Late Night Retro Television Review: Sledge Hammer1 1.10 “If I Had A Little Hammer”

Posted on October 16, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing SLEDGE HAMMER!, a cop comedy which ran on ABC from 1986 to 1988. The entire series can be found on Prime!

Sledge Hammer says to trust him. Does that mean he’ll be able to find a bunch of missing babies?

Episode 1.10 “If I Had A Little Hammer”

(Dir by Kim Manners, originally aired on November 29th, 1986)

Someone has abducted all of the newborn babies from the local hospital. Captain Trunk suspects that the babies are going to be sold to couples looking to adopt. “You mean like a mom and pop operation?” Hammer asks. Doreau asks to be assigned to the case and Trunk reluctantly agrees. He has full faith in Doreau. It’s her partner that worries him.

Most of the humor in this episode comes from the fact that Hammer doesn’t like babies. The reason why the humor works is because Hammer never changes his mind. Hammer dislikes babies just as much at the end of the episode as he did at the start. It provided a nice contrast to not only every other character on the show but also to what we usually expect from television shows.

(Personally, I love babies but I get tired of seeing them in commercials where the whole joke is that they need their diapers changed.)

The babynappers are a brother/sister team. Brion James plays the brother and it was nice to see that he could handle comedy just as well as drama. He fit right in with the Sledge Hammer universe. The big confrontation between him and Sledge Hammer took place inside the warehouse of baby products supplier. Hey, it made laugh!

This was perhaps the most wholesome show about kidnapping and illegal adoption that I’ve ever seen.

Retro Television Review: St. Elsewhere 4.15 “Family Feud”

Posted on October 16, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Daily Motion.

This week, Bobby Caldwell returns.

Episode 4.15 “Family Feud”

(Dir by Mark Tinker, originally aired on January 29th, 1986)

After being gone for the last few episodes, Bobby Caldwell (Mark Harmon) returns to St. Eligius. As he explains it, he’s spent the last month or so with his family in Baltimore. He worked on his family’s farm and got in touch with what actually matters in life. Westphall is so happy to hear this that he immediately starts talking about the time he spent volunteering in Ethiopia.

Caldwell is ready to get his facial scar taken care of. He meets with an old colleague from medical school, Dr. Duncan Harper (Kip Gilman). Harper says that the operation should be simple and quick and then Caldwell will be ready to hit the bars again. As a precaution, Caldwell gives blood, just in case it’s needed during the surgery.

Later, a shaken Harper comes to St. Eligius and meets privately with Caldwell. Harper says that the lab did some standard tests on Caldwell’s blood and that it appears that Caldwell might have AIDS. Caldwell says there has to be some sort of mistake, but Harper shakes his head. Harper retested the blood himself. He asks if Caldwell has any lesions. Caldwell looks down at a spot on his hand and says, “I thought it was just an infection.”

Caldwell tells Westphall about his diagnosis. Westphall tells Caldwell not to give up hope, that a cure might be right around the corner. Caldwell replies that he’s probably got 15 months to live and he’s not going to stop working. After Caldwell leaves, Westphall meets with Auschlander and they both agree that they have no idea what to do.

Meanwhile, it’s Jack Morrison’s birthday! Clancy arranges for him to have a birthday party in the doctor’s lounge. She also continues to flirt with Fiscus. You might expect Morrison to be upset about that, but Morrison is too busy flirting with Mona, Fiscus’s ex! Yeah, we’ll see how that works out….

Finally, Augusta Endicott previously told Dr. Craig that she didn’t want to have a bypass, even if it meant that she would die otherwise. However, when the entire Endicott family comes to visit her, she changes her mind. (During the operation, Dr. Wade comments that Dr. Craig must really be looking forward to the next Endicott presidential campaign. Craig snorts and says that the Endicotts are a bunch of bleeding-heart liberals and he wouldn’t vote for them in a million years. I love Dr. Craig.) Sen. Gordon Endicott (Charles Cioffi) goes to the chapel to pray and ends up getting shot by a lone gunman.

Gee, who saw that coming?

The Endicotts continue to bore me. They’re just not that interesting as either characters or as thinly-veiled stand-ins for the Kennedy family. On the other hand, Bobby Caldwell’s storyline was powerful and Mark Harmon gave an especially good performance. (I just wish the show had made it clear that AIDS wasn’t meant to be some sort of narrative punishment for Caldwell’s previous bad behavior.) It will be interesting to see how the hospital deals with Caldwell’s diagnosis. Will he actually be allowed to continue to do his job? We’ll find out next week.

Late Night Retro Television Review: Hunter 2.6 “Rape and Revenge: Part 1”

Posted on October 15, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!

This week’s episode is a difficult one.

Episode 2.6 “Rape and Revenge: Part 1”

(Dir by Gary Winter, originally aired on November 2nd, 1985)

I nearly didn’t watch this episode.

When I saw the title of this episode and then read the plot description on the IMDb, my first instinct was to try to find an excuse to get out of having to watch and review it. The plot description read: McCall is raped by a visiting diplomat and her colleague’s hands are tied when he claims diplomatic immunity. Nearly every episode of Hunter so far has featured McCall getting into some sort of trouble. She’s been kidnapped countless times. She’s been shot at least three times. She’s been in more than a few fights. In the past, that didn’t bother me because no one is going to mistake Hunter for a realistic show. But when I read what was going to happen to her in this week’s episode, I immediately imagined that the show would handle it in the worst and most insensitive way possible.

Still, I watched the episode because I’m a completist. And you know what? I was wrong.

This episode opens with Hunter and McCall investigating the discovery of a dead woman at the Curaguayan Consulate in Los Angeles. (Curaguaya is a fictional country in South America.) One of the consuls, Raoul Marino (Richard Yniguez), immediately starts hitting on McCall, despite the fact that she’s conducting a police investigation. Later, Raoul sends three different flower deliveries to McCall’s house. When Raoul then shows up at McCall’s house, she tells him to leave. He rapes her and then flees. McCall calls Hunter, who rushes over to her house and then takes her to the hospital.

Because he has diplomatic immunity, Raoul thinks that he can get away with rape. He also thinks that he can get away with shooting Hunter in the shoulder when the latter confronts him. And it turns out that Raoul is correct. With both McCall and Hunter temporarily out of action, he boards a plane to Curaguaya and returns home.

To the show’s credit, it handles McCall’s rape sensitively. Stepfanie Kramer gives a strong performance as McCall. The scenes at the hospital, where the still bruised McCall is examined by doctors and investigators, capture the fact that the trauma of being raped doesn’t just end with the act. My fear was that this episode would have McCall magically recover at the end of the hour. It didn’t. Instead, we watch as McCall goes through therapy and as she slowly reaches the point where she feels that she can return to work. But even when she does return, the pain and the trauma are still there. This episode doesn’t simplify rape or use it as just another melodramatic plot twist. For that, it deserves a lot of credit.

(My only real issue that, during a recovery montage, the scenes of McCall in therapy are mixed with scenes of Hunter recovering from being shot in the shoulder. I feel like McCall deserved to have that montage to herself.)

This is a two-part episode. The first hour ended with McCall realizing that Hunter had traveled down to San Pablo, Curaguay to get revenge on Raoul. (Hunter previously told McCall that he was taking a few days off to go fishing.) McCall then made a reservation on the next flight to San Pablo. The story concludes next week!

Retro Television Review: The Ghost Writer (dir by Adam Rafkin)

Posted on October 15, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! This Thursday, I will be reviewing Ghost Writer, which was produced for Fox in 1990. The show can be found on YouTube!

Episode 1.1 “Pilot”

(Dir by Adam Rafkin, originally aired on August 15th, 1990)

Elizabeth (Leigh Taylor-Young) is the new wife of famous horror writer Anthony Strack (Anthony Perkins). Elizabeth and her daughter, Cindy (Juliet Sorci), have just moved into Anthony’s mansion, and it’s taking both of them some time to adjust. Anthony is a workaholic but, as he informs his new family, he’s not a psycho. Elizabeth is disturbed by the strange housekeeper (Pam Matteson) and the picture of Anthony’s late first wife that hangs over the fireplace. Cindy is creeped out by her stepbrother, Edgar (Joshua John Miller, who also played a teen vampire in Near Dark and the obnoxious brother in Teen Witch). After Edgar plays a few pranks and then runs off to the cemetery, Anthony realizes that, instead of worrying about how to finish his latest book, he needs to be spending time with his family. Anthony even takes down the picture of his dead wife. Of course, this leads to his first wife’s skeleton rising up through the staircase. She and Anthony share one final dance, and Anthony declares that he now knows how his book is going to end.

This was a pilot that was not turned into a series. I watched it twice before writing this review. The first time I watched it, it was pretty obvious to me why it wasn’t picked up. A lot of the humor fell flat, and Anthony Perkins, who would die two years after this aired, looked tired and unwell. Too many of the jokes were jokes only because Perkins was the one saying them. That said, when I watched it a second time, I saw that, for all of its flaws, the pilot was actually rather sweet-natured, and it probably could have made for a good series if the show had been given an opportunity to develop. Anthony dancing with his wife’s remains and then dedicating his book to her worked surprisingly well. That said, even on a second viewing, Perkins still didn’t seem particularly comfortable delivering sitcom-style one-liners. If ever a role called out for Roddy McDowall, it was the role of Anthony Strack.

I can see why this pilot didn’t become a series, but it did have potential. If nothing else, Ghost Writer is a more than appropriate way to kill 23 minutes in October.

Late Night Retro Television Review: 1st & Ten 5.7 “Blood Money”

Posted on October 14, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, Lawrence Taylor returns!

Episode 5.7 “Blood Money”

(Dir by Stan Lathan, originally aired on November 22nd, 1989)

Last season, Tombstone Packer (Lawrence Taylor) was introduced as a cocky linebacker from Arizona who bragged about how he was going to injure the Bulls’s quarterback. At the start of this week’s episode, it revealed that Tombstone is now playing for the Bulls but he’s still up to his old tricks. He leads the league in sacks and interceptions and he’s known for injuring quarterbacks.

Why is he injuring quarterbacks? It turns out that Michael Westwood is paying the linebackers bonuses for injuring players. However, when Westwood tries to shortchange Tombstone because he didn’t take out Texas’s quarterback until the final play of the game, Tombstone gets angry. He goes to the bar and complains to another drinker about not getting his money. That other drinker is McCarthy (Fredric Cook), a formerly great journalist who is now an alcoholic and desperate for either money or a story. He secretly records his conversation with Tombstone.

The next day, McCarthy shows up in the office of TD Parker (OJ Simpson). He tells TD that he’s going to release the story about Tombstone getting paid to injure quarterbacks unless the Bulls pay him $100,000. TD says that he needs time to talk to Westwood and Kristy before agreeing to pay that much money. McCarthy gives him three hours.

However, McCarthy also sends the details about the story to “The Sports Page.” Rumors starts to circulate. TD and Kristy go on a sports show and deny that anyone is getting paid an injury bonus. Meanwhile, Westwood confronts McCarthy and pays him $25,000 for the incriminating tape.

Without the tape, the story is dead. During the next game, Tombstone injures another quarterback and smiles about it.

Wow, what a dark episode. That said, it perhaps would have been more effective if Lawrence Taylor was capable of delivering his lines without looking straight at the camera. As I mentioned back when I was reviewing Hang Time, it’s always easy to tell when a professional athlete has been cast on a show because he inevitably ends up giving the worst performance. Taylor was a professional football player. If being a bad actor makes you a good athlete, then Taylor must have been one of the best on the field.

Actually, it’s not just Lawrence Taylor who gives a bad performance in this episode. Fredric Cook isn’t particularly effective as the drunken McCarthy. As for OJ Simpson, he delivers his lines with the bland, forced earnestness that epitomized his career as an actor. He talks a lot and you don’t believe a word he says.

This episode probably plays a bit different today than it did in 1989. Today, we know enough about concussions that it’s a bit disturbing to see Tombstone laughing about giving one to a quarterback. OJ says that the Bulls play “rough” but they also play “clean.” I have no idea what that means.

Retro Television Review: The Love Boat 8.16 “Instinct/Unmade for Each Other/BOS”

Posted on October 14, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week, Janet Leigh boards the boat and probably ends up wishing she hadn’t.

Episode 8.16 “Instinct/Unmade for Each Other/BOS”

(Dir by Richard Kinon, originally aired on January 5th, 1985)

Leslie (Vic Tayback) pays money to a computer dating service and is told to meet his date Shelley in the lobby of the Pacific Princess.

Shelley (Conrad Bain) also pay money to the same computer dating service and he is also told to meet his date on the Pacific Princess. The name of his date? Leslie.

Uh-oh! There’s been a mistake! At first, the plain-spoken Leslie and the fussy Shelley just laugh it off and agree to enjoy the cruise. But then they both fall for Joan Phillipps (Janet Leigh). Joan tells both men that she loves them because she’s enjoying the attention. Eventually, Leslie learns that Joan has been making fun of him behind his back and Shelley discover that Joan has been doing the same thing to him. Leslie and Shelley agree to be friends and hit the New Yok singles scene together.

Uhmm …. okay, then. The main problem with this storyline was that it asked us to believe that Janet Leigh couldn’t do better than Vic Tayback and Conrad Bain.

Meanwhile, Emelyne Namackere (a very annoying Irlene Mandrell) boards the ship with the expectation that her long-distance boyfriend will be waiting for her. Instead, Neil Bonhoff (Bruce Penhall) shows up and introduces himself as a friend of Emelyne’s boyfriend. Neil explains that Emelyne’s boyfriend has gotten married and that he sent Neil in his place. Emelyne is upset but eventually she falls for Neil. She sleeps with Neil and then announces that she knows Neil is going to dump her because men don’t marry women who they don’t respect. (Yikes!) Neil responds by asking Emelyne to marry him. Emelyne says yes and then she discovers that Neil was lying about her boyfriend getting married. Sneaky Neil! But, as is so often the case on The Love Boat, Emelyne is eventually willing to overlook a history of sociopathic deception in the name of love.

Those stories were both pretty bad. Fortunately, the third story is a bit better. Isaac falls for Lynda Miles (Berlinda Tolbert), who is member of a New Age self-help movement called BOS. At first, Isaac just pretends to be into BOS to get Lynda to talk to him but soon, he becomes a believer. His new openness with his emotions makes his co-workers uncomfortable. It’s a very simple story but Ted Lange sells it. As for BOS itself, it sounds like a cult so I’m glad Isaac appears to be over it by the end of the episode.

This episode was pretty forgettable. Irlene Mandrell and Bruce Penhall had an amazing lack of chemistry and their story was almost painful to watch as a result. Janet Leigh deserved better.

Late Night Retro Television Review: Pacific Blue 5.1 “Reckoning”

Posted on October 13, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, we start the fifth and final season of Pacific Blue.

Episode 5.1 “Reckoning”

(Dir by Terence H. Winkless, originally aired on July 18th, 1999)

The fifth season begins with an episode that, even by the standards of Pacific Blue, is problematic and dumb. Where to begin?

This episode picks up from where the fourth season ended. John Patrone is dead. Bruce Best (Kevin McClatchy), the father of a teenage girl who killed herself after being raped by Patrone, has been arrested for the crime. Bobby has been arrested for tossing the rifle that Patrone used in the harbor. Because Bobby discussed his plans with Granger, Jamie, and Monica, they’ve all been suspended from the force pending the results of an Internal Affairs investigation.

When Assistant District Attorney Tucker (Michelle Clunie) meets with Bobby and TC, Bobby does the usual smug act that all of the members of the bike patrol do whenever they’re in trouble. Bobby starts making demands for a deal that will protect the other three rookies. Tucker proceeds to charge Bobby with being an accessory to first degree murder. Ha! Take that, Bobby.

TC files a formal complaint against Susan Jessop of Internal Affairs, accusing her of sexual harassment and bias. Jessop is taken off the case but Jessop’s boss, Captain Sharp (Gretchen German), turns out to be just as strange as Jessop. (If I had to guess, I’d say that Holly Gaginer had some sort of scheduling conflict that kept her from returning as Jessop and the writers just crossed out Jessop’s name in the script and substitued Sharp’s.) TC is suspended from his command. Cory is named the new temporary commander of Pacific Blue. Cory is also the union rep for the three rookies who are being investigated. How can she both be in management and the union at the same time?

Chris gets mad at TC for getting suspended. She wants to transfer to Homicide and now, being married to him could be a career liability. They have a big argument on the pier. Cory, who really should be too busy running the department to get involved in any of this, sits on her bicycle on watches.

When it’s time for Bruce and Bobby to be taken to the courthouse for their arraignment, a man fires a shot at Bruce. Bruce falls to the ground. Oh wait, that’s not Bruce. That’s TC disguised at Bruce! And luckily, he was wearing a bulletproof vest! Patrone’s lawyer, Steve Plana (Eddie Garcia), is arrested for setting up the assassination attempt.

In the courtroom, veteran television producer Steven J. Cannell shows up as the no-nonsense judge. Tucker starts to call witnesses. Things aren’t looking good for Bobby and Bruce. Suddenly, Father Crane (John Kirby) stands up in the back of the court and announces that Bobby and Bruce are innocent. Father Crane first explains that he was the one who threw the rifle into the harbor. He says he did it after Bobby came to him for advice. Father Crane then goes on to say that he was the one who shot Patrone because that was the only way to stop Patrone’s reign of terror. Bobby and Bruce have been covering for him!

Bobby and Bruce are released and exonerated. Father Crane is convicted. TC later visits Crane in jail and says that he knows Crane is lying about both killing Patrone and tossing the rifle in the harbor. TC mentions that Crane is going to be transferred to a state prison where Patrone “had a lot of friends.” What TC, who has been reinstated as commander of Pacific Blue, does not do is apparently tell anyone that Crane is obviously not guilty. For his part, Crane says that it will be a chance for him to minister to those who really need it. You know, Father Crane, you could have just applied to be a prison chaplain. You didn’t have to confess to a murder you didn’t commit.

Bobby takes the recovered rifle and gives it back to Bruce. Bobby admits that Crane lied about tossing the gun. Bruce admits that he killed Patrone. Bobby says that he still feels like Bruce did the right thing. Bruce thanks Bobby for looking out for him. Hey, guys, there’s an innocent man — A PRIEST! — going to prison for you idiots! Is that somehow not an issue?

Chris tells TC that she knows Father Crane lied about being the murderer. She also says that she doesn’t feel like TC deserves his command. He let Bobby get away with destruction of evidence. He’s letting Bruce get away with murder. Finally, someone’s speaking some sense! Not that it matters. The episode ends with the conversation. Knowing Pacific Blue, I doubt any of this will ever be brought up again.

This episode really annoyed me. Father Crane is going to prison but I guess we’re not supposed to care because at least Bobby is off the hook. Does anyone on Pacific Blue ever take responsibility for their mistakes? This is the fourth episode to feature Jamie complaining about Internal Affairs harassing her because she lied on her application to become a police officer. Gee, Jamie — MAYBE YOU SHOULDN’T HAVE LIED IN THE FIRST PLACE! And now Bobby has basically decided that some murders are okay. Where does it end with these people?

At least this is the last season.

Retro Television Review: Saved By The Bell: The New Class 2.22 “To Cheat Or Not To Cheat”

Posted on October 13, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00. The show is currently on Prime.

This week, the Gang learns a pointless lesson about cheating.

Episode 2.22 “To Cheat Or Not To Cheat”

(Dir by Don Barnhart, originally aired on December 3rd, 1994)

When I was in high school, my best subjects were always things like History, English, Drama, and Creative Writing. I excelled at classes that involved creativity, writing, and research. I absolutely sucked at any class the involved numbers.

In fact, during my senior year, I nearly flunked Algebra II. It just wasn’t my thing. I could usually get the right answer. Indeed, a lot of the time, I would look at a equation and solve it in my head within seconds. The problem was that I had to “show my work” and my work was always sloppy. Whenever I had to actually write out the numbers and the steps, I would end up either making a careless mistake or I would double guess myself.

Fortunately, Erin has taken Algebra II the year before me and she had saved all of her tests. An exam day, I would just wear a short skirt and write all the answers on my inner thigh before going to class. That was how I passed Algebra II. If I hadn’t done that, I would have flunked Algebra II and I would have graduated with a normal diploma instead of my neat advanced diploma.

In short, I cheated and I’ve never really regretted or felt bad about it. I did what I had to do so that I could enjoy the classes that I liked as opposed to spending all year stressing about the one that I struggled with.

This episode of Saved By The Bell: The New Class also deals with cheating though I’m not sure that what happens in the episode actually counts. A school dance is approaching and Brian wants to take Rachel. But unless Rachel gets a B on her History midterm, she’s not going to be allowed to go. When Brian happens to come across a copy of the midterm, he tells Rachel what she should study. Rachel does so and scores an A.

The show calls this cheating but is it? Brain doesn’t tell Rachel the answers. Instead, he simply tells her what to study. Rachel studies and she passes the exam. To me, the important thing is that Rachel studied. To be honest, I don’t see what the big deal is.

The show argues that, since Rachel didn’t know that Brian had seen the exam and didn’t realize that she had “cheated” (instead, she just assumed that Brian had good instincts), Rachel will now think that all she has to do is cram the night before a test and she’ll do well. But again, so what? That’s what most people do. That’s what I did and I had a great time in college. Seriously, when you’re in school, you shouldn’t be worried about grades. You should be worried about having the fun that you’re no longer going to be allowed to have after you graduate.

In the end, a guilt-stricken Brian confesses to Mr. Belding and he gets suspended for two days. As for Rachel, she’s told that she can take a makeup exam. But why should Rachel be punished when she actually did study the first time and she didn’t know that Brian had seen the test?

This is a dumb episode. I haven’t even talked about Screech asking Tommy, Bobby, and Lindsay to fake school emergencies so that Screech can “solve” them and hopefully get a good evaluation from Mr. Belding. (Screech is cheating too! But the show seems to think it’s only bad when Rachel gets an A.) If you’re in high school and you’re reading this, go ahead and cheat. Your teachers are too burned out to care and won’t even remember you were in their class after the school year ends. Enjoy your life.

Late Night Retro Television Review: CHiPs 6.12 “Hot Date”

Posted on October 12, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!

This week, Ponch meets David Caruso.

Episode 6.12 “Hot Date”

(Dir by John Florea, originally aired on January 9th, 1983)

Ponch, whose fiancée was tragically killed just four episodes ago, is super-excited because his new girlfriend is going to be in town for the weekend. Lori (Catherine Hickland) is a flight attendant and, from the dialogue, it sounds like she and Ponch have been an item for a while. So, was Ponch seeing her while he was engaged? What a jerk!

Unfortunately, Jake (Brendan Burns) and Charlie (David Caruso) are also in town. Jake was busted and sent to prison by Ponch and Bobby. (That’s kind of weird since Bobby is still in his probationary period and hasn’t even been with the Highway Patrol for more than a year. Maybe it was a short prison sentence.) Now that Jake’s out, he wants revenge. He and Charlie take Ponch, Lori, and the annoying housekeeper (Ivy Bethune) hostage in Ponch’s apartment.

Meanwhile, at headquarters, Bobby and Kathy (Tina Gayle), talk two runaways (Brad Savage and Michelle Riskas) into returning home. Kathy also receives flowers from a unknown man. (The first set of flowers is delivered by someone wearing a gorilla suit.) Kathy’s unknown admirer turns up at the station. It turns out to be an old widower (Phil Silvers) to whom Kathy was once polite.

While all of this is going on, Getraer tires to impress the captain (John Ericson) during the station’s annual inspection. I guess he manages to do that, despite Grossman having an expired driver’s license and Officer Webster (Clarence Gildyard, Jr.) getting mud on his car while chasing a criminal. (Was Webster just supposed to let the criminal escape so the car would stay clean?) The whole inspection plot just kind of disappears.

The majority of this episode deals with Ponch being held hostage and it’s pretty dreary. As I’ve explained many times in the past, I absolutely hate episodes that feature people being held hostage because it’s always the same thing. Ponch tries to negotiate. Jake yells a lot. Charlie is dumb but loyal. It’s nothing that hasn’t been done a hundred times in the past. It’s boring. Eventually, Bobby calls the apartment and Ponch is able to tip him off that something’s happening. Bobby, Getraer, and Bruce show up to take down the bad guys.

For whatever reason, everyone overacts in this episode. In the role of Ponch’s houseskeeper, Ivy Bethune is almost unbearable. David Caruso also goes more than a little overboard as Charlie. Unfortunately, none of it does anything to liven up a fairly dull episode.

Retro Television Review: Crime Story 2.2 “Blast From The Past”

Posted on October 12, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Crime Story, which ran on NBC from 1986 to 1988. The entire show can be found on Tubi!

This week, Julie returns.

Episode 2.2 “Blast From The Past”

(Dir by Eugene Corr, originally aired on September 29th, 1987)

Torello’s ex-wife, Julie (Darlanne Fluegel), is in Las Vegas with her new husband, Dr. John Newhouse (David Soul). While Julie waits outside, John steps into a bank to withdraw some money. He ends up walking straight into a bank robbery. When one of the four robbers is shot and wounded by a security guard, Newhouse tries to stanch the young criminal’s bleeding. Newhouse explains that he’s a doctor. The leader of the gang, Smilin’ Jack (James Remar), took a bullet to the hand during the robbery, so he abducts Newhouse so that he can take care of both his hand and the other robber.

Newhouse is held prisoner in a trailer park in the middle of the desert. Needing to launder the stolen money, Smilin’ Jack calls his old friend, Frank Holman. Holman, who has moved on from his singing career and now wants to shoot stag films, comes out to the trailer park. He brings his movie camera. Soon, the trailer park is full of aspiring actresses.

Meanwhile, Julie goes to Torello and asks for his help. Torello puts the investigation into Las Vegas organized crime on hold so that he can find Dr. Newhouse. The other members of the Task Force have no problem with this because they all worship the ground that Torello walks on. And, of course, Torello ends up sleeping with Julie before eventually tracking down Smilin’ Jack and rescuing Dr. Newhouse.

This episode was pretty boring. Holman trying to become a filmmaker provided some amusing moments, but otherwise this was a fairly standard crime melodrama. James Remar brought a certain demented energy to the character of Smilin’ Jack, but the character was still obviously just a one-off villain from the minute he first appeared.

This was the second episode to not feature Luca and Pauli, both of whom are presumed dead despite the fact that Tony Denison and John Santucci are still listed in the opening credits. Crime Story’s narrative momentum really slows down when it’s just Torello’s story. He needs a worthy adversary and, without Luca around, he doesn’t have one.

Hopefully, next week’s episode will be a bit more interesting.