2017 in Review: Lisa Marie’s Picks For the 16 Worst Films of 2017!


Well, it’s the second week of January and that means that it’s time for me to now to announce my picks for the best and worst of the previous year!  Let’s start things out with my picks for the 16 worst films of 2017!

(Why 16?  Because Lisa doesn’t do odd numbers.)

(Also be sure to check out my picks for 2016, 2015, 2014, 2013, 2012, 2011, and 2010!)

16. Fifty Shades Darker,

15. Snatched,

14. King Arthur: Legend of the Sword,

13. Transformers: The Last Knight,

12. The Glass Castle,

11. Beatriz at Dinner,

10. Alien: Covenant,

9. Rings,

8. The Last Word,

7. The Circle,

6. Fist Fight,

5. All Eyez On Me,

4. To The Bone,

3. The Emoji Movie,

2. The Book of Henry,

And the worst film of 2017 was…

  1. Wolves at the Door

Tomorrow, my look back at 2017 continues with my picks for the greatest moments for the best and most important television show of 2017, Twin Peaks: The Return!

Previous entries in the TSL’s Look Back at 2017:

  1. 2017 in Review: Top Ten Single Issues by Ryan C
  2. 2017 in Review: Top Ten Series by Ryan C
  3. 2017 In Review: Top Ten Collected Edition (Contemporary) by Ryan C
  4. 2017 In Review: Top Ten Collected Editions (Vintage) by Ryan C
  5. 2017 in Review: Top Ten Graphic Novels By Ryan C
  6. 25 Best, Worst, and Gems I saw in 2017 by Valerie Troutman
  7. My Top 15 Albums of 2017 by Necromoonyeti

Playing Catch-Up With Four Biopics From 2017: All Eyez On Me, Maudie, A Quiet Passion, and Victoria and Abdul


Continuing with my efforts to get caught up on the major films that I saw in 2017, here are my reviews of four biopics!  Two of them are very good.  One of them is so-so.  And the other one … well, let’s just get to it…

All Eyez on Me (dir by Benny Boon)

All Eyez On Me is a movie that I think a lot of people had high hopes for.  It was a biopic about Tupac Shakur, who died over 20 years ago but remains one of the most influential artists of all time.  Starring Demetrius Shipp, Jr. (who, if nothing else, bore a strong physical resemblance to Tupac), All Eyez on Me followed Shakur from his youth as the son of activist Afeni Shakur (Danai Gurira), through his early stardom, his political awakening, his time in prison, his eventual association with Suge Knight (Dominic L. Santana), and his still unsolved murder in Las Vegas.  Along the way all of the expected people pop up.  Kat Graham plays Jada Pinkett and tells Tupac that he’s wasting his talent.  Someone who looks nothing like Dr. Dre is introduced as being Dr. Dre.  Another actor wanders through a scene and says his name is Snoop Dogg.  The film last 2 hours and 20 minutes, with some scenes feeling oddly rushed while other drag on interminably.

The main reason why All Eyez On Me fails is that, unlike Straight Outta Compton, All Eyez on Me never figures out how translate Tupac’s legacy into cinematic form.  For instance, when I watched Straight Outta Compton, I probably knew less about NWA than I knew about Tupac Shakur when I watched All Eyez On Me.  But then there was that scene where NWA performed “Fuck That Police” while surrounded by the police and, at that moment, I understood why NWA deserved their own movie.  There’s no comparable scene in All Eyez On Me, which gets so bogged down in going through the usual biopic motions that it never really comes to grips with why Tupac is such an iconic figure.  Combine that with some less than stellar performances and some amazingly awkward dialogue and the end result is a film that is massively disappointing.

Maudie (dir by Aisling Walsh)

Maudie tells the story of Maud Lewis, a Canadian woman who found fame as a painter despite suffering from crippling arthritis.  Working and living in a one-room house with her husband, a fisherman named Everett (Ethan Hawke), Maud Lewis’s paintings of flowers and birds eventually became so popular that one was even purchased by then-Vice President Richard Nixon.

Maudie is a very special movie, largely because of the incredibly moving performance of Sally Hawkins in the role of Maud.  As played by Hawkins, Maud may occasionally be meek but she never surrenders her dream to create something beautiful out the often harsh circumstances of her life.  Hawkins not only captures Maud’s physical struggles but she also captures (and makes compelling) the inner strength of this remarkable artist.  Ethan Hawke also gives a remarkable performance as the gruff Everett.  When you Everett first appears, you hate him.  But, as the film progresses, Hawke starts to show hints of a sensitive soul that’d hiding underneath all of his gruffnes.  In the end, Everett is as saved by Maud’s art as is Maud.

Directed by Aisling Walsh, this is a low-key but all together remarkable and touching film.  If Sally Hawkins wasn’t already certain to get an Oscar nomination for Shape of the Water, she would definitely deserve one for Maudie.

A Quiet Passion (dir by Terrence Davies)

You would be totally justified in assuming that this film, a biopic of poet Emily Dickinson, would have absolutely nothing in common with The Last Jedi.  However, believe it or not, they actually do have something very much in common.  They are both films that, on Rotten Tomatoes, scored high with critics and not so high with audiences.  When last I checked, it had a 93% critical score and a 51% audience score.

Well, you know what?  Who cares?  The idea that you can judge a film’s worth based on an arbitrary number is pure evil, anyway.

Personally, I’m not surprised to hear that audiences struggled with A Quiet Passion.  It’s a very challenging film, one that is more concerned with mood than with traditional narrative.  The film is much like Dickinson herself: dark, uncompromising, sharply funny, and, on the surface, unconcerned with what people might think.  Much as how Dickinson retreated into her Amherst home, the film retreats into Dickinson’s head.  It’s not always the most pleasant place to hide out but, at the same time, it’s so alive with creativity and filled with such a sharp wit that it’s tempting never to leave.

In the role of Emily, Cynthia Nixon gave one of the best performance of the year, bringing Emily to uncompromising life.  Neither the film not Nixon ever make the mistake of sentimentalizing Dickinson.  Her pain is just as real as her genius.  Ultimately, though, both Nixon’s performance and A Quiet Passion stands as a tribute to Emily’s own quiet passion.

Much like Emily Dickinson’s poetry, A Quiet Passion will be appreciated with time.

Victoria & Abdul (dir by Stephen Frears)

If there’s ever been a film that deserves to be known as “generic Oscar bait,” it’s Victoria & Abdul.

Don’t get me wrong.  It’s not a bad movie or anything like that.  Instead, it’s a very respectable film about Queen Victoria (Judi Dench) and her servant, Abdul Karim (Ali Fazal), an Indian Muslim.  While the rest of the royal court is scandalized by Victoria’s close relationship with the foreigner, Karim teaches the Queen about the Koran and encourages her to enjoy life.  The royal court is played by the usual collection of distinguished actors who always appear in movies like this: Simon Callow, Tom Pigott-Smith, and Michael Gambon.  Victoria’s heir is played by Eddie Izzard, which should tell you all you need to know about how the future Edward VII is portrayed.

As I said, it’s not a bad movie as much as it’s just not a very interesting one.  You know that Abdul and Victoria are going to become close.  You know that the Royal Court is going to be a bunch of snobs.  You know that Victoria is going to get a chance to express anti-colonial sentiments that she must surely never actually possessed.  Indeed, whenever the film tries to make any sort of larger statement, all of the characters suddenly start talking as if they’re from 2017 as opposed to the late 1800s.

This is the second time that Judi Dench has played Victoria.  Previously, she played the Queen in a film called Mrs. Brown, which was about Victoria’s friendship with a Scottish servant.  Apparently, Victoria got along well with servants.

 

 

Here Are The Trailers For Two Biopics, Lady Bloodfight and All Eyez On Me!


Hi everyone!

Excuse the brevity of this post.  I’m currently running from one place to another, as I do every Monday.  But there a few new trailers that I need to share with y’all!

For instance, here’s the new trailer for my upcoming biopic, Lady Bloodfight!

Speaking of biopics, here’s the latest trailer for the Tupac Shakur movie, All Eyez On Me!  A lot of us thought this movie would be an Oscar contender.  Then we watched this trailer.

(If All Eyez On Me is nominated for a bunch of Oscars, this post will, of course, be edited to remove all snark.)

 

 

 

Lisa’s Way Too Early Oscar Predictions For January


2013 oscars

Why are these Oscar predictions “way too early?”

Well, unlike every other movie blogger right now, I am not attempting to predict who and what will be nominated on January 24th.  Instead, with this post, I am attempting to predict which 2017 releases will be nominated next year!  In short, I am attempting to predict what movies and which performers will emerge as Oscar contenders over the next 12 months.

Needless to say, this is more than a little bit foolish on my part.  I haven’t seen any of the films listed below.  Some of these films don’t have release dates and others are coming out so early in the year that, in order to be contenders, they’ll have to be so spectacular that neither the Academy nor the critics end up forgetting about them.  For the most part, the true picture of the Oscar race usually doesn’t start to emerge until the summer.

For now, these predictions are, for the most part, wild guesses and they should be taken with more than just a grain of salt.  Each month, I will revise my predictions.  At the very least, next year, we’ll probably be able to look back at this post and laugh.

(Whenever trying to make early Oscar predictions, one should remember all of the award bloggers who predicted Nicole Kidman would win an Oscar for Grace of Monaco, just to then see the movie make its long-delayed premiere on Lifetime.)

With all that in mind, here are my way too early Oscar predictions for January!

Best Picture

All Eyez on Me

Battle of the Sexes

The Beguiled

Blade Runner 2047

Crown Heights

Darkest Hour

Downsizing

Dunkirk

T2: Trainspotting

War Machine

Again, for the most part, these predictions are a combination of wild guesses, instinct, and wishful thinking.  It’s entirely possible that none of these films will actually be nominated for best picture.  (Some might even end up premiering on Lifetime, you never know.)  Here’s why I think that some of them might be remembered next year at this time:

All Eyez On Me is a biopic of Tupac Shakur.  Assuming the film is done correctly, Shakur’s life would seem to have all the elements that usually go into an Oscar-winning film.

Battle of the Sexes is a film based on a true incident, a 1970s tennis match between a feminist and a self-declared male chauvinist.  It’s directed by the team behind the Oscar-nominated Little Miss Sunshine and it stars two former nominees, Emma Stone and Steve Carell.

The Beguiled might be wishful thinking on my part but, at this point, wishful thinking is all I have to go on for most of these predictions.  The Beguiled is a remake of a Clint Eastwood film and it’s directed by one of my favorite directors, Sofia Coppola!  Much like Battle of the Sexes, its misogynist-gets-what’s-coming-to-him storyline might make it the perfect film for the first year of the Trump presidency.

Blade Runner 2047 is one of the most eagerly anticipated films of 2017 and it’s directed by Denis Villeneuve, who is hot off of Arrival.  The Oscar success of Mad Max: Fury Road proved that a sequel can be a contender.

Every year, at least one contender emerges out of Sundance and this year, it could very well be Crown Heights.  It tells a fact-based story, about a man trying to win his best friend’s release from prison after the latter is wrongly convicted.  That all sounds very Oscar baity.

Speaking of Oscar bait, Darkest Hour stars Gary Oldman as Winston Churchill.  If that doesn’t sound like Oscar bait, I don’t know what does.

Downsizing is Alexander Payne’s latest film.  It’s about a man (Matt Damon), who shrinks himself.  It may not sound like typical Oscar bait but Payne is definitely a favorite of the Academy’s.

Dunkirk is Christopher Nolan’s big epic for 2017.  Will it be another huge success or will it just be bombastic?  We’ll see.  The Academy has a weakness for World War II films and it could be argued that the very successful yet never nominated Nolan is overdue for some Academy recognition.  (It is true that Inception received a nomination for best picture but Nolan himself was snubbed.)

T2: Trainspotting is probably coming out too early in the year to be a legitimate contender but who knows?  The trailer was great.  Danny Boyle is directing it.  And, much as with Blade Runner 2047, Mad Max: Fury Road proved that a well-made and intelligent sequel can find favor with the Academy.

War Machine is described as being a satire about the war in Afghanistan.  Could it be another Big Short?  With Obama out of office, the Academy might be more open to political satire than they’ve been in the past.

Best Director

Danny Boyle for T2: Trainspotting

Sofia Coppola for The Beguiled

Christopher Nolan for Dunkirk

Alexander Payne for Downsizing

Denis Villeneuve for Blade Runner 2047

Again, there’s a lot of random guessing here.  Personally, I’d love to see Sofia Coppola receive a second nomination for best director.  Payne and Boyle are always possibilities and, if Villeneuve’s work on Arrival is ignored this year, nominating him for Blade Runner would be a good way to make up for it.  As for Nolan, he’s going to get nominated some day.   Why not for Dunkirk?

Best Actor

Tom Cruise in American Made

Sam Elliott in The Hero

Hugh Jackman in The Greatest Showman

Logan Lerman in Sidney Hall

Gary Oldman in Darkest Hour

In American Made, Tom Cruise plays a real-life drug runner.  It sounds like one of those change-of-pace roles that often results in an Oscar nomination.  Gary Oldman has never won an Oscar and has only been nominated once.  The Academy might want to rectify that situation by nominating him for playing Winston Churchill.  And finally, Hugh Jackman as P.T. Barnum in a big budget musical that’s scheduled to open on Christmas Day?  It sounds like either a total disaster or the formula for Oscar gold!

Logan Lerman is one of those actors who appears to be destined to eventually be nominated for an Oscar and, in Sidney Hall, he ages over thirty years.  Finally, Sam Elliott is a beloved veteran who has never been nominated.  If The Hero is a hit at Sundance, it’s easy to imagine the Oscar campaign that will follow.

Best Actress

Jessica Chastain in The Zookeeper’s Wife

Judi Dench in Victoria and Abdul

Nicole Kidman in The Beguiled

Emma Stone in Battle of the Sexes

Naomi Watts in The Book of Henry

As of this writing, Meryl Streep does not have a movie scheduled to be released in 2017, which means that another actress will get the sport usually reserved for her.  But who?  Jessica Chastain could be nominated because she’s Jessica Chastain and the Academy loves her.  Judi Dench plays Queen Victoria for a second time in Victoria and Abdul.  The Academy loves movies about British royalty and Dench has already been nominated once for bringing Victoria to life.  Naomi Watts plays a loving but possibly crazy mother in The Book of Henry, which again sounds like a very Oscar baity role.  If Emma Stone doesn’t win for La La Land, the Academy could make it up to her by nominating her for Battle of the Sexes.

As for Nicole Kidman in The Beguiled — well, let’s call that wishful thinking.  My hope is that Sofia Coppola will do great things with The Beguiled and she will get another great performance out of Nicole Kidman.  We’ll see if I’m right.

 

Best Supporting Actor

Robert Carlyle in T2: Trainspotting

Johnny Depp in Murder on The Orient Experss

James Franco in The Masterpiece

Bill Skarsgard in It

Kevin Spacey in Billionaire Boys Club

Admittedly, the guesses here are fairly random but there is a logic behind each nominee.  Robert Carlyle was great in Trainspotting so he might be just as great in T2.  In Billionaire Boys Club, Kevin Spacey plays a sleazy con artist and that sounds like the type of role with which he could do wonders.  If It is to be a success, Bill Skarsgard is going to have to be a terrifying Pennywise.  If Heath Ledger could win for playing the Joker, surely Skarsgard could be nominated for playing Pennywise.

As for James Franco in The Masterpiece … yes, it’s more wishful thinking on my part.  Franco will be playing Tommy Wiseau, the director of the notorious The Room.  Wiseau is, needless to say, an eccentric figure.  Not only do I think James Franco could give an award-worthy performance in the role but I also just like the idea of someone getting an Oscar for playing Tommy Wiseau.

Finally, we have Johnny Depp in Murder on The Orient Express.  Why not?  It seems like someone from that film’s huge cast is destined to be nominated so why not Johnny Depp?

 

Best Supporting Actress

Jennifer Aniston in The Yellow Birds

Danai Guirra in All Eyez On Me

Kelly MacDonald in T2: Trainspotting

Kristin Scott Thomas in Darkest Hour

Tilda Swinton in War Machine

These guesses are even more random than my guesses for supporting actor.  Jennifer Aniston and Danai Guirra will both be playing mothers who lose their sons.  A lot of people were surprised when Aniston was not nominated for Cake so here’s a chance for the Academy to make it up to her.  As for Kristin Scott Thomas, she’ll be playing Winston Churchill’s wife and the Academy loves historical wives (i.e., Helena Bonham Carter in The King’s Speech and Felicity Jones in The Theory of Everything).

As for the last two predictions, Tilda Swinton is listed because she’s Tilda Swinton.  Kelly MacDonald is listed for the same reason that I put Robert Carlyle down for supporting actor.  She was just so good in the first film.

So, there you go!  Those are my too early Oscar predictions for January!  Will they prove to be accurate?  Probably not.

But we’ll see how things change over the next couple of months.  At the very least, you’ll be able to look back at this post and laugh at me for thinking that … oh, let’s say Battle of the Sexes … would ever be nominated for an Academy Award.

As for me, I’ll be revising my predictions in February.  At least by that point, maybe the Sundance Film Festival will have provided some guidance…

Tommy_Wiseau_in_The_Room