Film Review: Fifty Shades Darker (dir by James Foley)


The Fifty Shades of Grey trilogy is shaping up to be the cinematic equivalent of a twitter parody account.

That’s the conclusion that I reached today after my BFF Evelyn and I watched the second part of the trilogy, Fifty Shades Darker.  Since we had both read the book, we weren’t shocked when Fifty Shades Darker turned out to be a bad movie.  Hell, we weren’t surprised when Fifty Shades of Grey turned out to be bad, either.  Each subsequent book was worst than the one that came before it so, when the film version of Fifty Shades Freer is released next year, it should be the worst of all.

Still, nothing could have prepared us for the amount of laugh-out-loud moments and odd details that were offered up in Fifty Shades Darker.  Consider just a few:

Having broken up with Christian “I’m fifty shades of fucked up” Grey at the end of the previous film, Ana Steele (Dakota Johnson, doing penance in the hope of being sprung from Purgatory) is now working for a hip and trendy Seattle publishing company!  How do we know that it’s hip and trendy?  Well, it’s in Seattle and it’s called Seattle Independent Publishing!  (As opposed to Seattle Corporate Press.)  Her boss, Jack (Eric Hyde) leers at her in a style that basically screams, “Lifetime movie villain!”  There’s a scene in which Ana tells her editors that they should be making more of an attempt to reach readers in the “18-24 demographic” and everyone reacts as if this is the first time that they’ve ever heard about this concept.  You half expect someone to say, “18 to 24 year olds!  WHY DIDN’T WE THINK OF THAT!?”  Seriously, after seeing this, I’m going to send my resume to the Dallas Observer, along with a note that says, “18-24.  Hire me for more info.”

When Christian (poor Jamie Dornan, who I’m pretty sure was trying to blink out an S.O.S. signal at certain points in the film) and Ana first reunite, it’s to attend an art show.  Ana’s artist friend has filled an entire gallery with photos of Ana, the majority of which resemble the “sexy” photos that Darcy posted to her MyRoom page in that very special episode of Degrassi.  Christian buys all the pictures because he can’t handle the idea of anyone else having Ana on their wall.  This obsessive and controlling act is just enough to apparently make Ana reconsider her decision to dump Christian because he was being too obsessive and controlling.

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Christian eventually confesses to Ana that he’s only attracted to women who look like his mother and he punishes them because he’s angry with her.  “Oh, Christian, your Oedipal complex is so sexy,” Ana coos.  Okay, she doesn’t say that.  I said that and then Evelyn said something that I can’t repeat.  And then we laughed and laughed.  Don’t get me wrong.  I know that everyone has their issues and God knows, I’ve got a few myself.  But the minute a guy tells me that he’s only dating me because I look like his mother, that’s the minute I leave.

When Christian tells Ana about his messed up childhood, Ana responds by drawing on his chest with lipstick.  And I swear, that lipstick remains on his chest — without a smudge — for at least a few days.  Every time we would catch a glimpse of those perfect lipstick markings on Christian’s chest, Evelyn and I would start laughing.  I mean, drawing on your partner (or having your partner draw on you) can be fun but most people wash it off after a while.

(Incidentally, when the Scary Movie people get around to parodying this movie, you know that the lipstick scene is going to be recreated.)

Christian’s childhood bedroom is decorated with a poster of Vin Diesel.  When Christian is pouring out his heart, Vin Diesel is glowering in the background.  It would have been neat if the poster had suddenly come to life.  Perhaps Vin could have suddenly appeared in the bedroom and said, “Someday … BUT NOT TODAY!”

And I’m not even going to talk about the Ben Wa balls.

fifty-shades-darker-teaser-intrigued

Anyway, there’s really not much of a plot in Fifty Shades Darker.  Ana gets back together with Christian but says that she wants to have a “vanilla” relationship.  Christian agrees but he still keeps doing controlling stuff, like buying Ana’s company and freezing her bank account.  Ana gets mad.  Ana breaks up with him.  They get back together.  This happens a few times.  Christian tells Ana to stay away from a man.  Ana gets upset but then the man tries to rape her which feels like the film’s way of putting her in her place for doubting Christian’s instincts when it comes to men.  Kim Basinger pops up as the woman who introduced Christian to BDSM and tells Ana that Christian will never be happy in a vanilla relationship.  Ana says that vanilla is her favorite ice cream.  Here’s my thing: why can’t Ana come up with a more complimentary term than “vanilla” to describe her relationship goals?  I mean, Ana’s clever.  She came up with that whole 18-24 thing, after all.

There’s also a crazy woman (Bella Heathcote) who shows up occasionally.  We know she’s crazy because she’s dressed like someone who lives in an abandoned subway tunnel.  She occasionally grabs Ana and says, “I’m nobody!”  Hmmm….I wonder what that’s about…

(Well, don’t wonder too much.  There’s not a single mystery or question in Fifty Shades Darker that isn’t solved a scene or two after it’s raised.)

One of the redeeming things about Fifty Shades of Grey is that neither Dakota Johnson nor director Sam Taylor-Johnson seemed to be taking it all that seriously.  Dakota would pause meaningfully before delivering the worst of her dialogue, a sign that even she couldn’t believe what she was about to say.  Meanwhile, Sam Taylor-Johnson’s direction suggested that she found the story to be just as ludicrous and stupid as everyone else.  However, Fifty Shades Darker is directed by James Foley.  Foley is a veteran director, one who has been making films since before I was born.  He does a workmanlike job and you can almost hear him shouting, “Now, where’s my paycheck!?” during certain scenes.  Under Foley’s direction, there’s no winking at the audience.  There’s no hints of subversion.  Foley’s direction is very literal and more than a little dull.  He was hired to direct a big-budget version of a Chanel No. 5 commercial and that’s exactly what he does.

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The other big issue with Fifty Shades Darker is that Dakota Johnson and Jamie Dornan have very little romantic chemistry.  They both look good naked but that’s about it.  Jamie looks miserable to be there and Dakota seems to be trying to keep herself amused.  The lack of chemistry was less of a problem in Fifty Shades of Grey.  In that film, all that mattered was that Christian was rich and hot and Ana didn’t really haven’t anything better to do.  But, in Fifty Shades Darker, we’re asked to believe that they’re actually deeply in love and … no, it just doesn’t work.

Evelyn and I laughed through the entire movie.  In the past, we’ve gotten in trouble for doing this because we do have a tendency to get a little bit loud.  However, nobody in the audience seemed to mind.

Anyway, Fifty Shades Freer will be coming out next year.  Hopefully, someone will read this review and work my idea about the Vin Diesel cameo into the film.

Seriously, it would be great!

vin-diesel-jamie-dornan

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One response to “Film Review: Fifty Shades Darker (dir by James Foley)

  1. Pingback: Lisa Reviews An Oscar Nominee: Bad Girl (dir by Frank Borzage) | Through the Shattered Lens

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