Retro Television Review: Homicide: Life On The Street 5.16 “Valentine’s Day”

Posted on July 12, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.

This week, Brodie gets a storyline, Luther Mahoney continues to destroy lives, and Pembleton’s marriage collapses. It’s a busy few days in Baltimore.

Episode 5.16 “Valentine’s Day”

(Dir by Clark Johnson, originally aired on February 14th, 1997)

When a man is found dead in the apartment of Alan Schack (Neil Patrick Harris), Detective Munch assume that it was a case of suicide. However, Brodie went to school with Schack and is convinced that he’s the murderer. Munch refuses to take Brodie serious but, luckily, Sgt. Howard is more open-minded. After Alan beats up Brodie and leaves him on a snowy street, Brodie leaves Baltimore because he knows he’ll never get over the shame of being beaten up Neil Patrick Harris. Just kidding! Instead, Brodie doctors a tape to make it seem as if the police have evidence of Alan killing the victim. Alan falls for it because …. I guess he’s just really stupid. Like seriously, wouldn’t Alan have — at the very least — noticed that he was dressed totally different on videotape than he was on the day he committed the murder? Or does Alan just wear the same outfit day after day?

When two seemingly unrelated bombs go off, Kellerman and Bayliss find themselves investigating a — all together now! — “red ball!” Their investigation eventually leads them to the son of the grocer who was murdered by Luther Mahoney a few episodes ago. The bombs are being sent to the people who the son blames for Luther getting away with murder. One bomb is sent to the courthouse. “Lewis is at the courthouse!” Bayliss exclaims. “So is Julianna!” Kellerman says. Well, that’s convenient.

Frank and Mary Pembleton attend marriage counseling. It doesn’t go well. Frank finally agrees to allow their newborn daughter to be baptized despite the fact that he’s still struggling with his faith. Mary, however, still leaves Frank afterwards. She takes their daughter with her. Frank is left alone in their home, staring at an empty crib.

And finally, due to budget cutbacks, Giardello has to dust his own office!

On the plus side, I related to Giardello’s need to dust. As a sometimes struggling Catholic, I appreciated that the show took seriously Mary’s concerns about their daughter dying outside of a State of Grace.

Unfortunately, the rest of the episode just felt off. Neil Patrick Harris as a tough guy drug dealer? Nope. Sorry. I loved NPH as Dr. Horrible but I’m still not buying it. As for the bombing storyline, it felt almost like a parody of an episode of Homicide. Oh no! There’s a bomb at the courthouse and Lewis and Dr. Cox just happen to be standing right outside the doorway!

I regret to say it but this episode just didn’t work for me.

Lisa Marie’s Week In Television: 7/5/26 — 7/11/26

Posted on July 11, 2026 by Lisa Marie Bowman

Big Brother 28 (24/7, CBS, Paramount+, Pluto TV)

Originally, I wasn’t going to watch Big Brother this season but I gave in. Watching this show and getting annoyed is pretty much a tradition around these parts and you know me. I’m all about tradition. You can read my thoughts (and Erin’s thoughts!) about the show over at RealityTVChatBlog.

The Contender (Prime)

I watched two episodes of this old reality show on Tuesday. A group of boxers competed to be …. THE CONTENDER! They weren’t bad. I actually remember when this show aired way back in the aughts. Sylvester Stallone was the host for the first two seasons. The episodes I watched were hosted by Sugar Ray Leonard.

Homicide: Life On The Street (Peacock)

My review of Homicide will drop tomorrow.

Saved By The Bell (Tubi)

My review of Saved By The Bell will drop later tonight.

Sledgehammer! (Prime)

I watched an episode of this 80s comedy show on Friday. A contract was put out on Sledgehammer’s life so he hid with with Amish. It was a funny episode.

Watched and Reviewed

Retro Television Review: Homicide: Life On The Street 5.15 “Wu’s On First?”

Posted on June 28, 2026 by Lisa Marie Bowman

This week, the guest stars take over.

Episode 5.15 “Wu’s On First?”

(Dir by Tim McCann, originally aired on Feberuary 7th, 1997)

When a cop is shot and killed, the new Baltimore Sun crime reporter, Elizabeth Wu (Joan Chen), writes up a story about what a great guy the cop was. She is soon contacted by an informant who reveals that the cop was shot while buying drugs. Eventually, the informant reveals that he was the one who shot the cop but he claims it was self-defense. Wu gives up her informant to the police and when Col. Barnfather (who was embarrassed by the revelation that the victim was a dirty cop and who wants to get Wu off of the crime beat) makes a point of thanking her at the press conference, it leads to Wu being exiled from Baltimore and sent to cover the news in “the sticks.”

Meanwhile, Kellerman’s obnoxious brothers (Eric Stoltz and Tate Donovan) show up and try to convince him to move to Miami with them. Kellerman is tempted but, when it turns out that his brothers have stolen Babe Ruth’s uniform, Kellerman remembers why he left home in the first place. This episode features Kellerman getting arrested, though Lewis and Dr. Cox both show up to bail him out of jail. (And don’t worry about his brothers. They eventually get freed as well.) In the end, Kellerman stays in Baltimore. He does, however, give his brothers $155 to help them set things up in Miami.

This episode suffered from the guest star syndrome. The regulars are all present but, for the most part, they take a back seat to Elizabeth Wu and Kellerman’s brothers. Joan Chen, Eric Stoltz, and Tate Donovan are all talented but they’re not the reason why anyone would want to watch Homicide. In Elizabeth Wu’s case, the story really does feel like fan fiction. A new character shows up out of nowhere, all of the characters talk about how talented she is, and Giardello takes a liking to her. This episode was co-written by David Simon (who, of course, wrote the book that the entire series was based on) and, much like the final season of The Wire, it makes the mistake of thinking that everyone else would be as interested in Simon settling old scores with The Baltimore Sun as Simon obviously was.

As I watched this episode, I wondered if maybe it was meant to be a backdoor pilot. Actually, I guess it would count as two backdoor pilots in one. It’s easy to imagine a show about Elizabeth Wu covering the news in small town Maryland. It’s also easy to imagine a show about Kellerman’s brothers getting into trouble in Florida.

As it is, this episode doesn’t really feel like Homicide. It’s a rare misfire.

Lisa Marie’s Week In Television: 6/21/26 — 6/27/28

Posted on June 27, 2026 by Lisa Marie Bowman

Bands of Enchantment (PBS)

On Friday night, I watched a performance by the band Pacifica. They were okay. I prefer louder music.

Bring Me The Beauties: The Model Cult (HBOMax)

I watched this 3-part docuseries on Monday. It was yet another cult documentary. This time, only good-looking people could join the cult. That actually made sense to me. If you’re a cult leader, why would you want to be surrounded by ugly people?

Degrassi: The Next Generation (Tubi)

My review of this week’s episode will drop tomorrow.

Election Coverage

I watched this latest primary results on Tuesday. Ugh, the DSA in New York. Never has a group of activist been both so charmless and so successful at the same time. A lot of people are panicking about that but, honestly, if the DSA was going to win anywhere, it was going to be in New York. I imagine they’ll do well in Denver next week as well. DSA appeals to gentrifiers. (I also remember that the DSA insurgency was declared dead after the primaries in Illinois so perhaps we should be careful about reading too much into any one night.) It seems like after every “wave election,” there’s a few new congresspeople (and even senators) who end up self-destructing during their first or second term, people like Katie Hill, George Santos, Madison Cawthorn, Cori Bush, and Jamaal Bowman. This year, I’m putting my money on Dairaliza Avila Chevalier and, if he wins, Graham Platner as being the most likely to fall apart as soon as they arrive in Washington.

Homicide: Life On The Street (Peacock)

My review of this week’s episode will drop tomorrow.

Saved By The Bell (Tubi)

My review of this weeks episode will drop later tonight.

Watched and Reviewed:

Retro Television Review: Homicide: Life On The Street 5.14 “Diener”

Posted on June 21, 2026 by Lisa Marie Bowman

What happened to the diamond ring?

Episode 5.14 “Diener”

(Dir by Kyle Secor, originally aired on January 31st, 1997)

Still on the outs with Bayliss, Pembleton is forced, by order of Giardello, to work with Lewis. The last time that Pembleton and Lewis worked together, the result was chaos. Lewis didn’t have any patience for Pembleton’s arrogance and Pembleton obviously didn’t respect Lewis as a detective. This time, it goes a bit smoother. Pembleton, thanks to Bayliss, has learned how to work with others and Lewis, having lost Crosetti and seen Kellerman pushed to the edge of suicide, is a bit more sensitive than we’ve seen in the past.

The victim is a rich woman who liked to support struggling art students. Lewis suspects that the killer was one of the students. Pembleton suspects that it was the woman’s brother and his suspicions turn out to be correct. When the woman’s belongings are released by the ME’s office, the brother immediately notices that a diamond ring is missing. But how did the brother know that his sister was wearing the ring when she died?

As for the diamond ring, it was stolen by Jeff (Glenn Fitzgerald), who works in the morgue. It turns out that Jeff has been stealing from the dead for a while. Dr. Cox gets a big scene in which she fires him. He definitely deserved to be fired and I assume that he will also be going to jail. That said, the name of this show is Homicide. It’s not named “Medical Examiner.” I like Michelle Forbes’s performance as Dr. Cox but it’s still hard not to feel that, at least as far as the fifth season is concerned, the show is sometimes a bit too quick to try to force her into every story.

While Pembleton solved there case, his wife considered leaving him. Bayliss tried to warn Pembleton but Pembleton shrugged off Bayliss’s comment. In fact, Pembleton told Bayliss that he’s fine no longer working with him. I nearly screamed with frustration. Seriously, you two — work it out!

Lisa Marie’s Week In Television: 6/14/26 — 6/20/26

Posted on June 20, 2026 by Lisa Marie Bowman

Buskers (PBS)

This documentary was about …. well, it’s right there in the title. One man performed card tricks. A woman played a saw like a violin. Another woman wrote poems on a typewriter in the park. A man danced on a subway train. The documentary was an interesting look at a group of unique Americans. Unfortunately, I watched it rather late at night so my eyelids were heavy during the majority of the show.

Degrassi: The Next Generation (Tubi)

My review will drop tomorrow.

Homicide: Life on the Street (Peacock TV)

My review will drop tomorrow.

Kyōryū Sentai Zyuranger (Shout TV)

There’s just no stopping those dinosaurs!

The Larry Sanders Show (HBOMax)

Hank’s Sex Tape! Oh my God, what a cringey episode. When a sex tape featuring Hank Kingsley starts to circulate in Hollywood, it threatens Hank’s new job as an orange juice commercial spokesman. Henry Winkler and Norm MacDonald appear as themselves and have a classic conversation about Hank and …. well, you can watch the episode and see for yourself. Why is this episode so funny and so cringey? Hank is played by Jeffrey Tambor. “Wash your mouth out with Hank.” AGCK!

Saved By The Bell (Tubi)

My review of this week’s episode will drop in about 90 minutes.

UFC Freedom 250 (Paramount Plus)

I’ll just go ahead and tick everyone off by admitting that I enjoyed the spectacle and the unique silliness of UFC on the White House lawn. Yes, there were some regrettable moments. If you were annoyed by the comment about a certain former first lady, you had every right to be. It was a stupid thing to yell and unnecessarily divisive. But, at its heart, the event itself was pure Americana. Abraham Lincoln’s favorite sport was wrestling. Teddy Roosevelt loved boxing. Richard Nixon was a bowler. There’s actually a long history of this sort of thing.

Watched and Reviewed:

Retro Television Review: Homicide: Life On The Street 5.13 “Have A Conscience”

Posted on June 14, 2026 by Lisa Marie Bowman

Luther Mahoney returns.

Episode 5.13 “Have A Conscience”

(Dir by Uli Edel, originally aired on January 17th, 1997)

Mike Kellerman is back on the job but he’s still angry. He’s angry that the U.S. Attorney didn’t officially announce that he had been cleared. He’s angry because he feels that his fellow detectives failed to support him when he was at his lowest. He’s angry because people like Roger Gaffney continue to assume that he’s guilty.

Given how angry Kellerman is, the last thing he needs to get stuck with another case involving the arrogant and apparently untouchable Luther Mahoney. However, that is exactly what Kellerman gets when an Asian shopkeeper is gunned down after trying to chase one of Mahoney’s crews off the corner. Everyone knows that Mahoney is behind the murder but, as always, there’s not enough evidence to take him down. Witnesses won’t talk. No one can connect Mahoney directly to the murder. While the smug Mahoney heads off to a fund raiser, a bitter Kellerman goes to his boat and considers suicide.

Fortunately, Lewis barges onto the boat and keeps Kellerman from shooting himself. This episode reveals a lot about Homicide’s less heralded pair of detectives. Kellerman is desperate for his father’s approval and he has a huge chip on his shoulder. Just the fact that anyone would even consider the idea that Kellerman would ever take a bribe is enough to set Kellerman off and Kellerman does not easily forgivce. Lewis, meanwhile, is still haunted by the death Crosetti.

The majority of this episode is just Lewis talking to Kellerman and Kellerman talking to Lewis. It’s not the most exciting episode of Homicide but it is wonderfully acted by both Clark Johnson and Reed Diamond. While Pembleton and Bayliss appear to be growing apart (with Bayliss spending most of this episode politely ignoring Pembleton while Pembleton solved one of his cold cases), Lewis and Kellerman are now even closer than they were before.

That’s a good thing. Luther Mahoney is still out there and, for whatever reason, Lewis and Kellerman seem to be the two detectives who always end up investigating Mahoney’s crimes. That’s a little hard to believe. With the number of people that Mahoney kills and the size of the Homicide division, you would think at least one Mahoney-directed murder would be investigated by either Munch or Pembleton. Regardless, Luther Mahoney is a great villain and I look forward to seeing where Kellerman’s obsession with taking him down is heading.

Finally, I hope this Pembleton/Bayliss estrangement won’t go on for too long. We just got Pembleton back and Pembleton was finally starting to accept that he could actually handle working with a partner. I get that Bayliss is upset but breaking up Pembleton and Bayliss just doesn’t feel right. They’re just meant to work together.

Retro Television Review: Homicide: Life On The Street 5.12 “Betrayal”

Posted on May 31, 2026 by Lisa Marie Bowman

This week, Kellerman finally clears his name and Bayliss takes the job too personally …. again!

Episode 5.12 “Betrayal”

(Dir by Clark Johnson, originally aired on January 1oth, 1997)

It’s finally time for Detective Kellerman to testify in front of the Grand Jury. At first, Kellerman is thinking of taking the Fifth so that he won’t have to testify about what any of the other members of the Aron squad may or may not have done. However, when Kellerman realizes that another member of the squad has named him in order to try to make a deal with the prosecutor, Kellerman changes his mind. He says that he will testify. He will throw his career away. He’ll do it because he’s not going to let anyone think that he’s a dirty cop. The prosecutor (Rebecca Boyd) is so moved that she allows Kellerman to testify that he never took a bribe but then declines to ask any follow-up questions. Kellerman is cleared.

This, of course, is something that would never happen in real life. A prosecutor declining to ask follow-up questions because she respects the witness? Seriously? That said, if it means the bribery storyline is finally wrapped up and Kellerman can return to active duty, I’m happy.

Meanwhile, Pembleton and Bayliss investigate the death of a teenage girl who was found abandoned on the side of the road. When it’s revealed that the victim was horribly abused, Bayliss — of course — takes the case personally. For Pembleton, it’s just another case. It’s what he does for a living and he knows better than to get personally involved. For Bayliss, it’s a crusade. At the end of the episode, Bayliss reveals that he was abused as a child. He also says that he no longer wants to be Pembleton’s partner.

WHAT!?

Dammit, Bayliss, we just got Pembleton back and now you don’t want to work with him!?

Don’t get me wrong. This was a good episode but it did leave me feeling a bit frustrated. Hopefully, Bayliss and Pembleton will make up soon. The Kellerman bribery subplot went on forever. Here’s hoping the same doesn’t happen with Bayliss and Pembleton’s divorce.

Retro Television Review: Homicide: Life On The Street 5.11 “The Documentary”

Posted on May 24, 2026 by Lisa Marie Bowman

This week, Brodie reveals his film!

Episode 5.11 “The Documentary”

(Dir by Barbara Kopple, originally aired on January 3rd, 1997)

On December 31st, the detectives are gathered in the squad room and waiting for the big ball to drop in New York. The phones have not rung all night but, as Munch keeps reminding everyone, that is soon going to change. Brodie comes in with a VHS tape and shows the detectives the documentary that he’s filmed about them. Finally, we learn why Brodie has been filming random corners of the station for the past few episodes.

I have to admit that I was expecting this to be a clip show and there is one lengthy montage that is made up of scenes taken from previous episodes. But, for the most part, the documentary is all new footage. We watch as Bayliss and Pembleton investigate a murder committed by a mortician who didn’t want people to learn that he was dressing up the dead and posing with them. (Yikes!) All of the detectives take a turn explaining how the Miranda rights work, with their dialogue lifted pretty much intact from the David Simon book that inspired the show. In a parody of Homicide’s signature visual style, the same clip of Lewis and Kellerman walking into a bar is shown three times in a row. At one point, Lewis, Kellerman, and Brodie chase a suspect and run into a Barry Levinson-led film crew that is filming a show called Homicide. “Real cops don’t yell ‘freeze,'” Brodie tells Levinson.

It’s a clever episode, made all the more so by the reactions of the detectives watching themselves on screen. Pembleton confesses to Bayliss that it’s hard for him to watch footage of himself before his stroke because Pembleton doesn’t recognize the young and angry detective that he used to be. All of the detectives object to footage of them joking about their job. As the documentary ends, Giardello asks for the original copy for “safe keeping.” Brodie reveals that he already sold the documentary to PBS. “You can’t show us joking about dead people!” Munch says. “It’s an invasion of privacy!” Bayliss says. Brodie starts to defend himself but then the ball drops, the new year begins, and the phones start ringing.

This was a good ensemble episode. If, for some reason, you only wanted to watch the later episodes of Homicide, this would be a good one to start with because the documentary re-introduces us to everyone. Funny, dramatic, and eventually quite emotional, this episode was Homicide at its best.

Retro Television Review: Homicide: Life On The Street 5.10 “Blood Wedding”

Posted on May 17, 2026 by Lisa Marie Bowman

This week, Pembleton gets his first case as the primary.

Episode 5.10 “Blood Wedding”

(Dir by Kevin Hooks, originally aired on December 13th, 1996)

A robbery at a bridal store leave public defender Meryl Hansen (Delanie Yates) dead. Meryl was the fiancée of State’s Attorney Ed Danvers. Danvers was with her when she was shot and he’s now obsessed with getting justice. He is not happy when he discovers that Pembleton is the primary on the case. Pembleton is still recovering from a stroke. In fact, this is his first case as primary since he returned to active duty. Meanwhile, Pembleton is not happy with the way Danvers keeps trying to tell him how to do his job.

Meanwhile, Giardello meets with the former members of Kellerman’s squad and asks them if they are planning on naming Kellerman to the Grand Jury. Everyone says that they’re not going to name him …. except for one former detective who explains that, if he names Kellerman, his own sentence will be reduced. Giardello even goes to the police commissioner (Al Freeman, Jr.) in search of help. The Commissioner resents Giardello’s independent streak. He’s not only not going to help, he’s also going to actively make Giardello’s life difficult.

As for Kellerman, he spends his time either sitting on his boat or drinking at the Waterfront or bothering his new lover, Dr. Cox, at work. When he’s informed that the Grand Jury has been delayed until the end of January, it’s another weight on his shoulders.

In the end, Pembleton does find the man who shot Meryl Hansen but, by the time the Julius Cummings (R. Emery Bright) is captured, he’s already disposed of the gun used in the crime. There’s enough evidence to put Cummings away for an unrelated robbery but not for murder. Danvers suddenly wonders if he’s been to quick to compromise as a prosecutor. After Danvers goes to the jail and tells Cummings that he will spend the rest of his life proving that Cummings is guilty of murder, Cummings hangs himself in his cell.

I have to admit that, for once, I actually found the Kellerman stuff to be more compelling than the main story. Don’t get me wrong. Andre Braugher and Kyle Secor were both great. Zeljko Ivanek was excellent and he had a few good scenes with Melissa Leo, who has been rather underused this season. But the main storyline felt more like something one would find on Law & Order than Homicide. Pembleton’s very first case as primary turning out to be a red ball? It was a bit too much of a coincidence to be effective.

The Kellerman stuff, however, gave Yaphet Kotto a chance to do something more than just give out orders. Watching him go from detective to detective and slyly ask them if they were going to name Kellerman was a joy. The scene between him and Al Freeman, Jr. was well-played by both actors.

That said, let’s hope this Kellerman thing gets resolved soon. Lewis needs his partner!