I Got Your Golden Globes Right Here…


We’re halfway through Oscar season and that means that it’s time for the Golden Globes to weigh in.  To be honest, I think the Golden Globes are somewhat overrated as an Oscar precursor.  For the most part, the Golden Globes usually honors the films that are on everyone’s radar and then they come up with one or two nominations that nobody was expecting.  However, those surprise nominations rarely seem to translate into anything once it comes to time to announce the Oscar nominations.

So, while Salmon Fishing In The Yemen did receive a few surprise nominations (and those nominations were deserved, by the way), I doubt that we’ll see the movie mentioned on January 10th when the Oscar nominations are announced.

From the reaction that I’ve seen on the usual awards sites,  a lot of the usual suspects are upset that Beasts of the Southern Wild was completely snubbed.  Actually, they’re not just upset.  They’re about as outraged about this as they were when The Social Network lost best picture to King’s Speech.  The way they’re carrying on, you would think that someone had just informed them that David Fincher’s version of The Girl With The Dragon Tattoo was a thoroughly unneccessary rehash of an already brilliant film.  Seriously, the facade of Stone has fallen and tears are being shed.

Myself, I’m more annoyed that neither The Cabin In The Woods nor Anna Karenina are getting the love that they deserve.

Anyway, with all that in mind, here are the Golden Globe nominations!

BEST DRAMA
“Argo”
“Django Unchained”
“Life of Pi”
“Lincoln”
“Zero Dark Thirty”

BEST DRAMA ACTOR
Daniel Day-Lewis, “Lincoln”
Richard Gere, “Arbitrage”
John Hawkes, “The Sessions”
Joaquin Phoenix, “The Master”
Denzel Washington, “Flight”

BEST DRAMA ACTRESS
Marion Cotillard, “Rust and Bone”
Jessica Chastain, “Zero Dark Thirty”
Helen Mirren, “Hitchcock”
Naomi Watts, “The Impossible”
Rachel Weisz, “The Deep Blue Sea”

BEST COMEDY/MUSICAL PICTURE
“The Best Exotic Marigold Hotel”
“Les Miserables”
“Moonrise Kingdom”
“Silver Linings Playbook”
“Salmon Fishing in the Yemen”

BEST COMEDY/MUSICAL ACTOR
Jack Black, “Bernie”
Bradley Cooper, “Silver Linings Playbook,”
Hugh Jackman, “Les Miserables”
Ewan McGregor, “Salmon Fishing in the Yemen”
Bill Murray, “Hyde Park on Hudson”

BEST COMEDY/MUSICAL ACTRESS
Emily Blunt, “Salmon Fishing in the Yemen”
Jennifer Lawrence, “Silver Linings Playbook”
Judi Dench, “Best Exotic Marigold Hotel”
Maggie Smith, “Quartet”
Meryl Streep, “Hope Springs”

 

BEST SUPPORTING ACTOR 
Alan Arkin, “Argo”
Philip Seymour Hoffman, “The Master”
Christoph Waltz, “Django Unchained”
Leonardo DiCaprio, “Django Unchained”
Tommy Lee Jones, “Lincoln”

BEST SUPPORTING ACTRESS
Anne Hathaway, “Les Miserables”
Helen Hunt, “The Sessions”
Amy Adams, “The Master”
Sally Field, “Lincoln”
Nicole Kidman, “The Paperboy”

BEST DIRECTOR
Ben Affleck, “Argo”
Ang Lee, “Life of Pi”
Steven Spielberg, “Lincoln”
Quentin Tarantino, “Django Unchained”
Kathryn Bigelow, “Zero Dark Thirty”

BEST SCREENPLAY
“Silver Linings Playbook”
“Argo”
“Django Unchained”
“Zero Dark Thirty”
“Lincoln”

BEST ORIGINAL SCORE
“Anna Karenina”
“Life of Pi”
“Argo”
“Lincoln”
“Cloud Atlas”

BEST ORIGINAL SONG
“For You” from “Act of Valor”
Music by: Monty Powell, Keith Urban Lyrics by: Monty Powell, Keith Urban

“Not Running Anymore” from “Stand Up Guys”
Music by: Jon Bon Jovi Lyrics by: Jon Bon Jovi

“Safe and Sound” from “The Hunger Games”
Music by: Taylor Swift, John Paul White, Joy Williams, T Bone Burnett Lyrics by: Taylor Swift, John Paul White, Joy Williams, T Bone Burnett

“Skyfall” form “Skyfall”
Music by: Adele, Paul Epworth Lyrics by: Adele, Paul Epworth

“Suddenly” from “Les Miserables”
Music by: Claude-Michel Schonberg Lyrics by: Alain Boublil, Claude-Michel Schonberg

BEST ANIMATED FILM 
“Brave”
“Frankenweenie”
“Wreck-it Ralph”
“Rise of the Guardians”
“Hotel Transylvania”

BEST FOREIGN LANGUAGE FILM 
“The Intouchables”
“Amour”
“A Royal Affair”
“Rust and Bone”
“Kon-Tiki”

Lisa Marie Goes Salmon Fishing In The Yemen (dir. by Lasse Hallstrom)


After spending the last two weeks watching the endless mayhem of the Friday the 13th franchise, I was really in the mood for a nice, low-key romantic comedy and that’s exactly what I got on Tuesday night when I went to the Dallas Angelika and saw Salmon Fishing In The Yemen.

Now, I have to admit that I come from a family that is full of people who like to fish.  I, however, am not one of them.  First off, as I’ve explained here numerous times, Lisa does not do water.  Second, I have never seen the appeal of spending hours doing nothing just on the off-chance that you might catch a slimy fish that you’re just going to toss back into lake or river or wherever it is that they’re just trying to live their lives day-to-day.  (Seriously, it seems like that would be very traumatic for the fish.)  I understand that there’s supposed to be some zen nature thing that comes along with fishing but … no, I just don’t get it.

Fred Jones (played by Ewan McGregor) would disagree with me.  Fred is a world-renowned expert on fish and fishing who works for the British government.  It quickly becomes apparent that Fred is more comfortable fishing than dealing with other human beings.  (The film goes as far as to have another character suggest that he has Asperger’s syndrome but I’m going to disagree with that diagnosis because, quite frankly, I think that the current popularity of characters and celebrities with self-diagnosed Asperger’s syndrome is really more of a case of lazy characterization than anything else.)  Anyway, Fred is stuck in a failing marriage and is suffering from a huge case of ennui but that all changes when he meets Harriet (Emily Blunt).

Harriet is a neurotic girl whose boyfriend Robert (a very handsome and charming Tom Mison) is serving in Afghanistan.  Harriet works for a consulting firm that has been contracted by a wealthy sheikh (Amr Waked) who wants to introduce salmon fishing to the desert country of Yemen.  While Fred claims that the sheikh’s idea is impossible, the British government decides that the project has a lot of PR value and soon, both Fred and Harriet find themselves in Yemen, attempting to introduce salmon into a foreign habitat, dealing with suspicious and militant locals, and, of course, falling in love.

Salmon Fishing In The Yemen is an undeniably uneven film and it didn’t really change my opinion of fishing but I still enjoyed it.  It’s a genuinely sweet-natured film and, as was proven last year in Beginners, nobody falls in love on-screen as convincingly as Ewan McGregor and he and Emily Blunt have a very likable chemistry.  They make for a super cute couple and you really do find yourself hoping that they get together and really, what else can you ask for when you go to a see a romantic comedy? 

I was a bit less impressed with the film’s attempt at political satire but that may have had more to do with my own election year fatigue than anything else.  That said, the Prime Minister’s press secretary is played Kristin Scott Thomas and she literally gives one of the most ferocious performances that I’ve ever seen.  She snarls and snaps with such skill that she made even the film’s most heavy-handed moments entertaining.  Perhaps her signature moment comes when another character offers her his resignation and she snaps back, without missing a beat, “Accepted.”  Scott Thomas utters that one line with the perfect combination of venom, annoyance, and gratitude.

Seriously, somebody get Kristen Scott Thomas her own HBO sitcom.  She deserves it.