Here Are The Oscar Winners


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Best Picture — Argo

Best Director — Ang Lee for Life of Pi

Best Actor — Daniel Day-Lewis in Lincoln

Best Actress — Jennifer Lawrence in Silver Linings Playbook

Best Supporting Actor — Christoph Waltz in Django Unchained

Best Supporting Actress — Anne Hathaway in Les Miserables

Best Adapted Screenplay — Argo

Best Original Screenplay — Django Unchained

Best Animated Feature Film — Brave

Best Documentary Feature — Searching For Sugar Man.

Best Foreign Language Film — Amour

Best Cinematography — Life of Pi

Best Costuming — Anna Karenina

Best Editing — Argo

Best Makeup and Hair-Styling — Les Miserables

Best Original Score — Life of Pi

Best Original Song — “Skyfall” in Skyfall

Best Production Design — Lincoln

Best Sound Editing — Zero Dark Thirty and Skyfall

Best Sound Mixing — Les Miserables

Best Visual Effects — Life of Pi

Best Live-Action Short Film — Curfew

Best Animated Short Film — Paperman

Best Documentary Short Film — Innocente


By the numbers:

Life of Pi — 4

Argo — 3

Les Miserables — 3

Django Unchained — 2

Lincoln — 2

Skyfall — 2

Amour — 1

Anna Karenina — 1

Brave — 1

Curfew — 1

Innocente — 1

Paperman — 1

Searching for Sugar Man — 1

Silver Linings Playbook — 1

Zero Dark Thirty — 1

No Guts, No Glory: Lisa Marie’s Oscar Predictions


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Today is the last day for the members of the Academy to vote for the 86th Annual Academy Awards.  With that in mind, here are my predictions as to what’s going to win next Sunday.  Please note: this is not necessarily who I think should win.

Best Picture — Argo

Best Director — Ang Lee for Life of Pi

Best Actor — Daniel Day-Lewis in Lincoln

Best Actress — Jennifer Lawrence in Silver Linings Playbook

Best Supporting Actor — Alan Arkin in Argo

Best Supporting Actress — Anne Hathaway in Les Miserables

Best Adapted Screenplay — Argo

Best Original Screenplay — Amour

Best Foreign Language Film — Amour

Best Animated Feature — Frankenweenie

Best Documentary Feature — Searching For Sugar Man

Best Production Design — Anna Karenina

Best Cinematography — Life of Pi

Best Costume Design — Anna Karenina

Best Editing — Argo

Best Makeup — The Hobbit

Best Score — Life of Pi

Best Original Song — “Skyfall” from Skyfall

Best Sound Editing — Zero Dark Thirty

Best Sound Mixing — Les Miserables

Best Visual Effects — Life of Pi

Best Animated Short — Paperman

Best Documentary Short — Open Heart

Best Live Action Short — Curfew

Hottie of the Day: Jessica Chastain


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Well, I might as well get on the Jessica Chastain bandwagon. She’s the latest pick for “Hottie of the Day” and also another addition to the redhead selections that’s growing (but still not the number 1 redhead on the site).

Jessica Chastain seemed to have come out of nowhere in the last two years. While she has been acting for many years before 2010 it wasn’t until 2011’s release of Terence Malick’s The Tree of Life which finally got her noticed. Since then she has been such films as Corialanus, Take Shelter, The Help, The Debt and Lawless. In each and every film she has been singled out as one of the highlight performances and from what I’ve seen she’s definitely deserving of the praise she’s been receiving.

Yet, it’s in 2012’s Zero Dark Thirty that Chastain may have finally gone from ingenue stage to full-blown star. She carries Kathryn Bigelow’s film from start to finish and all the accolades and acclaim she has been receiving for that performance may just snag her a Best Actress Oscar award next month. Even the box-office is not immune to the redhead’s growing star power as the top two films in North America for the weekend of Jan. 18-20 has her in the starring role with Zero Dark Thirty and the horror film Mama.

Born near my neck of the woods of Sonoma, California, Jessica Chastain is a graduate of the famed Julliard School in New York City and worked her way through the Hollywood system by getting supporting roles in tv series after tv series before her breakout role as the mother in The Tree of Life.

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PAST HOTTIES

Here are the DGA Nominations!


The Director’s Guild of America announced their five nominees for director of the year today.  The DGA is traditionally the last of the precursors to make their opinion known before the actual Oscar nominations are announced.

Traditionally, it seems that four of the DGA nominees are honored with an Oscar nomination while one is usually snubbed.  For instance, last year, all of the self-proclaimed “experts” were all excited when David Fincher was nominated for his shot-for-shot remake of The Girl With The Dragon Tattoo but then had their little hearts broken when the Academy declined to nominate either Fincher or his remake.

Who, if anyone, will be snubbed this year?  I’m not even going to venture a guess because, honestly, this year has the potential to be one of the more unpredictable Oscar years.  (Of course, I say that every year and every year, I’m disappointed by how predictable everything eventually turns out to be.)

For now, here are the five directors nominated by the DGA:

Ben Affleck for Argo

Kathryn Bigelow for Zero Dark Thirty

Tom Hooper for Les Miserables

Ang Lee for Life of Pi

Steven Spielberg for Lincoln

Unlike some people, I’m not surprised to see that Quentin Tarantino was snubbed.  Django Unchained might be a difficult sell to the Academy, especially considering that gun control is currently Hollywood’s favorite political cause.  I’m a bit more shocked to see that David O. Russell’s work on Silver Linings Playbook was not nominated.

The Oscar nominations will be announced on Thursday morning.

 

Quick Review: Zero Dark Thirty (dir. by Kathryn Bigelow)


zero-dark-thirty-releases-a-uk-poster-121641-00-1000-100I’m hoping this won’t be the only review for Zero Dark Thirty. I just happened to view it earlier, and these are my thoughts. As other reviews come in, they will more than likely be in depth.

On May 1st, 2011, news spread around the United States as President Barack Obama announced that a successful operation was completed that resulted in Osama Bin Laden’s death. Academy Award Winning Director Kathryn Bigelow’s Zero Dark Thirty is the story of the events leading up to that operation. This is by far one of the trickiest reviews I’ve ever had to write, considering this isn’t a fictional tale, but one based on actual events. Additionally, in trying to tell you about this, even though you know what happens, I’m leaving out tons of details so that the audience can be surprised. In short, Zero Dark Thirty is easily my front runner for Best Picture and Director this year (and this is coming from someone who enjoyed Lincoln and Silver Linings Playbook this year). I enjoyed it so much that right after seeing it today, I went back in for a 2nd showing.

Zero Dark Thirty doesn’t apologize for anything that occurs in the film. There are actions that may have viewers wincing or possibly questioning the motives behind them. At the same time, it doesn’t really try to glorify anyone either. There are no congratulatory celebrations like you’d find in a Michael Bay film. There’s no one approving of nor condemning in this. There’s just a target, and the people are who are – by whatever means they can – trying to eliminate that target, no sugar coating required. I like to think it takes a bit of courage to throw that up there for audiences. I’m not really certain there’s any other way they could have told it without causing some kind of upset. Unlike Act of Valor, which favored the Military Forces presented on screen, Zero Dark Thirty kind of showcases Seal Team 6 as just a group of guys that need to go in and do a job. It may be considered the safe road in having the distance there, but I felt it worked over all.

Jessica Chastain carries the film as Maya, a CIA Operative who makes it her mission to get UBL. I’ve never seen Chastain’s other films, but she comes across with such ferocity in this movie as it process as it’s hard to ignore her and I’ll probably keep an eye out for her other work. Jason Clarke (Brotherhood) also plays an operative who works with her. Zero Dark Thirty has a great ensemble cast that includes Mark Strong (Green Lantern), James Gandolfini (The Sopranos), Chris Pratt (Wanted), Jennifer Ehle (Contagion), Edgar Ramirez (The Bourne Ultimatum), among others. It didn’t feel like anyone missed a beat on this.

The movie moves at an even pace. It felt long the first time I watched it, but considerably shorter the second time. Mark Boal’s script is pretty lean, moving from scene to scene with ease, which may actually be more to Bigelow’s credit. The first audience I saw the film with gave it tons of applause at the climax of the film – the actual raid done in a mixture of night time shots and night vision camera shots –  and at the end credits. The second group only clapped at the end credits. I imagine there’s going to be mixed responses all around.

Zero Dark Thirty is getting some serious praise from Hollywood and condemnation from political officials, from what I’m seeing online. Yes, the movie does contain scenes of torture, but perhaps my having seen too many horror films, I didn’t quite feel that what was displayed was really that bad.  As I saw the film without knowing any of the historical background of the actual events, the movie worked for me as a tense drama. It’s altogether possible that others may feel differently when viewing it, and that’s okay.

Overall, if you’re able to find a theatre that’s playing the film during this preview period, it’s worth seeing. The movie will open in wide release on January 11.

I Got Your Golden Globes Right Here…


We’re halfway through Oscar season and that means that it’s time for the Golden Globes to weigh in.  To be honest, I think the Golden Globes are somewhat overrated as an Oscar precursor.  For the most part, the Golden Globes usually honors the films that are on everyone’s radar and then they come up with one or two nominations that nobody was expecting.  However, those surprise nominations rarely seem to translate into anything once it comes to time to announce the Oscar nominations.

So, while Salmon Fishing In The Yemen did receive a few surprise nominations (and those nominations were deserved, by the way), I doubt that we’ll see the movie mentioned on January 10th when the Oscar nominations are announced.

From the reaction that I’ve seen on the usual awards sites,  a lot of the usual suspects are upset that Beasts of the Southern Wild was completely snubbed.  Actually, they’re not just upset.  They’re about as outraged about this as they were when The Social Network lost best picture to King’s Speech.  The way they’re carrying on, you would think that someone had just informed them that David Fincher’s version of The Girl With The Dragon Tattoo was a thoroughly unneccessary rehash of an already brilliant film.  Seriously, the facade of Stone has fallen and tears are being shed.

Myself, I’m more annoyed that neither The Cabin In The Woods nor Anna Karenina are getting the love that they deserve.

Anyway, with all that in mind, here are the Golden Globe nominations!

BEST DRAMA
“Argo”
“Django Unchained”
“Life of Pi”
“Lincoln”
“Zero Dark Thirty”

BEST DRAMA ACTOR
Daniel Day-Lewis, “Lincoln”
Richard Gere, “Arbitrage”
John Hawkes, “The Sessions”
Joaquin Phoenix, “The Master”
Denzel Washington, “Flight”

BEST DRAMA ACTRESS
Marion Cotillard, “Rust and Bone”
Jessica Chastain, “Zero Dark Thirty”
Helen Mirren, “Hitchcock”
Naomi Watts, “The Impossible”
Rachel Weisz, “The Deep Blue Sea”

BEST COMEDY/MUSICAL PICTURE
“The Best Exotic Marigold Hotel”
“Les Miserables”
“Moonrise Kingdom”
“Silver Linings Playbook”
“Salmon Fishing in the Yemen”

BEST COMEDY/MUSICAL ACTOR
Jack Black, “Bernie”
Bradley Cooper, “Silver Linings Playbook,”
Hugh Jackman, “Les Miserables”
Ewan McGregor, “Salmon Fishing in the Yemen”
Bill Murray, “Hyde Park on Hudson”

BEST COMEDY/MUSICAL ACTRESS
Emily Blunt, “Salmon Fishing in the Yemen”
Jennifer Lawrence, “Silver Linings Playbook”
Judi Dench, “Best Exotic Marigold Hotel”
Maggie Smith, “Quartet”
Meryl Streep, “Hope Springs”

 

BEST SUPPORTING ACTOR 
Alan Arkin, “Argo”
Philip Seymour Hoffman, “The Master”
Christoph Waltz, “Django Unchained”
Leonardo DiCaprio, “Django Unchained”
Tommy Lee Jones, “Lincoln”

BEST SUPPORTING ACTRESS
Anne Hathaway, “Les Miserables”
Helen Hunt, “The Sessions”
Amy Adams, “The Master”
Sally Field, “Lincoln”
Nicole Kidman, “The Paperboy”

BEST DIRECTOR
Ben Affleck, “Argo”
Ang Lee, “Life of Pi”
Steven Spielberg, “Lincoln”
Quentin Tarantino, “Django Unchained”
Kathryn Bigelow, “Zero Dark Thirty”

BEST SCREENPLAY
“Silver Linings Playbook”
“Argo”
“Django Unchained”
“Zero Dark Thirty”
“Lincoln”

BEST ORIGINAL SCORE
“Anna Karenina”
“Life of Pi”
“Argo”
“Lincoln”
“Cloud Atlas”

BEST ORIGINAL SONG
“For You” from “Act of Valor”
Music by: Monty Powell, Keith Urban Lyrics by: Monty Powell, Keith Urban

“Not Running Anymore” from “Stand Up Guys”
Music by: Jon Bon Jovi Lyrics by: Jon Bon Jovi

“Safe and Sound” from “The Hunger Games”
Music by: Taylor Swift, John Paul White, Joy Williams, T Bone Burnett Lyrics by: Taylor Swift, John Paul White, Joy Williams, T Bone Burnett

“Skyfall” form “Skyfall”
Music by: Adele, Paul Epworth Lyrics by: Adele, Paul Epworth

“Suddenly” from “Les Miserables”
Music by: Claude-Michel Schonberg Lyrics by: Alain Boublil, Claude-Michel Schonberg

BEST ANIMATED FILM 
“Brave”
“Frankenweenie”
“Wreck-it Ralph”
“Rise of the Guardians”
“Hotel Transylvania”

BEST FOREIGN LANGUAGE FILM 
“The Intouchables”
“Amour”
“A Royal Affair”
“Rust and Bone”
“Kon-Tiki”

The LAFCA Rejects Zero Dark Thirty And Embraces Amour


Oscar season continued today as the Los Angeles Film Critics Association named their picks for the best in 2012.  The winners are listed below:

BEST PICTURE
“Amour”
Runner-up: “The Master”

BEST DIRECTOR
Paul Thomas Anderson (“The Master”)
Runner-up: Kathryn Bigelow (“Zero Dark Thirty”)

BEST ACTOR
Joaquin Phoenix (“The Master”)
Runner-up: Denis Lavant (“Holy Motors”)

BEST ACTRESS
Jennifer Lawrence (“Silver Linings Playbook”)
Emmanuelle Riva (“Amour”)

BEST SUPPORTING ACTOR
Dwight Henry (“Beasts of the Southern Wild”)
Runner-up: Christoph Waltz (“Django Unchained”)

BEST SUPPORTING ACTRESS
Amy Adams (“The Master”)
Runner-up: Anne Hathaway (“The Dark Knight Rises”; “Les Miserables”)

BEST SCREENPLAY
Chris Terrio (“Argo”)
Runner-up: David O. Russell (“Silver Linings Playbook”)

BEST EDITING
Dylan Tichenor and William Goldenberg (“Zero Dark Thirty”)
William Goldenberg (“Argo”)

BEST CINEMATOGRAPHY
Roger Deakins (“Skyfall”)
Runner-up: Mihai Malaimare Jr. (“The Master”)

BEST PRODUCTION DESIGN
“The Master”
Runner-up: “Moonrise Kingdom”

BEST MUSIC/SCORE
Dan Romer & Benh Zeitlin (“Beasts of the Southern Wild”)
Runner-up: Johnny Greenwood (“The Master”)

BEST FOREIGN-LANGUAGE FILM
“Holy Motors”
Runner-up: “Footnote”

BEST ANIMATED FEATURE
“Frankenweenie”
Runner-up: “It’s Such a Beautiful Day”

BEST DOCUMENTARY/NONFICTION FILM
“The Gatekeepers”
Runner-up: “Searching for Sugar Man

Over on Goldderby.com and AwardsDaily.com, all the usual suspects seem to be shocked that Zero Dark Thirty didn’t win best picture and happy that Beasts of the Southern Wild got some love.  A lot of the people leaving comments are also upset that The Master got as many votes as it did.  Over at Goldderby, one visitor found the time to comment, “Those votes for The Master should have been tossed in the trash, along with the film itself!” before going back to his usual routine of waiting to see if any celebs had responded to his twitter follow request.

As far as Amour winning best picture is concerned, I’m happy to see another film win a major critics’ award because seriously, Oscar season can get pretty boring when only one film is winning everything in sight.

As for Beasts of the Southern Wild, this is one of those times when I find myself respectfully disagreeing with just about every other reviewer out there (including our very own Leonth3Duke, whose excellent review can be read here).  The film had its moments (and I do think that Dwight Henry was the best thing in the film) but, for the most part, it left me cold.  Then again, I’ve never had much patience for the myth of the noble savage.

As for The Master, it’s one of the best of the year.  Deal with it.