Retro Television Review: Crime Story 1.8 “Old Friends, Dead Ends”

Posted on June 22, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Crime Story, which ran on NBC from 1986 to 1988. The entire show can be found on Tubi!

This week, Torello discovers some disturbing facts about an old friend.

Episode 1.8 “Old Friends, Dead Ends”

(Dir by Bobby Roth, originally aired on November 4h, 1986)

Luca has bought a controlling interest in a bottling company so that he can borrow from the pension fund and use that money to purchase casinos in Las Vegas. He’s brought a reluctant Bartoli in as his partner. The owner of the company is Ted Kehoe (Mark Hutter), who just happens to be an old friend of Mike Torello’s. When Kehoe’s business partner, Marilyn Stewart (Dana Wheeler-Nicholson), becomes suspicious of Kehoe’s arrangement with Luca, Bartoli starts to wonder if it’s really worth it to keep Marilyn and Ted around.

This is especially the case after Bartoli’s attorney, Dee (a youngish Eric Bogosian), informs Bartoli that U.S. Attorney Harry Brietel (Ray Sharkey) is planning on indicting both him and Luca for money laundering. Looking to end Brietel’s case before it can even get started, Luca murders Marilyn Stewart. Marilyn’s body is later found by two teenagers and–

HEY, IT’S CHRISTIAN SLATER!

This episode does indeed feature an early performance from Christian Slater. He pays a teenager who is trying to convince his girlfriend to “do it” when they happen to spot Marilyn’s body floating in the river. Slater’s girlfriend is played by Kim Walker, who was later co-star with Slater in Heathers.

Torello is not happy. Well, that’s not a surprise. Torello is never happy. But this episode gives him even more reasons than usual to be in a foul mood. Because of his childhood friendship with Ted Kehoe, Brietel suspects that Torello might be corrupt. After Marilyn is murdered, Brietel seems more interested in trying to pin the murder on Torello than going after Luca.

As for Ted Kehoe, he tells Luca that he’s done working for him. Kehoe is going to tell the cops everything! And what is Luca going to do about it? This episode ends with Kehoe getting thrown out the window of his penthouse and falling several stories down to his death….

Piece of advice: If you’re going to turn on the mob, don’t tell them ahead of time.

This was a good episode! Torello’s friendship with Kehoe brought some real stakes the story and, once again, we got to see just how ruthless an adversary Ray Luca truly is. Luca, Bartoli, and the other mobsters can occasionally seem a bit buffoonish. This episode reminded us that, in Luca’s case, it’s always a mistake to underestimate him.

As for now, Kehoe is dead and Torello is under suspicion. I look forward to seeing what happens next week!

Late Night Retro Television Review: Degrassi: The Next Generation 2.21 “Tears Are Not Enough: Part One”

Posted on June 21, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sunday, I will be reviewing the Canadian series, Degrassi: The Next Generation, which aired from 2001 to 2015! The series can be streamed on YouTube and Tubi.

This week, we’ve got the first part of the second season finale!

Episode 2.21 “Tears Are Not Enough, Part One”

(Dir by Philip Earnshaw, originally aired on February 16th, 2003)

Another school year is coming to an end. It’s time for the final school dance! But first, JT needs to pass his final exams. Liberty agrees to tutor JT on the condition that he take her to the dance. JT accepts and, in the end, he resists the temptation to ask Paige to the dance because “Liberty’s my date.”

Well, that’s good. This episode allows us to see how the JT/Liberty romance started. Of course, we all know that JT will eventually get Liberty pregnant and then get hooked on pills. Fortunately, JT will survive the inevitable overdose. Unfortunately, two seasons after that overdose, JT will be murdered outside of Liberty’s birthday party.

Hmmm …. maybe JT should have asked Paige to the dance.

However, all of this is just the B-plot. The main plot of this episode features Craig’s father (Hugh Dillon) trying to reeneter his life. Craig’s father swears that he’s learned the error of his ways. He’s taken classes to learn how to control his temper. He wants Craig to come and live with him and, with Joey struggling with money, Craig is tempted. Or, at least, Craig is tempted until he shows up late for dinner with his father and his father responds by hitting Craig in the face and then speeding off in his car.

Craig returns home and tells Joey that he wants Joey to adopt him. Then the police show up. Craig thinks that his father called them but it turns out that they are there to let Joey know that Craig’s father died in an auto accident. Given how abusive Craig’s father was, you might think this is good news. However, those of us who have binged this show more than once know that this is going to lead to Craig having a breakdown in two seasons and a cocaine addiction in three.

Seriously, things got dark!

Despite the Liberty/JT subplot, I like this episode. To be honest, I like almost all of the Craig episodes. He was an interesting character and Jake Epstein was one of the better actors on the show. Even though I already know what waits in the future, I’m still looking forward to watching the second part of Tears Are Not Enough.

Retro Television Review: Homicide: Life On The Street 5.14 “Diener”

Posted on June 21, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.

What happened to the diamond ring?

Episode 5.14 “Diener”

(Dir by Kyle Secor, originally aired on January 31st, 1997)

Still on the outs with Bayliss, Pembleton is forced, by order of Giardello, to work with Lewis. The last time that Pembleton and Lewis worked together, the result was chaos. Lewis didn’t have any patience for Pembleton’s arrogance and Pembleton obviously didn’t respect Lewis as a detective. This time, it goes a bit smoother. Pembleton, thanks to Bayliss, has learned how to work with others and Lewis, having lost Crosetti and seen Kellerman pushed to the edge of suicide, is a bit more sensitive than we’ve seen in the past.

The victim is a rich woman who liked to support struggling art students. Lewis suspects that the killer was one of the students. Pembleton suspects that it was the woman’s brother and his suspicions turn out to be correct. When the woman’s belongings are released by the ME’s office, the brother immediately notices that a diamond ring is missing. But how did the brother know that his sister was wearing the ring when she died?

As for the diamond ring, it was stolen by Jeff (Glenn Fitzgerald), who works in the morgue. It turns out that Jeff has been stealing from the dead for a while. Dr. Cox gets a big scene in which she fires him. He definitely deserved to be fired and I assume that he will also be going to jail. That said, the name of this show is Homicide. It’s not named “Medical Examiner.” I like Michelle Forbes’s performance as Dr. Cox but it’s still hard not to feel that, at least as far as the fifth season is concerned, the show is sometimes a bit too quick to try to force her into every story.

While Pembleton solved there case, his wife considered leaving him. Bayliss tried to warn Pembleton but Pembleton shrugged off Bayliss’s comment. In fact, Pembleton told Bayliss that he’s fine no longer working with him. I nearly screamed with frustration. Seriously, you two — work it out!

Late Night Retro Television Review: Saved By The Bell 2.7 “Rent-A-Pop”

Posted on June 20, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Saved By The Bell, which ran on NBC from 1989 to 1993. The entire show is currently streaming on Tubi!

This week, we meet two new characters.

Episode 2.7 “Rent-A-Pop”

(Dir by Don Barnhart, originally aired on October 20th, 1990)

Remember how, in Junior High, Zack’s parents were divorced and his father was played by Robert Pine, the captain from CHiPs? His father even dated Ms. Bliss at one point. The relationship didn’t last because Zack, as usual, ruined everything by being a trouble maker. Add to that, Ms. Bliss was her usual condescending self….

Well, forget about all that.

Zack lives in California now and his parents are still together. His father, Derek Morris (John Sanderford), is now a computer salesman who played a little baseball in college and who is always on his big mobile phone. When Zack tries to tell Derek about how he’s struggling in school, Derek waves him off so that he can take a business call.

Zack has a problem. He wants to go on the class ski trip. However, he’s failing all of his classes and Belding wants to see his father. Luckily, the Max’s new waiter, James (Mark Blankfield), just happens to be an unemployed actor who has nothing better to do than help out a bunch of teenagers who are about 30 years younger than him. Zack’s plan is for James to pretend to be Mr. Belding and to assure Zack’s father that Zack is doing well in school. Then, James will switch and pretend to be Zack’s father for the official meeting with Belding. Does all that sound way too complicated? Well, it is. Zack never came up with a plan that wasn’t ludicrously complicated. In this case, it involves faking a Chess Club poisoning so that Belding won’t be in his office when Derek arrives.

Meanwhile, there’s a school carnival going on in the gym. Oh no! Look over at the dunk tank! There’s the real Derek Morris getting ready to throw baseballs at the real Mr. Belding!

“Who is this jerk?” Derek asks after dunking Mr. Belding.

Mr. Belding introduces himself. Derek learns the truth. Zack is grounded but Derek learns an important lesson about spending too much time on the phone.

I have to admit that this episode is a favorite of mine. That’s largely due to the performances of Mark Blankfield and John Sanderford, both of whom are now deceased. (Sanderford passed in 2023 and Blankfield in 2024.) Both actors bring some much needed new energy to the show. Blankfield’s performance is broad but funny. Sanderford’s performance, quite appropriately, is a bit more grounded in reality. My favorite moment in this episode is when Derek Morris notices Mr. Belding’s computer and announces, “I sell these,” before then asking James a lot of questions about it. James’s confusion was perfectly played by Mark Blankfield and it was impossible not to smile about how enthusiastic Derek got about potentially making a sale. Even at a meeting to discuss his son’s academic record, Derek was always looking for an opportunity. That’s the sign of a great salesman and a potentially lousy father.

Both Derek Morris and James the Actor would return and why not? This episode provided them with a great introduction.

Lisa Marie’s Week In Television: 6/14/26 — 6/20/26

Posted on June 20, 2026 by Lisa Marie Bowman

Buskers (PBS)

This documentary was about …. well, it’s right there in the title. One man performed card tricks. A woman played a saw like a violin. Another woman wrote poems on a typewriter in the park. A man danced on a subway train. The documentary was an interesting look at a group of unique Americans. Unfortunately, I watched it rather late at night so my eyelids were heavy during the majority of the show.

Degrassi: The Next Generation (Tubi)

My review will drop tomorrow.

Homicide: Life on the Street (Peacock TV)

My review will drop tomorrow.

Kyōryū Sentai Zyuranger (Shout TV)

There’s just no stopping those dinosaurs!

The Larry Sanders Show (HBOMax)

Hank’s Sex Tape! Oh my God, what a cringey episode. When a sex tape featuring Hank Kingsley starts to circulate in Hollywood, it threatens Hank’s new job as an orange juice commercial spokesman. Henry Winkler and Norm MacDonald appear as themselves and have a classic conversation about Hank and …. well, you can watch the episode and see for yourself. Why is this episode so funny and so cringey? Hank is played by Jeffrey Tambor. “Wash your mouth out with Hank.” AGCK!

Saved By The Bell (Tubi)

My review of this week’s episode will drop in about 90 minutes.

UFC Freedom 250 (Paramount Plus)

I’ll just go ahead and tick everyone off by admitting that I enjoyed the spectacle and the unique silliness of UFC on the White House lawn. Yes, there were some regrettable moments. If you were annoyed by the comment about a certain former first lady, you had every right to be. It was a stupid thing to yell and unnecessarily divisive. But, at its heart, the event itself was pure Americana. Abraham Lincoln’s favorite sport was wrestling. Teddy Roosevelt loved boxing. Richard Nixon was a bowler. There’s actually a long history of this sort of thing.

Watched and Reviewed:

Retro Television Review: Baywatch 2.8 “Thin Or Die”

Posted on June 20, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001. The entire show can be viewed on Tubi.

This week, Mitch rescues a dog and Shauni and Eddie rescue an outsider.

Episode 2.8 “Thin or Die”

(Dir by Douglas Schwartz, originally aired on November 4th, 1991)

Mitch rescues an adorable dog that is swimming in the middle of the ocean! Awwww!

The dog is so cute! But Mitch has a date that night and the dog seems to be determined to ruin it. Can Mitch adopt the dog? Actually, didn’t Mitch already adopt a dog? Didn’t almost this exact same thing happen during the first season? Seriously, whatever happened to the first dog!?

Fortunately, the dog helps Mitch track down its owner. It turns out that she’s being held hostage on her own boat. This, of course, allows for a minor action sequence. One thing that I always find interesting about Baywatch is that the lifeguards were apparently also cops. Garner Ellerbee may have been actual badge-carrying cop but he still didn’t do anything without asking a lifeguard to accompany him.

While Mitch is dealing with the dog situation, Eddie and Shauni are having relationship issues. When Shauni claims that she and Eddie don’t have anything in common, Eddie decides to ask out Nicole, the woman who works at his message service. (Apparently, message services were an early 90s thing.) Eddie has never met Nicole. He just knows that he digs her sultry voice and apparently, he’s sick of Shauni always yelling at him. Hey, remember when Eddie and Shauni got engaged? The show just kind of forgot about that.

Nicole (Melinda Reimer) shows up on the beach and she’s fat! I don’t include the exclamation mark to be cruel. I include it because that’s how the show presents her weight issue. Not only is Eddie kind of cheating on Shauni but he’s also doing it with a fat girl! Feeling insecure on the beach, Nicole later tries to walk into the ocean. Can Eddie and Shauni help her realize that she shouldn’t give up hope? Of course, they can! That said, it’s pretty safe to say that Nicole will never show up on another episode of Baywatch. You do have to feel a bit sorry for actress Melinda Reimer, who gives about as good a performance as anyone could with a Baywatch script. That said, the show definitely makes clear that the main lesson is that you should never judge anyone solely by their voice. Because they might be fat.

This episode was basically two half-baked stories mashed together. Yes, there was the hostage situation. And there was Nicole’s weight problem. But despite all of that, there really wasn’t any drama. Everything played out a low-key, laid-back pace. This was an episode that understood the assignment: Come up with just enough of a story to justify your existence but mostly just feature hot people on the beach.

Late Night Retro Television Review: Freddy’s Nightmares 2.17 “Interior Loft Later”

Posted on June 19, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week, a loft sees a lot of action!

Episode 2.17 “Interior Loft Later”

(Dir by Ken Wiederhorn, originally aired on February 4th, 1990)

The loft from last week’s episode returns!

The loft is now home to sculptor Alex McFain (Robert F. Lyons). Alex spends most of his time sitting and sleeping in a bath tub and complaining about the fact that his work doesn’t make him much money. When his wife, Fabina (Fabiana Udenio) accidentally kills one of Alex’s models, Alex comes up with a brilliant plan. He’ll fake his own death so his work will become valuable!

At first, the plan works. The only problem is that Alex can no longer leave the loft. With Fabina constantly going outside to sell his work, Alex starts to worry that she’s having an affair with another man. It tuns out that he’s half-right. Fabina is having an affair but it’s with another woman. Alex is shocked but he’s then killed by decorative sword that falls off of the ceiling. Now, his work will be really valuable!

Months later, Fabina’s former boy toy, Art (Dean Fortunato), shows up at the apartment and discovers that it is now occupied by Stacy (Leslie Bega) and Gina (Tory Polone). Art moves in with them and proceeds to seduce both of them. He tells one that he’s an environmental activist being pursued by a cartel of fishermen. He tells the other that he’s being chased by the mob. When Stacy and Gina compare notes, it’s bad news for both Art.

Freddy doesn’t do anything in either one of these stories, other than introduce them. Both stories follow the familiar pattern where anything overly dramatic that happens is ultimately revealed to be a dream. Neither story is all that interesting but Robert F. Lyons does his best to bring some life to his role of the sculptor pretending to be dead. As has so often been the case with the second season, this episode isn’t great or even memorable but it’s still a hundred times better than the majority of the first season.

Retro Television Review: St. Elsewhere 3.24 “Cheers”

Posted on June 19, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Daily Motion.

This week, season 3 comes to an end.

Episode 3.24 “Cheers”

(Dir by Bruce Paltrow, originally aired on March 27th, 1985)

It’s Easter at St. Eligius and, of course, everyone is a bit depressed. While the patients in the Children’s Ward prepare for the annual Easter egg hunt (and are told about the magic Golden Egg), a man who dresses like Jesus is attacked by a bunch of vagrants and wheeled into the Emergency Room. Meanwhile, Dr. Craig is shaken to learn that his mentor, Dr. David Domedion (Dean Jagger), is suffering from dementia and Dr. Auschlander worries about his wife as she undergoes heart surgery.

And yet somehow, Dr. Westphall still manages to be the most depressed person in the hospital.

I have to admit that, over the course of this season, I’ve grown a bit frustrated with Dr. Westphall and his nonstop depression. At least one terrible thing has happened to every character on the show but they’ve all managed to continue on with their lives and their careers. Dr. Westphall is selling his house and, as a result, he’s spent a year having an existential crisis. Dr. Asuchlander is terminally ill and he still manages to smile occasionally. I realize that I’m probably being too hard on Westphall but seriously …. cheer up, old man! People love you!

This rather dark and depressing episode features an odd moment when Westphall, Crag, and Auschlander go to a neighborhood bar and talk about life. Their conversation is serious but the bar is Cheers, which was the setting of a popular sitcom of the same name in the 80s. (Dr. Frasier Crane first appeared on Cheers, though he’s sadly not present in this episode.) While the doctors wrestle with their misery, the bar regulars make jokes.

Barmaid Carla (Rhea Pearlman) gives them a hard time when she discovers that they work at St. Eligius. In fact, the entire bar seems to groan at the hospital’s name.

Bar regular Norm (George Wendt) is also Auschlander’s former accountant. Norm apologizes for losing Auschlander a good deal of money. Then Norm goes back to drinking. Maybe don’t hire an alcoholic to be your accountant.

Postman Cliff (future PIXAR regular John Ratzenberger) tries to get free medical advice. The doctors aren’t in the mood.

It’s an odd scene but there’s still a definite charm to it. It’s as if the show’s writers were acknowledging how difficult it can be to take Westphall’s nonstop glumness and they were puncturing his self-absorption a little by having the cast of another show attempt to steal the spotlight from all of his problems. This episode seems to be saying, “There’s a world outside of St. Eligius and it’s full of day drinkers.”

Still, the scene is ultimately about Dr. Westphall. At the end of it, he announces that he’s done with being a doctor. He’s going to retire. He’s going to leave St. Eligius and presumably find a new group of people to depress. Well, good for him.

The episode ends with Westphall leaving the hospital, perhaps for the last time. As he leaves, he spots and picks up the Golden Easter Egg.

Hey, Westphall, that egg is for the kids!

Next week, we start a new season!

Late Night Retro Television Review: Hunter 1.9 “High Bleacher Man”

Posted on June 18, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!

This week, Hunter gets another bad assignment.

Episode 1.9 “High Bleacher Man”

(Dir by Arnold Laven, originally aired on December 7th, 1984)

Hunter and McCall have finally arrested Elton Gavin (Michael Baselon), a murderous punk who has been causing mayhem all over Los Angeles. Unfortunately, Gavin works out a deal. For immunity, he’ll turn on gangster Nate Demarest (Richard Romanus). With Demarest eager to kill the informant, Hunter finds himself assigned to protect Gavin until Gavin can testify.

The problem, of course, is that Gavin is a sociopath. Hunter doesn’t want to protect Gavin. He doesn’t want Gavin to get immunity. He certainly doesn’t want to see Gavin back out on the streets. When Hunter learns that McCall once investigated Demarest for killing a federal agent, he asks her to reopen the case. If they can get Demarest on that charge, then there won’t be any reason to give Gavin immunity.

Poor Hunter and McCall. They always get the worst assignments. This was pretty much a standard episode of Hunter but the chemistry between Fred Dryer and Stepfanie Kramer was fun to watch. In the middle of all the action and the bullets, Dryer and Kramer were actually a pretty good comedy team. It’s fun to listen to them talk.

As I watched this episode, I suddenly remembered that Hunter’s father was a gangster and therefore, one would think that Hunter would have more contacts in the world of organized crime than he does. Hunter’s mob background is one of those things that the show sometimes seems to forget about.

The other thing that occurred to me as I watched this episode is that, in 1984, John Amos probably had one of the easiest jobs in television. He played Dolan, Hunter and McCall’s captain. As far as I can tell, his role consisted of showing up at the end of each episode and yelling at Hunter for taking unnecessary risks. That was pretty much it. Amos just had to be annoyed for two-minutes every week.

Of course, it didn’t matter how much Dolan got annoyed,

Hunter got results!

Retro Television Review: Decoy 1.35 “Tin Pan Payoff”

Posted on June 18, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!

This week, Casey goes undercover!

Episode 1.35 “Tin Pan Payoff”

(Dir by David Alexander, originally aired on June 9th, 1958)

After songwriter Chick Williams is found murdered in his apartment, the only clue that the police have going for them is a vinyl record spinning on Chick’s record player. (Welcome to 1958!) The singer on the record is Sally Masters (Ellen Parker), a local nightclub performer. The police figure out that it’s a “demo record.” Sally is the number one suspect so Casey goes undercover as a music agent and discovers just how cutthroat the business can be.

This episode was a whodunit. It turns out that Chick cheated and betrayed a lot of people in his life. It seems like the entire city of New York has a motive but, since this is Decoy, Casey quickly narrows it down to four suspects. Casey going undercover as a music agent was actually more interesting than the mystery itself, if just because Casey got to dress up and hang out in one of those wonderfully atmospheric New York nightclubs. She also learned about how DJs like Jerry Lynch (Lee Bergere) can make someone a star and also how even successful songwriters like Chick Williams occasionally employed “a ghost writer.” Watching Decoy, it’s hard not to feel that the best thing about Casey’s job is that she has an unlimited wardrobe and she gets to investigate every single facet of New York society.

Like a lot of the later Decoy episodes that I’ve seen, this episode isn’t quite as gritty as the earlier episodes. There’s less emphasis on Casey as a tough cop and more on Beverly Garland looking glamorous undercover. That said, Casey still gets the job done and takes a few minutes to speak directly to the audience. One thing I appreciate about Casey is that she doesn’t let her own feelings get in the way of doing her job. At a time when women were often portrayed being too flighty or emotional to be trusted in a position of authority, Casey always got results.