Retro Television Review: Homicide: Life On The Street 5.10 “Blood Wedding”

Posted on May 17, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.

This week, Pembleton gets his first case as the primary.

Episode 5.10 “Blood Wedding”

(Dir by Kevin Hooks, originally aired on December 13th, 1996)

A robbery at a bridal store leave public defender Meryl Hansen (Delanie Yates) dead. Meryl was the fiancée of State’s Attorney Ed Danvers. Danvers was with her when she was shot and he’s now obsessed with getting justice. He is not happy when he discovers that Pembleton is the primary on the case. Pembleton is still recovering from a stroke. In fact, this is his first case as primary since he returned to active duty. Meanwhile, Pembleton is not happy with the way Danvers keeps trying to tell him how to do his job.

Meanwhile, Giardello meets with the former members of Kellerman’s squad and asks them if they are planning on naming Kellerman to the Grand Jury. Everyone says that they’re not going to name him …. except for one former detective who explains that, if he names Kellerman, his own sentence will be reduced. Giardello even goes to the police commissioner (Al Freeman, Jr.) in search of help. The Commissioner resents Giardello’s independent streak. He’s not only not going to help, he’s also going to actively make Giardello’s life difficult.

As for Kellerman, he spends his time either sitting on his boat or drinking at the Waterfront or bothering his new lover, Dr. Cox, at work. When he’s informed that the Grand Jury has been delayed until the end of January, it’s another weight on his shoulders.

In the end, Pembleton does find the man who shot Meryl Hansen but, by the time the Julius Cummings (R. Emery Bright) is captured, he’s already disposed of the gun used in the crime. There’s enough evidence to put Cummings away for an unrelated robbery but not for murder. Danvers suddenly wonders if he’s been to quick to compromise as a prosecutor. After Danvers goes to the jail and tells Cummings that he will spend the rest of his life proving that Cummings is guilty of murder, Cummings hangs himself in his cell.

I have to admit that, for once, I actually found the Kellerman stuff to be more compelling than the main story. Don’t get me wrong. Andre Braugher and Kyle Secor were both great. Zeljko Ivanek was excellent and he had a few good scenes with Melissa Leo, who has been rather underused this season. But the main storyline felt more like something one would find on Law & Order than Homicide. Pembleton’s very first case as primary turning out to be a red ball? It was a bit too much of a coincidence to be effective.

The Kellerman stuff, however, gave Yaphet Kotto a chance to do something more than just give out orders. Watching him go from detective to detective and slyly ask them if they were going to name Kellerman was a joy. The scene between him and Al Freeman, Jr. was well-played by both actors.

That said, let’s hope this Kellerman thing gets resolved soon. Lewis needs his partner!

Late Night Retro Television Review: Saved By The Bell 2.3 “Save The Max”

Posted on May 16, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Saved By The Bell, which ran on NBC from 1989 to 1993. The entire show is currently streaming on Tubi!

This week, Bayside Radio is on the air!

Episode 2.3 “Save The Max”

(Dir by Don Barnhart, originally aired on September 22nd, 1990)

Uh-oh! Max is about to lose The Max! The land that the Max is sitting on belongs to the school board and, if Max the owner can’t come up with $10,000 in back rent, he’s going to lose the restaurant. As Jessie puts it, “our favorite hang-out is going to become a parking lot!”

Here’s the thing — so what? I mean, seriously, is it that hard to find a place to get a hamburger in California? For the most part, the Max has always come across as being a fairly tacky place. It’s hard for me to imagine anyone over the age of eleven thinking that Max’s magic tricks were worth watching. Even more importantly, why didn’t Max pay his rent? Max is an adult. He’s a grown man. Why does it fallon a group of teenagers to take care of Max’s problems? Pay your own damn bills, Max!

Fortunately (I guess), Zack has recently re-launched the school radio station. This is the episode where Zack and Screech discover the radio station in the school basement and Mr. Belding appears in a flashback as a 40 year-old hippie high school student with a thick mustache. I’m not really sure to whom the radio station is supposed to appeal. Zack pretending to be “Wolfman Zack” is cringe city. Screech’s mystery theater is embarrassing. Lisa’s gossip show would probably lead to multiple lawsuits today. Aren’t these people supposed to be in class? Are the other students actually okay with Zack and his friends being the only ones who actually get to do anything interesting at school?

The best thing about this episode is that it gives Slater a showcase. This is the first episode to feature Slater as a guy who is always confident until he’s either talking into a microphone or looking at video camera. Whenever he knows he’s being recorded, Slater suddenly freezes up. Slater’s awkwardness is actually pretty endearing and it makes him a more compelling character than Zack. With Zack automatically being good at everything, it’s actually kind of nice to get to watch Slater conquer his doubts and prove himself.

Do the kids — and Mr. Belding — go on the air for 24 hours in an attempt raise enough money to save the Max? You bet they do! But it’s not until Slater grabs the microphone and talks about how the Max was the first place that he ever felt as if he really belonged that the money starts to come in. I think one reason that the Gang was having trouble raising money is that all of the Bayside students were at the Max for the telethon. Seriously, I’m really not sure who was donating all that money at the end of this episode. I guess Slater has groupies. Hey, why not? He’s earned them.

Seriously, though — couldn’t Max have just paid his rent!? What a deadbeat!

Retro Television Review: Baywatch 2.4 “Money, Honey”

Posted on May 16, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001. The entire show can be viewed on Tubi.

This week is pretty pointless.

Episosde 2.4 “Money, Honey”

(Dir by Monte Markham, originally aired on October 7th, 1991)

When Mitch and Eddie are hired to serve as lifeguards at a Hollywood party, film producer Dita (Leslie Easterbrook) is impressed when she sees Mitch respond to a boating accident. She decides to make Mitch into a movie star. Everyone knows that Mitch can swim and run in slow motion but can he deliver scripted lines? Dita doesn’t care. She just wants to sleep with him. That goes against Mitch’s ethics so his film career ends before it even begins. Meanwhile, Shauni puts together a benefit to protect a sea lion habitat. At first, it looks like Shauni won’t be able to raise the money but then Mitch donates his movie paycheck to the cause.

This was a montage episode of Baywatch. There really wasn’t much of a plot but there certainly were a lot of montages. Watch as Mitch nervously sits in the makeup chair. Watch as a bunch of bikini-clad beachgoers gather for Shauni’s benefit. Listen to the music. Watch the images. Don’t worry about a thing….

In short, this was a pretty pointless episode. That said, the sea lions were cute and the scene where Captain Thorpe tried to teach Mitch how to audition did make me smile. It’s interesting that it took only four episodes for the syndicated version of Baywatch to fall into the pattern that would definite it for the next ten years.

Late Night Retro Television Reviews: Freddy’s Nightmares 2.13 “What You Don’t Know Can Kill You”

Posted on May 15, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week, Freddy is just as confused as the rest of us.

Episode 2.13 “What You Don’t Know Can Kill You”

(Dir by Ken Wiederhorn, originally aired on January 7th, 1990)

Psychiatrist Dr. Rothman (David Hern) has been hypnotizing his female patients and then molesting them. (This was something that apparently used to happen quite often with Victorian-era hypnotists.) When a colleague (Phil Proctor) discovers what Rothman is doing, Rothman hypnotizes and programs one of his patients, Derby Brown (Fran Montano), to become an assassin. However, Rothman screws up the programming and ends up getting shot by a hypnotized Derby. Derby’s girlfriend suggests that Derby should have plastic surgery to disguise his appearance. They see a handsome man’s photograph in a newspaper and they decide that’s the face they want. As a result of the surgery, Derby now looks exactly like Vinnie (Paul Regina, playing both roles). Unfortunately, Vinnie is a mob informant and there’s a hitman after him.

Got all that?

This episode was pretty dumb. Paul Regina did a good job as Vinnie and his new doppelganger but, for the most part, I’m not really sure why this was even an episode of Freddy’s Nightmares. There was nothing supernatural about either story and neither story was particularly scary. Freddy only appeared in his host segments and he seemed to be fairly bored with the whole thing.

Usually, I love it when a show embraces the melodrama but this episode wasn’t subversive enough to work as a satire. Despite the over the top plot, it still felt oddly generic.

Retro Television Review: St. Elsewhere 3.20 “Amazing Face”

Posted on May 15, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Daily Motion.

The drama continues in Boston.

Episode 3.20 “Amazing Face”

(Dir by Janet Greek, originally aired on February 20th, 1985)

This week, at St. Eligius:

Nurse Rosenthal thinks that she’s pregnant. That sound you hear is me sighing. Seriously, I liked Nurse Rosenthal during the first season but now I’m kind of sick of her and her sanctimonious attitude, her homewrecking affair with Richard, and her annoying children. Obviously, the show’s writers really liked Nurse Rosenthal but I’m tired of her. A pregnant Nurse Rosenthal? I don’t think I could handle that. Fortunately, it turns out that Nurse Rosenthal is actually starting menopause.
When is Rosenthal going to dump Richard? We all know it’s going to happen.
Dr. Westphall has put his house on the market and boy, is he glum about it. Westphall continues to be the most depressing human being on the planet.
Mrs. Hufnagle has heart surgery. Before that, however, she steals some scrubs and wanders in on an operation.
Fiscus wants to hook back up with Cathy Martin. When a macho patient makes a misogynistic comment about Cathy, Fiscus throws a punch and gets his ass kicked. Luckily, Cathy has learned kung fu.
The bandages are removed and Andrea Fordham (Ann Hearn) sees her new face. She now looks like an average teenager. She tells Dr. Caldwell that she’s still not ready to face the world.
Shirley Daniels is a patient at St. Eligius. She tells everyone who she meets that she killed Peter White and that she can’t wait to go to jail for it. She promises Doctors Wade and Morrison that she’ll never shoot anyone else. She also reveals that she’s the one who sent the baby ski mask to Peter’s widow. She’s knitting a new ski mask for Morrison’s son. Oh, Shirley!
The episode ends with Shirley going to the morgue and flashing back to the time she shot Peter in the testicles.
Considering all the hospitals in Boston, was it really a good idea for her to stay at the same one where she happened to kill a doctor, albeit one who deserved exactly what he got?

This episode felt like filler. Ehrlich acted like a jackass. Morrison acted like he had the weight of the world on his shoulders. Dr. Craig was arrogant. Dr. Westphall was depressed. It wasn’t a bad episode but there wasn’t anything terribly memorable about it either.

It was just another day at St. Eligius.

Late Night Retro Television Review: Hunter 1.5 “Legacy”

Posted on May 14, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!

This week, Hunter and McCall investigate a mob hit!

Episode 1.5 “Legacy”

(Dir by Ron Satlof, originally aired on November 2nd, 1984)

Gangster John Vincent (Tony Girogio) has been gunned down in his own mansion. Detective Bernie Terwilliger thinks that it’s a case of burglary gone wrong. Rick Hunter thinks that it was a mob hit and that one of John’s sons is responsible. He and McCall search for Sandy Newton (Mary-Margaret Humes), the woman who was with Michael Vincent (Vincent Baggetta) the night that his father was killed.

I have to admit that I had totally forgotten that Rick Hunter was supposed to be the son of a mobster. This episode featured Rick associating with his childhood buddies and, if nothing else, it showed just how unconvincing Fred Dryer was as the scion of a mob family. Don’t get me wrong. Fred Dryer was great when he was gunning down a suspect and then saying, “Works for me.” And Fred Dryer had a fun chemistry with Stepfanie Kramer. But there was absolutely nothing about Fred Dryer that, in any way, said, “Mobster.” Surrounding Dryer with a bunch of tough-looking Italian-American character actors did nothing to change the fact that Dryer essentially looked like a former football player from sunny California.

This episode had a predictable story but it also had two good action scenes: a fight on a pier and a mob hit in a warehouse. It also introduced John Amos as Captain Dolan, who is the new police captain but who appears to dislike Hunter and McCall just as much as the previous captain. It’s hard not to feel that Amos will be entertaining as he yells at Hunter for not following regulations and costing the city money.

We’ll see how it goes!

Retro Television Review: Decoy 1.31 “Night Light”

Posted on May 14, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!

This week, someone is stealing jewelry!

Episode 1.31 “Night Light”

(Dir by Stuart Rosenberg, originally aired on April 12th, 1958)

Casey goes undercover as a woman who is looking to purchase a stolen ruby necklace. Her investigation leads to her to Nick Spandau (Martin Balsam), a career criminal who has recently been released from prison and who is currently working with the jeweler (Martin Wolfson) who cared for Nick’s young son (Pud Flanagan) while Nick was “away.” To Casey’s horror, she discovers that Nick is using his innocent son as an unwitting courier, sending him to Mexico with the stolen necklace.

As you can probably guess, this episode is a showcase for the great character actor Martin Balsam, who almost makes Nick likable until it becomes apparent that he’s willing to put his own son in danger in order to protect himself. When Nick’s son suddenly shows up at the jewelry store and announces that he couldn’t bring himself to board the plane without his father, Nick’s reaction is to wonder why his son couldn’t do the “one thing” that he was asked to do. He’s not a great father but, when Casey tells him that his son idolizes him and will follow in his criminal footsteps, Nick makes a show of telling his son off. It’s Nick’s way of making sure that the boy doesn’t grow up to be like him. Casey tells us, “He sure did love his son.” If you say so, Casey.

Overall, it’s not a bad episode. It opens with some nice establishing shots of New York City and, unlike other episodes where Casey is mostly a bystander, it remains compelling even when Garland isn’t on screen. Unfortunately, the acting is a bit weak from everyone not named Martin Balsam or Beverly Garland. However, Balsam and Garland are more than capable of carrying the story on their own.

Late Night Retro Television Review: 1st & Ten 4.1 “The Bulls Own Up”

Posted on May 13, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, we start season 4.

Episode 4.1 “The Bulls Own Up”

(Dir by Stan Lathan, originally aired on October 5th, 1988)

It’s time for a new season of 1st & Ten and things have changed!

Yinessa is nowhere to be seen. Instead, this episode features a college quarterback named Sonny Clowers (Gary Kasper) who is being courted by agent Max Green (Mark Lonow). Also not around is Jill Schrader, the team’s owner. She has sold the team to a fast food chain. The new owner of the Bulls is Charles (Monte Markham). In his first meeting with TD Parker (OJ Simpson), Charles explains that he runs a clean-cut, all-American company and he expects the Bulls to be a clean-cut, all-American team.

In other words, it’s time to trade all of the trouble makers and the drug abusers. Charles doesn’t want a team of individuals. He wants a team of …. well, whatever the opposite of an individual is.

TD is not happy to hear about this. Neither is Mad Dog, who is revealed to come from a fabulously wealthy family. Mad Dog’s father wants Mad Dog to do something that requires more skill than football. Hmmm …. maybe Mad Dog and all the other players could form their own company and buy the team themselves?

That doesn’t really sound like a great idea to me. How can you release or trade a player when that player owns the team? However, TD thinks that it’s a good idea. Zagreb thinks it’s a good idea. And Dr. Death shows up for practice in a three-piece suit, which somehow convinces everyone else that it’s a good idea!

Why do I get the feeling that this idea will dropped after six episodes?

This was an okay season opener. The Bulls being sold to a fast food chain certainly makes more sense than Delta Burke acquiring them in a divorce settlement. OJ Simpson recoiling at the thought of the team being expected to avoid scandal? That was almost to on the nose!

Finally, I can’t end this review without saying Donald Gibb, RIP. On a show not known for great acting, Gibb was definitely the exception.

Retro Television Review: The Love Boat 7.19 and 7.20 “Hong Kong Cruise: Polly’s Poker Palace/Shop Ahoy/Double Date/The Hong Kong Affair/Two Tails of a City”

Posted on May 13, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week, The Love Boat goes to Hong Kong!

Episodes 7.19 and 7.20 “Hong Kong Cruise: Polly’s Poker Palace/Shop Ahoy/Double Date/The Hong Kong Affair/Two Tails of a City”

(Dir by Richard Kinon, originally aired on February 4th, 1984)

This week, the Love Boat crew has been assigned to command a cruise to China. And while the boat might be docked in Hong Kong instead of the usual Mexico, the question remains the same:

Yes, how coked up is Julie?

Well, she’s not as coked up as usual. In fact, this is the rare Season 7 episode in which Julie actually gets to do something more than just smile at people as they board the ship. So, I’d say this episode only rates a 7 out of 10 on the How Coked Up Is Julie scale.

As for Julie and Vicki, they fall for two brothers (Leigh McCloskey, Lee Majors II). As always, Julie serves as Vicki’s mentor while Captain Stubing runs the ship. However, this time, it turns out that the guy that Julie likes actually likes Vicki instead. Vicki really likes him too. I would point out that Vicki is likely either 16 or 17 in this episode. (Jill Whelan was 18.) So, really, she and Julie probably shouldn’t both be after the same man. The guy is closer in age to Vicki than Julie but still, watching this episode, I couldn’t help but think that it might be time for Vicki to get off the boat and actually experience life on dry land. Seriously, she’s nearly 18 and she still spends all of her time talking to elderly passengers. Leigh McCloskey and Lee Majors II are literally the only two people close to her age to board the ship. She really doesn’t have much choice but to fall in love with one of them.

Meanwhile, a senator (Efrem Zimbalist, Jr.) fell in love with Donna Reed, despite the misgivings of his closest advisor (Ben Murphy). A retired spy (Gene Kelly) fell for a mysterious woman (Yvette Mimieux) and this somehow led to Gopher and Isaac putting on trench coats and following the couple through Beijing. And Brenda Vaccaro tried to stop using her credit card. The crew, for some reason, tried to help her.

None of these stories were very interesting, though I did relate to Brenda Vaccaro’s passenger. This was a travelogue episode, with the boat sailing to Hong Kong and the crew somehow managing to see every famous sight in China over the course of two days. This episode was shot on location. I always enjoy it when I can tell the actors are actually delivering their lines in the middle of the ocean. At the same time, the scenes that took place in China did not make me want to visit the country. If anything, they left me feeling bad for Hong Kong. This episode was filmed before the British handed Hong Kong over to China and it was a shame to think that all the little kids who appeared in the episode were fated to eventually become citizens of a communist country. Needless to say, the name Mao was never mentioned during this episode. Neither was the Cultural Revolution.

Come back to America, Captain Stubing. The country needs you.

Late Night Retro Television Review: Pacific Blue 4.3 “Seduced”

Posted on May 12, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, the bicycle cops clean up Malibu.

Episode 4.3 “Seduced”

(Dir by Terence H. Winkless, originally aired on August 9th, 1998)

Last week, I said that it appeared that the Pacific Blue recruits were no longer living in their funky loft. Well, it turns out I was wrong. This episode opens with Granger at the funky loft, hosting a party. Unfortunately, the party comes to an abrupt end when Granger tries to play an adult movie on his totally hip VCR. Uh-oh — it turns out that the lead actress in Barely Legal is the 16 year-old sister of one of Granger’s (dead) friends!

(She’s also played by Alison Lohman, a reminder that everyone had to start somewhere.)

Granger and Bobby Cruz set out to take down Malibu’s adult movie underground. TC agrees to help by telling Jamie Strickland to go undercover as a film student who needs a job. Strickland says that she’ll do it but she’s not going to have sex on camera. However, once she reaches the set, the sleazy director decides to put her in the film. Strickland calls Cory. Cory says, “We can’t pull you out now.”

Really? You can’t? Why are bicycle cops even going undercover?

Meanwhile, Playpen magazine offers Monica money to pose for them. They offer even more money if Monica can get the other women of Pacific Blue to pose as well. Needless to say, the other women of Pacific Blue are not willing to pose and they talk about how demeaning Playpen is for women. (Cory, who is pregnant but not showing, is at least tempted.) But the show still features a lengthy montage of Monica’s photoshoot. This show always tries to have it both ways.

This episode probably would have worked better if Granger was actually an interesting character but he’s not. It also would have helped if we knew anything about Strickland’s character, beyond the fact that she’s super-competent, but we don’t. Even the veteran characters — TC, Chris, and Cory — don’t really have any personality. Thankfully, this season has got Mario Lopez playing Bobby Cruz like A.C. Slater on a bicycle and Shanna Moakler, playing Monica as a scheming agent of chaos. Only Lopez and Moakler seem to to have really understood what type of show they were on.