Late Night Retro Television Review: 1st & Ten 5.5 “Love and Marriage”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, OJ Simpson falls for a blonde.  Uh-oh.

Episode 5.5 “Love and Marriage”

(Dir by Stan Lathan, originally aired on November 8th, 1989)

TD Parker (OJ Simpson) and Kristy Fullbright (Shannon Tweed) end up working closely together while searching for a new punter.  Kristy is in the process of getting a divorce from her husband.  TD is already divorced and has been chasing after almost every woman that he sees.  Still, TD doesn’t know if he should get involved with someone with whom he works.  Kristy, meanwhile, isn’t sure that she isn’t still in love with her husband….

Meanwhile, Zagreb goes on a dating show but is humiliated when his date, Colleen (Mitzi Kapture), says that he was a terrible date whose breath smelled like garlic.  The entire team watches the show and starts to chant, “Colleen!  Colleen!”  Ha hah, everyone hates Zagreb.  Later, Colleen approaches Zagreb at the bar and tells him that the show told her to say a lot of negative stuff about Zagreb but, actually, she wants to date him again.  Isn’t Zagreb married?  I remember that there was a huge storyline about him getting married during the third season.

Finally, Bubba and Jethro are taken to small claims court over an incident that happened at the bar.  Jethro decides that he would like to get together with the plaintiff.

But let’s get back to OJ Simpson and Shannon Tweed.  I don’t know if I can express just how boring it is to watch two mid actors with zero screen presence fall for each other.  Because it’s impossible to look at TD Parker and not see OJ Simpson, I found myself getting very worried as I watched TD obsess on an emotionally fragile blonde.  At the end of the episode, it looks like TD and Kristy are finally going to hook up but then Kristy’s husband calls and says he’s not sure if he wants a divorce.  Kristy says she’s not sure either.  TD leaves Kristy’s house, looking regretful.

As I’ve mentioned before, the presence of OJ Simpson add a subtext to every scene that undoubtedly was not there when this show first aired.  OJ is supposed to look wistful as he leaves the house.  Instead, I found myself hoping that Kristy would remember to lock all the doors that night and definitely not go out to dinner at Mezzaluna.

I guess the important thing, though, is that Bulls got a new punter.

Late Night Retro Television Review: 1st & Ten 5.4 “Mind Games”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, the Bulls sign a new player!

Episode 5.4 “Mind Games”

(Dir by Stan Lathan, originally aired on November 1st, 1989)

The Bulls have signed college phenom Achilles Byron (Ronald William Lawrence) to the roster.  However, in order to his name on the dotted line, they also have to sign his loud-mouthed, wheelchair-bound father (Ron O’Neal).  Mr. Byron is tough taskmaster who constantly yells at Achilles and forces him to do extra drills.  Denardo isn’t happy about Mr. Byron’s presence on the sidelines.  Quite rightly, he explains to TD Parker and Kristy that there can only be one coach on the field.

Fortunately, Achilles scores the game-winning touchdown in his first game and Mr. Byron announces that Achilles no longer needs him.  Mr. Byron also reveals that he was driving drunk on the night that he crashed his car, injured his spine, and killed Achilles’s mother.  Wow, that’s a lot to dump on a kid who just won a football game.  Luckily, Achilles had already figured out all of that on his own.  Achilles is like No hard feelings and I’m going to say, “Ouch,” on the behalf of the deceased Mrs. Bryon.

Denardo, as a sign of respect, rolls Mr. Byron out of the locker room.  Denardo also threatens to roll Mr. Byron down a flight of stairs.  Mr. Byron suddenly starts laughing.

1st & Ten has this weird habit of tossing new characters into the mix and expecting us to get emotionally invested in them despite the fact that we’ve never seen them before and we’ll never seem them again.  I’ve already checked with the IMDb.  This is the only appearance of the character of Achilles Byron on the show.  The Bulls agreeing to let Mr. Byron sit on the sidelines never made any sense and the final revelation about the night he was driving drunk came out of nowhere.  It almost felt like a parody of badly-done melodrama.

While all of that was going on, Dr. Death was briefly brainwashed by a cult.  It doesn’t look like he’ll ever get his killer instinct back!  But then an opposing player calls Dr. Death a “pinhead” and he snaps out of it.  He scores a viscous tackle that leaves the other player so dazed that that he wanders over to the wrong sideline.  Obviously, he has a concussion but the laugh track tells us not to worry about it.

Dr. Death getting brainwashed actually was kind of funny.  Ron O’Neal, best known for starring in Superfly, does a lot of yelling as Mr. Byron.  It’s not exactly a good performance but one gets the feeling that was more the fault of the script than O’Neal.  This was another curiously insubstantial episode of 1st & Ten.

Late Night Retro Television Review: 1st & Ten 5.3 “False Start”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, OJ Simpson is stalked by an abhorrent admirer!

Episode 5.3 “Fale Start”

(Dir by Stan Lathan, originally aired on October 25th, 1989)

Johnny Gunn, the new quarterback, is injured while leading the Bulls to victory in their latest game.  Westwood, who has an unexplained dislike for Gunn, convinces the drugged quarterback to sign away his power of attorney and then has Gunn undergo a risky surgery.  When Gunn realizes what has happened, he goes to the construction site of Westwood’s new house and knocks a few things over.  The lesson?  When your quarterback has just finished spending several years in prison for manslaughter, don’t upset him.

Dr. Death is stunned to discover that the highest bidder in the “Win a Day With Dr. Death” auction was not Heather Locklear but instead Carlyle Trent (Vince Edwards), a motorcycle-riding millionaire who happens to be gay.  (Trent was obviously based on publisher Malcolm Forbes Sr.)  Trent thinks that Dr. Death might be gay too.  Oh, the hilarity, I guess.  Actually, this storyline wasn’t as homophobic as one might expect from 1st & Ten.  One of cool things about Dr. Death is that, despite his fearsome image, he’s usually the most open-minded and least prejudiced of all of the Bulls.

Finally, TD Parker (OJ Simpson) finds himself being stalked by a woman named Lisa (Laura Alavarez).  Hey, that’s my name!  Anyway, what starts as a one night stand ends with OJ having to talk Lisa out of shooting him and Kristy.  Wow, OJ Simpson getting stalked by a homicidal maniac.  Who would have guessed?

This episode tried to cram three big storylines into just 24 minute and, as a result, everything ended up feeling a bit half-baked.  Last season, for all of its flaws, did seem to have a definite destination in mind,  The Bulls were finally going to win the Championship Game.  This season, on the other hand, has been all over the place.

Get it together, Bulls!

Late Night Retro Television Review: 1st & Ten 5.2 “The Con”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, the Bulls get a new quarterback.

Episode 5.2 “The Con”

(Dir by Stan Lathan, originally aired on October 18th, 1989)

Following the murder of Doug Clayton (who, if I remember correctly, was still alive in last season’s flash-forward), the Bulls need a new quarterback. T.D. Parker (O.J. Simpson) is contacted by a former player who now works as a prison guard. Vito Del Greco (Chris Meloni) is the prison’s best quarterback. He’s been serving time on a manslaughter charge, but he’s set to be released. T.D. watches Vito throw the ball once and signs him.

Coach Denardo isn’t happy. “I’m not a parole officer!” Kristy Fulbright and Michael Westwood aren’t happy either. They want a big name at quarterback. T.D. believes in Vito but still agrees to put him on the inactive list. A previously unseen and unmentioned player named Lenny Santino is hired as the new quarterback.

Vito struggles to fit in with the other Bulls and to adjust to being a free man. Billy Cooper makes the mistake of singing “Jailhouse Rock” off-key and gets punched out. “Nobody makes fun of Elvis!” That night at a bar, Vito is nearly goaded into another fight. (His manslaughter conviction came from a bar fight.) He announces, “Del Greco is dead,” and leaves.

That weekend the Bulls play their first game of the season. Under Santino’s uncertain leadership they lose 41–7. In the owner’s box, Kristy wonders what happens when the Bulls lose. T.D. tells her that when you lose, the fans chop off your head. Well, T.D. would know something about that.

In the locker room, Vito approaches T.D. and says Del Greco is dead. His name is now Johnny Gunn, and he is going to be the new quarterback of the California Bulls. T.D. gives him a shot because “Johnny Gunn… that sounds like a quarterback to me!”

Meanwhile, Bubba is stunned to learn his wife is cheating on him. Zagreb is tricked into a phony stock scheme. It turns out Billy and Dr. Death set him up as revenge for Zagreb’s tell-all memoir.

After the Bulls went undefeated last season, it was kind of nice to see them lose this week. It’s always more fun to root for the underdogs. As you probably already guessed, the most interesting thing about this episode is the introduction of a young, intense, rather skinny Chris Meloni as Vito Del Greco, a.k.a. Johnny Gunn. Meloni even had hair. That’s how old this episode is.

Will Johnny lead the Bulls back to the championship game? We’ll see.

Late Night Retro Television Review: 1st & Ten 5.1 “The Book of Zagreb”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, we start season 5!

Episode 5.1 “The Book of Zagreb”

(Dir by Stan Lathan, originally aired on October 11th, 1989)

It’s time for another season of football with the California Bulls.

In the wake of the Bulls finally winning the championship, Zagreb has written a tell-all book about his teammates. He spills that Bubba cheats on his wife, that Dr. Death smokes weed, and that, during the previous season, one member of the Bulls was killed by a bull. Solid continuity from 1st & Ten. About time.

T.D. Parker (O.J. Simpson) is described as a chronic womanizer who collects the underwear of secretaries. T.D. is so furious he could kill someone. Before he does, though, he has to keep the Bulls functioning. Help arrives in the form of a new general manager sent by the Dodds Corporation: Kristy Fulbright (Shannon Tweed). Kristy wants the Bulls to become the first team to win two championships in a row. Coach Denardo agrees.

A few familiar faces are missing from the locker room. Mad Dog has been traded to New York. Former quarterback Doug Clayton is mentioned as having been murdered after the big game. (Yikes. What exactly did he say to T.D.?) Dr. Death is now working as a professional wrestler, but he walks away from the ring the moment he’s told to take a fall.

If this review feels a little random, that’s because the episode is too. As usual with 1st & Ten, there isn’t much of a real plot. Everyone is furious at Zagreb, then they get over it. Dr. Death is done with football, then he gets over it. Bubba is terrified his wife will leave him, then she doesn’t. The show is about football; the characters barely have lives off the field.

The best things here are John Kassir’s handful of funny lines as Zagreb and Shannon Tweed’s red dress, which is to die for. We’ll see how the rest of the season plays out.

 

Retro Television Review: Baywatch 2.11 “If Looks Could Kill”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, Mitch is in trouble.

Episode 2.11 “If Looks Could Kill”

(Dir by Douglas Schwartz, originally aired on November 25th, 1991)

Mitch rescues Allison (Shannon Tweed) after her car crashes into the ocean.  Mitch quickly falls in love and Allison seems to fall for Mitch.  What Mitch doesn’t know is that Allison is actually a murderer and that she’s just using him to try to find the money that was in her car when it crashed.  For once, Eddie is the one who suspects the truth and who has to keep Mitch from being killed by someone who he trusts.

Baywatch occasionally did crime-related episodes and they always felt out of place.  This episode opens with Allison drowning her latest lover and it’s actually a rather disturbing sequence.  It’s effective but it doesn’t feel right for a show in which the main appeal is the fact that everything is lightweight and easy-going.

I imagine David Hasselhoff enjoyed episodes like this, if just because nearly every episode during the first season of Baywatch Nights was exactly like this one.

Retro Television Review: Fantasy Island 7.7 “The Wedding/Castaways”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, Lawrence ruins everything.

Episode 7.7 “The Wedding/Castaways”

(Dir by Bob Sweeney, originally aired on November 26th, 1983)

Ugh, this episode.

Nerdy Fred Connors (Richard Gilliland) wants to spend a weekend alone with a beautiful woman.  His favorite supermodel, Christy Robbins (Phyllis Davis), has been pressured by her manager (Steve Perry) into agreeing to spend the weekend with Fred at Pelican Cove.  Fred and Christy will have their picture taken before and after their weekend together to show just how much spending time alone with Christy Robbins will improve one’s outlook on life.

Let’s just stop here and state the obvious.  This makes ZERO sense.  Christy’s manager has no idea who Fred is.  He doesn’t even meet Fred until it’s time to him and Christy to go to Pelican Cove.  Christy is a world-famous model.  In what world would a celebrity agree to be abandoned on an isolated island with a total stranger?  The photographers aren’t staying on the island with them.  Instead, Christy and Fred are dropped off on the island and then everyone else leaves.  If I was Christy, I would get a new manager.

A rival model named Celina Morgan (Shannon Tweed) was also up for the “abandoned on an island with a possible sex maniac” gig and she’s upset that she lost out to Christy.  So, she sneaks out to Pelican Bay herself and soon, she and Christy are fighting over the right to spend their time with Fred.  It’s dumb and it makes no sense and, considering that the whole fantasy is basically two beautiful woman fighting over one dorky guy, it’s actually feels a bit demeaning and mean-spirited.

Of course, it’s nowhere near as mean-spirited as the other fantasy.  Lucy Gorman (Jeannie Wilson) is unhappy in her marriage to Dr. Jack Gorman (Gordon Thomson).  She tells Roarke that the only good thing that came out of her marriage was her daughter (Andrea Barber) but Lucy even feels jealous of her!  Lucy wants to go back to her wedding day so she can see what would happen if she left her husband at the altar and pursued another doctor (Richard Pierson).

Well, the main that would happen is that Lucy’s daughter would never be born.  But somehow, this doesn’t occur to Lucy until the fantasy has started.  How would that not occur to a mother?  This fantasy was …. I can’t even begin to describe how annoying it was.  Lucy came across as being very self-centered and kind of dumb.

I swear, the seventh season has just been terrible so far and I blame one person.

And, no, it’s not Mr. Roarke.

Seriously, ever since Lawrence showed up, the Island just hasn’t been the same.  Are we sure that Lawrence isn’t the Devil?  I mean, I know the Devil was traditionally played by Roddy McDowall on this show but I’m sure he change his appearance.  There’s something sinister about Lawrence and I don’t trust him.  He doesn’t care about Roarke and he doesn’t care about the fantasies.

What a disappointing trip to the Island.  Traditionally, the last season of any show is usually the worst but it’s still painful to watch Fantasy Island misfire like it did with this episode.

Late Night Retro Television Review: Pacific Blue 1.8 “Burnout”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

Oh no!  It’s the cops!

Episode 1.8 “Burnout”

(Dir by Lyndon Chubbuck, originally aired on April 20th, 1996)

This episode of Pacific Blue opens with a hilarious scene of Victor and Cory sneaking up on some drug dealers that they’ve spotted making a sale.  What makes it hilarious is that Victor and Cory somehow manage to do this while 1) wearing their blindingly white t-shirts and 2) riding their bikes.  There’s not much good to say about this show but there’s an undeniable amusement factor in the show’s insistence that bicycle cops don’t look massively dumb creeping up on people while on their bikes.

It turns out that the dealers aren’t selling the usual “smack,” as Cory puts it.  Instead, they’re selling steroids!  Sheila (Shannon Tweed) is upset that one of her waitresses had gotten hooked on steroids and…. wait, who?  Sheila briefly appeared in the pilot episode but she hasn’t been mentioned since and this is certainly the first time that we learn that Lt. Palermo’s girlfriend owns a restaurant.  This episode acts as if Sheila is a regular character that we all know and love.

I get the feeling this episode was meant to air earlier in the season.  Not only does Sheila return but Chris is back to being her arrogant, bitter self.  Chris was a fighter pilot until her eyesight failed, a story we hear again and again in this episode.  (She no longer has 20/20 eyesight but whenever she talks about it, she makes it sound as if she literally went blind.)  Another pilot, Greg (Peter Barton), comes to visit her and makes a few jokes about how riding a bicycle is lame.  This gives Chris a chance to defend her job and to also call out Greg for being a sexist who just wants to get laid before returning to the skies.  Chris may be right about Greg but he’s played by the totally adorable Peter Barton so really, why not?

Meanwhile, on the beach, a schizophrenic man annoys the owner of a bodega by playing his saxophone.  Fights break out,  Cory tells the saxophone man to play his instrument under the pier.  Presumably, it will be easier for him to get mugged or murdered under there.  I like that the solution when it came to the crazy homeless man was just to find somewhere else for him to be crazy and homeless.  Don’t take him to a shelter or a hook him up with mental health professionals or anything silly like that.

This show …. ugh.  I’m really hoping the first season is an outlier and the subsequent seasons will be an improvement.  The only thing worse than bicyclists are people who are cocky about being bicyclists.  For 8 episodes now, it’s been one person after another expressing shock at the whole bicycle thing.  We get it.  We understand.  The cops look stupid on their Schwinns.  But, that’s the show.  If Pacific Blue is still trying to justify its existence after eight episodes, that’s not a great sign.

Late Night Retro Television Review: Highway to Heaven 3.12 “Oh Lucky Man!”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

It’s time to work at another youth center!

Episode 3.12 “Oh Lucky Man!”

(Dir by Dan Gordon, originally aired on December 10th, 1986)

Jonathan and Mark are working at a youth center …. again!

Don’t get me wrong.  There’s nothing wrong with Jonathan and Mark working at a youth center.  From what I’ve seen of this show, Michael Landon seemed to have a natural rapport with kids and Victor French’s grouchiness was always put to good use whenever he had to deal with someone younger.  It’s just hard not to notice that Jonathan and Mark seemed to go to several youth centers each episode and they almost always dealt with exact same issue.  Some kid is angry or insecure.  He may not have a father in his life.  Jonathan helps the kid admit his anger and learn to trust whoever wanted to adopt him.  Usually, this seemed to involve helping the kid find the courage to play a sport or something similar.

In this episode, the youth center is run by an ex-con named Jake (Thalmus Rasulal).  Mark was the one who arrested Jake and sent him to prison but Jake so impressed Mark with how he turned his life around that Mark ended up testifying in favor of giving Jake parole.  Jake opened up a youth center to “keep the kids out of the gangs.”  And again, there’s nothing wrong with that.  I admire anyone who comes out of prison and attempts to do something good for their community.  One of the truly shameful things about our justice system is that it’s been forgotten that prison is meant to rehabilitate.  We focus so much on punishment that we end up forgetting that we’re supposed to be a nation built on second chances.  Jake has made something out of himself and now, he’s giving back.

(And yes, that is your When Did Lisa Marie Become A Bleeding Heart? moment of the week,)

The problem is that his youth center desperately needs money.  It looks like everything is going to be alright when Mark wins $5,000,000 while taking the kids out for lunch.  Mark plans to give the money to the youth center.  He also plans to be there for a troubled kid named Brady (Ian Michael Giatti).  But when Mark is approached by Nina Van Slyke (Shannon Tweed), those plans change.  Nina claims to be the head of a charity and she convinces Mark that her charity could do a lot more good with the money than the youth center.  Mark finds himself falling in love with Nina and he even tells Jonathan that they’re partnership might be over.  However, Nina is actually a con artist who just wants to take Mark’s money for herself.

Will Mark see the error of his ways?  Of course!  And he’ll apologize to Brady for missing Brady’s big game and he’ll keep the youth center open by giving the money to Jake.  This is Highway to Heaven.  There’s not a cynical note to be found in this show.

That said, this episode was a bit uneven with the soap opera-like scenes of Nina and her partner (Roy Thinnes) plotting to cheat Mark never gelling with the more earnest scenes of Jonathan helping out at the youth center.  As always, this episode was well-intentioned and about as sincere as you can get.  The strength of this show is that it’s so sincere.  But Shannon Tweed felt like she was acting in a totally different show from Highway to Heaven.  As a result, this episode never quite came together as a cohesive unit.

Oh well.  At least Brady’s going to get a family!

Late Night Retro Television Review: Pacific Blue 1.1 “Pilot”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

Last month, we finished up Baywatch Nights.  For our next show, we have Pacific Blue, which was often described as being Baywatch On Bikes.  Before watching the episode reviewed below, I had only seen one previous episosde of Pacific Blue.  I was in Rome and the episode was dubbed into Italian.

As I sit here typing this, it is currently 32 degrees and windy outside.  On Thursday, we’re supposed to get hit with ice and snow.  Fortunately, on Pacific Blue, it’s forever summer!  Let’s dive right in with the first episode!

Episode 1.1 “Pilot”

(Dir by Ralph Hemecker, originally aired on March 2nd, 1996)

Welcome to Santa Monica in the 90s!

The skies are sunny, the ocean is blue, everyone’s wearing a bikini or a swimsuit, and the cops are on bikes!

The pilot for Pacific Blue opens with Officers Victor Del Toro (Marcos A. Ferraez) and Cory McNamara (Paula Trickey) riding their bikes down the boardwalk and talking about how criminals and even citizens often don’t pay them enough respect because they’re on bicycles.  And, to be honest, they do look pretty silly riding their bicycles with their grim “I am the Law” facial expressions.  Judge Dredd would never be caught dead on a bicycle.

When Victor and Cory catch a couple of graffiti-spraying vandals, they get to show off what they can do with their bicycles.  “They can run but we can fly,” Victor says as he takes off after the fleeing vandals.  And …. no, sorry.  The bikes still look dorky.  I don’t care how many bad guys the bike cops capture.  The dark shorts and the crisp white t-shirts and the Schwinn bicycles, none of it is intimidating.

Chris Kelly (Darlene Vogel) was once a hotshot Navy pilot until her eyesight dipped below 20/20 and she was discharged.  (You have to have 20/20 eyesight to fly a plane?  Well, I’ll add that to my list of things that I will never be allowed to do!)  Chris joined the Santa Monica police force and found herself assigned to tell kids not to go off with strangers while wearing a milk carton costume.  After Chris catches some drug dealers (again, while dressed up like a milk carton), she is transferred out of public relations and over to …. BIKE PATROL!

Her new boss, Tony Palermo (Rick Rossovich), explains that Chris will require three days of bicycle training before she’s officially a member of Bike Patrol.  In one montage, Chris learns how to ride a bike like a …. well, I would say like a “badass,” except for the fact that she’s on a dorky Schwinn.  She is then partnered up with TC Callaway (Jim Davidson), who orders her to lose the attitude when it comes to riding her bike.  No one is too good for bike patrol!

TC’s girlfriend, Sandy (Cindy Ambuehl), thinks TC should get a job working for his wealthy father.  TC’s younger brother agrees.  But TC loves the beach.  He loves chasing criminals.  He loves riding his bike!  TC was born to work with ocean in the distance and sand getting stuck in the spokes of his bike,

Speaking of criminals, someone has stolen Mayor Mickey Dolenz’s car.  (Mickey Dolenz appears as himself.)  The Bike Patrol takes down a bunch of car thieves and closes down their chop shop.  It’s a standard cop show plot but keep in mind that this is just the first episode.  The purpose of a first episode is to introduce all the characters and explain the premise of the show.  And that’s what this pilot did so technically, this episode has to be considered a success.

The only problem — and I have a feeling that I’ll be coming back to this point frequently over the next two years or so — is that the Bike Patrol looks incredibly dorky.  Pacific Blue was obviously meant to capitalize on the success of Baywatch but the thing with Baywatch is that, as incredibly dumb as that show could be, the slow motion running looked cool.  The members of the Bike Patrol riding their bikes up and down the beach just look silly.

That said, the beach scenery was nice to look at and this show does seem like it might have the potential to be fun in a so-bad-it’s-good sort of way.  So, we’ll see what happens.  By the end of this month, I’ll either be happy that I picked this show to review or I’ll be cursing my terrible judgment.  We’ll find out soon enough.