burstyn – Pieces of a Woman
Essie Davis – Babyteeth
Jennifer Ehle – Saint Maud
Amanda Seyfried – Mank

SUPPORTING ACTOR OF THE YEAR
Sacha Baron Cohen – The Trial of the Chicago 7
Chadwick Boseman – Da 5 Bloods
Aldis Hodge – Clemency
Ben Mendelsohn – Babyteeth
Shaun Parkes – Mangrove

BRITISH/IRISH ACTRESS OF THE YEAR (for body of work)
Bukky Bakray – Rocks
Jessie Buckley – I’m Thinking of Ending Things & Misbehaviour
Morfydd Clark – Eternal Beauty & Saint Maud
Vanessa Kirby – Pieces of a Woman & The World to Come
Carey Mulligan – The Dig & Promising Young Woman

BRITISH/IRISH ACTOR OF THE YEAR (for body of work)
Riz Ahmed – Mogul Mowgli & Sound of Metal
Sacha Baron Cohen – Borat Subsequent Moviefilm & The Trial of the Chicago 7
John Boyega – Red, White and Blue
Anthony Hopkins – The Father
Cosmo Jarvis – Calm With Horses & Nocturnal

BREAKTHROUGH BRITISH/IRISH FILMMAKER
Henry Blake – County Lines
Fyzal Boulifa – Lynn + Lucy
Emerald Fennell – Promising Young Woman
Rose Glass – Saint Maud
Remi Weekes – His House

YOUNG BRITISH/IRISH PERFORMER
Kosar Ali – Rocks
Bukky Bakray – Rocks
Millie Bobby Brown – Enola Holmes
Conrad Khan – County Lines
Molly Windsor – Make Up

BRITISH/IRISH SHORT FILM
Filipiñana – Rafael Manuel, director
Hungry Joe – Paul Holbrook, director
Lizard – Akinola Davies Jr, director
The Long Goodbye – Aneil Karia, director
The Shift – Laura Carreira, director

TECHNICAL ACHIEVEMENT
Ammonite – Stéphane Fontaine, cinematography
Birds of Prey – Deborah Lamia Denaver & Adruitha Lee, makeup & hair
Lovers Rock – Mica Levi, music
Mank – Donald Graham Burt, production design
Nomadland – Joshua James Richards, cinematography
Rocks – Lucy Pardee, casting
Soul – Pete Docter, animation
Sound of Metal – Nicolas Becker, sound design
Tenet – Jennifer Lame, film editing
Wolfwalkers – Tomm Moore & Ross Stewart, animation

Here Are The Washington D.C. Area Film Critics Association Nominations!


Yesterday, the Washington D.C. Area Film Critics Association announced their nominees for the best of the year.  After it was snubbed by both the Golden Globes and SAG, it’s nice to see at least one group acknowledging First Cow.  (Actually, a lot of groups have been acknowledging First Cow.  I just worry it’s the type of film that will player better with critics than with Oscar voters.  Which is a shame because it’s a great film!)

The winners will be announced on February 8th …. which is tomorrow!  Here are the nominees:

Best Film
First Cow
Minari
Nomadland
One Night in Miami…
Promising Young Woman

Best Director
Lee Isaac Chung – Minari
Emerald Fennell – Promising Young Woman
Regina King – One Night in Miami…
Kelly Reichardt – First Cow
Chloé Zhao – Nomadland

Best Actor
Riz Ahmed – Sound Of Metal
Chadwick Boseman – Ma Rainey’s Black Bottom
Anthony Hopkins – The Father
Delroy Lindo – Da 5 Bloods
Steven Yeun – Minari

Best Actress
Viola Davis – Ma Rainey’s Black Bottom
Vanessa Kirby – Pieces Of A Woman
Frances McDormand – Nomadland
Elisabeth Moss – The Invisible Man
Carey Mulligan – Promising Young Woman

Best Supporting Actor
Sacha Baron Cohen – The Trial Of The Chicago 7
Daniel Kaluuya – Judas And The Black Messiah
Bill Murray – On The Rocks
Leslie Odom, Jr. – One Night in Miami…
Paul Raci – Sound Of Metal

Best Supporting Actress
Maria Bakalova – Borat Subsequent Moviefilm
Olivia Colman – The Father
Dominique Fishback – Judas And The Black Messiah
Amanda Seyfried – Mank
Yuh-Jung Youn – Minari

Best Acting Ensemble
Da 5 Bloods
Ma Rainey’s Black Bottom
Minari
One Night in Miami…
The Trial Of The Chicago 7

Best Youth Performance
Millie Bobby Brown – Enola Holmes
Sidney Flanigan – Never Rarely Sometimes Always
Alan Kim – Minari
Talia Ryder – Never Rarely Sometimes Always
Helena Zengel – News Of The World

Best Voice Performance
Tina Fey – Soul
Jamie Foxx – Soul
Tom Holland – Onward
Honor Kneafsey – Wolfwalkers
Octavia Spencer – Onward

Best Original Screenplay
Lee Isaac Chung – Minari
Andy Siara – Palm Springs
Emerald Fennell – Promising Young Woman
Darius Marder & Abraham Marder – Sound Of Metal
Aaron Sorkin – The Trial Of The Chicago 7

Best Adapted Screenplay
Jon Raymond & Kelly Reichardt – First Cow
Charlie Kaufman – I’m Thinking Of Ending Things
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Chloé Zhao – Nomadland
Kemp Powers – One Night in Miami…

Best Animated Feature
The Croods: A New Age
Onward
Over the Moon
Soul
Wolfwalkers

Best Documentary
Boys State
Collective
Crip Camp: A Disability Revolution
Dick Johnson Is Dead
Time

Best International/Foreign Language Film
Another Round
Bacurau
La Llorona
Night of the Kings
The Mole Agent

Best Production Design
Emma.
Mank
Ma Rainey’s Black Bottom
News Of The World
Tenet

Best Cinematography
Newton Thomas Sigel – Da 5 Bloods
Erik Messerschmidt – Mank
Dariusz Wolski – News Of The World
Joshua James Richards – Nomadland
Hoyte van Hoytema – Tenet

Best Editing
Kirk Baxter – Mank
Chloé Zhao – Nomadland
Mikkel E. G. Nielsen – Sound Of Metal
Jennifer Lame – Tenet
Alan Baumgarten – The Trial Of The Chicago 7

Best Original Score
Trent Reznor & Atticus Ross – Mank
Emile Mosseri – Minari
James Newton Howard – News Of The World
Trent Reznor, Atticus Ross & Jon Batiste – Soul
Ludwig Göransson – Tenet

The Joe Barber Award for Best Portrayal of Washington, DC
Crip Camp: A Disability Revolution
The Fight
Jimmy Carter: Rock & Roll President
John Lewis: Good Trouble
Wonder Woman 1984

A rivalry begins in the Godzilla vs. Kong trailer


Back in 1986, Optimus Prime muttered 6 six words to Megatron that would sear itself into the minds of kids for a generation.

“One shall stand, One shall fall.”

And here we are, 30 years later, still using that phrase, or something like it. as Godzilla vs. Kong  offers the tagline “One Will Fall”.

After 3 mega movies (Godzilla, Kong: Skull Island & Godzilla: King of the Monsters), we’re finally ready for a kaiju matchup of truly epic proportions. Godzilla vs Kong pairs the two legendary monsters against each other, though for what reasons, we’re not entirely sure. Neither side wishes to concede, and the battle looks like it’s going to be both in the water and on land. From the newly released trailer, it looks like Kong’s the current hero. The returning characters of Mark and Madison Russell (Kyle Chandler and Millie Bobby Brown) from Godzilla: King of the Monsters seem to feel that something’s wrong with our atomic breath spewing hero. Dr. Chen (Zhang Ziyi, Crouching Tiger, Hidden Dragon) is also on hand to help. After saving the world twice, why would he suddenly turn on mankind? I’m not sure I like the idea of Godzilla being a villain in all this, but they have to have a reason to fight, I suppose.

While it doesn’t look like anyone returns from Kong: Skull Island, we still have Kong and some supporting characters in Alexander Skarsgard (The Legend of Tarzan), Julian Dennison (Deadpool 2), Jessica Henwick (Underwater), Eiza Gonzalez (Bloodshot), Danai Gurira (Black Panther), and Lance Reddick (John Wick 3 – Parabellum).

Godzilla vs. Kong is due in IMAX and on HBO Max on March 26th, 2021.

Stranger Things, S3, Ep 5,6,7,8, Spoiler Review by Case Wright


stranger-things-titles(1)

I am reviewing these four episodes as a block because only 25 minutes mattered combined.  In fact, the show rapidly devolved into gross out scenes, cartoonish hijinks, cartoonish Russians, and a terrible song and dance number duo….really.  The only way this season could get rave reviews is if the reviewer binged the show and was too tired to analyze it.  I get it- you’re around your friend(s), your girlfriend is virtual, and you can barely afford your Brooklyn apartment on your blogger salary; however, that doesn’t mean you shouldn’t be critical of a show that really should just go away.

I’m adding on to my review here to discuss what makes Stranger Things so terrible now.  This series was heavily influenced by Stephen King and likely Salem’s Lot because of the repeated Vampire monsters.  More importantly, season 1 was great for the same reason that Stephen King’s stories are great- It’s not about the monster in the house; it’s about how the people are living in house with a monster.  These are your neighbors and now have to deal with something beyond reality and that was exactly what Stranger Things Season 1 was about.  There is one other theme that make Stephen King’s stories terrifying: it’s not Randall Flagg, the Werewolves, The Clowns; it’s about people who are supposed to be caring for you, but in fact do not.  This theme is in nearly every Stephen King book and it was present in Stranger Things Season 1.  El called Evil Modine “Papa” even though he was an abusive kidnapper who didn’t think anything more about El than a piece of lab equipment.  The series now has left all those themes behind to become a husk.

The last four episodes broke discretely into three distinct and equally boring and poorly executed quests: 1) Joyce, Hop, Alexi, and Weirdo try to destroy the machine opening the gate. 2) Dustin, Erica, Steve, and Robin try to escape the bunker and annoy everyone. 3) The original gang drag El around so she can get her ass beat.

Episodes 4 – 7:  Joyce and Hop go through town looking for answers and end up kidnapping a Russian engineer – Alexi.  They take him to the creepy weird guy from last season and without any story arc Alexi is all in to help.  He gives them schematics to infiltrate the Starcourt Mall underground bunker and how to destroy the machine.  Why does Alexi do all this? Who knows?  It’s a good thing Alexi is so detailed because he dies later and it doesn’t matter.  But, we do get A LOT of corny banter and goofy car scenes:

Screenshot (11).png

Hop steals this car in the most corny and unrealistic way possible.  It’s corny, but it makes up for it by being cartoonish and boring.  There are A LOT of scenes where they are driving around and mostly Joyce yells a lot at Hop and Hop yells at Joyce for roughly 38 times.  It’s really dull.  They manage to infiltrate the base eventually try to destroy the machine.  Do they make it?  We have to get through many many pratfalls to find out .. wakka wakka wakka.

Dustin, Erica, Steve, and Robin infiltrate the base…..and Steve and Robin get caught right away.  This could have been a great suspenseful plot point, but instead we get hijinks!!! A goofy Russian General who makes this face a lot:

Screenshot (52)

This “torture” sequence goes on for a long long long while and really goes nowhere, which is especially disappointing because there were a couple of episodes that had real suspense.  Instead now, we get this comic book torture guy:

It’s really goofy.  It’s like the Duffer Brothers couldn’t figure out if this show was horror, comedy, or just paint by numbers garbage.  Dustin manages to bust Robin and Steve out because that’s super believable after making Dustin the LEAST physical of the bunch for 2.8 seasons.

El and the gang start to battle with the least effective monster ever.  For a Big Bad Vampire monster, it can’t see very well, it has a vague agenda, and it’s unclear what can actually kill it until the penultimate episode, which sets up Hop’s likely death.  Yes, it looks gross:

Screenshot (53)

BUT it’s REALLY REALLY bad at finding and killing things that matter.

They, of course, manage to kill off the big bad, but that was never really in doubt.  What was amazing is how the writers derailed the story in favor of WACKINESS!

The “scary” general goofs around A LOT:

Screenshot (19).png

So funny how it derails the suspense. Sigh.

There is car driving wackiness: Screenshot (54).png

Above: a not funny joke was made. They laughed for a very long time.  The person on the right is Alexis.  He dies and it doesn’t matter.

The big fight with the big bad where Hop gets sacrificed: the show ruined itself.  It didn’t just go for wackiness; it stalled the epic last monster fight scene where everyone is about to die for a no kidding Song and Dance sequence- REALLY!

I remember when this song sequence started because I was young man with two newborns.  When it ended, I was sending my girls off to college.  The third picture? Yep, that’s a split screen singing moment.  It …. just….kept… going.  I was really rooting for the Monster.

Did the first four episodes give me hope? Yes, but that hope and good will was squandered by plain old corny scenes and cartoonish sequences.  Maybe, we all entered  the upside down because there is no way a third season like this should have made it to daylight without all laws of physics and reason being reversed.

Screenshot (19)

 

 

Stranger Things, S03,Ep4, Review By Case Wright


stranger-things-titles(1)

Episode 4 had a lot going on.  It’s like the show doesn’t know how to maintain suspense from one episode to the next.  The previous episode had nothin goin on and this one was like 10 pound sausage in a 5 pound bag.  This is actually a pretty good season and the creators know that they peaked in the first season because of the incessant flashback clips to season 1.

We open with Heather and Mullet-Renfield setting up her parents to be disgustingly consumed/converted by the Monster Vampire- It’s Gross!  Of course, after following the NXIVM case, maybe we should let the Vampire Monster win?  Are we really that great that ya know we DESERVE to live.

This season is all about breaking up, reuniting, and moving on.  Dustin is breaking away and making older friends.  I’m pretty sure that Will is about to come out- Good for Him and good for the show!

Speaking of Dustin, he, Robin, and Steve are trying really hard to infiltrate the Russian mall area and they recruit Erica (Sister of Lucas) to do it.  I gotta write that she was a scene stealer.  It’s clear to me that she could be a huge star.  Erica fits through the air vents, which are actually normal sized- Good work set department.  When they enter the secret room, they hit a BAD button and they accidentally go DEEP underground.

Hop and Joyce are on the hunt for information and they get it by beating the snot out of a very smarmy Mayor (Carey Elwes) we learn that he was on the take with the Russians, the Russians own the mall, and they are buying up most of the town.  Evil Mall, Evil Russians, Evil Food Court!

The kids get back together to do battle with Mullet-Renfield.  They surmise that because the creature likes cold, they will lock Mullet-Renfield in the pool sauna.  And…. it kinda works?  They manage to activate Mullet-Guy into a vampire drone, but El, unlike previous seasons, gets her ass beat.  It’s brutal.  She does throw Mullet-guy through a wall, but why do this anyway?  Did they really need to prove his guilt?  They could’ve just followed him back to his evil lair and he wouldn’t have known they were on them.  The problem they all took their stupid pills off camera. Kids yesterday?

It would seem that we have reached a major Arc Spin-around.  It would make sense for all the heroes to lose a lot soon.  Hop will probably lose his job, Mullet-Renfield has amassed an army for the Sticky Vampire Monster, The Russians are evilling, and Dustin, Robin, Erica and Steve are going down a mineshaft.

Side plot: Creeper and Nancy get fired from the paper by the converted Editor, but she will keep pursuing the story …. for some reason.  Nancy, why not just go to community college? What are wasting your time for?  Is this Barb guilt?

It’s looking grim, BUT this is a good thing.  This season is actually keeping my interest and has real suspense even if the episodes themselves are uneven.  I’m not sure the series deserves another season yet; so, I’m hoping they give some closure this season.

 

Stranger Things S3 Ep2, The Mall Rats, Review by Case Wright


stranger-things-titles(1)

I was right again!!! Stranger Things is a VAMPIRE show!!! No one else got that! Season 1- I proved that the show was a Vampire show. This season continues that theme with a Renfield! See my old review HERE!!!

Vampires especially Dracula uses a Renfield as a familiar.  These are people who are quasi-vampires who do the bidding of the Vampire and bring them victims and assist them in their lives.  This is seen in Dracula, Salem’s Lot, What We Do in The Shadows, and Stranger Things Season 3.

This episode is all about change and entropy.  In the previous episode, Mullet-Guy was pulled down into the steel mill.  In this episode, we learn that this was to make Mullet-guy into a familiar to the New Nosferatu!

If you’re not convinced that the new big bad is a Vampire:

  1. Lives in a dark crypt. ✔
  2. Kills small animals to live. ✔
  3. Takes a familiar. ✔
  4. Has familiar bring it a pretty victim. ✔
  5. Familiar is hypnotized. ✔
  6. Vampire moves from small animals to human victims. ✔

What we got here is a case of a Sci-Fi Nosferatu!!!

The big bad is feeding on rats and later has Mullet-Guy bring him a pretty victim to feed upon and likely enslave just like Lucy was enslaved by Dracula in Bram Stokers.  The vampire story also explains the Winona Ryder casting because she was in the Bram Stoker Dracula film. Also, Mullet-guy is now dizzy and sick when he’s exposed to sunlight! HEARD IT HERE FIRST!!!! *Spikes Ball* *Touchdown Dance*

Mike takes Hops lecture seriously and he starts lying to El.  Then, El and Mike break up.  Big Whoop.  Don’t Care.  Lucas and his girlfriend are much more interesting characters anyway.  They have wit and drama.  Mike and El’s relationship is basically a one-note in dullsville.

Steve, Robin, and Dustin have decoded the Russian message sort of.  I’m actually coming to the belief that neck breaking Russian guy is in the upside down and they are trying to get back to the real world.  Also, that the melted Russians from the first episode are actually the Big Bad from Season 2 and Season 3.  The experiment fused them and now they are a combined angry monster vampire.

The episode ends as said before with Mullet-Renfield bringing the Monster a pretty victim. Just like in Dracula!

 

Stranger Things, S3, Ep1, Suzie, Do you copy?, Review By Case Wright, (Dir. Matt and Ross Duffer)


stranger-things-titles(1).jpg

And…..We’re Back!

This series is special to me. It’s the first I ever reviewed for this site.  It was awesome- Read Here

I have watched every episode of this series.  The first season was epic and even engendered a ride at Universal Studios.  Season 2 was a show that was aired on Netflix with Sean Astin.  This season has a new big bad who looks a lot like last years big bad. So….I hope it’s better than last year’s terribleness.  This episode opened with a bit of meh, but better than Season Two’s sophomore slump.  I’m guessing that it will be kinda of fun to watch.  In any case, I write for an entertainment blog, so this is happening!

Cold Open: The Russians are trying to open the gate and they are EVIL!  One guy goes full on Ivan Drago (Rocky IV) and lifts a guy by the neck and chokes hims to death! Their experiment apparently releases the smoke monster again and he’s pissed at Hawkins!

Our older heroes are really not doing well.  Nancy is a gopher at a sexist newspaper.  Jake Busey is one of the reporters.  I’m not sure if Jake knew this was a role or if he thought, “I’ve always wanted to work at a newspaper in a dying town!” and just ran with it.  Creeper has found his niche working as a creepy photographer for a creepy newspaper.  We’re better off without elitist journalists anyway.  All Hail The Bloggers!!!!

Steve is working at the mall at a terrible ice cream shop and striking out with every girl in Indiana.  I suppose this is possible.  He wears a dorky outfit, but he’s still Steve.  I kinda doubted this whole constant rejection he’s getting.  I think it’s the writers were  thinking that the moment good looking people leave high school, they are nobody.  This doesn’t make sense because IRL beautiful people make tons of money as actors and generally do pretty well getting dates.  It takes me out of it a little.

The gang is all about their hormones.  Mike and El are constantly making out and disrespecting Hop, which I really can’t stand.  Hop is troubled by and turns to his unrequited love Joyce who tells him to get to get all kumbaya and I just can’t watch.  This comes to a head at the end of the episode where Hop loses it and I’m hoping he smacks Mike around- in a nice way.

Dustin returned from science camp and he built a Radio Tower to speak with his girlfriend in Utah.  Everyone keeps acting totally shocked that Dustin could have a girlfriend.  This came across as mean and dickish to me.  I mean Dustin isn’t Brad Pitt, but he’s smart and nice.  Anywho, they erect the radio tower and Dustin can’t reach her, giving his girlfriend claim a “My girlfriend is in Canada” feel to it. To my Canadian readers, we down south have been claiming that you were our girlfriends for generations.  I know this sounds weird, but here we are.   He does pick up a signal from the Russians and they are trying to open their own gate to evil town.

Ok, Cara Buono is at the pool as is Mullet-guy.  Mullet-guy is now the lifeguard and they going to have an affair.  This all seems to be ready to go, but the smoke monster is taking up space in the abandoned Steel Mill and eats him or something.  Why a Steel Mill?  Well, the Smoke Monster is really into depressed real estate and factories can be converted into lofts for the hipster set.  It’s really forward thinking on Smokey’s part.

I would say this episode is a bit clunky, but good.  Is it the thrill ride of the first season? NO NO NO, but honestly what is?!  Stranger Things season 1 was a television event up there with The Stand, Shogun, or It.  In fact, it was never meant to be a recurring series until the last minute, but hey it’s better than watching re-runs of Parks and Rec.

See you soon for ep 2!!!

 

 

 

Godzilla: King of Monsters 2nd Official Trailer


Godzilla King of Monsters

This past summer we saw the first trailer to Godzilla: King of Monsters. To say that the reaction to that trailer was positive would be an understatement. It was one of the highlights of San Diego Comic-Con 2018.

Now, Warner Brothers Pictures saw fit to release the second trailer for the film. This time with less classical music and more Kaiju mayhem visuals instead. Michael Dougherty takes over directing duties from Gareth Edwards and this time it shows as the film stresses the action in the film rather than the human interactions underfoot.

Kaiju films have been fan-favorites for decades upon decades because of the monsters and less about the humans. The humans really were just there to give voice to the different factions of monsters duking it out. It looks like this time this sequel will follow the same formula.

Godzilla: King of Monsters is set for May 31, 2019.