Retro Television Review: Baywatch 3.1 and 3.2 “River of No Return”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, we start the third season!

Episodes 3.1 and 3.2 “River of No Return”

(Dir by Douglas Schwartz, originally aired on September 14th, 1992)

The third season of Baywatch begins with Mitch learning of the death of his uncle, an eccentric old prospector who always claimed that he was going to find gold. Mitch and Hobie decide to head to Northern California to investigate, and Eddie and Shauni agree to join them. For Eddie, it’s a chance to have one last adventure with Mitch before he heads off to Australia as part of the lifeguard exchange program. For Shauni, it’s a chance to reveal to Eddie that he knocked her up. For the show, it’s a chance to introduce CJ Parker (Pamela Anderson), a river guide who plays the saxophone and who gives good relationship advice.

Yes, this episode was Pamela Anderson’s first appearance on Baywatch. It turns out that, before she was a sax-playing river guide, CJ was a lifeguard, and Mitch would love it if she would return to the beach. Oddly, even though everyone already knows CJ, no one has ever mentioned her before. Considering that she was apparently a legendary lifeguard, you would think that she would have been mentioned in the past.

However, before CJ can return to the beach, she has to help Mitch and the gang find the gold mine that Mitch’s uncle found shortly before he died. Unfortunately, Drew (Bill McKinney) and Lonny (Mickey Jones), two no-good rednecks, also want to find the mine.

Meanwhile, back at the beach, Summer Quinn (Nicole Eggert) and her mother, Jackie (Susan Anton), have moved to Los Angeles to get away from Jackie’s abusive ex, Jed (Geoffrey Scott). Jed follows them but, fortunately, he’s put in his place by Matt Brody (David Charvet), a rich kid who is hoping to become a lifeguard. Like all of the other prospective lifeguards, Matt Brody is curious about “Bobby Quinn,” who is new to California and who was apparently a champion swimmer back in Pennsylvania. At the lifeguard try-out, Summer tells Matt that Summer is just a nickname and her first name is actually Roberta.

This two-part episode largely exists to introduce Pamela Anderson, Nicole Eggert, and David Charvet as regulars. All three of them do pretty well for their first episode. They all seem like they actually want to be there, which is quite a contrast to Billy Warlock and Erika Eleniak, both of whom have subsequently been pretty vocal about not being happy with the direction the show took during the second season. Of course, as soon as Eggert and Charvet show up, it’s easy to see that there’s no longer going to be room for Warlock and Eleniak. So, it’s not a shock when this episode ends with Shauni and Eddie marrying and leaving Baywatch.

This was a good way to start the season. Yes, the whole gold mine thing was a bit silly, but it gave David Hasselhoff a chance to do the earnest action hero thing, and it also introduces Pamela Anderson, who—in this episode at least—comes across as being surprisingly natural and down-to-earth in the role of CJ.

Next week, Matt goes undercover and meets even more new characters!

 

Retro Television Review: Baywatch 3.0 “Summerfest Special”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, the third of Baywatch begins with a special!

Episode 3.0: “Summerfest Special”

(Originally aired September 13, 1992)

“Hi, I’m David Hasselhoff, here to welcome you to the Summerfest special.”

The third season of Baywatch starts not with a story about Mitch Buchannon and his fellow lifeguards, but with a breezy special about the California lifestyle and what viewers can expect from the upcoming season. David Hasselhoff stands on the beach in his Baywatch uniform and earnestly talks about how important lifeguards are and how the show is all about celebrating their heroism.

“Life’s a beach,” Hasselhoff says, “and everyone’s life is at the beach.”

“We’ll be back with the latest in barely legal swimwear!” announcer Sean “Hollywood” Hamilton says as the special goes to commercial. Yes, that is the actual line.

In between shots of beachgoers in bikinis, the Summerfest Special features interviews with the cast members joining Baywatch in season 3. Susan Anton talks about being dramatically taller than her on-screen daughter, Nicole Eggert. David Charvet is introduced as “Baywatch’s newest bad boy.” Alexandra Paul says that maybe her character and Mitch will hook up, then laughs. Kelly Slater says that he’s not really an actor, but he joined the cast to show the world what “surfing is all about.” Pamela Anderson says that she’s looking forward to playing a “metaphysical character” because she’s very metaphysical herself. Gregory Alan Williams, who is being promoted to regular status in season 3, talks about saving a bystander during a riot because “I don’t like mobs.”

In between even more shots of beachgoers in bikinis, Hasselhoff talks about his music career and says that Baywatch is a show the entire family can watch. He adds, “Skimpy apparel is a part of the appeal.” This is followed by a montage of women in bikinis.

The Summerfest Special isn’t streaming on Tubi or Prime, but it is available on YouTube. The version I watched included all of the commercials that aired with the show. There weren’t any pharma commercials, which I appreciated. In America, we don’t really realize how bombarded we are with commercials for medicine with potentially deadly side effects until we get a chance to watch a complete broadcast from a time when no one in their right mind would think of advertising prescription medication on television.

Instead, I got a lot of commercials for local businesses and special musical compilation albums. There was a commercial for a Dodge dealership that bragged about how their vehicles came with airbags. In the middle of a commercial for a gospel album, a preacher said, “Who the hell left the gate open?” and everyone in the church cheered. A woman quit her job with confidence because of her Secret deodorant. “I’ll borrow my mother’s scarf,” a young woman who reminded me of myself declared, “but my mother’s tampons? No way!” A bunch of teen soccer players announced they’d rather drink “Sunny D” than “soda” or “purple stuff.” I’m from the South, so it always sounds weird to hear people refer to Coke as soda. It’s even weirder to see people preferring an orange drink to it.

If I seem to be spending a lot of time on the commercials, that’s because they felt like little mini time machines. Watching them was like taking a 30-second trip back to the early ’90s. As for the rest of the special, it was essentially a lengthy commercial for Baywatch and bikinis, but everyone interviewed seemed to be in a really good mood. They were having fun, and that’s the important thing.

 

Retro Television Review: Baywatch 2.22 “Summer of ’85”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, season 2 comes to an end!

Episode 2.22 “Summer of ’85”

(Dir by Michael Berk, originally aired on May 18th, 1992)

This was the second-season finale, and it is an odd note to end on. David Hasselhoff is billed and never appears. Baywatch without Mitch is already a strange choice for a season finale; making the hour an Eddie-and-Shauni murder-mystery-slash-old-flame reunion makes it stranger. Tom McTigue’s Harvey has a prominent role in this episode but Hasselhoff, the show’s center of gravity is missing, and you feel it.

As for the plot: frustrated by life on a cramped boat and partly at Harvey’s urging, Shauni drags Eddie to a psychic named Rosalind (the one and only Toni Basil!). Eddie is a skeptic. When Rosalind tells him he will soon meet his first true love, Eddie says that Shauni already is. Rosalind disagrees.

Soon afterward, Eddie spots a woman sketching on a sailboat who looks painfully familiar. He is sure she is Lorna Cosgrove (Michelle Rogers). Eddie was fifteen when he first met her while vacationing at a friend’s place on Nantucket. Lorna asked if she could paint him. He agreed. Eventually he lost his virginity to her but, later that night, he saw an older man at her door, got jealous and never spoke to her again.

When Eddie approaches the woman, she denies being Lorna and calls herself Caitlin. The next day, she pays a boy to deliver a copy of the painting to Eddie’s tower. That not only proves she is Lorna; it also proves she was a terrible painter. I have seen motel art more impressive than her portrait of Eddie fishing.

Shauni is suspicious, and with good reason. There is a warrant for Lorna’s arrest. The same night Eddie slept with her, her husband was shot, and Lorna was the prime suspect. Can Eddie prove she is innocent?

That continuity, for those who care about that sort of thing, in this episode is a mess. In “Point of Attack,” Eddie claimed he did not even see the ocean until he was nineteen.  The first season established that he was Philadelphia street kid who grew up in the foster system.  And yet, in this episode, here he is at fifteen, on Nantucket, fishing, posing, and losing his virginity in a beach house. As well, this episode plants Shauni and Eddie on a houseboat, with Shauni announcing that they have to get an apartment. The previous episode, “Game of Chance,” had just moved her onto that boat after a fight with her father. Earlier in the season, though, the show had already treated them as live-in partners, sometimes in an apartment. Continuity be damned, I guess.  It’s almost as if the show’s writers just didn’t care.

In the end, Baywatch without Hasselhoff is pointless. That said, Toni Basil is amusing as Rosalind.  This is definitely a case of a performer giving a better performance than the material deserved.

That closes the first syndicated season of Baywatch, and the second season of the series overall. For the most part, season 2 was dumb and fun. The best episodes used Hasselhoff’s innate earnestness. The worst got too cutesy, especially “Now Sit Right Back and You’ll Hear a Tale,” the one where Eddie dreams he is on Gilligan’s Island. Billy Warlock and Erika Eleniak were both adequate as Eddie and Shauni, but neither was happy with the show’s turn once it entered syndication, and that unhappiness often showed.

Next week, we start season 3!

Retro Television Review: Baywatch 2.21 “Game of Chance”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, Harvey has a gambling problem.

Episode 2.21 “Game of Chance”

(Dir by Georg Fenady, originally aired on May 11th, 1992)

Harvey (Tom McTigue), the lifeguard who always appears in the opening credits but rarely does anything in the actual show, actually gets a storyline in this episode.

Harvey is on a boat in the ocean, taking part in a floating poker game. Mitch kayaks out to the game so he can tell Harvey to “fold” and get to work. Harvey, however, has a great hand. He wins everyone’s money. Unfortunately, a masked man then shows up and steals all the money for himself. (Whoever put this poker game together should have splurged a little on security.) Mitch and Harvey investigate the robbery and eventually discover that the thief owns an amphibious jeep. This leads to a less-than-exciting chase scene and Hasselhoff making jokes about a talking car.

Meanwhile, Shauni is frustrated because her father doesn’t approve of her dating Eddie. Even after Eddie saves Shauni’s older sister from drowning, her father continues to look down on him. Shauni finally decides to defy her father and move in with the man she loves. This would be really touching except for the fact that Shauni and Eddie have supposedly been living together for a while now. Just last week, someone asked Shauni what it was like to live with Eddie. I’m going to guess that this episode was originally meant to air earlier in the season but, for some reason, got pushed to the back.

This was all pretty silly, and the script itself felt like something left over from the first season, when Shauni was still a spoiled princess, Eddie was a rough-edged former delinquent, and John Cort was the resident trouble-making lifeguard.

Next week, the second season comes to an end.

Retro Television Review: Baywatch 2.20 “The Big Spill”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, someone has turned a lagoon into a death trap!

Episode 2.20 “The Big Spill”

(Originally aired on May 4th, 1992)

This week, Lane Brody returns!

Now, if you’re like me, your initial reaction to that is to say, “Who?” When I first saw Lane Brody (played by Jeff Lester) at Baywatch Headquarters, I found myself wondering why everyone was so happy to see him, because I didn’t have the slightest idea who he was. For once I decided to do some research instead of just making a wild guess as to what was going on.

What I found is a little messier than the episode implies. Jeff Lester had appeared once in season 1, in “Old Friends”—but as Lance Jarvis, a different character. This episode presents Lane as a former Baywatch lifeguard turned environmental activist and as Mitch’s old friend. The writers seem to have assumed viewers would greet him like a returning regular and be immediately invested in his story.  One has to admire the show’s confidence, if nothing else.

In this episode, Lane is established as being a member of Green Force, a group of environmentalists who take “direct action” against hunters and oil companies. Mitch agrees with Green Force’s belief in protecting the environment, but he feels that their tactics are counterproductive. When Hobie and his friend Brenda (Patricia Supancic) get sick after a dip in a polluted lagoon, Mitch reconsiders his stand.

Lane is convinced that the lagoon was polluted by Transicon Industries. When he sneaks into a Transicon chemical plant to look for evidence, he’s attacked by the company’s goons and then framed for polluting the lagoon himself. With Lane out of commission, it’s up to Mitch and Shauni to break into the plant and find the evidence. Fortunately, Ben Edwards has some wave runners they can use to make their escape. Everyone at Baywatch is united in their love for Lane Brody.

This was another action-oriented installment of Baywatch. The message is sincere, but the villains are such caricatures that it’s hard to take the show seriously. It ends with Mitch and a recovering Hobie surfing in the ocean. It’s a nice moment of bonding.

Finally, I have no proof of this, but I find it interesting that this episode seems to indicate Lane Brody was willing to return to Baywatch, and that season 3 then introduced a new lifeguard named Matt Brody. As far as I know, Lane and Matt weren’t related, but it still wouldn’t surprise me if Matt was originally going to be Lane. Again, that’s all just speculation on my part. It could also just be that someone on the show liked the last name Brody.

Retro Television Review: Baywatch 2.19 “The Lost Treasure of Tower 12”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, Harvey gets to do something.

Episode 2.19 “The Lost Treasure of Tower 12”

(Dir by Cliff Bole, originally aired on April 27th, 1992)

After a season of appearing in the opening credits and rarely anywhere else, Harvey (Tom McTigue) finally gets a storyline. Because Mitch is going on a camping trip, he has Harvey replace him as the teacher of a windsurfing class. Harvey is excited because the students all attend a local girls’ school. That would presumably mean they’re teenagers, while Harvey appears to be in his thirties.

As Ben correctly deduces, Harvey has no idea how to windsurf. This becomes obvious as soon as Harvey and Ben meet the bikini-clad students on the beach. (Harvey tells all the girls to write down their phone numbers. Again: the girls are teenagers, and Harvey is definitely not.) After watching Harvey struggle with the basics, the students start to walk away. Ben steps up and announces that he can teach them. What follows is a montage of the girls windsurfing while a dejected Harvey stares straight at the camera.

That’s the B-plot. The A-plot features Michael Bendetti as Ian, a poet who lives on the beach and finds a box of stolen jewels a thief buried in the sand. Ian uses the jewelry to bankroll his courtship of Shauni. (Ian has a crush.) The thieves aren’t happy about that.

This episode just felt off. With his obsessive crush on Shauni, Ian comes across as a stalker, and yet I think we were supposed to be charmed by how relentless he was. There’s even an extended fantasy sequence in which Ian imagines dancing with Shauni under a chandelier suspended above the beach. Meanwhile, the main thief is so cruel that he throws the episode out of whack. It’s hard to reconcile a scene of Newmie and Eddie pulling a dead body out of the ocean with the lightweight humor of Harvey trying to windsurf.

This episode confirms something I’ve suspected from the moment I started reviewing this show. The early seasons of Baywatch worked best when they focused on David Hasselhoff’s somewhat corny but undeniably earnest portrayal of Mitch Buchannon. Whenever Hasselhoff isn’t in an episode (or appears in just one scene), the cynicism at the heart of the show — and the emptiness of its style-heavy approach — is much harder to ignore.

In short, Baywatch needed the Hoff.

Retro Television Review: Baywatch 2.18 “Sharks Cove”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, we meet Eddie’s never-before mentioned brother.

Episode 2.18 “Sharks Cove”

(Dir by Monte Markham, originally aired on April 20th, 1992)

Shauni’s friend Debbie Kent (Monica Lacy) throws a party on the beach with her boyfriend, Zack (Spencer Rochfort). When Debbie and Zack get in the water, Debbie suddenly yells out Zack’s name and is then apparently pulled below the surface by something. Zack runs back to the beach and says that a shark got Debbie.

Shauni, who is still haunted by Jill’s shark-related death in season one, insists on investigating this one on her own. She quickly figures out that Debbie faked her death because her father (Ernie Lively) was putting too much pressure on her to become a competitive, Olympic-class swimmer. It turns out that Debbie has just been hiding out in Zack’s trailer for the past few hours.

Meanwhile, Eddie decides to bring his older half-brother, Bobby (Blake Gibbons), to the beach. Bobby is schizophrenic and lives on a ranch, but his therapist thinks it would be a good idea for Bobby to spend the weekend with Eddie. Bobby ends up stealing a lifeguard outfit and running off. When Eddie eventually finds him, Bobby is on the edge of the pier, trying to rescue someone who isn’t really there. Bobby plunges into the ocean. Eddie saves his life, and hopefully he pays to get Bobby a new therapist, because this one obviously had no idea what she was talking about.

This was a strange episode. Baywatch previously established Eddie as a former juvenile delinquent from Philadelphia who came to Malibu to get away from the gang life. This episode features flashbacks of Eddie and his brother growing up in California, and Eddie is presented as the one who pays for Bobby to stay at the ranch, despite the fact that Eddie was previously portrayed as having come to California without a dime to his name.  (Eddie even slept in his lifeguard tower until Gina and Craig agreed to take him in.)  The first season also established that Eddie had a younger sister who drowned.  In this episode, he has an older half-brother who was schizophrenic and, in the flashbacks, there’s no sign of a sister.  Baywatch is not exactly a monument to continuity.

As for Debbie, she returns home and is forgiven by her father. Considering that lifeguards and police officers have been spending the last day or so searching for her, I assumed she would be in a bit more trouble than she was. Faking your own death is not something that I would recommend.

The Hoff was barely in this episode. Maybe it was his week off.

Lisa Marie’s Week In Television: 8/23/26 — 8/29/26


I spent this week binging Crime Story, St. Elsewhere, and Baywatch.  My goal here is to write up three months worth of Retro Television Reviews over the next week so that I can devote all of September and October to horrorthon.

I also watched Big Brother 28.  Thursday was the 1,000th episode of Big Brother.  Since I’ve see every episode, I did the math and discovered that I have spent the equivalent of 43 days just watching Big Brother.  That left me feeling very depressed.

On Friday, my friend Pat McCurry put together a tribute for Tim Curry and Dolly Parton.  First, we watched a thoroughly forgettable 2000 sitcom called Bette.  As you can guess from the title, it starred Bette Midler as herself.  The episode that we watched featured Bette appearing on Dolly Parton’s Halloween special.  Dolly was charming.  The rest of the sitcom was pretty forgettable.  We followed this with an episode of a 90s crime show called Wiseguy.  Tim Curry played a crooked music producer.  The show was serialized so I really couldn’t follow the plot but Curry gave a typically magnetic preformance.

Along with my binging, I also watched and reviewed CHiPs, Pacific Blue, 1st & Ten, Hunter, Sledge Hammer, and Saved By The Bell.

And I also watched a Republican Presidential Primary Debate from 1996!  It was on YouTube.  I liked that Lamar Alexander.  Did he win?

Retro Television Review: Baywatch 2.17 “The Chamber”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, Mitch gets the bends (snicker)!

Episode 2.17 “The Chamber”

(Dir by Gregory J. Bonann, originally aired on March 2nd, 1992)

Mitch has a lot to think about. Summer is nearly over, and Gayle wants Hobie to return to Ohio for school. Craig, now living in Connecticut, sends Mitch a letter offering to help him get a job as a salesman. It would mean more money, but also a lot of traveling — and no more lifeguarding.

Mitch takes to the ocean in a kayak to clear his head. When he comes across a panicked boy on a boat, he learns that the boy’s father was scuba diving and is trapped 90 feet underwater. Mitch free-dives to free the father. Both men reach the surface, but they’ve both got …. THE BENDS!

The bends may have a silly name, but it’s a real condition, and it can be fatal. Because the father is in worse shape, he goes into the decompression chamber first. Mitch isn’t doing well either, so Baywatch rushes him back to the mainland and puts him in their own chamber. Then everyone waits for Mitch to recover.

And Mitch has flashbacks. Flashback after flashback. That’s right: this is a clip show. This is Baywatch at its cheapest. This is Baywatch showing clips that featured a totally different actor playing Hobie. Eventually, once the show runs out of clips, Mitch has a brief out-of-body experience — and then he wakes up.

This is Baywatch at its silliest, but it’s also David Hasselhoff at his most earnest. Say what you will about the show, Hasselhoff always seemed to take it very seriously. Or at least he did until Baywatch Hawaii. Luckily, that’s several seasons away.

Clip shows always feel like a wasted episode, but they’re also incredibly easy to review. This episode has that going for it.

Lisa Marie’s Week In Television: 6/16/26 — 6/22/26


Big Brother 28 (24/7, CBS, Paramout+, and Pluto TV)

I’ve been writing about the show that I love to hate over at Reality TV Chat Blog.

Election Coverage (Tuesday Night)

Last week was the last big primary night of 2026.  I mostly watched the results from Florida.  The defeat of Alex Vindman in Florida should be all the proof that one needs that the Resistance era is over.

Darke of the Night (YouTube)

My review of this unsold pilot will drop in September.

Homicide: Life On The Street (Peacock TV)

I binged several episodes of Homicide this week and wrote and scheduled reviews of each one.

Juvenile Court (YouTube)

My review of this unsold pilot will drop next week.

Law & Order (Hulu)

I watched an episode of Law & Order that served as a crossover with Homicide.  My review of both episodes will drop at some point in September.

Radio 1990 (Nightflight Plus)

I watched an episode of this 80s music video show on Friday night.

Saved By The Bell (Prime)

This week’s review will drop shortly.

Sylvan in Paradise (YouTube)

My review of this pilot will drop in September.

Warden Duffy of San Quentin (YouTube)

My review of this pilot will drop in September.

Watched and Reviewed:

  1. 1st & Ten,
  2. Baywatch,
  3. CHiPs,
  4. Crime Story,
  5. Harry’s Battles,
  6. Hunter,
  7. The Love Boat,
  8. Pacific Blue,
  9. Saved By The Bell: The New Class,
  10. Sledge Hammer,
  11. St. Elsewhere