Retro Television Review: Homicide: Life on the Street 5.9 “Control”

Posted on May 10, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.

Pembleton’s back!

Episode 5.9 “Control”

(Dir by Jean de Segonzac, originally aired on December 6th, 1996)

A drug dealer named Reggie Copeland has been murdered and word on the street is that the killing was set up by Junior Bunk (Mekhi Phifer), who just happens to be the nephew of drug lord Luther Mahoney (Erik Todd Dellums). When Lewis and Detective Stivers (Toni Lewis) arrest Junior, he immediately starts crying.

That certainly makes Lewis happy. He’s obsessed with taking down Mahoney. Junior gives the detectives the name of the man who he hired, on Luther’s behalf, to assassinate Copeland. Munch and Lewis take a trip to the worst city on Earth (Philadelphia, if you had to ask) and arrest the gunman. Even Ed Danvers thinks that they’re finally on the verge of nailing Luther….

Luther, it turns out, has got friends everywhere. Even while sitting in a holding cell, he is able to find out the name of the hotel where the police are hiding Junior. When the cops order room service, Junior makes sure that a baggie with two gold stars is included in Junior’s sandwich. (All of Luther’s heroin comes in baggies with two stars.) Junior realizes that Luther knows exactly where he is. Junior refuses to testify and recants his previous confession. And Luther … Luther goes free again!

Kellerman would be upset, except for the fact that he’s still under suspension. (They’re really dragging this story out, aren’t they?) Kellerman is in such a bad mood that he even kicks Brodie off of his house boat for being too happy. However, at the end of the episode, Dr. Cox shows up at Kellerman’s houseboat. I’m going to guess that she’ll be allowed to stay on the boat.

However, the main event of this episode is that Pembleton is working his first case since his stroke. A woman has been found dead in her home, stabbed twenty times. Meanwhile, her two young sons were both shot execution style. Bayliss may be the primary but Pembleton is determined to take charge. Pembleton thinks that the murderer was the woman’s boyfriend, a sleazy musician named Jimmy Sutter (Andrew DeAngelo). Bayliss thinks that the murderer was the woman’s rigid ex-husbad, Lt. Commander Alex Clifton (Michael Gaston).

From the start, it’s pretty obvious that Clifton’s the murderer. He’s too cold and unemotional when he is told about the murderers. He’s very tightly wound. The fact that the woman was killed in a fury but her children were killed “cleanly and efficiently,” (as Pembleton put it) indicated to me that the murderer was driven by rage against the mother but, in his twisted way, he felt he was sparing the children an even worse fate. Clifton is obviously the killer and Pembleton, to his credit, eventually comes to realize it.

Unfortunately, the case nearly falls apart in the Box. Pembleton and Bayliss have lost their rhythm as partners. Bayliss gets frustrated when Pembleton suddenly starts asking Clifton about the blood pressure medicine he takes. “Do you get any side effects?” Pembleton asks. Outside of the interrogation room, Bayliss admits that he’s scared Pembleton is going to “stroke out” and die. “Everyone dies!” Pembleton says.

Finally, Bayliss and Pembleton make it work. They turn up the heart in the Box and when Clifton takes off his jacket and very carefully folds it, Bayliss presumes to sit down on the jacket. Clifton keeps taking the jacket back and refolding it. Bayliss spills water on the jacket. Clifton finally loses it, yelling and admitting that he killed his ex-wife and his two sons.

Wow, this was a good episode. Michael Gaston give a chillingly believable performance as Clifton. Erik Todd Dellums was, as usual, magnetically evil as Luther. Best of all, it was good to see Kyle Secor and Andre Braugher working a case together. Pembleton is back and it’s about time!

Retro Television Review: Homicide: Life on the Street 5.8 “The True Test”

Posted on May 3, 2026 by Lisa Marie Bowman

This week, a special guest star ends up in the Box.

Episode 5.8 “The True Test”

(Dir by Alan Taylor, originally aired on November 22nd, 1996)

At the end of this week’s episode, Pembleton finds out that he has finally passed his firearms exam and he’s been cleared to return to active duty. Excusing the suspension of disbelief necessary to buy that Pembleton has recovered that quickly from his stroke, it’s a good thing that Pembleton and Bayliss will be working together again. Because, seriously, Bayliss spent this episode acting like an unprofessional ass.

There’s been a murder at the exclusive Larchmont Academy. Fifteen year-old Marshall Buchanan, the only black student at the entire school, has been found on the athletic field, stabbed to death. It’s Lewis’s case but his temporary partner, Bayliss, takes charge. Bayliss is convinced that Marshall was killed by a student and that the killing was racially motivated. Bayliss is rude to the headmaster. He’s rude to Marshall’s 12 year-old roommates. He gets angry in the cafeteria and starts banging his hand on a table while everyone is trying to eat. Lewis finally asks Bayliss what his problem is. Bayliss explains that he grew up near Larchmont. His cousin desperately wanted to go to Larchmont but was rejected because he wasn’t from an old money family. Bayliss has never forgotten the way his cousin cried after getting his rejection letter.

Hey, Bayliss, you know what?

Big freaking deal. None of that matters!

Your cousin wasn’t accepted?

Oh, boo hoo. That has nothing to do with the case!

Usually, I like Bayliss and, even more importantly, I like Kyle Secor’s performance as Bayliss. But, in this episode, Bayliss was just kind of whiny. Pembleton would have told him to knock it off. Lewis just ignores him.

Bayliss is right about one thing. The murderer is a student, a 17 year-old sociopath named McPhee Broadman. (Seriously, Homicide, you couldn’t have come up with a less on-the-nose name?) McPhee is a sociopath who is looked up to by a bunch of the younger students. His mother (Sagan Lewis) is a judge and therefore, he thinks he’s untouchable. McPhee is played by a young Elijah Wood and Wood, it must be said, gives a chilling performance as the young murderer. Towards the end of the episode, a smirking McPhee confesses to the crime. Even after hearing him confess and say that he wants to kill her, McPhee’s mother still immediately starts making plans to defend him and to suppress his confession.

And she’ll probably succeed. Bayliss has an obvious personal issue with McPhee. And, as far as I could tell, neither Bayliss nor Lewis bothered to Mirandize him before interrogating him. Way to let a murderer back out on the streets, guys!

Seriously, thank God Pembleton is back.

As for Kellerman, he is still on restricted duty but he did buy Dr. Cox a drink at the Waterfront and it’s kind of easy to see where things are heading with those two. But if Pembleton can recover from a stroke in eight episodes, Kellerman can beat those bribery charges. I have faith.

Retro Television Review: Homicide: Life On The Street 5.7 “The Heart of a Saturday Night”

Posted on April 26, 2026 by Lisa Marie Bowman

This week, Whit Stillman directs a story of pain and tragedy.

Episode 5.7 “The Heart of a Saturday Night”

(Dir by Whit Stillman, originally aired on November 15th, 1995)

The Heart of a Saturday Night is a great episode of Homicide, with the exception of one decision that annoyed the Hell out of me.

It’s an experimental episode. We watch as the Homicide detectives work three cases — a carjacking the results in the death of a wife and mother, a bar fight at the Waterfront that results in the death of an alcoholic husband, and the assault and murder of a young woman in East Baltimore. While Bayliss, Giardello, Munch, and Lewis investigate the cases, we see the survivors at a group therapy meeting. Rosanna Arquette plays the widow of the man killed in the bar fight. The great Chris Eigeman is the widower of the carjacking victim. Polly Holliday and Tom Quinn play the parents of the murdered woman.

It’s a bit stagey and talky but it works, largely due to the performances of the guest cast and the intelligent direction of Whit Stillman. As anyone who has seen any of his films can attest, Stillman is unusually skilled at making conversation compelling. It’s a powerful episode because it reminds us that while the Homicide detectives are just doing their job, the cases they investigate leave lasting scars on those left behind. Munch is more concerned with the murder at his bar than the carjacking to which he and Lewis have been assigned but Giardello explains that Munch cannot investigate a crime that occurred at a location that he owns. Giardello investigated the murder at the bar and one gets the feeling that he largely just wants to get out of the office. Lewis becomes obsessed with solving the carjacking but we all know eventually he’ll move on because that’s his job. There’s always going to be another murder. But for the victim’s husband, life is never going to be the same again. He’s angry and bitter, especially since he knows the carjackers will probably never be caught. (At the end of the episode, his wife’s name is the only one still in red on the board,) His words aren’t always pleasant but he has every right to be angry. Chris Eigeman’s performance is incredible and heart-breaking. Even more so than the effective but overwrought Bop Gun, this episode captured the pain of being a survivor.

It’s a powerful episode, up until the the moment that the final member of the therapy group shows up and it turns out to be Dr. Cox. As good as Michelle Forbes has been in the role, this is the third episode-in-a-row in which Cox suddenly takes center stage. It’s hard not to feel that the show is demanding that we love Dr. Cox as much as the writers obviously do. The problem is that this is only Dr. Cox’s third episode. The constant spotlight on Cox feels hamfisted and a bit premature. It reminds me of when The Office tried to make us embrace characters like Robert California and Nellie Bertram. (This is probably the only time in history that The Office and Homicide will ever be compared to each other.)

Other than the awkward inclusion of Dr. Cox at the end, this was a powerful episode. Homicide took a risk and, for the most part, it paid off.

Lisa Marie’s Week In Television: 4/19/26 — 4/25/26

Posted on April 25, 2026 by Lisa Marie Bowman

Boy Band Confidential (HBOMax)

Another week, another special about boy bands. I watched this 3-hour, two-part documentary on Wednesday and Thursday. Joey Fatone was one of the producers so it’s not a surprise that a major theme of the documentary was that Joey Fatone was a pretty cool guy. This show hit all the usual points — hey, there’s Lou Pealman! — without adding much new insight.

Crime Story (Tubi)

My review will drop this upcoming Monday.

Degrassi: The Next Generation (Tubi)

My review will drop tomorrow night.

Hollywood Demons (HBOMax)

I watched two episodes. The first one was about Stephen Collins (yikes!). The second was about Jerry Springer. Now that Jerry is dead and his show is definitely never coming back, all of his producers are trying to cash in by letting you know that they were anti-Jerry the whole time. It all feels a bit self-serving.

Homicide: Life on the Street (Peacock)

My review will drop tomorrow.

Saved By The Bell (Tubi)

Along with this week’s review episode (which will be dropping shortly), I also watched three Patrick Muldoon episodes on Friday. RIP.

Watched and Reviewed:

Retro Television Review: Homicide: Life On The Street 5.6 “White Lies”

Posted on April 19, 2026 by Lisa Marie Bowman

This week, Detective Much meets Dr. Cox.

Episode 5.6 “White Lies”

(Dir by Peter Weller, originally aired on November 8th, 1996)

When a suburban housewife is reportedly found dead in bed, Detective Munch suspects that she was murdered by her husband, Phillip Engle (Scott Bryce, of As The World Turns fame). Munch points out that the dead woman was wearing makeup, that Engle’s story is full of holes, and that it doesn’t make sense that a healthy woman’s heart would just stop in the middle of the night. However, Dr. Cox is not convinced that the woman was murdered and, as she puts it, it’s not a murder until the M.E. says it is. Munch finds himself investigating a crime that may or may not have been committed. Ultimately, it turns out that the woman died of a heroin overdose. Philip Engle was not trying to cover up a murder when he redressed his wife and moved her from the bathroom floor to her bed. Instead, he was trying to preserve his wife’s dignity.

The story was a sad one and Scott Bryce did a great job as Phillip Engle. For that matter, Richard Belzer gave one of his better performances as Munch. This episode made you both respect Munch’s tenacity as a detective while also making you hate him for putting Phillip through so much pain. That said, it was hard not to feel that this episode was a continuation of last week’s introduction of Dr. Cox. The show seems to be really determined to make us love Dr. Cox. I mean, we get it, Homicide. She’s a badass. You don’t have to keep hitting us over the head with it.

Meanwhile, Frank is still offering advice to Bayliss on how to be a homicide detective, even though Frank’s not allowed to go to crime scenes or conduct interrogations. Bayliss’s latest case involves a suspect with a long history of stealing cars. Frank watches as Bayliss screws up an interrogation, getting so lost in talking about how much he would like to steal a car and cruise down to California that the suspect replies, “I want a lawyer.” Bayliss responds to Pembleton’s criticism by telling Pembleton to go into the Box and get the confession himself. Bayliss seems to be sincere. He truly wants Pembleton back in the Box. Pembleton fantasies about storming into the Box like the Pembleton of old but he can’t do it. He can’t break regulations. He can’t risk another stroke. As for the murder suspect, he goes free.

Lewis kicks Brodie out of his house. Kay offers to let Brodie stay with her but Brodie ultimately declines the offer because he doesn’t want people gossiping about Kay. Brodie says that he’s just going to sleep in the station. Good luck with that, Brodie! Seriously, do they even pay Brodie? Why is he always one step away from living on the streets?

Kellerman take a polygraph concerning the accusations that he took a bribe from the Rolands. Kellerman answers, “No,” when asked if he ever took a bribe but he ends the exam when he’s asked whether or not he knows of any other cops who were on Mitch Roland’s payroll. Kellerman is told that he passed the polygraph. But, so did Mitch Roland and “he answered all the questions.”

This was an okay episode, with the scenes between Bayliss and Pembleton being the highlight. The stuff with the Rolands and the bribery accusations isn’t doing much for me. This feels like a storyline that should have been resolved already. That said, I do like it when Kellerman gets annoyed. This episode ended with him hitting a punching bad and looking good while he did it.

Don’t let the bastards get you down, Kellerman!

Lisa Marie’s Week In Television: 4/12/26 — 4/18/26

Posted on April 18, 2026 by Lisa Marie Bowman

Growing Pains (Tubi)

Matthew Perry played the boyfriend of Kirk Cameron’s sister. He drank too much, he crashed his car, and he died. This is one of those very special episodes that one might roll their eyes at, if not for the fact that it guest starred Perry. Because it did guest star Perry, it was very sad to watch.

Homicide: Life On The Street (Peacock)

A review for this episode will be dropping tomorrow.

Kyōryū Sentai Zyuranger (Shout TV)

In this show, from Japan, a group of teenagers used the power of the dinosaurs to defeat a witch. I watched three episodes on Saturday. The stop-motion dinosaurs and tigers were cute.

The Right Time (YouTube)

This was a 90s music show that was hosted by singer Tom Jones. I watched two episodes on Friday. The first one was called “Pop Music” and I enjoyed it. The second one was called “Gospel Music” and it was a little dull.

Saved By The Bell (Tubi)

A review for this episode will be dropping later tonight.

Who’s The Boss (Prime)

On Friday, after Jeff and I finished up The Trip, Amazon took us straight into this Tony Danza-starring sitcom. We watched the first episode, which was pretty forgettable. (Danza is a former baseball player turned housekeeper and no one can believe it.) The theme song kind of got stuck in my head though.

WKRP In Cincinnati (DVD)

Jeff and I watched several episodes of this 70s sitcom over the week. Even if the humor was a bit dated, it was a funny show. Herb Tarlek’s suits were amazing.

Watched and Reviewed:

Retro Television Review: Homicide: Life On The Street 5.5. “ME, Myself, and I”

Posted on April 12, 2026 by Lisa Marie Bowman

This week, the show gets a new co-star.

Episode 5.5 “M.E., Myself, and I”

(Dir by Michael Fields, originally aired on November 1st, 1996)

There’s a new medical examiner in town! Julianna Cox (Michelle Forbes) drinks too much, smokes too much, and she takes her job personally! She drives too fast! She speaks her mind! She fires the incompetent and the corrupt! She shows up at crime scenes! Lewis moves a body before Dr. Cox arrives. She tells him to never do it again!

She’s a new regular and this entire episode is essentially dedicated to hitting us over the head with the fact that she’s awesome. And she is awesome and she’s also played by Michelle Forbes so I’m sure she will be a worthwhile addition to the show’s ensemble. That said, this episode sometimes seem to be so desperate to convince us that we’re going to love Dr. Cox that it forgets to craft a compelling story. She helps Bayliss to solve a case. Bayliss likes her. Well, Bayliss like everyone. Indeed, Bayliss gets so excited whenever an attractive woman appears that he sometimes seems like a cartoon wolf, with his eyes popping out of his head.

In other news, Kellerman is still under investigation and he’s not taking it well. The great Edward Herrmann played the officious FBI agent who took over the Box and spent the episode asking the other Homicide detectives if Kellerman seemed to be corrupt. “How did Detective Kellerman afford a new boat?” Actually, how did Detective Kellerman afford a new boat?

Pembleton went off his blood pressure meds so he could make love to his wife on his anniversary. Pembleton — how are you going to recover from this stroke if you keep finding excuses not to take your medication?

Finally, Brodie got kicked out of Bayliss’s apartment so he moved in with Lewis. Brodie praised a black velvet painting of Teddy Pendergrass, leading to a fight between Lewis and his wife. It was an amusing scene. Brodie, you stand accused of murdering a marriage! The jury finds you guilty!

It was an okay episode. Homicide is one of those shows that is enjoyable watch because of the ensemble and Michelle Forbes seems like she’ll be a good addition. When you’ve got a cast this good, you can get away with an episode where not that much really happens.

Retro Television Review: Homicide: Life On The Street 5.4 “Bad Medicine”

Posted on April 5, 2026 by Lisa Marie Bowman

This week, drug lord Luther Mahoney returns.

Episode 5.4 “Bad Medicine”

(Dir by Kenneth Fink, originally aired on October 25th, 1996)

Someone is selling bad heroin in Baltimore. This episode opens with a montage of dead junkies being discovered. Detective Munch explains to a uniformed cop why he has to stick around until it’s firmly established that the latest dead junkie died of an overdose and not something like a hit to the back of the head. Munch says that everything he knows, he learned from his ex-partner. Hey, Munch, Bolander’s not coming back! You have to accept it.

Things are looking grim for Giardello’s detectives. Megan Russert has run off to Europe. Bolander is retired. Felton is missing. Frank is recovering from his stroke and still needs to pass his firearms exam. And now, Kellerman has been accused of taking bribes while working as an arson investigator. Kellerman is given desk duty, which means that he can’t help Lewis pursue drug kingpin Luther Mahoney (Erik Todd Dellums).

Mahoney returns in this episode, dragged into the box and accused of murdering a rival dealer. Mahoney is his usual smug snake self but Lewis and his temporary partner, Narcotics Detective Terri Stivers (Toni Lewis), are convinced that they’ve finally got him where they want him. First off, there’s a junkie who has been bullied into informing on Luther. Plus, Luther slips up and reveals that he knew some facts about the murder that were not released to the press. Is Luther Mahoney going down!?

Well, don’t get too excited. Ed Danvers informs them that their evidence isn’t enough to get a conviction. Juries don’t trust junkies. Luther could have heard the details of the murder on the street. Everyone knows that Luther is guilty but no one can prove it beyond a reasonable doubt. Luther goes free and the informant ends up dead.

Meanwhile, Frank Pambleton stops taking his medicine so that he can concentrate on passing his firearms exam. He still fails. Even though he was able to hit the target, he took too long reloading his gun. Pembleton starts to take his medicine again.

Finally, Brodie still doesn’t have anywhere to live. He stayed with Munch for one night and then voluntarily left. (The reasons why are left ambiguous but it’s suggested that Brodie came across Munch’s private drug stash and freaked out.) Brodie moves in with Bayliss and quickly makes things awkward by overanalyzing the Mighty Mouse cartoon that Bayliss is watching. Brodie explains that Mighty Mouse is an agent of chaos and Bayliss looks like he’s already realized this living arrangement is not going to work.

This was a properly cynical episode, one where the main theme seemed to be that our heroes are fighting a losing war. Giardello is running low on detectives. Kellerman is put on desk duty because of one weak accusation. Pembleton has to pass a firearms exam, despite rarely having to draw his gun. In the end, men like Luther Mahoney walk free while the addicts caught in-between end up dead in the street.

That’s life in Charm City.

Lisa Marie’s Week In Television: 3/29/26 — 4/4/26

Posted on April 4, 2026 by Lisa Marie Bowman

Baywatch (Tubi)

I reviewed Baywatch here.

Decoy (Tubi)

I reviewed Decoy here.

Degrassi: The Next Generation (Tubi)

My review of Degrassi will drop tomorrow.

Freddy’s Nightmares (Tubi)

I reviewed Freddy’s Nightmares here.

Highway to Heaven (Tubi)

I reviewed Highway to Heaven here.

Homicide: Life On The Street (Peacock)

My review of Homicide will drop tomorrow.

It’s The Easter Beagle, Charlie Brown (Apple TV)

Watching this charming animated special is an Easter tradition that I share with Erin Nicole. You can read her thoughts here.

The Love Boat (Parmaount+)

I reviewed The Love Boat here.

Nero Wolfe (YouTube)

I watched an episode of this classic detective series on Tuesday. Maury Chaykin was a great Wolfe and Timothy Hutton was a wonderful Archie Goodwin. The late James Tolkan also appeared in the episode, wearing an eyepatch.

Saved By The Bell (Tubi)

My review of Saved By The Bell will drop in 30 minutes.

Show Me A Hero (HBO Max)

“….and I’ll show you a tragedy.” I rewatched this 2015 HBO miniseries on Wednesday. The miniseries dealt with the fight over low-income housing in Yonkers, New York and it starred Oscar Isaac as Nick Wasicsko, who went from being elected mayor at the age of 28 to committing suicide 6 years later. Supporting roles were played Catherine Keener, James Beluhsi, Peter Riegert, Jon Bernthal, Winona Ryder, Alfred Molina, and Carla Quevado. The show was written by David Simon and each episode was directed by Paul Haggis. Not surprisingly, several actors from The Wire popped up in small roles.

Show Me A Hero really impressed me when it originally aired. Rewatching it, it still held my attention but I could see that the miniseries was a bit more heavy-handed than I remembered and that Simon and Haggis were clearly more interested in the political storyline than they were in the stories of the people who eventually moved into the new housing developments. Some of the performances were better than other. Catherine Keener and Winona Ryder both overacted while, cast as the show’s three mayors, Belushi, Isaac, and Molina all gave strong performances. Carla Quevado was exceptionally good as Isaac’s wife.

In the end, Show Me A Hero works best as a portrait of an ambitious politician who peaked too young, suffered due to things out of his control, and then spent the rest of his life trying to regain his lost promise. Some people feel that Nick Wasicsko was a hero. This miniseries ultimately focuses on the tragedy.

St. Elsewhere (Daily Motion)

I reviewed St. Elsewhere here.

TV 2000 (NightFlight Plus)

Jeff and I watched an episode of this old 80s music program on Friday night. John Kassir, who played the kicker on 1st and Ten and who would later voice the Crypt Keeper on Tales From the Crypt, was one of the hosts. He was a bit hyperactive.

Retro Television Review: Homicide: Life On The Street 5.3 “Prison Riot”

Posted on March 29, 2026 by Lisa Marie Bowman

This week, we have one of Homicide’s best episodes.

Episode 5.3 “Prison Riot”

(Dir by Kenneth Fink, originally aired on October 18th, 1996)

At the Maryland State Prison, convicted murderer Claude Vetter (Mark Rogers) accidentally bumps into another murderer, James Douglas (Tim McAdams), in the cafeteria. James pulls a knife and stabs Vetter in the stomach. As Vetter collapses, a riot breaks out. By the time the guards have forcefully restored order, Vetter and James Douglas are dead. Everyone knows who killed Vetter. But who stabbed James in the back?

Lewis, Munch, Howard, Bayliss, Kellerman and Giardello head down to the scene. (Pembleton, who is still struggling with his up-coming shooting test, is left behind.) Munch and Lewis don’t care about solving Douglas’s murder. As far as they’re concerned, both Claude Vetter and James Douglas got what they deserved. Munch gets annoyed and returns to the station. Lewis sticks around to help Bayliss with a few interrogations before he also leaves. Bayliss, however, is determined to solve the murder of James Douglas and Kellerman, looking to make up all the ill will that has existed between him and Bayliss, does his best to help.

Bayliss is convinced that Elijah Sanborn (Charles S. Dutton) saw who killed James. Sanborn is serving a life sentence for shooting a drug dealer who previously shot and killed Elijah’s wife in drive-by. (Elijah’s wife was an innocent bystander.) Elijah has been in prison for 14 years. He’s never getting out and he sees no reason why he should help the police. However, when Elijah’s 14 year-old son is arrested for a petty theft, Bayliss offers a deal. If Elijah tells Bayliss who killed James Douglas, Elijah’s son will only do 6 months at a juvenile facility. If Elijah refuses to talk, his son will be charged as an adult.

Elijah is outraged that Bayliss would “use my own son against me!” It’s only after his estranged daughter (Heather Alicia Simms, giving a wonderful performance) visits that Elijah agrees to share what he knows. He has one condition. He wants to see his son. When Elijah’s son turns out to be a sullen and uncommunicative wannabe gangster who tells his father that he doesn’t care about him, Elijah announces, “I killed James Douglas.”

Bayliss knows that Elijah is lying but he also knows that Elijah’s confession is enough to send him to the gas chamber. With no prospects of ever walking free and having been rejected by both his daughter and his son, Elijah has decided to use the system to kill himself.

Fortunately — or unfortunately, depending on how you look at things, another prisoner, Tom Marans (Dean Winters), beats Trevor Douglas (John Epps) into a coma. Trevor was James’s cousin and Marans reveals that Trevor is also the one who killed James because he thought James had stolen a carton of cigarettes from him. Marans explains that he was James’s “wife” in prison.

As the episode ends, Giardello congratulates Bayliss before adding that it’ll only be a matter of time before Trevor’s people seek revenge and they all have to return to the prison to investigate the murder of Tom Marans.

This was a great episode. After spending the past few seasons as Pembleton’s sidekick, Bayliss finally got a chance to step up and show off his own abilities as a homicide detective. Kellerman assisting him turned out to be an inspired move, as it allowed Kellerman to finally be something more than just a kind of goofy frat boy detective. Working together, Kyle Secor and Reed Diamond had great comedic timing, which kept this rather grim episode from getting too dark. (Kellerman: “Do you want a hug?” Bayliss: “Do you and Lewis often hug?”)

One thing that made this episode interesting was that the victims, the suspects, and most of the witnesses were all murderers who were previously arrested on this show. It was interesting to see how prison had changed or, in some cases, not changed them. The once preppy Tom Marans now had bright yellow hair, scarred knuckles, and some really nasty facial sores. Meanwhile, James and Trevor Douglas were still the same punks that they were on the outside, when they used to film themselves committing murder.

Finally, what made this episode truly powerful was the performance of Charles S. Dutton. A Baltimore native who served time in prison before becoming an acclaimed stage actor, Dutton has not always been served well by television and the movies. He’s very much a theatrical actor and, when cast in the wrong role, he can come across as being a bit over-the-top. In this episode, though, Dutton is perfectly cast and he gives a truly moving performance of as an inherently decent man who does what he has to do in order to survive as a prisoner in a system that has been constructed specifically to break and destroy him. Elijah’s fury feels earned and deserved but, in the end, he’s ultimately just a father who wants things to be better for his son and his daughter. When Elijah’s son rejected him, it was one of Homicide’s most heart-breaking moments.

Prison Riot has a reputation for being one of Homicide’s best episodes. The reputation is very much deserved.