Lisa Marie’s Thoughts On The Oscar Nominations


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Okay, I’ve had plenty of time to think about today’s Oscar nominations and now I’m ready to share my thoughts.  Obviously, my picks were a lot different from what the Academy selected.  That’s okay.  That’s the way it goes every year.  I don’t mind being a contrarian.

So, let’s take a look at what was nominated, category-by-category.

(If you need a refresher as to what was nominated, here’s a complete list of nominees!)

Best Live Action Short, Best Animated Short, Best Documentary Short: I’m sure that these three categories are full of wonderful nominees that were created by wonderful people but I don’t believe that I’ve seen a single one of them.  So, with that in mind, I can only imagine that the Academy did a perfect job selecting all 15 of these nominees!  Good work, Academy!

Best Foreign Language Film: Again, I have seen none of the nominees so I really can’t comment one way or another.  Normally, this would make me feel like a failure but I imagine that 90% of the people reading this post are in the same boat.  I imagine Toni Erdmann will win, just because of all the good things I’ve read about it.  But, since I haven’t actually seen any of the nominees, I will refrain from making any sort of prediction.

Best Documentary Feature: I’m disappointed that my favorite documentary, The Witness, was not nominated.  And, quite frankly, I’m shocked that Weiner was not nominated.  That said, I can’t complain about any of the documentaries that actually were nominated.  It was a good year for documentaries.  In fact, it could be argued that it was a better year for documentaries than for features.

Should Win: O.J.: Made in America

Will Win: 13th

Best Original Song: Not a single song from Sing Street was nominated and that is amazingly disappointing.  Original song can be surprising.  Remember last year when that terrible song from SPECTRE somehow won?  That said, I’m expecting that this year will see a huge sweep by La La Land and one of its nominated songs will probably win.

Should Win: Audition (The Fools Who Can Dream) from La La Land

Will Win: City of Stars from La La Land

Best Original Score: The Neon Demon deserved a nomination but I’m not surprised it was snubbed.  There’s no way the Academy was going to honor Nicholas Winding Refn’s subversive masterpiece.  La La Land is going to win this one easily.

Should Win: La La Land

Will Win: La La Land

Best Visual Effects: I was glad to see that Kubo and the Two Strings was nominated and I wish that Arrival had been nominated as well.  I’m going to go ahead and predict that Doctor Strange will be the first MCU film to win an Oscar.

Should Win: Doctor Strange

Will Win: Doctor Strange

Best Sound Editing and Best Sound Mixing: Let’s be honest.  I couldn’t explain the difference between sound editing and sound mixing and, unless you specifically work in the sound department, neither could you.  As a result, these categories are always difficult to predict.  But Hacksaw Ridge has to get some love somewhere and I bet it would happen here if not for La La Land.

Should Win (Both): Hacksaw Ridge

Will Win (Both): La La Land

Best Makeup and Hairstyling: As soon as I saw that Deadpool wasn’t nominated here, I knew it wouldn’t be nominated anywhere.  Can you believe that fucking Suicide Squad is now an Oscar nominee?  I haven’t seen A Man Called Ove but I’m going to predict its victory because I just can’t imagine the Academy honoring either Star Trek Beyond or Suicide Squad.

Should Win: Star Trek Beyond (that had good makeup in it, right?)

Will Win: A Man Called Ove

Best Film Editing: I can’t complain about any of the films nominated here.  La La Land is pretty much a guaranteed winner here.

Should Win: La La Land

Will Win: La La Land

Best Costume Design: I was shocked that Love & Friendship was not nominated.  If La La Land sweeps, it’ll win here.  When I made out my list of my personal picks for the Oscars, I gave the costuming Oscar to La La Land but now that I’m looking at the actual nominees, I’m remembering just how good everyone looked in Allied.

Should Win: Allied

Will Win: La La Land

Best Cinematography: My personal pick for this award was The Neon Demon but it wasn’t nominated.  Out of the nominated films, I would go with Moonlight but I think La La Land is going to sweep.

Should Win: Moonlight

Will Win: La La Land

Best Production Design: Well, it won’t be Passengers!  How the Hell did that get nominated for anything?  I think, of the nominees, Arrival deserves the award for making science fiction feel and look like science fact.  But, again, I think La La Land is going to win here.  (Are you sensing a theme in my predictions?)

Should Win: Arrival

Will Win: La La Land

Best Animated Feature: I was happy that Kubo and the Two Strings, Zootopia, and Moana were all nominated.  I haven’t seen The Red Turtle or My Life as a Zucchini but, on the whole, the Academy has a record of nominating the right films for this award.  I loved Kubo and I think it might win, just because it picked up that Visual Effects nomination as well.  Zootopia, however, would allow the Academy to make a political point and Moana has Lin-Manuel Miranda.  I’m going to go out on a limb and predict a Kubo victory but I wouldn’t be surprised if any of these five nominees won.

Should Win: Kubo and the Two Strings

Will Win: Zootopia Kubo and the Two Strings Moana Zootopia Kubo and the Two Strings

Best Adapted Screenplay: With La La Land likely to sweep the technical awards and Manchester By The Sea and Moonlight set to pick up some acting awards, this category will give the Academy a chance to acknowledge Arrival.

Should Win: Arrival

Will Win: Arrival

Best Original Screenplay: I think this is one of the few awards that La La Land will not win.  This category gives the Academy a chance to honor Hell or High Water.

Should Win: Hell or High Water

Will Win: Hell or High Water

Best Supporting Actress: Viola Davis is a guaranteed winner, even though her performance was a lead role.

Should Win: Naomie Harris, Moonlight

Will Win: Viola Davis, Fences

Best Supporting Actor: I was really happy to see that Michael Shannon got a nomination because Shannon is a great actor who always seems to be taken for granted.  That said, Mahershala Ali is almost as much of a lock as Viola Davis.

Should Win: Mahershala Ali, Moonlight

Will Win: Mahershala Ali, Moonlight

Best Actress: Let’s just get this out of the way.  Amy Adams not only deserved a nomination, she also deserved the Oscar.  Arrival works because of a twist that occurs halfway through the film.  The twist works because of Amy Adams’s performance.  If not for Amy Adams, Arrival would never have been nominated for best picture.  The fact that she was not nominated will be remembered as one of the biggest mistakes in Academy history.

This morning, I was happy to see that a lot of people on twitter agreed with me about the Amy Adams snub.  What took me by surprise was how many people also agreed with me that Meryl Streep essentially took a spot that should have been given to Amy Adams.  This morning, among other things, I discovered that there’s actually a growing backlash against the annual tradition of automatically nominating Meryl Streep, regardless of whether the film was any good or not.

Could Meryl win yet again?  It depends on whether or not the Academy wants to hear another Meryl Streep speech.  Given the political climate, I wouldn’t discount that as a possibility.  Since I’m on the subject and it’s possible that everyone stopped reading a few categories ago, I’m going to go ahead and admit my unpopular opinion.  While I’m definitely not a fan of the new President, Meryl’s Golden Globe speech felt like almost a parody of upper class white liberalism.  Listening to her, it was easy to imagine Meryl at a cocktail party, bragging about how she’s on a first name basis with her maid.

But, I’m in the minority as far as that opinion is concerned.  The Industry loved Meryl’s speech and, after Donald Trump’s overreaction to it, giving an Oscar to Meryl and giving her a chance to repeat the speech on a much bigger stage would be the perfect way to give the finger to the current administration.

That said, I think Emma Stone will be carried along in the La La Land sweep.  Whether justified or not, many members of the Academy will look at her character and see themselves.

Should Win: Amy Adams in Arrival (Yes, she wasn’t nominated but she should still win, goddammit.)

Will Win: Emma Stone in La La Land

Best Actor: Could anyone other than Casey Affleck win this one?  Denzel Washington is popular and giving him an Oscar for Fences would be a nice to way to reward all of the effort that he put into bringing this acclaimed play to the screen.  Affleck was sued for sexual harassment by a producer and a cinematogrpaher and ended up settling with both of them.  However, I doubt if it will stop him from winning the Oscar.  If the allegations were going to hurt Affleck’s chances, it would have happened long before now.

As for the nominees — well, I have no complaints.  While I wasn’t as impressed with Affleck’s performance as some, I think he did well enough. I would have liked to have seen either Sully‘s Tom Hanks or Hell or High Water‘s Chris Pine nominated.  I’m glad that Andrew Garfield picked up his first nomination.

Should Win: Denzel Washington, Fences

Will Win: Casey Affleck, Manchester By The Sea

Best Director: I’m going to go out on a limb and predict a minor upset.  I think La La Land is going to win in a lot of categories but I think that Moonlight‘s Barry Jenkins will win this Oscar.  Best Picture and Director have been split fairly regularly over the past few years and, after both the #OscarsSoWhite controversy and the 2016 presidential election, it may be felt that it’s time for a black director to finally win the Oscar.  Based on the skill shown in Whiplash and La La Land, Damien Chazelle will have other opportunities.

Should Win: Denis Villeneuve, Arrival

Will Win: Barry Jenkins, Moonlight

Best Picture: Though I don’t necessarily think it was one of the best films of the year, I would have loved it if Deadpool had actually scored a nomination.  It would have been an unexpected surprise and it would have shaken up a race that’s gotten rather predictable.

But no.  Deadpool received no nominations and the expected films were nominated.  Perhaps the only thing that could be considered surprising (though not that surprising)  was that Martin Scorsese’s passion project, Silence, was not only snubbed for best picture but also only picked up one nomination. Passengers picked up more nominations that Martin Scorsese’s latest film.  When it comes to total number of nominations, Silence is tired with Suicide Squad.

La La Land is going to win.  It’s probably going to win nearly all 14 of the Oscars it has been nominated for.  My pick for the best film of 2016 was American Honey.  Of the nominees, I think Arrival is the one that deserves to win.  But La La Land is an exuberant valentine to both the Academy and the industry.

La La Land‘s going to win.

Should Win: Arrival

Will Win: La La Land

2013 oscars

Here Are The Oscar Nominations!


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Here are the Oscar nominations.  La La Land tied Titanic’s record with 14 nominations and I’m going to predict right now that it’ll win nearly everything that it’s been nominated for.  Amy Adams was totally snubbed.  Meryl Streep was technically nominated for Florence Foster Jenkins but we all know it was actually for her Golden Globes speech.

I may have more to say about this later but until then, here are the noms:

Best Picture

  • “Arrival”
  • “Fences”
  • “Hacksaw Ridge”
  • “Hell or High Water”
  • “Hidden Figures”
  • “La La Land”
  • “Lion”
  • “Manchester by the Sea”
  • “Moonlight”

Best Director

  • Mel Gibson – “Hacksaw Ridge”
  • Kenneth Lonergan – “Manchester by the Sea”
  • Barry Jenkins – “Moonlight”
  • Denis Villeneuve – “Arrival”
  • Damien Chazelle – “La La Land”

Best Actor

  • Casey Affleck – “Manchester by the Sea”
  • Andrew Garfield – “Hacksaw Ridge”
  • Ryan Gosling – “La La Land”
  • Viggo Mortensen – “Captain Fantastic”
  • Denzel Washington – “Fences”

Best Actress

  • Isabelle Huppert – “Elle”
  • Ruth Negga – “Loving”
  • Natalie Portman – “Jackie”
  • Emma Stone – “La La Land”
  • Meryl Streep – “Florence Foster Jenkins”

Best Supporting Actor

  • Mahershala Ali – “Moonlight”
  • Jeff Bridges – “Hell or High Water”
  • Lucas Hedges – “Manchester by the Sea”
  • Dev Patel – “Lion”
  • Michael Shannon – “Nocturnal Animals”

Best Supporting Actress

  • Viola Davis – “Fences”
  • Naomie Harris – “Moonlight”
  • Nicole Kidman – “Lion”
  • Octavia Spencer – “Hidden Figures”
  • Michelle William – “Manchester by the Sea”

Best Original Screenplay

  • “20th Century Women”
  • “Hell or High Water”
  • “La La Land”
  • “The Lobster”
  • “Manchester by the Sea”

Best Adapted Screenplay

  • “Arrival”
  • “Fences”
  • “Hidden Figures”
  • “Lion”
  • “Moonlight”

Best Animated Feature

  • “Kubo and the Two Strings”
  • “Moana”
  • “My Life as a Zucchini”
  • “The Red Turtle”
  • “Zootopia”

Best Production Design

  • “Arrival”
  • “Fantastic Beasts and Where to Find Them”
  • “Hail, Caesar!”
  • “La La Land”
  • “Passengers”

Best Cinematography

  • “Arrival”
  • “La La Land”
  • “Lion”
  • “Moonlight”
  • “Silence”

Best Costume Design

  • “Allied”
  • “Fantastic Beasts and Where to Find Them”
  • “Florence Foster Jenkins”
  • “Jackie”
  • “La La Land”

Best Film Editing

  • “Arrival”
  • “Hacksaw Ridge”
  • “Hell or High Water”
  • “La La Land”
  • “Moonlight”

Best Makeup and Hairstyling

  • “A Man Called Ove”
  • “Star Trek Beyond”
  • “Suicide Squad”

Best Sound Mixing

  • “Arrival”
  • “Hacksaw Ridge”
  • “La La Land”
  • “Rogue One: A Star Wars Story”
  • “13 Hours: The Secret Soldiers of Benghazi”

Best Sound Editing

  • “Arrival”
  • “Deepwater Horizon”
  • “Hacksaw Ridge”
  • “La La Land”
  • “Sully”

Best Visual Effects

  • “Deepwater Horizon”
  • “Doctor Strange”
  • “The Jungle Book”
  • “Kubo and the Two Strings”
  • “Rogue One: A Star Wars Story”

Best Original Score

  • “Jackie”
  • “La La Land”
  • “Lion”
  • “Moonlight”
  • “Passengers”

Best Original Song

  • “Audition (The Fools Who Dream)” from “La La Land”
  • “Can’t Stop the Feeling” from “Trolls”
  • “City of Stars” from “La La Land”
  • “The Empty Chair” from “Jim: The James Foley Story”
  • “How Far I’ll Go” from “Moana”

Best Documentary Feature

  • “Fire at Sea”
  • “I Am Not Your Negro”
  • “Life, Animated”
  • “OJ: Made in America”
  • “13th”

Best Foreign Language Film

  • “Land of Mine”
  • “A Man Called Ove”
  • “The Salesman”
  • “Tanna”
  • “Toni Erdmann”

Best Live Action Short

  • “Ennemis Interieurs”
  • “La Femme et le TGV”
  • “Silent Nights”
  • “Sing”
  • “Timecode”

Best Documentary Short

  • “Extremis”
  • “4.1 Miles”
  • “Joe’s Violin”
  • “Watani: My Homeland”
  • “The White Helmets”

Best Animated Short Film

  • “Blind Vaysha”
  • “Borrowed Time”
  • “Pear Cider and Cigarettes”
  • “Pearl”
  • “Piper”

What if Lisa Picked The Oscar Nominees — 2016 Edition


With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are starred and listed in bold.

(You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.)

(Click on the links to see my nominations for 2015, 2014, 2013, 2012, 2011, and 2010!)

ten

Best Picture

*American Honey*

Arrival

Hell or High Water

Kubo and the Two Strings

La La Land

Love & Friendship

A Monster Calls

Moonlight

The Neon Demon

The Nice Guys

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Best Director

*Andrea Arnold for American Honey

Shane Black for The Nice Guys

Barry Jenkins for Moonlight

David MacKenzie for Hell or High Water

Nicholas Winding Refn for The Neon Demon

Denis Villeneuve for Arrival

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Best Actor

Andrew Garfield in Hacksaw Ridge

Ryan Gosling in The Nice Guys

Tom Hanks in Sully

Chris Pine in Hell or High Water

Ryan Reynolds in Deadpool

*Denzel Washington in Fences

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Best Actress

*Amy Adams in Arrival

Kate Beckinsale in Love & Friendship

Viola Davis in Fences

Sasha Lane in American Honey

Emma Stone in La La Land

Anya Taylor-Joy in The Witch

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Best Supporting Actor

*Mahershala Ali in Moonlight

Tom Bennett in Love & Friendship

Jeff Bridges in Hell or High Water

Alden Ehrenreich in Hail Caesar!

John Goodman in 10 Cloverfield Lane

Patrick Stewart in Green Room

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Best Supporting Actress

*Naomie Harris in Moonlight

Felicity Jones in A Monster Calls

Riley Keough in American Honey

Jena Malone in The Neon Demon

Helen Mirren in Eye in the Sky

Angourie Rice in The Nice Guys

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Best Voice Over and/or Stop Motion Performance

Auli’i Cravalho in Moana

Ellen DeGeneres in Finding Dory

Ginnifer Goodwin in Zootopia

*Liam Neeson in A Monster Calls

Art Parkinson in Kubo and the Two Strings

Charlize Theron in Kubo and the Two Strings

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Best Original Screenplay

American Honey

*Hell or High Water

Kubo and the Two Strings

La La Land

The Nice Guys

The Witch

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Best Adapted Screenplay

*Arrival

The Jungle Book

Love & Friendship

Moonlight

A Monster Calls

Sully

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Best Animated Film

Finding Dory

*Kubo and the Two Strings

Moana

Sausage Party

The Secret Life of Pets

Zootopia

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Best Documentary Feature

The Confessions of Thomas Quick

Holy Hell

O.J.: Made in America

Rigged 2016

Weiner

*The Witness

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Best Casting

*American Honey

Everybody Wants Some!!

La La Land

Moonlight

Hell or High Water

Green Room

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Best Cinematography

American Honey

Arrival

Hell or High Water

La La Land

Moonlight

*The Neon Demon 

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Best Costume Design

The Conjuring 2

Hail, Caesar!

La La Land

*Love & Friendship

The Nice Guys

The Witch

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Best Editing

Arrival

Hell or High Water

Kubo and the Two Strings

*La La Land

Moonlight

A Monster Calls

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Best Makeup and Hairstyling

Captain America: Civil War

Deadpool

Doctor Strange

Everybody Wants Some!!

Hail, Caesar!

*The Neon Demon

Best Original Score

Hell or High Water

Kubo and the Two Strings

*La La Land

Moana

Moonlight

The Neon Demon

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Best Original Song

*”Audition (The Fool Who Dreams)” from La La Land

“How Far I’ll Go” from Moana

“Waving Goodbye” from The Neon Demon

“I’m so Humble” from Pop Star: Never Stop Never Stopping

“Drive It Like You Stole It” from Sing Street

“Go Now” from Sing Street

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Best Overall Use Of Music

*American Honey

The Conjuring Part Two

Hell or High Water

La La Land

The Neon Demon

Sing Street

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Best Production Design

Arrival

Don’t Breathe

Green Room

The Neon Demon

La La Land

*10 Cloverfield Lane

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Best Sound Editing

Captain America: Civil War

Deadpool

*Hacksaw Ridge

La La Land

A Monster Calls

Sully

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Best Sound Mixing

Captain America: Civil War

Deadpool

Hacksaw Ridge

A Monster Calls

La La Land

*Sully

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Best Stunt Work

Captain America: Civil War

*Deadpool

Doctor Strange

Hacksaw Ridge

Jason Bourne

The Legend of Tarzan

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Best Visual Effects

Arrival

*Doctor Strange

The Jungle Book

Kubo and the Two Strings

A Monster Calls

Rogue One: A Star Wars Story

Films Listed By Number of Nominations:

13 Nominations — La La Land

1o Nominations — Hell or High Water

9 Nominations — Moonlight, The Neon Demon

8 Nominations — American Honey, Arrival, Kubo and the Two Strings, A Monster Calls

6 Nominations — The Nice Guys

5 Nominations — Deadpool, Love & Friendship

4 Nominations — Captain America: Civil War, Hacksaw Ridge, Hail Caesar!, Moana, Sully

3 Nominations — Doctor Strange, Green Room, Sing Street

2 Nominations — The Conjuring 2, Everybody Wants Some!!, Fences, Finding Dory, The Jungle Book, 10 Cloverfield Lane, The Witch, Zootopia

1 Nomination — The Confessions of Thomas Quick, Don’t Breathe, Eye in the Sky, Holy Hell, Jason Bourne, The Legend of Tarzan, O.J.: Made in America, Pop Star: Never Stop Never Stopping, Rigged 2016, Rogue One: A Star Wars Story, Sausage Party, The Secret Life of Pets, Weiner, The Witness

Films Listed By Number of Oscars Won:

4 Oscars — American Honey

3 Oscars — La La Land

2 Oscars — Arrival, Moonlight, The Neon Demon

1 Oscar — Deadpool, Doctor Strange, Fences, Hacksaw Ridge, Hell or High Water, Kubo and the Two Strings, Love & Friendship, A Monster Calls, Sully, 10 Cloverfield Lane, The Witness

Will the Academy agree with my predictions?  Probably not but we’ll find out on Tuesday!

2-ten

Here Are The Producers Guild Nominations!


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The Producer’s Guild of America, who are traditionally one of the most reliable of the Oscar precursors, announced their ten nominees for the best film of 2016 earlier today!

Not on the list: Martin Scorsese’s Silence.  Last year, at this time, Silence was the most anticipated of the potential Oscar nominees.  Now, 12 months later, whatever momentum that Silence had seems to have fizzled.

You know what film was on the list?

Deadpool!

Somehow, Deadpool has emerged as a legitimate Oscar contender.  That doesn’t mean that it’s going to be nominated, of course.  Last year, a lot of people made the mistake of getting excited when both Carol and Straight Outta Compton showed up among the Producers Guild’s nominations.

Here’s what we have to remember — every years, the PGA nominates 10 films.  However, the Academy never nominates a full slate of 10 films.  While the best picture nominees probably will all have received a PGA nomination, that doesn’t mean that every PGA nominee is going to be nominated for best picture.

Still, Deadpool is coming on strong with the guilds.  It has some support among the industry.

A best picture nomination for Deadpool?  Normally, I’d laugh that off.  Then again, at one time, I also laughed off the idea that Mad Max: Fury Road would get a nomination, despite the fact that I thought Mad Max was one of the best films of 2015.

In the end, anything can happen.  That’s one reason why Oscar watchers like me are always a little disappointed when the Oscar nominations are announced and the precursor season ends.  During the precursor season, anything is possible.

Anyway, here are the PGA nominations:

The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures:

 

  • Arrival

Producers: Dan Levine, Shawn Levy, Aaron Ryder, David Linde

 

Producers: Simon Kinberg, Ryan Reynolds, Lauren Shuler Donner

 

Producers: Scott Rudin, Denzel Washington, Todd Black

 

Producers: Bill Mechanic, David Permut

 

Producers: Carla Hacken, Julie Yorn

 

  • Hidden Figures

Producers: Donna Gigliotti, Peter Chernin & Jenno Topping, Pharrell Williams, Theodore Melfi

 

Producers: Fred Berger, Jordan Horowitz, Marc Platt

 

  • Lion

Producers: Emile Sherman & Iain Canning, Angie Fielder

 

Producers: Matt Damon, Kimberly Steward, Chris Moore, Lauren Beck, Kevin Walsh

 

Producers: Adele Romanski, Dede Gardner & Jeremy Kleiner

 

The Award for Outstanding Producer of Animated Theatrical Motion Pictures:

 

Producer: Lindsey Collins

 

Producers: Arianne Sutner, Travis Knight

 

Producer: Osnat Shurer

 

Producers: Chris Meledandri, Janet Healy

 

  • Zootopia

Producer: Clark Spencer

 

The Award for Outstanding Producer of Documentary Theatrical Motion Pictures:

* The PGA previously announced the nominations in this category on November 22, 2016.  The list below has been updated to include eligible producers.

 

  • Dancer

Producer: Gabrielle Tana

 

  • The Eagle Huntress

Producers: Stacey Reiss, Otto Bell

 

  • Life, Animated

Producers: Julie Goldman, Roger Ross Williams

 

  • O.J.: Made in America

Producers:  Ezra Edelman, Caroline Waterlow

 

  • Tower

Producers:  Keith Maitland, Susan Thomson, Megan Gilbride

The North Texas Critics Association Names La La Land The Best of 2016!


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I have to admit that I’m starting to reach the point that I always reach during Oscar season.  This is the point where I say, “How many different groups of critics are there!?”

Anyway, the North Texas Critics Association have announced their picks for the best of 2016!  There are my people (in that we all live in North Texas and probably make a lot of jokes about pasty yankee tourists coming down from the North and sweating like pigs) and they picked La La Land as the best of the year.  I’ll be seeing La La Land this weekend so I’ll let you know if they were right.

Best Film
1. La La Land
2. Manchester by the Sea
3. Moonlight
4. Hacksaw Ridge
5. Loving
6. Arrival
7. Captain Fantastic
8. Nocturnal Animals
9. Jackie
10. The Birth of a Nation

Best Director
1. Damien Chazelle (La La Land)
2. Barry Jenkins (Moonlight)
3. Mel Gibson (Hacksaw Ridge)
4. Denis Villeneuve (Arrival)
5. Kenneth Lonergan (Manchester by the Sea)

Best Actress
1. Natalie Portman (Jackie)
2. Emma Stone (La La Land)
3. Amy Adams (Arrival)
4. Emily Blunt (The Girl on the Train)
5. Ruth Negga (Loving)

Best Actor
1. Casey Affleck (Manchester by the Sea)
2. Ryan Gosling (La La Land)
3. Denzel Washington (Fences)
4. Andrew Garfield (Hacksaw Ridge)
5. Don Cheadle (Miles Ahead)

Best Supporting Actress
1. Michelle Williams (Manchester by the Sea)
2. Viola Davis (Fences)
3. Naomie Harris (Moonlight)
4. Octavia Spencer (Hidden Figures)
5. Janelle Monae (Hidden Figures)

Best Supporting Actor
1. Michael Shannon (Nocturnal Animals)
2. Mahershala Ali (Moonlight)
3. Dev Patel (Lion)
4. Jeff Bridges (Hell or High Water)
5. Lucas Hedges (Manchester by the Sea)

Best Cinematography
1. Linus Sandgren (La La Land)
2. James Laxton (Moonlight)
3. Simon Duggan (Hacksaw Ridge)
4.  Bradford Young (Arrival)
5. Stephane Fontaine (Jackie)

Best Animated Film
1. Zootopia
2. Kubo and the Two Strings
3. Sing

Best Documentary
1. Gleason
2. 13th
3. Tower
4. Wiener
5. The Eagle Huntress

Best Foreign Language Film
1. Elle
2. The Handmaiden
3. Hunt for the Wilderpeople
4. The Salesman

5.  Toni Erdmann

The Oklahoma Film Critics Circle Picks La La Land As the Best of 2016!


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The Oklahoma Film Critics Circle has announced their picks for the best of 2016!
Best Picture
La La Land
Best Director
Damien Chazelle – La La Land
Runner Up: Barry Jenkins – Moonlight
Best Actor
Casey Affleck – Manchester By The Sea
Runner Up: Denzel Washington – Fences
Best Actress
Amy Adams – Arrival
Runner Up: Emma Stone – La La Land
Best Supporting Actor
Mahershala Ali – Moonlight
Runner Up: Michael Shannon – Nocturnal Animals
Best Supporting Actress
Michelle Williams – Manchester By The Sea
Runner Up: Viola Davis – Fences
Best Animated Film
Zootopia
Runner: Kubo & The Two Strings
Best Documentary
OJ: Made In America
Runner Up: Weiner
Best Foreign Film
The Handmaiden
Runner Up: Elle
Best Ensemble
Manchester By The Sea
Runner Up: Moonlight
Best First Feature
The Witch
Runner Up: The Edge Of Seventeen
Best Original Screenplay
Manchester By The Sea
Runner Up: Hell Or High Water
Best Adapted Screenplay
Arrival
Runner Up: Moonlight
Best Body of Work
Amy Adams
Runner Up: Michael Shannon
Top 10 Films
La La Land
Moonlight
Manchester By The Sea
OJ: Made In America
Arrival
Hell Or High Water
Jackie
Green Room
Kubo & The Two Strings
Sing Street

Playing Catch-Up: Fences (dir by Denzel Washington)


Well, 2016 is officially over and soon, it will be time for me to start posting my picks for the best of the year!  I’ve still got a lot of movies that I need to review (and, in some cases, watch) before making out that last so let’s not waste any time!  It’s time to start playing catch up!

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In Fences, Denzel Washington plays Troy Maxson.  When the film begins, Troy is 51 years old and lives in Philadelphia in the 1950s.  He’s a proud, charming, and often angry man.  He’s the type of man who can tell a wonderful story and who can make you laugh but, at the same time, you’re always aware that he could explode at any minute.  It’s hard not to like Troy Maxson but, at times, it’s hard not to be a little scared of him.

Troy is a garbage man, apparently destined to spend the rest of his working life hanging onto the back of a garbage truck because his union does not allow black to drive the trucks.  Troy has recently complained about the lack of black drivers and, as he tells his best friend, Bono (Stephen McKinley Henderson), he’s now expecting to be disciplined.  However, to his great surprise, he is instead reassigned to be a driver, making him the first black man to work as a driver for the Philadelphia Sanitation Department.

And that may not seem like much today but, as the film makes clear, that was a huge deal in the 1950s.

Troy, of course, didn’t grow up wanting to be a garbage man.  As he tells his son, Troy left home when he was just a teenager and made his living as a mugger.  During one robbery, he accidentally killed a man and spent the next decade in prison.  It was in prison that he first met and befriended Bono.  It was also in prison that Troy discovered that he was a pretty good baseball player.  Upon his release, he played for the Negro League.  Though everyone agrees that Troy was a good player (and Troy is always quick to claim that he was the best), he never played for the Major Leagues.  The film suggests that, after the league was integrated, Troy tried out but was rejected.  His wife, Rose (Viola Davis), says that Troy was rejected because, at the age of 40, he was too old.  Troy says it was because of the color of his skin.

As I said, it’s hard not to admire Troy.  He’s a man who stands up for himself and he seems to sincerely love his wife.  When his oldest son, a musician named Lyons (Russell Hornsby), comes by to ask for money, it’s hard not to laugh with and appreciate the style with which Troy shows his irritation.  Troy is so charming that, it’s only after Lyons leaves, that you realize that Lyons practically begged his father to come see him play and Troy pretty much blew him off.

And then there’s Troy’s youngest son, Cory (Jovan Adepo).  Cory is in high school.  He’s a football player and he’s recently been scouted by a college.  Troy tells Cory that he’s wasting his time and that no black man will ever be given a fair chance in the NFL.  He tells Cory that he needs to get a real job, like he did.  And as Troy continues to yell at Cory, you start to understand Troy’s jealousy.  Cory has an opportunity that Troy will never have, not due to any difference in talent as much as to the fact that Troy grew up at a time when segregation was the unquestioned law of the land whereas Cory is coming of age the beginning of the civil rights era.

At one point, Cory asks his father, “Why don’t you like me?”

“I don’t have to like you,” Troy replies and the words sting.

Troy is a character about whom you’ll have mixed feelings.  Beyond his anger at his son, he’s also exploiting his mentally impaired brother, Gabe (Mykelti Williamson).  Gabe has a metal plate in his head, the result of his service in World War II.  Gabe receives a monthly disability check and Troy has been using that money to support his family.

Through it all, Rose remains by his side, listening to him when he’s angry and, whenever she can get a word in, acting as his conscience.  But then, Bono asks Troy about his relationship with Alberta, the new girl at work and Troy confesses what the audience suspected.  Not only is Troy cheating on his wife but Alberta is pregnant….

Troy is a great character and Denzel Washington gives perhaps his best film performance in the role.  (Washington already played the role on stage.)  In many ways, Troy is a monster but, at the same time, it’s impossible not to feel for him.  His anger is real.  His selfishness is all too real.  But his pain and his (legitimate) frustrations are very real, as well.  Troy Maxson is a character who, like everyone, struggles to maintain his balance as he walks the line between right and wrong.  He makes several mistakes but he’s never less than fascinating and Washington’s volcanic performance is never less than enthralling.  Matching Washington every step of the way is Viola Davis, giving a powerful performance as the loyal but outspoken Rose.

In fact, the entire film is a master class of great acting.  (If Mykelti Williamson occasionally goes a bit overboard as Gabe, that has more to do with the character than the performer.)  Though the film is dominated by Washington and Davis, I think special mention has to be made of Stephen McKinley Henderson, who brings a lot of understated wisdom to the role of Bono.

Denzel Washington also directed Fences and, unfortunately, he’s not as good a director as he is an actor.  While he goes get brilliant performances from his cast, Fences never really breaks free from its theatrical origins.  It’s very much a filmed play as opposed to a cinematic work of art and, the few scenes that attempt to “open up” the play feel somewhat awkward.  In the end, Fences is best as a record of incredible acting.

Here Are The Nominations Of The Online Film Critics Society!


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The Online Film Critics Society announced their nominations today.  Along with the usual suspects, the 7 and a half hour documentary OJ: Made in America also picked up a nomination for best picture.

Best Picture

Arrival
The Handmaiden
Hell or High Water
Jackie
La La Land
Manchester By the Sea
Moonlight
O.J.: Made in America
Paterson
The Witch

Best Animated Feature

Finding Dory
Kubo and the Two Strings
Moana
The Red Turtle
Zootopia

Best Director

Damien Chazelle – La La Land
Barry Jenkins – Moonlight
Pablo Larraín – Jackie
Kenneth Lonergan – Manchester By the Sea
Denis Villeneuve – Arrival

Best Actor

Casey Affleck – Manchester By the Sea
Adam Driver – Paterson
Ryan Gosling – La La Land
Viggo Mortensen – Captain Fantastic
Denzel Washington – Fences

Best Actress

Amy Adams – Arrival
Isabelle Huppert – Elle
Ruth Negga – Loving
Natalie Portman – Jackie
Emma Stone – La La Land

Best Supporting Actor

Mahershala Ali – Moonlight
Tom Bennett – Love & Friendship
Jeff Bridges – Hell or High Water
Lucas Hedges – Manchester By the Sea
Michael Shannon – Nocturnal Animals

Best Supporting Actress

Viola Davis – Fences
Lily Gladstone – Certain Women
Naomie Harris – Moonlight
Octavia Spencer – Hidden Figures
Michelle Williams – Manchester By the Sea

Best Original Screenplay

Hell or High Water – Taylor Sheridan
Jackie – Noah Oppenheim
La La Land – Damien Chazelle
The Lobster – Yorgos Lanthimos, Efthymis Filippou
Manchester By the Sea – Kenneth Lonergan

Best Adapted Screenplay

Arrival – Eric Heisserer, Ted Chiang
Elle – David Birke, Philippe Djian
Love & Friendship – Whit Stillman
Moonlight – Barry Jenkins, Tarell Alvin McCraney
Nocturnal Animals – Tom Ford

Best Editing

Arrival – Joe Walker
Cameraperson – Nels Bangerter
Jackie – Sebastian Sepulveda
La La Land – Tom Cross
Moonlight – Joi McMillon, Nat Sanders

Best Cinematography

Arrival – Bradford Young
Jackie – Stéphane Fontaine
La La Land – Linus Sandgren
Moonlight – James Laxton
The Neon Demon – Natasha Braier

Best Film Not in the English Language

Elle – France
The Handmaiden – South Korea
Neruda – Chile
The Salesman – Iran
Toni Erdmann – Germany

Best Documentary

13th
Cameraperson
I Am Not Your Negro
O.J.: Made in America
Weiner

Best Non-U.S. Release

After the Storm
The Death of Louis XIV
The Girl With All the Gifts
Graduation
Nocturma
Personal Shopper
A Quiet Passion
Staying Vertical
The Unknown Girl
Yourself and Yours

Here Are The North Carolina Film Critics Association Nominations!


For Christmas, there was a temporary pause in the flood of precursor awards.  Now that Christmas has passed, Oscar season is back in full swing.

Today, the North Carolina Film Critics Association announced their nominations for the best of 2016!

And here they are:

BEST NARRATIVE FILM
Arrival
Hell or High Water
La La Land
Manchester by the Sea
Moonlight

BEST DOCUMENTARY FILM
13th
I Am Not Your Negro
Life, Animated
O.J.: Made in America
Weiner

BEST ANIMATED FILM
Finding Dory
Kubo and the Two Strings
Moana
Sausage Party
Zootopia

BEST FOREIGN LANGUAGE FILM
Elle
The Handmaiden
A Man Called Ove
Toni Erdmann
Things to Come

BEST DIRECTOR
Damien Chazelle — La La Land
Barry Jenkins — Moonlight
Kenneth Lonergan — Manchester by the Sea
David Mackenzie — Hell or High Water
Chan-woo Park — The Handmaiden

BEST CINEMATOGRAPHY
Chung-hoo Chung — The Handmaiden
James Laxton — Moonlight
Giles Nuttgens — Hell or High Water
Linus Sandgren — La La Land
Bradford Young — Arrival

BEST SPECIAL EFFECTS
Arrival
Captain America: Civil War
Doctor Strange
Jungle Book
Rogue One: A Star Wars Story

BEST ACTOR
Casey Affleck — Manchester by the Sea
Joel Edgerton — Loving
Ryan Gosling — La La Land
Viggo Mortensen — Captain Fantastic
Denzel Washington — Fences

BEST SUPPORTING ACTOR
Mahershala Ali — Moonlight
Jeff Bridges — Hell or High Water
Ben Foster — Hell or High Water
Lucas Hedges — Manchester by the Sea
Sam Neill — Hunt for the Wilderpeople

BEST ACTRESS
Annette Bening — 20th Century Women
Kate Beckinsale — Love & Friendship
Ruth Negga — Loving
Natalie Portman — Jackie
Emma Stone — La La Land

BEST SUPPORTING ACTRESS
Viola Davis — Fences
Greta Gerwig — 20th Century Women
Naomie Harris — Moonlight
Nicole Kidman — Lion
Michelle Williams — Manchester by the Sea

BEST ORIGINAL SCREENPLAY
Damien Chazelle — La La Land
Barry Jenkins — Moonlight
Kenneth Lonergan — Manchester by the Sea
Mike Mills — 20th Century Women
Taylor Sheridan — Hell or High Water

BEST ADAPTED SCREENPLAY
Tom Ford — Nocturnal Animals
Eric Heisserer — Arrival
Seo-kyeong Jeong and Chan-wook Park — The Handmaiden
Whit Stillman — Love & Friendship
Taika Waititi — Hunt for the Wilderpeople

KEN HANKE MEMORIAL TAR HEEL AWARD
(To an artist or film with a special connection to North Carolina.)
Anthony Mackie
Jeff Nichols
Starving the Beast

Here Are The Florida Film Critics Circle Nominations!


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The winners will be announced on December 23rd.

BEST PICTURE
Hell or High Water
La La Land
The Lobster
Manchester by the Sea
Moonlight

BEST DIRECTOR
Damien Chazelle – La La Land
Barry Jenkins – Moonlight
Yorgos Lanthimos – The Lobster
Kenneth Lonergan – Manchester by the Sea

BEST ACTOR
Casey Affleck – Manchester by the Sea
Joel Edgerton – Loving
Ryan Gosling – La La Land
Viggo Mortensen – Captain Fantastic
Denzel Washington – Fences

BEST ACTRESS
Annette Bening – 20th Century Women
Isabelle Huppert – Elle
Ruth Negga – Loving
Natalie Portman – Jackie
Emma Stone – La La Land

BEST SUPPORTING ACTOR
Mahershala Ali – Moonlight
Jeff Bridges – Hell or High Water
Ralph Fiennes – A Bigger Splash
André Holland – Moonlight
Michael Shannon – Nocturnal Animals

BEST SUPPORTING ACTRESS
Viola Davis – Fences
Greta Gerwig – 20th Century Women
Lily Gladstone – Certain Women
Naomie Harris – Moonlight
Octavia Spencer – Hidden Figures
Michelle Williams – Manchester by the Sea

BEST ENSEMBLE
20th Century Women
American Honey
Hidden Figures
Manchester by the Sea
Moonlight

BEST ORIGINAL SCREENPLAY
20th Century Women
Hell or High Water
La La Land
The Lobster
Manchester by the Sea

BEST ADAPTED SCREENPLAY
Arrival
Fences
Love & Friendship
Moonlight
Nocturnal Animals

BEST CINEMATOGRAPHY
Arrival
The Handmaiden
Jackie
La La Land
Moonlight

BEST VISUAL EFFECTS
Arrival
Doctor Strange
Fantastic Beasts and Where to Find Them
The Jungle Book
Rogue One: A Star Wars Story

BEST ART DIRECTION/PRODUCTION DESIGN
Arrival
Fantastic Beasts and Where to Find Them
Jackie
La La Land
Love & Friendship

BEST SCORE
Arrival
Jackie
La La Land
Moonlight

BEST DOCUMENTARY
Cameraperson
I Am Not Your Negro
Life, Animated
O.J.: Made In America
Weiner

BEST FOREIGN LANGUAGE FILM
Elle
Embrace of the Serpent
The Handmaiden
The Salesman
Toni Erdmann

BEST ANIMATED FILM
Kubo and the Two Strings
Moana
Sausage Party
Zootopia

BEST FIRST FILM
The Childhood of a Leader
The Edge of Seventeen
Moonlight
Spa Night
Swiss Army Man
The Witch

BREAKOUT AWARD
Barry Jenkins – Moonlight
Lucas Hedges – Manchester by the Sea

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