Outlaw King Official Trailer


Outlaw King

Who here has seen Braveheart?

I’m quite sure that a huge number of people have seen Mel Gibson’s second film as director which won him two Oscars: for Best Director and Best Film. While his career has seen it’s major up’s and down’s, he still has done some great work behind the camera as a director.

Now, what does this all mean to this new Netflix Original film coming out this year called Outlaw King? The answer is not much other than both film share a particular historical character in the Scottish king Robert the Bruce. In Gibson’s film he’s a supporting character whose motivations could be seen as very pragmatic and bordering on the villainous.

Outlaw King, by Scottish director David MacKenzie (who directed the great Hell or High Water), will tell the story of the legendary Scottish king Robert the Bruce who won Scotland’s independence from England where William Wallace ultimately failed to do.

I am going on a hunch that Outlaw King will treat Robert the Bruce in a more sympathetic light than how Gibson’s film portrayed him. This time around we have Chris Pine in the role of Robert the Bruce.

As seen in the trailer, it looks like Netflix’s several billion dollar spending spree has come not just luring prominent filmmakers and producers to the streaming site but also allow them the resources to make a film as lush and beautiful as any made under the remaining big studios.

Let’s hope Outlaw King is more on the level of Mudbound and less like Bright.

What if Lisa Picked The Oscar Nominees — 2016 Edition


With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are starred and listed in bold.

(You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.)

(Click on the links to see my nominations for 20152014, 2013, 2012, 2011, and 2010!)

ten

Best Picture

*American Honey*

Arrival

Hell or High Water

Kubo and the Two Strings

La La Land

Love & Friendship

A Monster Calls

Moonlight

The Neon Demon

The Nice Guys

andrea-arnold

Best Director

*Andrea Arnold for American Honey

Shane Black for The Nice Guys

Barry Jenkins for Moonlight

David MacKenzie for Hell or High Water

Nicholas Winding Refn for The Neon Demon

Denis Villeneuve for Arrival

screen-shot-2016-09-27-at-6-04-38-am-1024x447

Best Actor

Andrew Garfield in Hacksaw Ridge

Ryan Gosling in The Nice Guys

Tom Hanks in Sully

Chris Pine in Hell or High Water

Ryan Reynolds in Deadpool

*Denzel Washington in Fences

arrival

Best Actress

*Amy Adams in Arrival

Kate Beckinsale in Love & Friendship

Viola Davis in Fences

Sasha Lane in American Honey

Emma Stone in La La Land

Anya Taylor-Joy in The Witch

mahershala-ali-moonlight

Best Supporting Actor

*Mahershala Ali in Moonlight

Tom Bennett in Love & Friendship

Jeff Bridges in Hell or High Water

Alden Ehrenreich in Hail Caesar!

John Goodman in 10 Cloverfield Lane

Patrick Stewart in Green Room

giphy

Best Supporting Actress

*Naomie Harris in Moonlight

Felicity Jones in A Monster Calls

Riley Keough in American Honey

Jena Malone in The Neon Demon

Helen Mirren in Eye in the Sky

Angourie Rice in The Nice Guys

screen-shot-2016-07-13-at-11-13-42-am

Best Voice Over and/or Stop Motion Performance

Auli’i Cravalho in Moana

Ellen DeGeneres in Finding Dory

Ginnifer Goodwin in Zootopia

*Liam Neeson in A Monster Calls

Art Parkinson in Kubo and the Two Strings

Charlize Theron in Kubo and the Two Strings

hell-or-high-water

Best Original Screenplay

American Honey

*Hell or High Water

Kubo and the Two Strings

La La Land

The Nice Guys

The Witch

hero_arrival-tiff-2016-2

Best Adapted Screenplay

*Arrival

The Jungle Book

Love & Friendship

Moonlight

A Monster Calls

Sully

kubo-main_0

Best Animated Film

Finding Dory

*Kubo and the Two Strings

Moana

Sausage Party

The Secret Life of Pets

Zootopia

maxresdefault

Best Documentary Feature

The Confessions of Thomas Quick

Holy Hell

O.J.: Made in America

Rigged 2016

Weiner

*The Witness

hero_american-honey-tiff-2016

Best Casting

*American Honey

Everybody Wants Some!!

La La Land

Moonlight

Hell or High Water

Green Room

screen_shot_2016-06-27_at_12-07-59_pm-0

Best Cinematography

American Honey

Arrival

Hell or High Water

La La Land

Moonlight

*The Neon Demon 

sc-love-friendship-mov-rev-0516-20160516

Best Costume Design

The Conjuring 2

Hail, Caesar!

La La Land

*Love & Friendship

The Nice Guys

The Witch

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Best Editing

Arrival

Hell or High Water

Kubo and the Two Strings

*La La Land

Moonlight

A Monster Calls

the-neon-demon-1-0-0

Best Makeup and Hairstyling

Captain America: Civil War

Deadpool

Doctor Strange

Everybody Wants Some!!

Hail, Caesar!

*The Neon Demon

Best Original Score

Hell or High Water

Kubo and the Two Strings

*La La Land

Moana

Moonlight

The Neon Demon

8a308a7e50428af372a418faee4de0a47288a895

Best Original Song

*”Audition (The Fool Who Dreams)” from La La Land

“How Far I’ll Go” from Moana

“Waving Goodbye” from The Neon Demon

“I’m so Humble” from Pop Star: Never Stop Never Stopping

“Drive It Like You Stole It” from Sing Street

“Go Now” from Sing Street

americanhoney1

Best Overall Use Of Music

*American Honey

The Conjuring Part Two

Hell or High Water

La La Land

The Neon Demon

Sing Street

10-cloverfield-lane-cast-530x298

Best Production Design

Arrival

Don’t Breathe

Green Room

The Neon Demon

La La Land

*10 Cloverfield Lane

review-hacksaw-ridge

Best Sound Editing

Captain America: Civil War

Deadpool

*Hacksaw Ridge

La La Land

A Monster Calls

Sully

sully-river-impact

Best Sound Mixing

Captain America: Civil War

Deadpool

Hacksaw Ridge

A Monster Calls

La La Land

*Sully

deadpool

Best Stunt Work

Captain America: Civil War

*Deadpool

Doctor Strange

Hacksaw Ridge

Jason Bourne

The Legend of Tarzan

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Best Visual Effects

Arrival

*Doctor Strange

The Jungle Book

Kubo and the Two Strings

A Monster Calls

Rogue One: A Star Wars Story

Films Listed By Number of Nominations:

13 Nominations — La La Land

1o Nominations — Hell or High Water

9 Nominations — Moonlight, The Neon Demon

8 Nominations — American Honey, Arrival, Kubo and the Two Strings, A Monster Calls

6 Nominations — The Nice Guys

5 Nominations — Deadpool, Love & Friendship

4 Nominations — Captain America: Civil War, Hacksaw Ridge, Hail Caesar!, Moana, Sully

3 Nominations — Doctor Strange, Green Room, Sing Street

2 Nominations — The Conjuring 2, Everybody Wants Some!!, Fences, Finding Dory, The Jungle Book, 10 Cloverfield Lane, The Witch, Zootopia

1 Nomination — The Confessions of Thomas Quick, Don’t Breathe, Eye in the Sky, Holy Hell, Jason Bourne, The Legend of Tarzan, O.J.: Made in America, Pop Star: Never Stop Never Stopping, Rigged 2016, Rogue One: A Star Wars Story, Sausage Party, The Secret Life of Pets, Weiner, The Witness

Films Listed By Number of Oscars Won:

4 Oscars — American Honey

3 Oscars — La La Land

2 Oscars — Arrival, Moonlight, The Neon Demon

1 Oscar — Deadpool, Doctor Strange, Fences, Hacksaw Ridge, Hell or High Water, Kubo and the Two Strings, Love & Friendship, A Monster Calls, Sully, 10 Cloverfield Lane, The Witness

Will the Academy agree with my predictions?  Probably not but we’ll find out on Tuesday!

2-ten

The Hawaii Film Critics Society Embraces La La Land


la-la-land

On January 16th, the film critics of Hawaii (and who wouldn’t want to be a member of that group?) announced their picks for the best of 2016!  They really, really liked La La Land!

BEST FILM:
La La Land

BEST DIRECTOR:
Damien Chazelle, La La Land
BEST ACTOR:
Casey Affleck, Manchester by the Sea
BEST ACTRESS:
Viola Davis, Fences
BEST SUPPORTING ACTOR:
Jeff Bridges, Hell or High Water (tie)
Michael Shannon, Nocturnal Animals
BEST SUPPORTING ACTRESS:
Michelle Williams, Manchester by the Sea
BEST ORIGINAL SCREENPLAY:
Taylor Sheridan, Hell or High Water
BEST ADAPTED SCREENPLAY:
Tom Ford (Based on the Novel by Austin Wright), Nocturnal Animals
BEST CINEMATOGRAPHY:
Linus Sandgren, La La Land 

BEST EDITING:
Tom Cross, La La Land
BEST ART DIRECTION:
Austin Gorg, La La Land 
BEST COSTUME DESIGN:
Madeline Fontaine, Jackie
BEST MAKE-UP:
Bill Corso, Deadpool
BEST VISUAL EFFECTS:
Arrival (tie)
Doctor Strange
BEST ORIGINAL SCORE:
Justin Hurwitz, La La Land 
BEST SONG: 
Justin Hurwitz, Benj Pasek and Justin Paul, “Audition (Fools Who Dream),” La La Land  (tie)
Lin-Manuel Miranda, “How Far I’ll Go,” Moana
BEST ANIMATED FILM:
Kubo and the Two Strings (dir. Travis Knight) (tie)
Zootopia (dir. Byron Howard, Rich Moore and Jared Bush)
BEST DOCUMENTARY:
OJ: Made in America (dir. Ezra Edelman)
BEST FOREIGN LANGUAGE FILM:
The Handmaiden (dir. Chan-wook Park), (South Korea) (tie)
Neruda (dir. Pablo Larrain),  (Chile)
BEST HAWAII FILM:
Moana (dir. Ron Clements, Don Hall, John Musker and Chris Williams)
BEST NEW FILMMAKER:
Dan Trachtenberg,  10 Cloverfield Lane
BEST FIRST FILM:
10 Cloverfield Lane (dir. Dan Trachtenberg)
BEST OVERLOOKED FILM:
Hell or High Water (dir. David Mackenzie)
BEST SCI-FI/HORROR FILM:
Arrival (dir. Denis Villeneuve)
BEST STUNTS:
The Magnificent Seven 
BEST VOCAL/MOTION CAPTURE PERFORMANCE:
Charlize Theron/ Kubo and the Two Strings
WORST FILM OF THE YEAR:
Fifty Shades of Black  (tie)
Zoolander 2

Film Review: Hell or High Water (dir by David Mackenzie)


The Texas-set film Hell or High Water features four excellent lead performances.  There’s Chris Pine and Ben Foster, playing brothers and robbing banks.  And then there’s Jeff Bridges and Gil Birmingham, as the two Texas Rangers who are attempting to hunt the brothers down.

But for me, my favorite character was the waitress who, during the latter half of the film, serves lunch to the two Texas Rangers.  When Bridges asks her how she’s doing, she replies, “Hot and not in the good way.”  When the two Rangers start to order their food, she stops them and tells them that everyone who comes in the diner orders the same thing except for one “asshole from New York” who tried to order a trout.  “We ain’t got no goddamn trout!”  It’s a short scene but it’s one of my favorites because, if you’ve ever spent any time in West Texas, you know that this scene is probably the most realistic in the entire film.

My second favorite character was a banker teller played by the great Dale Dickey.  When the Rangers ask her if the men who robbed her bank were black, she replies, “Their skin or their souls?”  You just have to hear the way that she delivers it.  In theory, that should be an awkward line but Dale Dickey makes it sound totally natural.

In fact, everything about Hell or High Water seems totally natural.  For a film about bank robbers, it’s actually a deceptively low-key film, one that is as memorable for its quiet moments as its shoot outs.  When the violence does come, it’s all the more jarring because the movie has spent so much time focusing on the tranquil stillness of the West Texas landscape.

(That said, I should point out that the film was actually shot in New Mexico.  But, quite frankly, New Mexico is pretty much just West Texas with more Democrats.)

Hell or High Water is a film that’s all about the little details.  The film opens with a bank robbery and, as the camera gracefully circles the bank, we catch a glimpse of graffiti announcing that the artist did 4 tours in Iraq and that “bailouts (are) for banks, not for me.”  At its heart, Hell or High Water is about the many people who have been left out of this so-called “economic recovery,” in which we’re all supposed to have such faith despite having seen little evidence of its existence.  While the rich get richer, the struggle of the people in Hell or High Water is ignored by everyone but them. And so, the people do what they can to survive.  For some, that means robbing banks.  For others — like a wonderfully snarky group of witnesses in a diner — that means refusing to admit that they saw anything happen.  If you want to see a realistic portrait of economic uncertainty and populist revoltuon, don’t waste your time with the cutesy bullshit and bourgeois Marxism of The Big Short.  Watch Hell or High Water.

Of course, not everyone is willing to turn a blind eye to the bank robbing brothers.  Hell or High Water is not just about economic anxiety.  It’s also about the unique struggle of being a bank robber in a part of the country where literally everyone has a gun.  (During one robbery, Pine asks an old customer if he has a gun on him.  “Damn right I got a gun on me!” the old man snaps back.)  As opposed to so many other films, Hell or High Water gets West Texas right.

(It’s probably not a coincidence that we’re told the brothers robbed a bank in Archer City, the home of legendary Texas writer, Larry McMurtry.)

As for the film’s cast, Jeff Bridges and Ben Foster get the two “showiest” roles.  Jeff Bridges plays a Texas Ranger who is only a few days away from retirement and who enjoys needling his partner.  (One of the main delights of the film is the comedic interaction between Bridges and Gil Birmingham.)  Ben Foster is the more reckless of the two brothers, an ex-con who declares that everyone is his enemy but, at the same time, shows himself to be willing to do anything to protect his brother.  Both Bridges and Foster give excellent performances and Foster, in particular, reminds us that he’s one of the most exciting actors working today.

And yet, for me, the true anchor of the film is Chris Pine.  Chris Pine, of course, is best known for starring in the last three Star Trek films.  And while he was always an adequate lead in those films and he gave a wonderfully self-aware performance in Into The Woods, none of his past films prepared me for just how good a job he does in Hell or High Water.  Pine gives a quiet and rather subtle performance and, when we first see him, we automatically assume that he’s been dragged into the criminal life by his more flamboyant brother.  But as the film progresses, we start to realize that there’s more to both the character and to Chris Pine as an actor.  By the end of the film, we’re forced to reconsider everything that we previously assumed about everyone.

Speaking of end of the film — let’s just say that Hell or High Water has one of the best final scenes of 2016.  Like the film itself, it’s deceptively low-key but it leaves you reeling.

It took me a while to see Hell or High Water but I’m glad I did.  Come Hell or high water, you should see it too.

Here Are The North Carolina Film Critics Association Nominations!


For Christmas, there was a temporary pause in the flood of precursor awards.  Now that Christmas has passed, Oscar season is back in full swing.

Today, the North Carolina Film Critics Association announced their nominations for the best of 2016!

And here they are:

BEST NARRATIVE FILM
Arrival
Hell or High Water
La La Land
Manchester by the Sea
Moonlight

BEST DOCUMENTARY FILM
13th
I Am Not Your Negro
Life, Animated
O.J.: Made in America
Weiner

BEST ANIMATED FILM
Finding Dory
Kubo and the Two Strings
Moana
Sausage Party
Zootopia

BEST FOREIGN LANGUAGE FILM
Elle
The Handmaiden
A Man Called Ove
Toni Erdmann
Things to Come

BEST DIRECTOR
Damien Chazelle — La La Land
Barry Jenkins — Moonlight
Kenneth Lonergan — Manchester by the Sea
David Mackenzie — Hell or High Water
Chan-woo Park — The Handmaiden

BEST CINEMATOGRAPHY
Chung-hoo Chung — The Handmaiden
James Laxton — Moonlight
Giles Nuttgens — Hell or High Water
Linus Sandgren — La La Land
Bradford Young — Arrival

BEST SPECIAL EFFECTS
Arrival
Captain America: Civil War
Doctor Strange
Jungle Book
Rogue One: A Star Wars Story

BEST ACTOR
Casey Affleck — Manchester by the Sea
Joel Edgerton — Loving
Ryan Gosling — La La Land
Viggo Mortensen — Captain Fantastic
Denzel Washington — Fences

BEST SUPPORTING ACTOR
Mahershala Ali — Moonlight
Jeff Bridges — Hell or High Water
Ben Foster — Hell or High Water
Lucas Hedges — Manchester by the Sea
Sam Neill — Hunt for the Wilderpeople

BEST ACTRESS
Annette Bening — 20th Century Women
Kate Beckinsale — Love & Friendship
Ruth Negga — Loving
Natalie Portman — Jackie
Emma Stone — La La Land

BEST SUPPORTING ACTRESS
Viola Davis — Fences
Greta Gerwig — 20th Century Women
Naomie Harris — Moonlight
Nicole Kidman — Lion
Michelle Williams — Manchester by the Sea

BEST ORIGINAL SCREENPLAY
Damien Chazelle — La La Land
Barry Jenkins — Moonlight
Kenneth Lonergan — Manchester by the Sea
Mike Mills — 20th Century Women
Taylor Sheridan — Hell or High Water

BEST ADAPTED SCREENPLAY
Tom Ford — Nocturnal Animals
Eric Heisserer — Arrival
Seo-kyeong Jeong and Chan-wook Park — The Handmaiden
Whit Stillman — Love & Friendship
Taika Waititi — Hunt for the Wilderpeople

KEN HANKE MEMORIAL TAR HEEL AWARD
(To an artist or film with a special connection to North Carolina.)
Anthony Mackie
Jeff Nichols
Starving the Beast

The Alliance of Women Film Journalists Announced Their Picks For The Best of 2016!


american_honey_poster

The Alliance of Women Film Journalists (of which I am not a member and what’s up with that!?) announced their picks for the best of 2016 earlier this week.

And here they are:

AWFJ BEST OF AWARDS
These awards are presented to women and/or men without gender consideration.
Best Film
Arrival
Hell or High Water
La La Land
Manchester by the Sea
Moonlight

Best Director
Damien Chazelle – La La Land
Barry Jenkins – Moonlight
Kenneth Lonergan – Manchester by the Sea
David Mackenzie – Hell or High Water
Denis Villeneuve – Arrival

Best Screenplay, Original
20th Century Women – Mike Mills
Hail Caesar – Joel Coen and Ethan Coen
Hell or High Water – Taylor Sheridan
La La Land – Damien Chazelle
Manchester by the Sea – Kenneth Lonergan

Best Screenplay, Adapted
Arrival – Eric Heisserer
Lion – Luke Davies
Love & Friendship – Whit Stillman
Moonlight – Barry Jenkins
Nocturnal Animals –Tom Ford

Best Documentary
13th – Ava DuVernay
Gleason – Clay Tweel
I Am Not Your Negro – Raoul Peck
OJ Made in America – Ezra Edelman
Weiner – Elyse Steinberg and Josh Kriegma

Best Animated Film
Finding Dory – Andrew Stanton andAngus MacLane
Kubo and the Two Strings- Travis Knight
Moana – Ron Clements, Don Hall, John Musker, Chris Williams
Zootopia – Byron Howard, Rich Moore, Jared Bush

Best Actress
Amy Adams – Arrival
Isabelle Huppert – Elle
Ruth Negga – Loving
Natalie Portman – Jackie
Emma Stone – La La Land

Best Actress in a Supporting Role
Viola Davis – Fences
Greta Gerwig – 20th Century Women
Naomie Harris – Moonlight
Octavia Spencer – Hidden Figures
Michelle Williams – Manchester by the Sea

Best Actor
Casey Affleck – Manchester By The Sea
Joel Edgerton – Loving
Ryan Gosling – La La Land
Tom Hanks – Sully
Denzel Washington – Fences

Best Actor in a Supporting Role
Mahershala Ali – Moonlight
Jeff Bridges – Hell or High Water
Ben Foster – Hell or High Water
Lucas Hedges – Manchester By the Sea
Michael Shannon – Nocturnal Animals

Best Ensemble Cast – Casting Director
20th Century Women – Mark Bennett and Laura Rosenthal
Hail Caesar – Ellen Chenoweth
Hell or High Water – Jo Edna Boldin and Richard Hicks
Manchester by the Sea – Douglas Aibel
Moonlight – Yesi Ramirez

Best Cinematography
Arrival – Bradford Young
Hell or High Water – Giles Nuttgens
La La Land – Linus Sandgren
Manchester by The Sea – Jody Lee Lipes
Moonlight – James Laxton

Best Editing
Arrival – Joe Walker
I Am Not Your Negro — Alexandra Strauss
La La Land – Tom Cross
Manchester By The Sea – Jennifer Lame
Moonlight – Joi McMillon and Nat Sanders

Best Non-English-Language Film
Elle – Paul Verhoeven, France
Fire At Sea – Gianfranco Rossi, Italy
The Handmaiden – Chan-Wook Park, South Korea
Julieta – Pedro Almodovar. Spain
Toni Erdmann – Maren Ede, Germany

EDA FEMALE FOCUS AWARDS
These awards honor WOMEN only

Best Woman Director
Andrea Arnold – American Honey
Ava DuVernay -13TH
Rebecca Miller – Maggie’s Plan
Mira Nair – Queen of Katwe
Kelly Reichardt – Certain Women

Best Woman Screenwriter
Andrea Arnold – American Honey
Rebecca Miller – Maggie’s Plan
Kelly Reichardt – Certain Women
Lorene Scafaria – The Meddler
Laura Terruso – Hello, My Name is Doris

Best Animated Female
Dory in Finding Dory –Ellen DeGeneres
Judy in Zootopia – Ginnifer Goodwin
Moana in Moana – Auli’i Cravalho

Best Breakthrough Performance
Sasha Lane – American Honey
Janelle Monáe – Moonlight and Hidden Figures
Madina Nalwanga – Queen of Katwe
Ruth Negga – Loving

Outstanding Achievement by A Woman in The Film Industry
Ava DuVernay – For 13TH and raising awareness about the need for diversity and gender equality in Hollywood
Anne Hubbell and Amy Hobby for establishing Tangerine Entertainment’s Juice Fund to support female filmmakers
Mynette Louie, President of Gamechanger Films, which finances narrative films directed by women
April Reign for creating and mobilizing the #OscarsSoWhite campaign

EDA SPECIAL MENTION AWARDS

Actress Defying Age and Ageism
Annette Bening – 20th Century Women
Viola Davis – Fences
Sally Field – Hello, My Name is Doris
Isabelle Huppert – Elle and Things to Come
Helen Mirren – Eye in the Sky

Most Egregious Age Difference Between The Lead and The Love Interest Award
Dirty Grandpa – Robert De Niro (b. 1943) and Aubrey Plaza (b. 1984)
Independence Day: Resurgence – Charlotte Gainsbourg (b 1971) and Jeff Goldblum (b 1952)
Mechanic Resurrection – Jason Statham (b. 1967) and Jessica Aba (b. 1981)
Rules Don’t Apply – Warren Beatty (b. 1937) and Lily Collins (b. 1989)

Actress Most in Need Of A New Agent
Jennifer Aniston – Mother’s Day and Office Christmas Party
Melissa McCarthy – The Boss and Ghostbusters
Margot Robbie – Suicide Squad and Tarzan
Julia Roberts – Mother’s Day
Shailene Woodley – Divergent Series

Bravest Performance
Jessica Chastain – Miss Sloane
Naomie Harris – Moonlight
Isabelle Huppert – Elle
Sasha Lane – American Honey
Ruth Negga – Loving

Remake or Sequel That Shouldn’t have been Made
Ben-Hur
Ghostbusters
Independence Day: Resurgence
The Magnificent Seven
My Big Fat Greek Wedding 2

AWFJ Hall of Shame Award
Sharon Maguire and Renee Zellweger for Bridget Jones’s Baby
Nicholas Winding Refn and Elle Fanning for The Neon Demon
David Ayer and Margot Robbie for Suicide Squad
David E. Talbert and Mo’Nique for Almost Christmas

The Nevada Film Critics Society Honors Hell or High Water!


Highway to Hell

Whoops, that’s the wrong “Hell” movie…

The Nevada Film Critics Society has spoken!

(Hopefully, the awards will be handed out on Aces High, the Ace Rothstein Show … with the Ace Rothstein Dancers!…)

Best Film – “Hell or High Water”
Best Actor – Casey Affleck – “Manchester by the Sea”
Best Actress – Annette Bening – “20th Century Women”
Best Supporting Actor – Ben Foster – “Hell or High Water”
Best Supporting Actress – Greta Gerwig – “20th Century Women”
Best Youth Performance – Alex Hibbert – “Moonlight”
Best Director – David Mackenzie – “Hell or High Water”
Best Original Screenplay – Taylor Sheridan- “Hell or High Water”
Best Adapted Screenplay – Eric Heisserer – “Arrival”
Best Ensemble – Moonlight
Best Documentary – “O.J. Made in America
”
Best Animated Movie – “Moana”
Best Production Design – David Wasco and Sandy Reynold-Wasco – “La La Land”
Best Cinematography – Linus Sandgren – “La La Land”
Best Visual Effects – “Rogue One: A Star Wars Story”

There! That's the right movie...

There! That’s the right movie…