Retro Television Review: Homicide: Life On The Street 5.6 “White Lies”

Posted on April 19, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.

This week, Detective Much meets Dr. Cox.

Episode 5.6 “White Lies”

(Dir by Peter Weller, originally aired on November 8th, 1996)

When a suburban housewife is reportedly found dead in bed, Detective Munch suspects that she was murdered by her husband, Phillip Engle (Scott Bryce, of As The World Turns fame). Munch points out that the dead woman was wearing makeup, that Engle’s story is full of holes, and that it doesn’t make sense that a healthy woman’s heart would just stop in the middle of the night. However, Dr. Cox is not convinced that the woman was murdered and, as she puts it, it’s not a murder until the M.E. says it is. Munch finds himself investigating a crime that may or may not have been committed. Ultimately, it turns out that the woman died of a heroin overdose. Philip Engle was not trying to cover up a murder when he redressed his wife and moved her from the bathroom floor to her bed. Instead, he was trying to preserve his wife’s dignity.

The story was a sad one and Scott Bryce did a great job as Phillip Engle. For that matter, Richard Belzer gave one of his better performances as Munch. This episode made you both respect Munch’s tenacity as a detective while also making you hate him for putting Phillip through so much pain. That said, it was hard not to feel that this episode was a continuation of last week’s introduction of Dr. Cox. The show seems to be really determined to make us love Dr. Cox. I mean, we get it, Homicide. She’s a badass. You don’t have to keep hitting us over the head with it.

Meanwhile, Frank is still offering advice to Bayliss on how to be a homicide detective, even though Frank’s not allowed to go to crime scenes or conduct interrogations. Bayliss’s latest case involves a suspect with a long history of stealing cars. Frank watches as Bayliss screws up an interrogation, getting so lost in talking about how much he would like to steal a car and cruise down to California that the suspect replies, “I want a lawyer.” Bayliss responds to Pembleton’s criticism by telling Pembleton to go into the Box and get the confession himself. Bayliss seems to be sincere. He truly wants Pembleton back in the Box. Pembleton fantasies about storming into the Box like the Pembleton of old but he can’t do it. He can’t break regulations. He can’t risk another stroke. As for the murder suspect, he goes free.

Lewis kicks Brodie out of his house. Kay offers to let Brodie stay with her but Brodie ultimately declines the offer because he doesn’t want people gossiping about Kay. Brodie says that he’s just going to sleep in the station. Good luck with that, Brodie! Seriously, do they even pay Brodie? Why is he always one step away from living on the streets?

Kellerman take a polygraph concerning the accusations that he took a bribe from the Rolands. Kellerman answers, “No,” when asked if he ever took a bribe but he ends the exam when he’s asked whether or not he knows of any other cops who were on Mitch Roland’s payroll. Kellerman is told that he passed the polygraph. But, so did Mitch Roland and “he answered all the questions.”

This was an okay episode, with the scenes between Bayliss and Pembleton being the highlight. The stuff with the Rolands and the bribery accusations isn’t doing much for me. This feels like a storyline that should have been resolved already. That said, I do like it when Kellerman gets annoyed. This episode ended with him hitting a punching bad and looking good while he did it.

Don’t let the bastards get you down, Kellerman!

Lisa Marie’s Week In Television: 4/12/26 — 4/18/26

Posted on April 18, 2026 by Lisa Marie Bowman

Growing Pains (Tubi)

Matthew Perry played the boyfriend of Kirk Cameron’s sister. He drank too much, he crashed his car, and he died. This is one of those very special episodes that one might roll their eyes at, if not for the fact that it guest starred Perry. Because it did guest star Perry, it was very sad to watch.

Homicide: Life On The Street (Peacock)

A review for this episode will be dropping tomorrow.

Kyōryū Sentai Zyuranger (Shout TV)

In this show, from Japan, a group of teenagers used the power of the dinosaurs to defeat a witch. I watched three episodes on Saturday. The stop-motion dinosaurs and tigers were cute.

The Right Time (YouTube)

This was a 90s music show that was hosted by singer Tom Jones. I watched two episodes on Friday. The first one was called “Pop Music” and I enjoyed it. The second one was called “Gospel Music” and it was a little dull.

Saved By The Bell (Tubi)

A review for this episode will be dropping later tonight.

Who’s The Boss (Prime)

On Friday, after Jeff and I finished up The Trip, Amazon took us straight into this Tony Danza-starring sitcom. We watched the first episode, which was pretty forgettable. (Danza is a former baseball player turned housekeeper and no one can believe it.) The theme song kind of got stuck in my head though.

WKRP In Cincinnati (DVD)

Jeff and I watched several episodes of this 70s sitcom over the week. Even if the humor was a bit dated, it was a funny show. Herb Tarlek’s suits were amazing.

Watched and Reviewed:

Retro Television Review: Homicide: Life On The Street 5.5. “ME, Myself, and I”

Posted on April 12, 2026 by Lisa Marie Bowman

This week, the show gets a new co-star.

Episode 5.5 “M.E., Myself, and I”

(Dir by Michael Fields, originally aired on November 1st, 1996)

There’s a new medical examiner in town! Julianna Cox (Michelle Forbes) drinks too much, smokes too much, and she takes her job personally! She drives too fast! She speaks her mind! She fires the incompetent and the corrupt! She shows up at crime scenes! Lewis moves a body before Dr. Cox arrives. She tells him to never do it again!

She’s a new regular and this entire episode is essentially dedicated to hitting us over the head with the fact that she’s awesome. And she is awesome and she’s also played by Michelle Forbes so I’m sure she will be a worthwhile addition to the show’s ensemble. That said, this episode sometimes seem to be so desperate to convince us that we’re going to love Dr. Cox that it forgets to craft a compelling story. She helps Bayliss to solve a case. Bayliss likes her. Well, Bayliss like everyone. Indeed, Bayliss gets so excited whenever an attractive woman appears that he sometimes seems like a cartoon wolf, with his eyes popping out of his head.

In other news, Kellerman is still under investigation and he’s not taking it well. The great Edward Herrmann played the officious FBI agent who took over the Box and spent the episode asking the other Homicide detectives if Kellerman seemed to be corrupt. “How did Detective Kellerman afford a new boat?” Actually, how did Detective Kellerman afford a new boat?

Pembleton went off his blood pressure meds so he could make love to his wife on his anniversary. Pembleton — how are you going to recover from this stroke if you keep finding excuses not to take your medication?

Finally, Brodie got kicked out of Bayliss’s apartment so he moved in with Lewis. Brodie praised a black velvet painting of Teddy Pendergrass, leading to a fight between Lewis and his wife. It was an amusing scene. Brodie, you stand accused of murdering a marriage! The jury finds you guilty!

It was an okay episode. Homicide is one of those shows that is enjoyable watch because of the ensemble and Michelle Forbes seems like she’ll be a good addition. When you’ve got a cast this good, you can get away with an episode where not that much really happens.

Retro Television Review: Homicide: Life On The Street 5.4 “Bad Medicine”

Posted on April 5, 2026 by Lisa Marie Bowman

This week, drug lord Luther Mahoney returns.

Episode 5.4 “Bad Medicine”

(Dir by Kenneth Fink, originally aired on October 25th, 1996)

Someone is selling bad heroin in Baltimore. This episode opens with a montage of dead junkies being discovered. Detective Munch explains to a uniformed cop why he has to stick around until it’s firmly established that the latest dead junkie died of an overdose and not something like a hit to the back of the head. Munch says that everything he knows, he learned from his ex-partner. Hey, Munch, Bolander’s not coming back! You have to accept it.

Things are looking grim for Giardello’s detectives. Megan Russert has run off to Europe. Bolander is retired. Felton is missing. Frank is recovering from his stroke and still needs to pass his firearms exam. And now, Kellerman has been accused of taking bribes while working as an arson investigator. Kellerman is given desk duty, which means that he can’t help Lewis pursue drug kingpin Luther Mahoney (Erik Todd Dellums).

Mahoney returns in this episode, dragged into the box and accused of murdering a rival dealer. Mahoney is his usual smug snake self but Lewis and his temporary partner, Narcotics Detective Terri Stivers (Toni Lewis), are convinced that they’ve finally got him where they want him. First off, there’s a junkie who has been bullied into informing on Luther. Plus, Luther slips up and reveals that he knew some facts about the murder that were not released to the press. Is Luther Mahoney going down!?

Well, don’t get too excited. Ed Danvers informs them that their evidence isn’t enough to get a conviction. Juries don’t trust junkies. Luther could have heard the details of the murder on the street. Everyone knows that Luther is guilty but no one can prove it beyond a reasonable doubt. Luther goes free and the informant ends up dead.

Meanwhile, Frank Pambleton stops taking his medicine so that he can concentrate on passing his firearms exam. He still fails. Even though he was able to hit the target, he took too long reloading his gun. Pembleton starts to take his medicine again.

Finally, Brodie still doesn’t have anywhere to live. He stayed with Munch for one night and then voluntarily left. (The reasons why are left ambiguous but it’s suggested that Brodie came across Munch’s private drug stash and freaked out.) Brodie moves in with Bayliss and quickly makes things awkward by overanalyzing the Mighty Mouse cartoon that Bayliss is watching. Brodie explains that Mighty Mouse is an agent of chaos and Bayliss looks like he’s already realized this living arrangement is not going to work.

This was a properly cynical episode, one where the main theme seemed to be that our heroes are fighting a losing war. Giardello is running low on detectives. Kellerman is put on desk duty because of one weak accusation. Pembleton has to pass a firearms exam, despite rarely having to draw his gun. In the end, men like Luther Mahoney walk free while the addicts caught in-between end up dead in the street.

That’s life in Charm City.

Lisa Marie’s Week In Television: 3/29/26 — 4/4/26

Posted on April 4, 2026 by Lisa Marie Bowman

Baywatch (Tubi)

I reviewed Baywatch here.

Decoy (Tubi)

I reviewed Decoy here.

Degrassi: The Next Generation (Tubi)

My review of Degrassi will drop tomorrow.

Freddy’s Nightmares (Tubi)

I reviewed Freddy’s Nightmares here.

Highway to Heaven (Tubi)

I reviewed Highway to Heaven here.

Homicide: Life On The Street (Peacock)

My review of Homicide will drop tomorrow.

It’s The Easter Beagle, Charlie Brown (Apple TV)

Watching this charming animated special is an Easter tradition that I share with Erin Nicole. You can read her thoughts here.

The Love Boat (Parmaount+)

I reviewed The Love Boat here.

Nero Wolfe (YouTube)

I watched an episode of this classic detective series on Tuesday. Maury Chaykin was a great Wolfe and Timothy Hutton was a wonderful Archie Goodwin. The late James Tolkan also appeared in the episode, wearing an eyepatch.

Saved By The Bell (Tubi)

My review of Saved By The Bell will drop in 30 minutes.

Show Me A Hero (HBO Max)

“….and I’ll show you a tragedy.” I rewatched this 2015 HBO miniseries on Wednesday. The miniseries dealt with the fight over low-income housing in Yonkers, New York and it starred Oscar Isaac as Nick Wasicsko, who went from being elected mayor at the age of 28 to committing suicide 6 years later. Supporting roles were played Catherine Keener, James Beluhsi, Peter Riegert, Jon Bernthal, Winona Ryder, Alfred Molina, and Carla Quevado. The show was written by David Simon and each episode was directed by Paul Haggis. Not surprisingly, several actors from The Wire popped up in small roles.

Show Me A Hero really impressed me when it originally aired. Rewatching it, it still held my attention but I could see that the miniseries was a bit more heavy-handed than I remembered and that Simon and Haggis were clearly more interested in the political storyline than they were in the stories of the people who eventually moved into the new housing developments. Some of the performances were better than other. Catherine Keener and Winona Ryder both overacted while, cast as the show’s three mayors, Belushi, Isaac, and Molina all gave strong performances. Carla Quevado was exceptionally good as Isaac’s wife.

In the end, Show Me A Hero works best as a portrait of an ambitious politician who peaked too young, suffered due to things out of his control, and then spent the rest of his life trying to regain his lost promise. Some people feel that Nick Wasicsko was a hero. This miniseries ultimately focuses on the tragedy.

St. Elsewhere (Daily Motion)

I reviewed St. Elsewhere here.

TV 2000 (NightFlight Plus)

Jeff and I watched an episode of this old 80s music program on Friday night. John Kassir, who played the kicker on 1st and Ten and who would later voice the Crypt Keeper on Tales From the Crypt, was one of the hosts. He was a bit hyperactive.

Retro Television Review: Homicide: Life On The Street 5.3 “Prison Riot”

Posted on March 29, 2026 by Lisa Marie Bowman

This week, we have one of Homicide’s best episodes.

Episode 5.3 “Prison Riot”

(Dir by Kenneth Fink, originally aired on October 18th, 1996)

At the Maryland State Prison, convicted murderer Claude Vetter (Mark Rogers) accidentally bumps into another murderer, James Douglas (Tim McAdams), in the cafeteria. James pulls a knife and stabs Vetter in the stomach. As Vetter collapses, a riot breaks out. By the time the guards have forcefully restored order, Vetter and James Douglas are dead. Everyone knows who killed Vetter. But who stabbed James in the back?

Lewis, Munch, Howard, Bayliss, Kellerman and Giardello head down to the scene. (Pembleton, who is still struggling with his up-coming shooting test, is left behind.) Munch and Lewis don’t care about solving Douglas’s murder. As far as they’re concerned, both Claude Vetter and James Douglas got what they deserved. Munch gets annoyed and returns to the station. Lewis sticks around to help Bayliss with a few interrogations before he also leaves. Bayliss, however, is determined to solve the murder of James Douglas and Kellerman, looking to make up all the ill will that has existed between him and Bayliss, does his best to help.

Bayliss is convinced that Elijah Sanborn (Charles S. Dutton) saw who killed James. Sanborn is serving a life sentence for shooting a drug dealer who previously shot and killed Elijah’s wife in drive-by. (Elijah’s wife was an innocent bystander.) Elijah has been in prison for 14 years. He’s never getting out and he sees no reason why he should help the police. However, when Elijah’s 14 year-old son is arrested for a petty theft, Bayliss offers a deal. If Elijah tells Bayliss who killed James Douglas, Elijah’s son will only do 6 months at a juvenile facility. If Elijah refuses to talk, his son will be charged as an adult.

Elijah is outraged that Bayliss would “use my own son against me!” It’s only after his estranged daughter (Heather Alicia Simms, giving a wonderful performance) visits that Elijah agrees to share what he knows. He has one condition. He wants to see his son. When Elijah’s son turns out to be a sullen and uncommunicative wannabe gangster who tells his father that he doesn’t care about him, Elijah announces, “I killed James Douglas.”

Bayliss knows that Elijah is lying but he also knows that Elijah’s confession is enough to send him to the gas chamber. With no prospects of ever walking free and having been rejected by both his daughter and his son, Elijah has decided to use the system to kill himself.

Fortunately — or unfortunately, depending on how you look at things, another prisoner, Tom Marans (Dean Winters), beats Trevor Douglas (John Epps) into a coma. Trevor was James’s cousin and Marans reveals that Trevor is also the one who killed James because he thought James had stolen a carton of cigarettes from him. Marans explains that he was James’s “wife” in prison.

As the episode ends, Giardello congratulates Bayliss before adding that it’ll only be a matter of time before Trevor’s people seek revenge and they all have to return to the prison to investigate the murder of Tom Marans.

This was a great episode. After spending the past few seasons as Pembleton’s sidekick, Bayliss finally got a chance to step up and show off his own abilities as a homicide detective. Kellerman assisting him turned out to be an inspired move, as it allowed Kellerman to finally be something more than just a kind of goofy frat boy detective. Working together, Kyle Secor and Reed Diamond had great comedic timing, which kept this rather grim episode from getting too dark. (Kellerman: “Do you want a hug?” Bayliss: “Do you and Lewis often hug?”)

One thing that made this episode interesting was that the victims, the suspects, and most of the witnesses were all murderers who were previously arrested on this show. It was interesting to see how prison had changed or, in some cases, not changed them. The once preppy Tom Marans now had bright yellow hair, scarred knuckles, and some really nasty facial sores. Meanwhile, James and Trevor Douglas were still the same punks that they were on the outside, when they used to film themselves committing murder.

Finally, what made this episode truly powerful was the performance of Charles S. Dutton. A Baltimore native who served time in prison before becoming an acclaimed stage actor, Dutton has not always been served well by television and the movies. He’s very much a theatrical actor and, when cast in the wrong role, he can come across as being a bit over-the-top. In this episode, though, Dutton is perfectly cast and he gives a truly moving performance of as an inherently decent man who does what he has to do in order to survive as a prisoner in a system that has been constructed specifically to break and destroy him. Elijah’s fury feels earned and deserved but, in the end, he’s ultimately just a father who wants things to be better for his son and his daughter. When Elijah’s son rejected him, it was one of Homicide’s most heart-breaking moments.

Prison Riot has a reputation for being one of Homicide’s best episodes. The reputation is very much deserved.

Lisa Marie’s Week In Television: 3/22/26 — 3/28/26

Posted on March 28, 2026 by Lisa Marie Bowman

1st & Ten (Tubi)

I reviewed 1st & Ten here!

The Addams Family (YouTube)

Cousin Itt came to visit! I watched an episode of this classic sitcom on Wednesday with my friend Dani. She was celebrating John Astin’s birthday.

Baywatch (Tubi)

I reviewed Baywatch here!

CHiPs (Prime)

I reviewed CHiPs here!

Dance International Magazine (NightFlight+)

Everyone on the program was dancing and I danced while watching.

Decoy (Tubi)

I reviewed Decoy here!

Degrassi: The Next Generation (Tubi)

Look for my Degrassi review tomorrow!

Diff’rent Strokes (Tubi)

Tubi showed me a random episode on Thursday. Arnold and his stupid friend Dudley took up smoking. Dudley’s father went to the hospital to have a lung removed. I think there was a message in there somewhere.

Freddy’s Nightmare (Tubi)

I reviewed Freddy’s Nightmares here!

Highway to Heaven (Tubi)

I reviewed Highway to Heaven here!

Homicide: Life On The Street (Peacock)

Look for my Homicide review tomorrow!

Lonesome Dove (Tubi)

I binged Lonesome Dove on Wednesday, as a tribute to both Texas and the late Robert Duvall. It was a great adaptation of a great book.

The Love Boat (Paramount Plus)

I reviewed The Love Boat here!

Miami Vice (Prime)

I reviewed Miami Vice here.

Nero Wolfe (YouTube)

I watched two episodes of Nero Wolfe on Tuesday. These episodes featured Maury Chaykin as Nero Wolfe and Timothy Hutton as Archie Goodwin. Seymour Cassel was in one of the episodes. I enjoyed the episodes, even if I did have a hard time following the twists and turns of the mysteries.

Night Flight (NightFlight+)

On Saturday, I watched an episode of this old music video program. It was a countdown of the top music videos of 1983. I like the music of the 80s. It was very energetic.

Pacific Blue (Tubi)

I reviewed Pacific Blue here!

Saved By The Bell (Tubi)

This week’s review will drop in 90 minutes.

Saved By The Bell: The New Class (Prime)

I reviewed this week’s episode here!

St. Elsewhere (Daily Motion)

I reviewed St. Elsewhere here!

Retro Television Review: Homicide: Life on the Street 4.22 “Work Related”

Posted on February 15, 2026 by Lisa Marie Bowman

Oh my God, this episode….

Episode 4.22 “Work Related”

(Dir by Jean de Segonzac, originally aired on May 17th, 1996)

At first, the fourth season finale of Homicide: Life On The Street feels like a typical episode of Homicide.

Lewis, having just returned from his honeymoon, obsesses on a case in which a man was killed by a bowling ball dropped from an overpass. Kellerman doesn’t feel that the case can be solved. The murder was just too random. Lewis, however, refuses to let it go. As Kellerman soon deduces, Lewis doesn’t want to go home because he and his new wife are already fighting.

Meanwhile, Bayliss is frustrated by Pembleton’s refusal to act like a sentimental new father. While Bayliss talks about the wonder of life, Pembleton coldly talks about how expensive it’s going to be to raise a child. It’s the typical Bayliss/Pembleton dynamic. Bayliss wants his partner to open up. Pembleton wants to keep things strictly business. Bayliss wants to find the deeper meaning of every event. Pembleton wants to remain rational and focused on doing his job. They’re both spiritual men, in their way. It’s just that Bayliss is a seeker whereas Pembleton is a man on a mission.

Bayliss and Pembleton investigate a shooting at a fast food restaurant. It doesn’t take much of an investigation to realize that the shooter was a recently fired employee and that his accomplice was a friend who still worked there. When Pembleton and Bayliss get the friend into the box, it seems like it’s going to be an easy investigation.

That’s until Pembleton suddenly yells out, grabs his head, and has a violent seizure. He collapses into the lap of a venal defense attorney who quickly shoves Pembleton away. Pembleton is rushed to the hospital. He’s had a stroke. The rest of the Homicide squad sees a comatose Pembleton lying in bed. But the viewer has seen the inside of Pembleton’s mind, where Pembleton is currently lying in a coffin and screaming to be released.

Agck!

I knew this episode was coming. Ever since I started reviewing Homicide, people have told me about the stroke episode. That said, it still took me by surprise when Pembleton collapsed. Pembleton has always been the strongest character on the show, the one who never lost control and whose mind could unravel any alibi and solve any mystery. Pembleton crashing to the ground, helpless and unable to speak, was not easy to witness. Andre Braugher was a great actor and he proved it in this episode.

That was how the fourth season ended, with Pembleton lying in a hospital bed and Giardello trying to keep the squad focused on doing their job while Bayliss — poor Bayliss! — found himself once again trying to understand the cruelty of fate. It was powerful, it was disturbing, it was sad, and I think it was the type of thing that only a show as good as Homicide could have pulled off.

Next week, we begin season 5. I’m almost scared to see what happens.

Retro Television Review: Homicide: Life On The Street 4.21 “Scene of the Crime”

Posted on February 8, 2026 by Lisa Marie Bowman

This week, it’s another night in Baltimore.

Episode 4.21 “Scene of the Crime”

(Dir by Kathy Bates, originally aired on April 12th, 1996)

This week, three murders are committed in the projects of Baltimore.

The first murder occurs when a drug dealer is tossed off the roof of an apartment complex, “the towers.” Making the Lewis and Kellerman’s investigation difficult is the fact that the city has given a security contract to the Black Muslims. The Muslims have been patrolling the Towers for a year and, in that time, they’ve chased out most of the drug dealers that once terrorized the building’s residents. Kellerman feels that the Muslims are racists. Giardello says that the Muslims just caused the dealers to go to another block. Lewis, however, is a bit more conflicted. As he explains it to Kellerman, why should white neighborhoods by the only ones allowed to have their own private security force?

The second and third murders occur at another set of towers. This time, two teenage drug dealers ended up shooting each other. When Munch and Russert arrive at the scene, they are met by patrolman Stu Gharty (Peter Gerety). Gharty walks them through the scene, shows how the two dealers ended up killing each other, and then excuses himself to wait for the medical examiner. Munch is impressed with Gharty but Russert can’t help but note the thirty-minute time gap between when Gharty got the call about the shooting and when he called for homicide. Gharty confesses that, when he first arrived, he didn’t immediately enter the building, despite hearing the gunshots. Gharty was concerned for his safety. Munch understands and, even more importantly, he doesn’t believe in getting other cops in trouble. Russert, however, is angered, especially after it turns out that one of the teenagers bled to death while Gharty was waiting outside.

This was an excellent episode of Homicide, one that was smart enough to paint anyone as being all good or all bad. Ishmael Al-Hadj (Victor Williams), the head of the Muslim security force, is an anti-white fanatic but Lewis has a point when he says that Ishmael and his men have largely kept peace in the Towers in a way that the police have not been able to do so. In the end, Ishmael turns over the name of the murderer but only after he knows that the man is no longer in Baltimore.

As for Stu Gharty, Russert is absolutely correct when she says that he failed to do his duty but, largely due to Peter Gerety’s empathetic performance, it’s hard not to sympathize with Gharty. As Russert herself admits, Gharty has been a good cop for years but, that one night, he allowed his fear to get the better of him. Russert, who is still thinking like a captain despite being demoted, feels that one moment of weakness cannot be overlooked. Just about everyone else disagrees. Whereas Russert and Kay Howard sees someone who failed to do his job, a detective like Munch looks at Gharty and sees a 54 year-old cop who is just a few years away from getting reassigned a desk job on account of his age and who made one mistake because he didn’t want his family to get a call telling them that he was dead. At one point, Gharty says he’s thinking of just taking retirement. Of course, he didn’t. Instead, he returned a few seasons later as a regular.

This episode also featured Munch preparing for the return of Bolander. After calling Bolander multiple times, Munch finally got him to agree to drop by the Waterfront Bar. Of course, Bolander never showed up. And it makes sense, really. After getting shot and nearly dying during the previous season, Bolander was obviously done with being a cop. (And, of course, Ned Beatty was no longer on the show.) Still, there was something rather poignant about Munch’s growing realization that his partner and his hero was no longer going to be around.

Next week, the season comes to an end!

Lisa Marie’s Week In Television: 2/1/26 — 2/7/26

Posted on February 7, 2026 by Lisa Marie Bowman

Bar Rescue (Paramount Plus)

On Monday, I turned over to Fave TV so that I could binge Bar Rescue and I discovered that Fave TV no longer exists! It’s been replaced by Outlaw TV, a western channel. I was disappointed so I watched the Pirate Bar episode of Bar Rescue online. I hope One-Eyed Mike was able to find another job about the tavern went out of business. He was cool.

Baywatch (Tubi)

I wrote about Baywatch here!

CHiPs (Prime)

You can read my thoughts on CHiPs here!

Decoy (Tubi)

I reviewed Decoy here!

Degrassi: The Next Generation (Tubi)

You can read my Degrassi thoughts here!

1st & Ten (Tubi)

I wrote about 1st & Ten here!

Freddy’s Nightmares (Tubi)

I reviewed Freddy’s Nightmares here!

The Grammy Awards (Sunday Night, CBS)

Watching the Grammy Awards on Sunday, I realized just how boring modern music has become. I can’t wait for someone new to come along and hopefully remind us of what it’s like to be surprised.

Highway to Heaven (Tubi)

I wrote about Highway to Heaven here!

Hill Street Blues (DVD)

This week, I binged the second and third seasons of this classic cop show. It made for oddly calming background noise. Poor LaRue, he was always getting in trouble.

Homicide: Life On The Street (Peacock TV)

You can read my thoughts on Homicide here.

King of the Hill (Hulu)

“I don’t know you. That’s my purse!” I was depressed on Monday but watching a classic episode of King of the Hill cheered me up!

The Love Boat (Paramount Plus)

I reviewed The Love Boat here!

Miami Vice (Prime)

You can read my thoughts on Miami Vice here.

Pacific Blue (Tubi)

I reviewed Pacific Blue here!

St. Elsewhere (Daily Motion)

I wrote about St. Elsewhere here!

Saved By The Bell (Tubi)

My thoughts on Saved By The Bell will be dropping 30 minutes after this post.

Saved By The Bell: The New Class (Prime)

I reviewed The New Class here!

The Winter Olympics (NBC & Peacock)

I’ve been enjoying curling! Go Korey and Corey! I also enjoyed watching the Parade of Nations. I had the volume down so I didn’t hear the booing that people have been talking about. If I had heard the booing, I would have shrugged it off. Other countries will always hate America, for the same reason that some people are still resentful towards the rich kids from high school. When you consider what certain countries are on the record as supporting, it’s almost an honor to be booed by them.