Late Night Retro Television Review: 1st & Ten 3.13 “Championship Jinx”

Posted on May 6, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, season 3 comes to an end.

Episode 3.13 “Championship Jinx”

(Dir by Bruce Seth Green, originally aired on December 16th, 1987)

Things have a way of working themselves out on 1st & Ten, especially when the season ends and a lot of plotlines need to be hastily wrapped up.

Last week, TD Parker (OJ Simpson) was arrested under suspicion of ticket scalping. This episode, it turned out that 1) ticket scalping isn’t illegal and 2) TD’s ex-mistress quickly figured out that her boyfriend was trying to frame him. Someone trying to frame OJ Simpson!? Like anyone would ever buy that. Anyway, the main theme here seemed to be that it was a good thing TD cheated on his wife because otherwise, no one would have been around to exonerate him.

Last week, Yinessa was letting fame go to his head. This week, his father died and the funeral was a media circus. Yinessa decided to focus on playing football. That’s a good thing, seeing as how the Bulls had yet another championship game coming up.

Zagreb was concerned that he was a jinx after he appeared on the cover of Sports Illustrated. (Yinessa told him that players who appeared on the cover often lost the spark afterwards.) Luckily, Cliff and Jethro brought in a voodoo priestess (Roxie Roker) to exorcise the jinx.

Before the game, Jill told the team that they weren’t only playing for themselves. They were playing for the memory of Tom Yinessa’s father. Unfortunately, the Bulls lost the game at the last minute when Billy Cooper’s game-winning catch was reviewed by the booth and declared to be out of bounds. So, I guess Yinessa’s father is in Hell now.

And so ends the rather odd third season. Coach Denardo left after the first episode. Delta Burke left about halfway through the season, just to be replaced by a new female owner who gave a pre-game speech that referred to all of the previous times she had gone to the Championship Game with the Bulls just to see them lose, despite the fact that she wasn’t even a part of the show’s cast during the previous two seasons. The season began with a player dying of steroid abuse and ended with OJ Simpson proving his innocence. Oh! And Zagreb discovered his father was a CIA agent and then he got married.

Was it a good season? Not really. This isn’t a good show. But season 3 was definitely a lot stranger than the previous two seasons and that’s definitely a point in 1st & Ten‘s favor.

Next week, we start season 4!

Late Night Retro Television Review: 1st & Ten 3.12 “Of Scalpers and Superstars”

Posted on April 29, 2026 by Lisa Marie Bowman

This week, OJ’s in trouble!

Episode 3.12 “Of Scalpers and Superstars”

(Dir by Bruce Seth Green, originally aired on December 9th, 1987)

O.J. Simpson gets arrested!

Okay, technically, OJ Simpson is not the one being arrested. He’s just playing TD Parker, the Bulls’s general manager. TD is the one who is arrested at the end of this episode after being framed for stealing 5,000 ticket to the Championship Game and selling to a ticket scalper. Still, as is so often the case with this show, the casting of OJ Simpson does bring a while new layer to the action of meaning to the action onscreen.

Who framed TD? The answer is Dolph Crane (Forry Smith), a former player who was cut from the team. Dolph has never appeared on the show before but, judging from what TD says when he sees Dolph hanging around the stadium, it seems that Dolph was cut last season. One of the things that I’ve noticed about 1st & Ten is that new characters will often pop up out of nowhere and people will act as if they’ve been there the whole time. Dolph appears to be one of those pop-up character. Dolph mentions that he’s now dating TD’s former mistress. Dolph and the owner of Arizona’s team are the ones who conspire to take out TD. Hopefully, they didn’t plant a bloody glove anywhere in the office.

The Bulls are going to the Championship Game …. again! Maybe they’ll actually win this time. This is their third trip to the game, after all. It’ll be kind of sad if they win without Coach Denardo, though. Coach Grier just isn’t as much fun as foul-mouthed Ernie Denardo.

The entire team gets mad at Yinessa. After getting injured during a game, he decides that he needs to make as much money as possible so he allows his agent (Bobby Hosea) to promote him as being the “star” of the team. The rest of the team feels that isn’t fair. The thing is, though …. Yinessa is kind of the star. He’s the quarterback. If he has a bad day, the team doesn’t win. The Bulls are a bunch of crybabies. When they find out that a team music video is being reimagined as a Yinessa music video, they literally look like they’re about to break down in tears. No wonder they always lose the Championship Game.

This episode ended wth the Bulls heads to the Championship and OJ heading to jail. That seems about right. Good luck to the team!

Late Night Retro Television Review: 1st & Ten 2.6 “The Unkindest Cut”

Posted on November 26, 2025 by Lisa Marie Bowman

Yay! Training camp is over!

Episode 2.6 “The Unkindest Cut”

(Dir by Bruce Seth Green, originally aired on September 29th, 1986)

When arrogant quarterback Johnny Valentine refuses to enter drug rehab, Diana reacts by having him traded to Buffalo. Johnny may be a superstar but he won’t be playing for the Bulls. That means that Yinessa, the player who nearly kicked off the team twice, is now the starting quarterback. Yinessa also makes up with his girlfriend (Katherine Kelly Lang) so I guess he’s having a good week.

Bubba has to lose five pounds to retain his starting position. When he goes in to be weighed, it appears that he’s only lost four pounds. Bubba quickly takes off his gold watch and he makes weight! Good for Bubba, I guess.

Finally, Rick Lampert (Marcus Allen) shows up at training camp is given a number 32 jersey by T.D. Parker (O.J. Simpson). Lampert’s like, This is your number. Parker replies that the number now belongs to Lampert. Awwww! In the role of T.D. Parker, O.J. Simpson has a way of slashing his way to the heart of the matter,

Training camp finally ended with this episode and I’m glad about that because those training camp episodes were getting really dull. I have to be honest, though. We’re halfway through the second season and I still don’t feel like I know any of these characters. Donald Gibb occasionally makes me laugh as Dr. Death. And, as T.D. Parker, OJ Simpson seems like a really nice guy. Otherwise, though, this show feels oddly hollow. Of course, that may be because I’m watching the syndicated version, which apparently edited out a lot of nudity and bad behavior on the part of the players.

Oh well. Let’s see how the team does! This episode ends with Diana saying she wants to win a championship. Does Yinessa have it in him to lead the team with victory? With OJ Simpson as his coach, he better!

I Watched 61* (2001, Dir. by Billy Crystal)

Posted on May 23, 2025 by Dazzling Erin

61* is about two baseball player and two friends who couldn’t seem to be more different.

Roger Maris (Barry Pepper) is an introverted family man who doesn’t like it when reporters show up at his house in search of a story or a quote. He’s a good ball player, one of the best, but he doesn’t want to be a celebrity. Mickey Mantle (Thomas Jane) is a larger-than-life personality, a beloved figure on the field and in the dugout. Mickey loves being famous and the fans love him. Both Maris and Mantle are members of the New York Yankees. Because Mantle is struggling with his drinking, he becomes Maris’s roommate when they’re on the road. In 1961, the two friends both go after Babe Ruth’s record of 60 home runs in a season. The press presents their season as a battle, a race to see who will be the first to hit the sixty-first home run of the season. Mantle and Maris, though, are just swinging the bat and making plays.

I really enjoyed 61*, which is a baseball film made by and for people who love baseball. I liked the contrast between the quiet Maris and the charismatic Mantle. Even though Maris is a hard worker and a good ballplayer, Mantle is the fan favorite and the one that people actually want to break the record. I appreciated that Maris and Mantle remained friends even when the press tried to turn them into rivals. That’s what teamwork is all about. Barry Pepper and Thomas Jane were great as Maris and Mantle and the movie showed how each man dealt with the stress of possibly breaking Babe Ruth’s record.

(Why is there an asterisk in the title? Babe Ruth set his record in a season that only had 154 games. The 1961 baseball season was 8 games longer. The asterisk was added as a reminder that Maris and Mantle had 8 more games than Ruth did to try to break the record. Baseball fans understand how important accurate statistics are to a player’s career and a team’s season.)

61* celebrates the way baseball used to be, a game played by athletes who had to depend on skill and teamwork instead of performance enhancing drugs. The movie opens with Maris’s family watching as Mark McGuire closes in on breaking the record. McGuire would only briefly hold the record. He would lose it, for 48 minutes, to Sammy Sosa and then, three years after winning it back, he would lose it a second time to Barry Bonds. Of course, Roger Maris won the record without using steroids so, as far as I’m concerned, it still belongs to him.

If you’re a baseball fan, 61* is a film that you have to see.

A Movie A Day #193: The O.J. Simpson Story (1995, directed by Alan Smithee)

Posted on July 20, 2017 by Jedadiah Leland

Long before O.J.: Made In America…

Before The People vs. O.J. Simpson…

Before American Tragedy…

Before today’s live, televised parole hearing…

There was The O.J. Simpson Story.

In 1994, shortly after O.J. Simpson was charged with the murders of Nicole Brown Simpson and Ron Goldman, Fox rushed The O.J. Simpson Story into production. It was one of many “true life” stories that showed up as television movies during the 90s. There was a movie about Woody Allen and Mia Farrow’s divorce. There was a movie about David Koresh and the Branch Davidians, which actually aired while the siege in Waco was still ongoing. There were three movies about Amy Fisher. So, of course, O.J. would get a movie.

Though the movie was produced in 1994, it was not allowed to air in 1995 so that it would not prejudice any of the jurors in the case. (After all, they might have done something crazy like ignore all of the DNA evidence and let O.J. go free.) I think the legal authorities may have been giving The O.J. Simpson Story too much credit. There were many bad made-for-TV movies made in the 90s but The O.J. Simpson Story may very well be the worst. The only thing it could prejudice some against is television.

Opening with the discovery of the murders in Brentwood, The O.J. Simpson Story mixes scenes of O.J. (played by Bobby Hosea, who shows not a hint of O.J.s famous charisma) talking to the police and his lawyer, Bob Shapiro (Bruce Weitz, slightly more credible than John Travolta was in The People vs. O.J. Simpson) with flashbacks to O.J.’s youth, first marriage, and his relationship with Nicole (blandly played by Jessica Tuck, who, beyond the color of her hair, looked nothing like Nicole). The film also devotes some time to O.J.’s friendship with A.C. Cowlings, who, as a young man, is played by Terrence Howard.

Several of the famous incidents of the case are wanly recreated. The famous bronco chase is there, of course. O.J. is shown beating Nicole in the infamous 1989 incident, which the movie suggests was triggered by Nicole telling O.J. that he would never win an Oscar for appearing in The Naked Gun. But, since the movie was rushed into production before the trial even began, it is remarkable how much is left out. There’s no Mark Furhman finding the black glove. There’s no Kate Kaelin, Faye Resnick, Johnnie Cochran, or even Marcia Clark. Because the movie was made before the trial had even begun, it does not even take a stand on whether or not O.J.’s guilty. Narratively, it is an incomplete movie and evidence of why movies that claim to tell true stories should not be rushed into production before the story itself has been completed.

As for the film’s dialogue, when O.J. first meets Nicole, he asks her, “Any problem with going out with a brother?”

“Yeah,” Nicole says with a smile, “I’m in the Ku Klux Klan.”

Not surprisingly, The O.J. Simpson Story was directed by Alan Smithee, which was the pseudonym used by directors who felt that their movie has been so butchered by outside interference that they should not even be credited with the final result. The O.J. Simpson Story is one of the worst Smithee films that I have ever seen. Compared to The O.J. Simpson Story, Smithee’s work on Let’s Get Harry was Oscar-worthy.

As for the real life O.J. Simpson, earlier today, he was granted parole from the Nevada Parole Board. He will be released from prison on October 1st. He has said that he hope to be allowed to move to Florida after being released. The real-life O.J. Simpson story continues.

When it comes to the long saga of O.J. Simpson, it seems appropriate to give the last word to MAD Magazine: