Here’s The Trailer for Guardians of the Galaxy Volume 3!

To be honest, I’ve been a little bit bored with the MCU lately.  I mean, the Spider-Man films were fun and WandaVision was certainly better than I was expecting it to be but, for the most part, it’s been hard to shake the feeling that, post-Endgame, the MCU has lost a bit of its spark.  Endgame was such a logical place to stop that everything that’s come after it has felt a bit superfluous.

Still, if anyone can respark my interest in the MCU, it would be James Gunn and the Guardians of the Galaxy.  And, fortunately, they’ve got a new film coming out next year!  Here’s the trailer, which seems to promise that the Guardians will continue to poke subtle fun at the conventions of the MCU while also using those conventions to their advantage.

At the very least, it should have a good soundtrack.


Scenes I Love: The Opening of Guardians of the Galaxy

Today, the Shattered Lens wises director James Gunn a happy 56th birthday!

My favorite James Gunn film remains 2014’s Guardians of the Galaxy.  Not coincidentally, that’s also my favorite comic book film.  A good deal of that love has to do with the film’s absolutely brilliant introduction of Chris Pratt’s Star-Lord.  In the scene below, both the film and Gunn announce that this is a comic book movie that actually has a sense of humor.  Let the other franchises specialize in depressed heroes and grim themes.  The Guardians of the Galaxy are all about dancing.

Here’s a scene that I love, directed by James Gunn:

Here’s The Red Band Trailer For The Suicide Squad

Earlier today, the red band trailer for The Suicide Squad was released!

It’s always kind of funny to me how excited some people get over red band trailers, when essentially red band trailers are just the same as regular trailers.  The main difference is that you get to hear people curse but is that really that exotic?  Red band trailers always remind me of a little kid trying to impress everyone by dropping the f-bomb.  I mean, we all already knew that The Suicide Squad was R-rated, right?  Maybe it’s just that I’ve seen so many Italian horror trailers that everything now seems tame by comparison.  I mean, once you’ve seen the trailer for Zombie Holocaust, it’s hard to be shocked.

Anyway, people with far more knowledge of The Suicide Squad than me are excited about this trailer so I will refrain from being too critical.  I mean, the trailer gets the job done.  If you were excited to see The Suicide Squad, I imagine that you’re still excited.  I think the only recent trailers that actively turned people from seeing a films that they might otherwise see were the trailers for Ghostsbusters and Cats.

Myself, I’m just looking forward to seeing what James Gunn does with the material.

Anyway, here’s the trailer!

Here’s the Trailer for The Suicide Squad!

“Hmmmm …. I don’t know.  Suicide Squad wasn’t that good.  I don’t know if I want to see a sequel….”

“But this isn’t Suicide Squad 2!  This is …. THE Suicide Squad!”

“Oh.  Well, that’s different.  Take my money.”

Actually, another reason to see this film is because it was directed by James Gunn.  I’ll watch anything that James Gunn directs.

Here’s the trailer:

Some thoughts on James Gunn, the Twitter Lynch Mob, and the New Cultural Revolution

When I checked into twitter today, the first thing that I saw was that James Gunn had been fired as director of Guardians of the Galaxy Volume 3.

Specifically, he was fired because of tweets.  That seems to be the reason that everyone is fired nowadays.  It just takes one bad tweet to basically end your career.  One offensive tweet and suddenly, you’re a nonperson.  One tweet that strays from what’s been judged acceptable that week and suddenly, people who have praised and worked with you in the past will suddenly declare that they never really liked you.  They always knew something was off.

It’s become a contests of sorts.  People of differing ideologies compete to see who from the opposing side they can take down.  Usually, the Left seems to have more success when it comes to destroying people online but Gunn was targeted by the Right.  (Apparently, Mike Cernovich was one of the instigators of the outrage that led not only to Gunn getting fired from not just GoTG3 but also kicked out of the MCU.)

Gunn was fired for tweets that weren’t even recent.  Ten years ago, before Gunn had even joined the MCU, he was best known as the most talented filmmaker to ever graduate from Troma’s House of Horrors.  I followed Gunn on twitter long before he found mainsteam popularity as a part of the MCU.  And yes, in those days, James Gunn’s humor often was dark and twisted and, when taken out of context, often deliberately offensive.  So what?  That was Gunn’s way of pointing out that we live in a world that is often dark and twisted and deliberately offensive.  If you watch Gunn’s early films — like Super, for instance — you’ll find an artist who, in the style of Wes Craven, John Waters, and Paul Morrissey, was determined to shock audiences out of their complacency.  When Gunn made a joke about something terrible, the jokes wasn’t meant to be celebratory.  Instead, it was an expression of anger that we live in a world where such things exist in the first place.

(There’s an old expression about laughing so you don’t cry.  Apparently, in our new irony-free world, that’s no longer an option.)

What’s particularly fucked up is that Gunn apologized for those tweets when the first Guardians of the Galaxy came out.  At the time, Disney accepted the apology and Gunn’s explanation that he was a different person than he was today.  Is this the way the world’s going to work now?  Is it now acceptable for us to accept someone’s apology until we change our mind?

There’s a lot of celebration on twitter right now over Gunn being fired.  The Breitbart crowed is happy to have taken down a famous critic of Donald Trump’s.  The Woke crowd is happy because they feel they’ve claimed another scalp.  The twitter lynch mob is out in full force and it’s a bit sickening to watch.  Even those who are defending Gunn feel the need to say, “I found his tweets to be offensive…”

Here’s my thing:

I don’t give a fuck whether his tweets were offensive.  The tweets don’t matter.  They’re not the issue.  What is an issue is that the spirit of Mao Zedong’s Cultural Revolution — in which centuries of Chinese history and culture were destroyed and erased while millions were murdered by a bunch of activists determined to prove how ideologically pure they were — is alive and well on twitter.

For the sake of argument, let’s say that you do find Gunn’s 10 year-old tweets to be offensive.  Are we saying that people can’t change?  If people are only willing to support artists who were “woke” from the minute they were born, it’s going to be a sad and boring world.

Eventually, there’s going to be a backlash against all of this stuff that’s going on right now. That’s just the way history works.  And the more smug and fanatical people are in the present, the bigger the backlash is going to be in the future.  Many of the people who are currently celebrating the downfall of James Gunn will probably be among the next ones to fall.

UPDATE: In the comments, Chuck Lantz points out that I didn’t include any of Gunn’s “controversial” tweets.  As I told him, I didn’t necessarily feel that I needed to because my entire argument is that Gunn’s six year-old tweets didn’t matter.  Perhaps if Gunn had tweeted some of this stuff yesterday or even a year ago, I would feel differently but Gunn has already apologized for these tweets and, as I argued above, most of them are being taken out of context.  All of them were obviously meant to be sarcastic.  Whether anyone finds them funny or not is beyond the point and not particularly important.

But, I also see Chuck’s point.  So, here are three of the tweets that have been specifically highlighted on twitter by many of the people demanding that James Gunn be fired:

Horror Film Review: The Belko Experiment (dir by Greg McLean)

How far would you go if all you had to do was follow orders?  That is the question posed by The Belko Experiment.

A violent and disturbingly plausible social satire/horror film, The Belko Experiment was released into theaters on March 17th.  It was one of the best films of the first half of 2017 but, as so often happens whenever a genre film subverts the traditional narrative, The Belko Experiment is also one of the most overlooked films of 2017.  It got mixed reviews, with most critics focusing on the fact that the script was written by James Gunn.  (Though Gunn may be best known for directing Guardians of the Galaxy, his non-MCU work has always  been distinguished by a subversive, often transgressive sensibility.)  A few critics dismissed it as being just another lurid celebration of violence, showing once again that you can always count on certain mainstream critics to unfairly categorize any film that doesn’t neatly fit into their preconceptions.  Yes, The Belko Experiment is violent.  And yes, it is gory and sometimes hard to watch.  However, to dismiss The Belko Experiment as merely being that latest entry in the torture porn genre is to totally miss the point.

Mike Milch (John Gallagher, Jr.) is one of the many employees of Belko Industries.  He’s a nice enough guy.  In fact, if I worked for Belko Industries, Mike would probably be one of my favorite co-workers.  He’s friendly.  He’s funny.  He’s not unattractive.  He’s kind of a less smirky version of The Office‘s Jim Halpert.  I’d want to be his friend.  Since Belko’s offices are located in a remote area of Colombia, I would want to make all the friends that I could.

(Early on in the film, we’re informed that every employee of Belko Industries has been required to get a tracking device implanted at the base of their skull.  They’re told that this is because there’s always the risk that one of them will be kidnapped by drug traffickers.  Of course, as the film plays out, we discover that it’s actually for a totally different reason.)

When The Belko Experiment begins, it’s a day like any other.  People show up for work. Some people actually do work.  Some people slack off.  Everyone tries to look busy whenever the boss, Barry Norris (Tony Goldwyn), wanders by.  The maintenance workers (Michael Rooker and David Dastmalchian) do their thing.  A few employees sneak up to the roof of the office building and get high.  Everyone tries to avoid Wendell Dukes (John C. McGinely), a pervy executive.  The security guard (James Earl) watches the door.  The newest employee (Melonie Diaz) learns about her new job and coworkers.

Of course, there are a few strange things.  Some new security guards have shown up and they don’t appear to be particularly friendly.  They turn away all of the locals who work at the office, only allowing in the American employees.  Everyone agrees that it’s strange but, instead of thinking about it too much, they just keep going about their day.

Then, the steel shutters slam down, effectively sealing the building off.

Then a voice (Gregg Henry) demands that they select two co-workers to die.  When the employees of Belko Industries refuse (with several dismissing the whole thing as being a tasteless prank), tracking devices start to randomly explode until four employees are dead.  The voice goes on to say that, unless 30 employees are killed in the next two hours, 60 people will be randomly killed…

Some of the co-workers refuse to kill their friends but many more do not.  And soon, even those who refused to take part in the murders, are forced to start killing just to keep from being killed themselves…

The Belko Experiment wastes no time in establishing that anyone can die at any moment.  It doesn’t matter how funny you were a few seconds ago or how likable you may be.  If the unseen voice decides to flip your switch, that “tracking device” will explode and it’ll take your head with it.  And, even if the unseen voice doesn’t get you, your coworkers might.

That, by itself, would be disturbing enough.  However, The Belko Experiment ultimately succeeds as a work of horror because it illustrates a truth that many people would prefer to ignore.  When the employees of Belko Industries start to kill each other, it feels all too plausible.  Culturally, human beings are conditioned to follow orders.  We like to have an authoritarian around to tell us what to do.  It’s a good way of avoiding responsibility for our own actions.  (“I was following orders.”  “I was following protocol.”  “I’m just doing my job.”)  As The Belko Experiment demonstrates, most people would never dream of hurting someone else … unless they were ordered to do so.  The characters in The Belko Experiment start the movie as individuals but, as the experiment unfolds, all quirks and differences vanish.  All that is left are drones who slavishly do what they’re told.

Making the nightmare scenario feel all the more believable is a large and strong cast of familiar faces.  As the closest thing that this film has to a hero, John Gallagher, Jr. is likable and you find yourself hoping that he’ll somehow manage to survive all of this with his humanity intact.  Tony Goldwyn brings some interesting shades to his role while John C. McGinley is memorably creepy as Wendell.  Micheal Rooker, Abraham Benrubi, Sean Gunn, Josh Brener, Melonie Diaz, Brent Sexton, and Adria Arjone all shine in smaller roles.  To be honest, you really don’t want to see any of these people suffer, which makes their inevitable fate all the more disturbing.

The Belko Experiment is ultimately a portrait of how easily people can be persuaded (or ordered) to surrender their humanity.  It’s the exact mentality that we currently see everyday, with people willingly becoming slaves to one ideology or another and then tossing around terms like “treason” whenever anyone dares to do something other than obey.  It’s the exact mentality that leads to people accusing you of being “selfish” when you refuse to surrender your right to self-determination.  Our real-life Belko Experiment has been going on for several years now and it doesn’t appear to be ending anytime soon.  This movie is frightening because it’s real.

Film Review: Guardians of the Galaxy Vol. 2 (dir by James Gunn)


The Guardians of the Galaxy are back!

And this time, they’ve brought some new friends with them, friends with names like Kurt Russell, Sylvester Stallone, and … David Hasselhoff?

That’s right.  David Hasselhoff is now a part of the Marvel Cinematic Universe and somehow, it feels totally appropriate.  For all the words that have been written comparing Guardians of the Galaxy to the Star Wars franchise, it’s true ancestor is the 1978 Italian film, Starcrash.  (Perhaps not coincidentally, Starcrash was Hasselhoff’s film debut.)  Watch the trailer below and just try to tell me that you can’t imagine Chris Pratt and Zoe Saldana in the lead roles.

But enough about my obsession with Italian exploitation films.  I know the question that you want answered.  Is Guardians of the Galaxy Vol. 2 as good as the first one?

Well, it depends on how you look at it.  Guardians of the Galaxy Volume 2 is an absolute blast, a wonderfully entertaining film that mixes subversive comedy with sci-fi action.  Everyone from the first film — Chris Pratt, Zoe Saldana, Dave Bautista, Karen Gillan, Michael Rooker, and the voices of Bradley Cooper and Vin Diesel — is back and they’ve still got the same winning chemistry that made the first film so much fun.  Everyone is still committed to their roles, delivering even the strangest of dialogue with undeniable flair.  Nobody’s gotten bored with saving the universe yet.  The new additions to the cast are all well selected.  Kurt Russell totally disproves the assumption that MCU villains are never as interesting as their heroic opponents but, then again, it helps that he’s playing a character who has a memorable and odd backstory.  Once again, director James Gunn combines crowd-pleasing moments with his own sharp sense of humor.  If the pompous tone of Man of Steel and Batman v Superman made you sick, Guardians of the Galaxy Volume 2 is the perfect antidote.

Unfortunately, Volume 2 doesn’t provide the same thrill of discovery as the first film.  It’s easy to forget that, before the first film came out, a lot of people were predicting that Guardians of the Galaxy would be the first MCU film to flop at the box office.  The conventional wisdom was that, as opposed to a character like Captain America, no one, outside of a few comic book readers, knew who the Guardians of the Galaxy were.  Chris Pratt was just the goofy guy from Parks and Recreation.  A talking raccoon?  A walking tree?  It was all way too weird, the naysayers proclaimed, to appeal to a mainstream audience.

However, James Gunn proved them wrong.  Guardians of the Galaxy was not only the most successful MCU film to that date but it was also my pick for the best film of 2014.  I can still remember watching it for the first time and immediately falling in love with both the film’s skewered sensibility and Chris Pratt’s funny but soulful performance.  As opposed to a lot of films that were nominated for and won Oscars that year, Guardians of the Galaxy actually holds up after repeat viewings.

(Seriously, has anyone tried to rewatch Birdman lately?)

Going into the sequel, everyone now knows who the Guardians are and Chris Pratt is now a beloved film star.  Volume 2 has a lot to live up to and, for the most part, it succeeds.  It’s a tremendous amount of fun and, at the same time, it has a heart.  (The heart at the center of the Guardian of the Galaxy films is perhaps the biggest heart in the MCU.)

What is the film about?  Much like the first film, it’s about family.  After years of telling everyone that his father was David Hasselhoff, Peter Quill (Chris Pratt) finally meets his real father (Kurt Russell), a God-like figure named Ego.  Charismatic, cheerful, and just a little bit odd, Ego seems like the perfect father figure but he has some secrets of his own.  Russell gives a wonderful performance, making Ego one of the few MCU villains to be as interesting as the heroes.

While Peter is bonding with his dad, he is also being pursued by his adoptive father, the blue-skinned space pirate named Yondu (Michael Rooker).  Yondu has been rejected by both his adopted son and the rest of his adopted family.  The other space pirates are no longer loyal to him.  His former boss (Sylvester Stallone) wants nothing to do with him.  As silly as it all may sound, it’s also unexpectedly poignant, thanks to Michael Rooker’s performance.  Rooker has appeared in several of Gunn’s films.  He’s almost the Cary Grant to Gunn’s Alfred Hitchcock.  Rooker gives one of the best performances of his careeer in the role of Yondu.  It’s tempting to be dismissive of Yondu, with his blue-skin and his Alabama accent, but Rooker makes him one of the most compelling characters to ever be found in an MCU film.

Meanwhile, Rocket Raccoon (voiced again by Bradley Cooper) has become a surrogate father figure to Groot (voice by Vin Diesel), who is still just a baby tree.  (Groot, a living tree, was reduced to just a twig at the end of the first film.  Fortunately, Rocket planted the twig and, in another few movies, we’ll hopefully have a fully grown Groot.)  Yes, Baby Groot does get to dance, again.  At one point, one of the film’s villains forbids any of his henchmen from attacking Baby Groot because he’s just too adorable to destroy.  And he’s right!  After this movie, everyone will want a Baby Groot of their own.

Gamora (Zoe Saldana) has been reunited with her sister, Nebula (Karen Gilliam) and, once again, they spend most of the movie trying to kill each other.  I have three older sisters so I related to their relationship.

And finally, Drax (Dave Bautista) is still mourning his family.  Fortunately, he gets to spend some quality time with Ego’s odd assistant, an empath named Mantis (Pom Klementieff).  Drax and Mantis both have no idea how social interaction is supposed to work and their scenes together are definitely a highlight of the film.  Bautista and Klementieff share a really likable chemistry.  Bautista is one of those actors who can make you laugh just be giving the camera a quizzical look.  Drax may not be as a complicated as the other Guardians but that simplicity often makes him as interesting as his more complex compatriots.

The film’s not only about family.  It’s also a strike against elitism and a celebration for freedom.  Over the course of two films, the Guardians have battled against both an actual god and a fanatic who claimed to speak for God.  At a time when so many movie heroes are tools of authoritarianism, the Guardians of the Galaxy stand for freedom.  In many ways, Peter Quill is as much of a symbol for liberty as Captain America.  Captain America makes his point with a shield while Peter Quill makes his case by dancing.

As might be expected from an MCU film, Guardians of the Galaxy Volume 2 is full of thrilling visuals, exciting battles, and quotable one liners.  Even if it never reaches the heights of the first one, it’s a blast of a film and, as Arleigh told me it would, the finale brought tears to my mismatched eyes.  See it and have a good time.

Also, be sure to stick around through the entire end credits.  Along with a lot of clues about what might happen in the future of the MCU, there’s also one final Groot joke that made me laugh out loud.



Here’s the Latest Trailer for Guardians of the Galaxy Vol. 2!

Hey, look!  It’s Kurt Russell!

What I’ve been told is that, apparently, Kurt is playing an entire planet in Guardians of the Galaxy Vol. 2.  I’m not sure how exactly that works but if anyone can pull off being a planet, I imagine it would be Kurt Russell.

Anyway, if I haven’t already mentioned it, there is probably no film that I am currently looking forward to more than I am looking forward to Guardians of the Galaxy Vol. 2!

Here’s That Guardians of the Galaxy Vol. 2 Super Bowl Spot!

It’s Super Bowl Sunday, which means that people like me — who know little about football and care even less — will be having a great time watching commercials!

Speaking of which, here’s the Guardians of the Galaxy Volume 2 Super Bowl spot!  I can’t wait until this movie comes out!

Guardians of the Galaxy Vol. 2 Teaser Trailer Arrives


“I am Groot.”

James Gunn finally unleashes the first full teaser trailer for his upcoming space opera superhero film out on May 2017. Guardians of the Galaxy Vol. 2 remains one of the 2017’s highly-anticipated films and looking back at how the first film there’s a great chance this band of galactic misfits’ next adventure could join the billion-dollar club. Not bad for a film that earned its popularity on the shoulders of a talking, psychotic raccoon and a talking tree (if I remember correctly, that tree made Lisa Marie cry).

This teaser trailer definitely focuses on the smallest member of the team in Baby Groot and from the reaction on the internet since the teaser trailer’s release it might have just broken the internet in some fashion. The humor from the first film looks to return as well with the cast staying the same and more in tuned with one another.

As all teaser trailer should do, this one doesn’t reveal much of the film’s plot. Just enough action and great visuals to whet the appetites of those already eagerly awaiting the film to arrive.

Consider appetites to be whetted.

Guardians of the Galaxy Vol. 2 is set for release on May 5, 2017 in 3D and IMAX everywhere in the galaxy.