Shattered Politics #89: Hyde Park on Hudson (dir by Roger Michell)


Hyde_park_on_hudson_poster

Is there anything more frustrating than a film that should have been good but yet somehow turned out to be … well, to be rather awful?

Case in point: 2012’s Hyde Park On Hudson.  In this slow-moving and almost painfully old-fashioned film, Bill Murray plays President Franklin D. Roosevelt.  When the film opens in 1939, Roosevelt is being visited by his sixth cousin, Margaret (Laura Linney).  It’s been several years since Roosevelt and Margaret last saw each other.  Franklin’s mother (Elizabeth Wilson) thinks that Margaret’s company could cheer up her melancholy son.  So, FDR and Margaret go out for a drive and, sitting atop a nice green hill, Margaret gives him a hand job.

And it is the most stately and respectable hand job to ever be quaintly portrayed in an American film.

Anyway, the rest of the film deals with FDR’s affair with Margaret.  Eventually, Margaret discovers that FDR has many mistresses but, before she does that, she helps FDR to charm England’s King George VI (Samuel West).  In the days leading up to World War II, George and his wife (Olivia Colman) visit Roosevelt out at his Hyde Park estate.  As we all know from watching The King’s Speech, George is insecure about his stutter.  But, fortunately, FDR points out that, despite the fact that he’s in a wheelchair, people still view him as being a strong leader and therefore, people will view George in the same way, regardless of his stutter.

And, speaking as a former stutterer, I have to say that it’s amazing to witness how poorly Hyde Park On Hudson deals with subject matter that was so brilliantly handled in The King’s Speech.

When I first heard about Hyde Park On Hudson, I had high hopes for it.  After all, I love history.  I love royalty.  I love gossip and I love scandal.  And, really. FDR was one of our more gossip-worthy Presidents, a spoiled rich kid who could not reach his full potential until after he was struck down by polio and who regularly cheated on his wife while battling both the Great Depression and the Nazis.  FDR was a dynamic and controversial figure and none of that comes through in Hyde Park on Hudson.

(Seriously, Bill Murray is totally wasted in this film.  If you’re going to cast an iconic actor in an iconic role, at least give him some good dialogue.)

In the end, Hyde Park on Hudson fails because it’s just too respectful.  It’s a slow, visually unimaginative film that manages to make an exciting time feel dull.  FDR deserves better and so does Bill Murray.

I Got Your Golden Globes Right Here…


We’re halfway through Oscar season and that means that it’s time for the Golden Globes to weigh in.  To be honest, I think the Golden Globes are somewhat overrated as an Oscar precursor.  For the most part, the Golden Globes usually honors the films that are on everyone’s radar and then they come up with one or two nominations that nobody was expecting.  However, those surprise nominations rarely seem to translate into anything once it comes to time to announce the Oscar nominations.

So, while Salmon Fishing In The Yemen did receive a few surprise nominations (and those nominations were deserved, by the way), I doubt that we’ll see the movie mentioned on January 10th when the Oscar nominations are announced.

From the reaction that I’ve seen on the usual awards sites,  a lot of the usual suspects are upset that Beasts of the Southern Wild was completely snubbed.  Actually, they’re not just upset.  They’re about as outraged about this as they were when The Social Network lost best picture to King’s Speech.  The way they’re carrying on, you would think that someone had just informed them that David Fincher’s version of The Girl With The Dragon Tattoo was a thoroughly unneccessary rehash of an already brilliant film.  Seriously, the facade of Stone has fallen and tears are being shed.

Myself, I’m more annoyed that neither The Cabin In The Woods nor Anna Karenina are getting the love that they deserve.

Anyway, with all that in mind, here are the Golden Globe nominations!

BEST DRAMA
“Argo”
“Django Unchained”
“Life of Pi”
“Lincoln”
“Zero Dark Thirty”

BEST DRAMA ACTOR
Daniel Day-Lewis, “Lincoln”
Richard Gere, “Arbitrage”
John Hawkes, “The Sessions”
Joaquin Phoenix, “The Master”
Denzel Washington, “Flight”

BEST DRAMA ACTRESS
Marion Cotillard, “Rust and Bone”
Jessica Chastain, “Zero Dark Thirty”
Helen Mirren, “Hitchcock”
Naomi Watts, “The Impossible”
Rachel Weisz, “The Deep Blue Sea”

BEST COMEDY/MUSICAL PICTURE
“The Best Exotic Marigold Hotel”
“Les Miserables”
“Moonrise Kingdom”
“Silver Linings Playbook”
“Salmon Fishing in the Yemen”

BEST COMEDY/MUSICAL ACTOR
Jack Black, “Bernie”
Bradley Cooper, “Silver Linings Playbook,”
Hugh Jackman, “Les Miserables”
Ewan McGregor, “Salmon Fishing in the Yemen”
Bill Murray, “Hyde Park on Hudson”

BEST COMEDY/MUSICAL ACTRESS
Emily Blunt, “Salmon Fishing in the Yemen”
Jennifer Lawrence, “Silver Linings Playbook”
Judi Dench, “Best Exotic Marigold Hotel”
Maggie Smith, “Quartet”
Meryl Streep, “Hope Springs”

 

BEST SUPPORTING ACTOR 
Alan Arkin, “Argo”
Philip Seymour Hoffman, “The Master”
Christoph Waltz, “Django Unchained”
Leonardo DiCaprio, “Django Unchained”
Tommy Lee Jones, “Lincoln”

BEST SUPPORTING ACTRESS
Anne Hathaway, “Les Miserables”
Helen Hunt, “The Sessions”
Amy Adams, “The Master”
Sally Field, “Lincoln”
Nicole Kidman, “The Paperboy”

BEST DIRECTOR
Ben Affleck, “Argo”
Ang Lee, “Life of Pi”
Steven Spielberg, “Lincoln”
Quentin Tarantino, “Django Unchained”
Kathryn Bigelow, “Zero Dark Thirty”

BEST SCREENPLAY
“Silver Linings Playbook”
“Argo”
“Django Unchained”
“Zero Dark Thirty”
“Lincoln”

BEST ORIGINAL SCORE
“Anna Karenina”
“Life of Pi”
“Argo”
“Lincoln”
“Cloud Atlas”

BEST ORIGINAL SONG
“For You” from “Act of Valor”
Music by: Monty Powell, Keith Urban Lyrics by: Monty Powell, Keith Urban

“Not Running Anymore” from “Stand Up Guys”
Music by: Jon Bon Jovi Lyrics by: Jon Bon Jovi

“Safe and Sound” from “The Hunger Games”
Music by: Taylor Swift, John Paul White, Joy Williams, T Bone Burnett Lyrics by: Taylor Swift, John Paul White, Joy Williams, T Bone Burnett

“Skyfall” form “Skyfall”
Music by: Adele, Paul Epworth Lyrics by: Adele, Paul Epworth

“Suddenly” from “Les Miserables”
Music by: Claude-Michel Schonberg Lyrics by: Alain Boublil, Claude-Michel Schonberg

BEST ANIMATED FILM 
“Brave”
“Frankenweenie”
“Wreck-it Ralph”
“Rise of the Guardians”
“Hotel Transylvania”

BEST FOREIGN LANGUAGE FILM 
“The Intouchables”
“Amour”
“A Royal Affair”
“Rust and Bone”
“Kon-Tiki”

By the way, here are the Satellite Award Nominations…


In even more Oscar season news, the International Press Association announced their nominations for the Satellite Awards yesterday.  Les Miserables led with 10 nominations.

If you’re like most people who don’t obsess over film awards then chances are that you’ve never heard of the International Press Association.  And that’s okay.  The main thing to know is that it’s Oscar season and that means that everyone’s giving out an award.  The Satellites are a lot like the Golden Globes, just with less credibility.  As far as serving as a precursor is concerned, a Satellite win can help a film maintain momentum but a loss doesn’t really hurt.

That said, for the past few years, I’ve always ended up agreeing more with the Satellite Nominations than with either the Oscars or the Golden Globes.  For instance, back in 2010, the Satellites nominated Noomi Rapace for her performance in the original (and the best) version of The Girl With The Dragon Tattoo.

BEST PICTURE
“Argo”
“Beasts Of The Southern Wild”
“Life Of Pi”
“Lincoln”
“Les Misérables”
“Moonrise Kingdom”
“The Sessions”
“Silver Linings Playbook”
“Skyfall”
“Zero Dark Thirty”

BEST DIRECTOR
Ben Affleck, “Argo”
Steven Spielberg, “Lincoln”
Kim Ki-duk, “Pieta“
Ben Lewin, “The Sessions”
David O. Russell, “Silver Linings Playbook”
Kathryn Bigelow, “Zero Dark Thirty”

BEST ACTRESS
Laura Birn, “Purge”
Jessica Chastain, “Zero Dark Thirty”
Emilie Dequenne, “Our Children”
Keira Knightley, “Anna Karenina”
Jennifer Lawrence, “Silver Linings Playbook”
Laura Linney, “Hyde Park On Hudson”
Emmanuelle Riva, “Amour”

BEST ACTOR
Bradley Cooper, “Silver Linings Playbook”
Daniel Day-Lewis, “Lincoln”
John Hawkes, “The Sessions”
Hugh Jackman, “Les Misérables”
Joaquin Phoenix, “The Master”
Omar Sy, “The Intouchables”
Denzel Washington, “Flight”

BEST SUPPORTING ACTRESS
Amy Adams, “The Master”
Samantha Barks, “Les Miserables“
Judi Dench, “Skyfall”
Helene Florent, “Café De Flore”
Anne Hathaway, “Les Misérables”
Helen Hunt, “The Sessions”

BEST SUPPORTING ACTOR
Javier Bardem, “Skyfall”
Robert De Niro, “Silver Linings Playbook”
John Goodman, “Flight”
Philip Seymour Hoffman, “The Master”
Tommy Lee Jones, “Lincoln”
Eddie Redmayne, “Les Misérables”

BEST ORIGINAL SCREENPLAY
John Gatins, “Flight”
Eric Toledano and Olivier Nakache, “The Intouchables”
Paul Thomas Anderson, “The Master”
Roman Coppola and Wes Anderson, “Moonrise Kingdom”
Kim Ki-duk, “Pieta”
Mark Boal, “Zero Dark Thirty”

BEST ADAPTED SCREENPLAY
Tom Stoppard, “Anna Karenina”
Chris Terrio, “Argo”
David Magee, “Life Of Pi”
Tony Kushner, “Lincoln”
Ben Lewin, “The Sessions”
David O. Russell, “Silver Linings Playbook”

BEST FOREIGN LANGUAGE FILM
“Amour” (Austria)
“Beyond The Hills” (Romania)
“Caesar Must Die” (Italy)
“The Intouchables” (France)
“Kon-Tiki” (Norway)
“Our Children” (Belgium)
“Pieta” (South Korea)
“A Royal Affair” (Denmark)
“War Witch” (Canada)

BEST ANIMATED OR MIXED-MEDIA FILM
“Brave”
“Frankenweenie”
“Ice Age 4: Continental Drift”
“Madagascar 3: Europe’s Most Wanted”
“Paranorman”
“Rise Of The Guardians”
“Wreck-It Ralph”

BEST DOCUMENTARY FEATURE
“Ai Weiwei: Never Sorry”
“The Central Park Five”
“Chasing Ice”
“The Gatekeepers”
“Marina Abramovic: The Artist Is Present”
“The Pruitt-Igoe Myth”
“Searching For Sugar Man”
“West Of Memphis”

BEST CINEMATOGRAPHY
Seamus McGarvey, “Anna Karenina”
Ben Richardson, “Beasts Of The Southern Wild”
Claudio Miranda, “Life Of Pi”
Janusz Kaminski, “Lincoln”
Mihai Malaimare, Jr., “The Master”
Roger Deakins, “Skyfall”

BEST PRODUCTION DESIGN
Sarah Greenwood, Niall Moroney, Thomas Brown, Nick Gottschalk and Tom Still, “Anna Karenina”
Nathan Crowley, Kevin Kavanaugh, James Hambidge and Naaman Marshall, “The Dark Knight Rises”
Rick Carter, Curt Beech, David Crank and Leslie McDonald, “Lincoln”
David Crank and Jack Fisk, “The Master”
Eve Stewart and Anna Lynch-Robinson, “Les Misérables”
Niels Sejer, “A Royal Affair”

BEST COSTUME DESIGN
Jacqueline Durran, “Anna Karenina”
Kym Barrett and Pierre-Yves Gayraud, “Cloud Atlas”
Christian Gasc and Valerie Ranchoux, “Farewell, My Queen”
Paco Delgado, “Les Misérables”
Manon Rasmussen, “A Royal Affair”
Colleen Atwood, “Snow White And The Huntsman”

BEST FILM EDITING
Alexander Berner, “Cloud Atlas”
Jeremiah O’Driscoll, “Flight”
Chris Dickens, “Les Misérables”
Lisa Bromwell, “The Sessions”
Jay Cassidy, “Silver Linings Playbook”
Dylan Tichenor, “Zero Dark Thirty”

BEST ORIGINAL SCORE
Dario Marianelli, “Anna Karenina”
Alexandre Desplat, “Argo”
Dan Romer and Benh Zeitlin, “Beasts Of The Southern Wild”
John Williams, “Lincoln”
Jonny Greenwood, “The Master”
Thomas Newman, “Skyfall”

BEST ORIGINAL SONG
“Learn Me Right,” “Brave”
“Fire In The Blood/Snake Song” “Lawless”
“Love Always Comes As A Surprise,” “Madagascar 3: Europe’s Most Wanted”
“Suddenly,” “Les Misérables”
“Still Alive,” “Paul Williams: Still Alive”
“Skyfall,” “Skyfall”

BEST SOUND (EDITING AND MIXING)
“Flight”
“Les Misérables”
“Snow White And The Huntsman”
“Kon-Tiki”
“Life Of Pi”
“Prometheus”

BEST VISUAL EFFECTS
“Cloud Atlas”
“The Dark Knight Rises”
“Flight”
“Life Of Pi”
“Prometheus”
“Skyfall”