Retro Television Review: Baywatch 2.22 “Summer of ’85”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, season 2 comes to an end!

Episode 2.22 “Summer of ’85”

(Dir by Michael Berk, originally aired on May 18th, 1992)

This was the second-season finale, and it is an odd note to end on. David Hasselhoff is billed and never appears. Baywatch without Mitch is already a strange choice for a season finale; making the hour an Eddie-and-Shauni murder-mystery-slash-old-flame reunion makes it stranger. Tom McTigue’s Harvey has a prominent role in this episode but Hasselhoff, the show’s center of gravity is missing, and you feel it.

As for the plot: frustrated by life on a cramped boat and partly at Harvey’s urging, Shauni drags Eddie to a psychic named Rosalind (the one and only Toni Basil!). Eddie is a skeptic. When Rosalind tells him he will soon meet his first true love, Eddie says that Shauni already is. Rosalind disagrees.

Soon afterward, Eddie spots a woman sketching on a sailboat who looks painfully familiar. He is sure she is Lorna Cosgrove (Michelle Rogers). Eddie was fifteen when he first met her while vacationing at a friend’s place on Nantucket. Lorna asked if she could paint him. He agreed. Eventually he lost his virginity to her but, later that night, he saw an older man at her door, got jealous and never spoke to her again.

When Eddie approaches the woman, she denies being Lorna and calls herself Caitlin. The next day, she pays a boy to deliver a copy of the painting to Eddie’s tower. That not only proves she is Lorna; it also proves she was a terrible painter. I have seen motel art more impressive than her portrait of Eddie fishing.

Shauni is suspicious, and with good reason. There is a warrant for Lorna’s arrest. The same night Eddie slept with her, her husband was shot, and Lorna was the prime suspect. Can Eddie prove she is innocent?

That continuity, for those who care about that sort of thing, in this episode is a mess. In “Point of Attack,” Eddie claimed he did not even see the ocean until he was nineteen.  The first season established that he was Philadelphia street kid who grew up in the foster system.  And yet, in this episode, here he is at fifteen, on Nantucket, fishing, posing, and losing his virginity in a beach house. As well, this episode plants Shauni and Eddie on a houseboat, with Shauni announcing that they have to get an apartment. The previous episode, “Game of Chance,” had just moved her onto that boat after a fight with her father. Earlier in the season, though, the show had already treated them as live-in partners, sometimes in an apartment. Continuity be damned, I guess.  It’s almost as if the show’s writers just didn’t care.

In the end, Baywatch without Hasselhoff is pointless. That said, Toni Basil is amusing as Rosalind.  This is definitely a case of a performer giving a better performance than the material deserved.

That closes the first syndicated season of Baywatch, and the second season of the series overall. For the most part, season 2 was dumb and fun. The best episodes used Hasselhoff’s innate earnestness. The worst got too cutesy, especially “Now Sit Right Back and You’ll Hear a Tale,” the one where Eddie dreams he is on Gilligan’s Island. Billy Warlock and Erika Eleniak were both adequate as Eddie and Shauni, but neither was happy with the show’s turn once it entered syndication, and that unhappiness often showed.

Next week, we start season 3!

Retro Television Review: Baywatch 2.21 “Game of Chance”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, Harvey has a gambling problem.

Episode 2.21 “Game of Chance”

(Dir by Georg Fenady, originally aired on May 11th, 1992)

Harvey (Tom McTigue), the lifeguard who always appears in the opening credits but rarely does anything in the actual show, actually gets a storyline in this episode.

Harvey is on a boat in the ocean, taking part in a floating poker game. Mitch kayaks out to the game so he can tell Harvey to “fold” and get to work. Harvey, however, has a great hand. He wins everyone’s money. Unfortunately, a masked man then shows up and steals all the money for himself. (Whoever put this poker game together should have splurged a little on security.) Mitch and Harvey investigate the robbery and eventually discover that the thief owns an amphibious jeep. This leads to a less-than-exciting chase scene and Hasselhoff making jokes about a talking car.

Meanwhile, Shauni is frustrated because her father doesn’t approve of her dating Eddie. Even after Eddie saves Shauni’s older sister from drowning, her father continues to look down on him. Shauni finally decides to defy her father and move in with the man she loves. This would be really touching except for the fact that Shauni and Eddie have supposedly been living together for a while now. Just last week, someone asked Shauni what it was like to live with Eddie. I’m going to guess that this episode was originally meant to air earlier in the season but, for some reason, got pushed to the back.

This was all pretty silly, and the script itself felt like something left over from the first season, when Shauni was still a spoiled princess, Eddie was a rough-edged former delinquent, and John Cort was the resident trouble-making lifeguard.

Next week, the second season comes to an end.

Retro Television Review: Baywatch 2.20 “The Big Spill”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, someone has turned a lagoon into a death trap!

Episode 2.20 “The Big Spill”

(Originally aired on May 4th, 1992)

This week, Lane Brody returns!

Now, if you’re like me, your initial reaction to that is to say, “Who?” When I first saw Lane Brody (played by Jeff Lester) at Baywatch Headquarters, I found myself wondering why everyone was so happy to see him, because I didn’t have the slightest idea who he was. For once I decided to do some research instead of just making a wild guess as to what was going on.

What I found is a little messier than the episode implies. Jeff Lester had appeared once in season 1, in “Old Friends”—but as Lance Jarvis, a different character. This episode presents Lane as a former Baywatch lifeguard turned environmental activist and as Mitch’s old friend. The writers seem to have assumed viewers would greet him like a returning regular and be immediately invested in his story.  One has to admire the show’s confidence, if nothing else.

In this episode, Lane is established as being a member of Green Force, a group of environmentalists who take “direct action” against hunters and oil companies. Mitch agrees with Green Force’s belief in protecting the environment, but he feels that their tactics are counterproductive. When Hobie and his friend Brenda (Patricia Supancic) get sick after a dip in a polluted lagoon, Mitch reconsiders his stand.

Lane is convinced that the lagoon was polluted by Transicon Industries. When he sneaks into a Transicon chemical plant to look for evidence, he’s attacked by the company’s goons and then framed for polluting the lagoon himself. With Lane out of commission, it’s up to Mitch and Shauni to break into the plant and find the evidence. Fortunately, Ben Edwards has some wave runners they can use to make their escape. Everyone at Baywatch is united in their love for Lane Brody.

This was another action-oriented installment of Baywatch. The message is sincere, but the villains are such caricatures that it’s hard to take the show seriously. It ends with Mitch and a recovering Hobie surfing in the ocean. It’s a nice moment of bonding.

Finally, I have no proof of this, but I find it interesting that this episode seems to indicate Lane Brody was willing to return to Baywatch, and that season 3 then introduced a new lifeguard named Matt Brody. As far as I know, Lane and Matt weren’t related, but it still wouldn’t surprise me if Matt was originally going to be Lane. Again, that’s all just speculation on my part. It could also just be that someone on the show liked the last name Brody.

Retro Television Review: Baywatch 2.19 “The Lost Treasure of Tower 12”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, Harvey gets to do something.

Episode 2.19 “The Lost Treasure of Tower 12”

(Dir by Cliff Bole, originally aired on April 27th, 1992)

After a season of appearing in the opening credits and rarely anywhere else, Harvey (Tom McTigue) finally gets a storyline. Because Mitch is going on a camping trip, he has Harvey replace him as the teacher of a windsurfing class. Harvey is excited because the students all attend a local girls’ school. That would presumably mean they’re teenagers, while Harvey appears to be in his thirties.

As Ben correctly deduces, Harvey has no idea how to windsurf. This becomes obvious as soon as Harvey and Ben meet the bikini-clad students on the beach. (Harvey tells all the girls to write down their phone numbers. Again: the girls are teenagers, and Harvey is definitely not.) After watching Harvey struggle with the basics, the students start to walk away. Ben steps up and announces that he can teach them. What follows is a montage of the girls windsurfing while a dejected Harvey stares straight at the camera.

That’s the B-plot. The A-plot features Michael Bendetti as Ian, a poet who lives on the beach and finds a box of stolen jewels a thief buried in the sand. Ian uses the jewelry to bankroll his courtship of Shauni. (Ian has a crush.) The thieves aren’t happy about that.

This episode just felt off. With his obsessive crush on Shauni, Ian comes across as a stalker, and yet I think we were supposed to be charmed by how relentless he was. There’s even an extended fantasy sequence in which Ian imagines dancing with Shauni under a chandelier suspended above the beach. Meanwhile, the main thief is so cruel that he throws the episode out of whack. It’s hard to reconcile a scene of Newmie and Eddie pulling a dead body out of the ocean with the lightweight humor of Harvey trying to windsurf.

This episode confirms something I’ve suspected from the moment I started reviewing this show. The early seasons of Baywatch worked best when they focused on David Hasselhoff’s somewhat corny but undeniably earnest portrayal of Mitch Buchannon. Whenever Hasselhoff isn’t in an episode (or appears in just one scene), the cynicism at the heart of the show — and the emptiness of its style-heavy approach — is much harder to ignore.

In short, Baywatch needed the Hoff.

Retro Television Review: Baywatch 2.18 “Sharks Cove”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, we meet Eddie’s never-before mentioned brother.

Episode 2.18 “Sharks Cove”

(Dir by Monte Markham, originally aired on April 20th, 1992)

Shauni’s friend Debbie Kent (Monica Lacy) throws a party on the beach with her boyfriend, Zack (Spencer Rochfort). When Debbie and Zack get in the water, Debbie suddenly yells out Zack’s name and is then apparently pulled below the surface by something. Zack runs back to the beach and says that a shark got Debbie.

Shauni, who is still haunted by Jill’s shark-related death in season one, insists on investigating this one on her own. She quickly figures out that Debbie faked her death because her father (Ernie Lively) was putting too much pressure on her to become a competitive, Olympic-class swimmer. It turns out that Debbie has just been hiding out in Zack’s trailer for the past few hours.

Meanwhile, Eddie decides to bring his older half-brother, Bobby (Blake Gibbons), to the beach. Bobby is schizophrenic and lives on a ranch, but his therapist thinks it would be a good idea for Bobby to spend the weekend with Eddie. Bobby ends up stealing a lifeguard outfit and running off. When Eddie eventually finds him, Bobby is on the edge of the pier, trying to rescue someone who isn’t really there. Bobby plunges into the ocean. Eddie saves his life, and hopefully he pays to get Bobby a new therapist, because this one obviously had no idea what she was talking about.

This was a strange episode. Baywatch previously established Eddie as a former juvenile delinquent from Philadelphia who came to Malibu to get away from the gang life. This episode features flashbacks of Eddie and his brother growing up in California, and Eddie is presented as the one who pays for Bobby to stay at the ranch, despite the fact that Eddie was previously portrayed as having come to California without a dime to his name.  (Eddie even slept in his lifeguard tower until Gina and Craig agreed to take him in.)  The first season also established that Eddie had a younger sister who drowned.  In this episode, he has an older half-brother who was schizophrenic and, in the flashbacks, there’s no sign of a sister.  Baywatch is not exactly a monument to continuity.

As for Debbie, she returns home and is forgiven by her father. Considering that lifeguards and police officers have been spending the last day or so searching for her, I assumed she would be in a bit more trouble than she was. Faking your own death is not something that I would recommend.

The Hoff was barely in this episode. Maybe it was his week off.

Retro Television Review: Baywatch 2.17 “The Chamber”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, Mitch gets the bends (snicker)!

Episode 2.17 “The Chamber”

(Dir by Gregory J. Bonann, originally aired on March 2nd, 1992)

Mitch has a lot to think about. Summer is nearly over, and Gayle wants Hobie to return to Ohio for school. Craig, now living in Connecticut, sends Mitch a letter offering to help him get a job as a salesman. It would mean more money, but also a lot of traveling — and no more lifeguarding.

Mitch takes to the ocean in a kayak to clear his head. When he comes across a panicked boy on a boat, he learns that the boy’s father was scuba diving and is trapped 90 feet underwater. Mitch free-dives to free the father. Both men reach the surface, but they’ve both got …. THE BENDS!

The bends may have a silly name, but it’s a real condition, and it can be fatal. Because the father is in worse shape, he goes into the decompression chamber first. Mitch isn’t doing well either, so Baywatch rushes him back to the mainland and puts him in their own chamber. Then everyone waits for Mitch to recover.

And Mitch has flashbacks. Flashback after flashback. That’s right: this is a clip show. This is Baywatch at its cheapest. This is Baywatch showing clips that featured a totally different actor playing Hobie. Eventually, once the show runs out of clips, Mitch has a brief out-of-body experience — and then he wakes up.

This is Baywatch at its silliest, but it’s also David Hasselhoff at his most earnest. Say what you will about the show, Hasselhoff always seemed to take it very seriously. Or at least he did until Baywatch Hawaii. Luckily, that’s several seasons away.

Clip shows always feel like a wasted episode, but they’re also incredibly easy to review. This episode has that going for it.

Retro Television Review: Baywatch 2.16 “Sea of Flames”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, a floating drug lab means trouble!

Episode 2.16 “Sea of Flames”

(Dir by Gregory J. Bonnan and Douglas Schwartz, originally aired on February 17th, 1992)

Hobie has a nightmare in which he sees Mitch floating in the ocean and looking confused as a speedboat roars up behind him. “BEHIND YOU, DAD!” Hobie yells right before waking up.

Mitch says that the bad dream is no big deal, but Hobie is convinced that he’s seen the future. Mitch laughs off Hobie’s concerns. Mitch is more worried about convincing the city council to approve a funding increase so the lifeguards can buy some supercool wave runners.

Mitch should be worried about Eddie, who is such a terrible lifeguard that he doesn’t even notice that Scorch (Devino Tricoche) is wandering around the beach and setting fires. Scorch is a street performer who eats fire as part of his act. But after he gets a batch of bad designer drugs, he sets Eddie’s lifeguard tower on fire. Even though Eddie is sitting in the tower at the time, he doesn’t notice the flames until it’s nearly too late. After jumping off the tower in slow motion, Eddie drags Scorch to safety. “Sumo! Sumo! Sumo!” Scorch says.

Hey, there’s a boat called Sumo that’s docked in the harbor. Could it be a floating drug lab? Of course it is! When the drug dealers decide to sail away, Mitch gets a chance to show off on a wave runner! But when Mitch falls off the wave runner, he finds himself stranded in the ocean. Uh-oh, there’s a speedboat coming up behind him!

Hobie’s ghostly voice rings out: “BEHIND YOU, DAD!”

Mitch ducks out of the way just in time. OH MY GOD, HOBIE IS MAGIC!

While Mitch is busy capturing the drug dealers, Ben is once again depressed over getting old. When he investigates a house that has supposedly been empty for decades, he meets the actress (Constance Towers) who once lived there. Back when he was a young lifeguard, Ben had a crush on her. When she invites him into the house, he discovers that she has a framed picture of him that she took when he was young and standing on his lifeguard tower. She had a crush on him as well, but back then, dating a lifeguard would have led to a career-ending scandal. And now they’re both old, so what can anyone do? Oh well. Sorry, Ben, your life sucks.

But Mitch’s life is great! At the end of the episode, he thanks Hobie for having his nightmare. Hobie says he also had a dream where Mitch got married. “Blonde or brunette?” Mitch asks.

This was another silly episode of Baywatch, but as we all know, this series is at its most entertaining when it’s silly. As usual, Hasselhoff delivers even the most ludicrous of lines with an earnestness that is actually kind of charming in its own weird way. Ben’s storyline was kind of sad, but since the only reason Ben is on this show is to show that getting older sucks, it’s to be expected.

The important thing is that Mitch gets his wave runners and the ocean is now a safer place.

Retro Television Review: Baywatch 2.15 “Big Monday”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, Mitch and Hobie are scared!

Episode 2.15 “Big Monday”

(Dir by Gregory J. Bonnan, originally aired on February 10th, 1992)

Hobie has a problem.  A huge tropical wave is scheduled to hit the beach on Monday and all of his friends are looking forward to surfing it.  His friends all say that Hobie is “chicken” because he won’t take the big waves.  Hobie goes to Shauni for advice.  Shauni offers to help him learn how to be a better surfer.  Hobie wonders why he can’t be more like his dad.  Mitch isn’t scared of anything.

Actually, Mitch is terrified of that big wave.  Every time that someone mentions it, Mitch flashes back to watching a friend get washed away by a giant wave in 1961.  With a new wave approaching, Mitch is scared that the same thing will happen again.  Luckily, a visiting Hawaiian surfer just happens to be around to give Mitch an enchanted necklace.

Kaye, Mitch’s little-seen girlfriend, befriends a deaf girl on the beach.  She tries to convince the girl’s mother to allow her to enroll Kaye in a sign language class.  The girl’s mother is scared that her daughter will always be an outsider unless she learns how to read lips.  (One of the teachers at the school is played by future Oscar nominee Paul Raci.)

Will Hobie prove that he can handle the waves?

Will Mitch overcome his guilt over his friend’s death?

Will Kaye convince the mother to enroll her daughter in sign language class?

Yes, yes, and yes.  This is Baywatch.  Other than that lifeguard getting killed by a shark, there are no unhappy endings.

As for this episode, I’ll give it some credit for having one unifying theme.  All of the stories are connected by the theme of conquering your fears.  Actually having a narrative theme is definitely a step forward for this show.  That said, it’s still Baywatch.  Everything happens a bit too easily in this episode.  Yes, this episode says, fear is real.  But, if you stick around for 40 minute, your fears will magically disappear in time for the end credits to roll.

This was a silly episode but at least its heart was in the right place.

 

Retro Television Review: Baywatch 2.14 “War of Nerves”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, some people stand in the darkness, afraid to move into the light.

Episode 2.14 “War of Nerves”

(Dir by Douglas Schwartz, originally aired on February 3rd, 1992)

Drug lord Mason Sato (Cary-Hiroyuki Tagawa) has just gotten out of prison and he wants revenge of Mitch.  For reasons that aren’t really explained beyond a shot of a newspaper headline that reads, “Hero Lifeguard Helps Police Take Down Drug Lord,” Mason blames Mitch for his arrest,  Do lifeguards make arrests?

Mason stalks Mitch, Hobie, and Mitch’s girlfriend, Kaye (Pamela Bach).  At first, Mitch doesn’t tell either Hobie or Kaye what’s going on.  But when Mason asks Hobie to teach him how to use a boogie board, Mitch loses it and punches Mason out.  Mason later kidnaps both Hobie and Kaye.  This leads to a fight in an abandoned warehouse.  Once the fight moves into the ocean, Mason nearly drowns but Mitch saves his life so he can go back to prison.

Meanwhile, Shauni asks Ben to teacher her how to surf.  We never actually see Ben teaching her anything but we do get a lengthy montage as Ben remembers his days as a surfing lifeguard.  Myself, I’m wondering how Ben, who we’ve been told can no longer swim because of a leg injury, suddenly stops limping in this episode.

Cary-Hiroyuki Tagawa was a magnetic villain but otherwise, this was Baywatch at its cheapest.  The plot was by-the-book and it mostly seemed to exist so that Hasselhoff could play the action hero.  This episode felt like a dry run for the first, non-supernatural season of Baywatch Nights.  How many lifelong enemies has Mitch managed to make?

The life of the lifeguard is a dangerous one.

Retro Television Review: Baywatch 2.13 “Now Sit Right Back And You’ll Hear A Tale”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, Eddie suffers a serious injury.

A quick note, before we begin: this episode was actually the 16th episode to air during the second season but apparently, it was originally meant to be the 13th episode and, in reruns, it usually airs after the Reunion episode.  I’ve decided to go with the production order for the purpose of these reviews.  Of course, it really doesn’t matter because it’s not like Baywatch had any use for continuity to begin with.

Episode 2.13 “Now Sit Right Back and You’ll Hear a Tale”

(Dir by Douglas Schwartz, originally aired on February 24th, 1992)

After rescuing a jet skier who ran out of fuel in the middle of the ocean, Eddie and Shauni discover a previously unchartered island.  (Or, at least, that’s what we’re told.  The beach that Eddie and Shauni explore is obviously the same beach from last week’s Reunion episode.)  On the beach, they find Gilligan (Bob Denver) and Mary Ann (Dawn Wells), who have been stranded on the island ever since the 60s.  Eddie and Shauni take them back to civilization.

Captain Thorpe is so impressed with Gilligan and Mary Ann’s story that he decides that he’s going to start his own media company and produce a miniseries about their life on the Island.  He also thinks that it would be a good idea to go back to the island and rescue the other castaways.  (Gee, you think?)  He arranges for a three-hour expedition to the island.  Garner will serve as the skipper.  Eddie will be the first mate.  Harvey is coming along as a professor, for some reason.  Shauni wants to star in the miniseries so she decides to dress up like a movie star and come on the tour as well.

Uh-oh, there’s a storm!  Everyone ends up washed up on the island.  Eddie finds himself torn between Mary Ann and Shauni but then he realizes that Gilligan is the one who truly loves Mary Ann….

No, I’m not making this up.  Stop it, I swear I’m not.

Eventually, Eddie wakes up in Baywatch Headquarters.  It turns out that he slipped and hit his head earlier and the entire episode has been a dream.  (Shocker!)  It sound like Eddie probably has a severe concussion but no one seems to be too concerned about that.

Hasselhoff appears for a few minutes at the start and the end of the episode.  Apparently, he knew better than to board the boat.

Oh God, this episode.  Well, actually, this episode makes sense once you learn that Douglas Schwartz (who both directed this week and also served as executive producer of the show) was the nephew of Sherwood Schwartz, the producer of Gilligan’s Island.  It’s a silly episode but Baywatch is a silly show so that’s to be expected.  The episode’s main mistake is that it opens with Eddie watching an episode of Gilligan’s Island and then it shows us Eddie slipping and hitting his head.  As a result, we pretty much know the whole episode is a dream from the start and we spend the entire episode waiting for Eddie to wake up.  It’s kind of boring.

Next week …. oh, who knows?  I’m sure it’ll be something involving a lot of slow motion running on the beach.